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Authors: David Carrico

1635: Music and Murder (11 page)

BOOK: 1635: Music and Murder
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Then the rain began.

****

Franz's train of thought stopped abruptly when Mary Simpson returned. He shot to his feet.

"Frau Simpson, how is Marla?" The worry in his tone matched the expression on his face. Mary settled into a nearby chair, crossed her legs and waved him back to his own seat.

"Marla is just fine," she said, smiling. "She's changed into dry clothing and is getting warm. She was already starting to feel better when I left her."

"But will she be all right?" he persisted.

"Franz, she is fine." Mary's voice had a soothing note, and Franz finally relaxed back into the embrace of his chair.

Now that his mind was easing, Franz became very aware of the presence of Mary Simpson. She reminded him of Marla. It wasn't a physical resemblance. Neither woman was classically beautiful; Mary's nose was somewhat aquiline, and Marla's chin was a shade too strong. Physically, Mary was a small woman, slightly built, whereas most down-timer men, including Franz himself, had to look up to meet Marla's eyes. And when it came to eyes, Marla's were blue and set in a pale complexion, while Mary's were gray and framed by slightly olive skin. At the moment, Mary's eyes were warm and smiling, but Franz could easily guess that if she became angry they would be storm cloud gray, to match the ice that could sometimes come to Marla's gaze. They both had black hair, but Marla's was glossy, long and straight, while Mary had short wavy black hair turning gray at the temples. That gray hair and the small wrinkles at the outside corners of her eyes were the only things that indicated that Mary was perhaps older than she appeared to be at first glance.

Though there wasn't a strong likeness in appearance, the two women were even so similar in poise and grace. Just now, despite the fact that Mary was wearing trousers, Franz still felt an impression that earlier she had been gracefully moving in formal attire. Marla could move with sufficient poise at times that one would ignore the jeans and sweater that she might be wearing. Both women had a smile that could light a room and serve as a beacon of warmth. Right now Mrs. Simpson's smile was focused on him.

"So, since you're here, Franz, I assume that the piano made the trip safely?"

"Yes, Frau Simpson . . . "

"Call me Mary, please."

"Mary," Franz smiled a little, recalling his comparison of Mary and Marla, and how frequently he had heard another voice saying, "Call me Marla." Recollecting the question he had been asked, he continued, "Yes, the piano arrived safely. Even in her pain, Marla would not move from the docks until she saw it taken from the barge and loaded safely on a wagon."

"Good." Mary nodded. "I really wanted it to unload at the naval docks, but I couldn't get John to agree." Franz realized she was referring to her husband, John Simpson, Admiral of the USE Navy. "He said that things were too tightly scheduled right now for him to spare that much time at one of their docks." She frowned a little, then shrugged. "He did agree that he would send one of his men to the civilian docks to oversee the unloading there and make sure that everything went well."

"There was a Navy man at the dock, and he did indeed watch all the unloading," Franz said. "But everyone on the dock, including the Navy man, was watching another man out of the corners of their eyes. I do not know him. He did nothing but stand there in the rain, hands in pockets, and watch the unloading. He was not dressed well, but all the dockmen and bargemen acted as if he was an angel of the Lord. They walked wide circles around him, would not face him, and they worked at the unloading like men possessed. The crate was off its barge and on the wagon almost before we could climb up the gangplank from our barge to the dock. He did not introduce himself the whole time, even when the Navy man was telling the wagon driver where to take the crate and me how to find your house."

"That must have been Gunther," Mary replied. In response to Franz's raised eyebrow she continued, "Gunther Achterhof, the head of the local Committee of Correspondence."

Now both of Franz's eyebrows climbed to meet his hairline, and he gave a low whistle. Gunther Achterhof was building a reputation among the Committees of Correspondence. If Gretchen Higgins was the Moses of the CoC and Spartacus was Aaron the spokesman, then Gunther was reputed to be another Caleb, the fierce old man who at the age of eighty had told Joshua, "Give me the mountain with the wildest tribes to conquer," and then had gone out and done it. Remembering the stony face he had seen at the dock, Franz had no trouble believing everything he had heard about him.

"Oh, yes," Mary smiled slightly, "right now John and I are in very good favor with the Committees, partly because of the Navy and partly because of some other things."

Franz knew she referred to the events of the previous two weeks, where Magdeburg—indeed, much of northern Germany—seethed on the edge of open rebellion after the Battle of Wismar and the revelation of the self-sacrifice of Hans Richter. The actions of Admiral and Mrs. Simpson had been part of the lid that had kept that particular political pot from boiling over.

"Right now, anything that either of us finds important," Mary continued, "the Committees take an interest in. I imagine Hilde, our housekeeper, told him about the piano." In response to Franz's quizzical expression, she laughed a little. "Oh, yes, Hilde keeps them informed. I don't mind. John doesn't bring anything secret home from work, and since they have appointed themselves to see to our security, better that they get their information straight from the house rather than from rumors or from having to guess." She uncrossed her legs and leaned forward a little. "Now, tell me how the trip went. The last word I had was from a week ago, where Marla said she had the Steinway—which was great news—and that she would be coming by barge and would be arriving sometime around now."

Hilde had appeared with a tray carrying a coffee service while Mary was speaking. She poured two large cups of coffee as Mary finished and handed them to Franz and her mistress. She then took the wet coats from the hooks near the door and carried them away; to the kitchen Franz supposed, where they would be hopefully dried and warmed. Franz cradled the cup in his hands for a long moment, soaking up the warmth, especially in his crippled left hand, which was still aching from the cold. Finally, he took a sip and let it seep down his throat.

"Aaah."

Mary smiled over the rim of her own cup. "Yes, when you're cold and wet, a big cup of coffee is a good thing to have."

Franz nodded agreement, took another long sip, then leaned back in his chair again. He briefly recounted everything that had occurred in requisitioning the piano and preparing it for shipment. Taking another sip of coffee, he continued with, "We unmoored and pushed away somewhat before noon, and the rain began not long afterward. The bargemen put up a canvas shelter in the middle of the barge where we were able to sit and stay mostly dry. Marla, however, constantly fretted over the piano, so she spent most of her time up near the bow, watching the other barge like a mother whose only child is marching off to battle. From time to time I would bring her back to the shelter, but before long she would be back up leaning on the bow rail, watching her beloved piano. She spent most of the trip there, even at night."

"So how long did the trip take?"

"Three days from the time the barges pushed away from their moorings near Grantville to the time we touched the dock here in Magdeburg," Franz replied. "The barge masters had their crews poling during the first few hours. Gerd Eugenson, the master on our barge, told me that they wanted to get along as fast as they could while the rain was keeping the water high. He warned me that if either barge ran aground on a shallow bottom we would all have to get in the water and help pull it free. God be praised that was not required.

"Once we reached a place where the river was wider and deeper, they stowed the poles and we floated with the current. We only pulled to shore one morning when fog arose, as the barge masters were concerned about running into objects they could not see. The rest of the time we floated, even at night. They would light lanterns and hang them on the prow and stern, and keep a lookout ahead. When I asked why, Master Gerd laughed and said that they were being paid by the trip, not the number of days.

"We arrived at Magdeburg at last, and made our way past the activity of the Navy yard to the comparative quiet of the city docks, where we moored and unloaded. And so, we are here, safe and sound."

"And when did Marla start having trouble?" Mary asked.

"Yesterday," Franz answered. "She is, as you are no doubt aware, somewhat strong-willed," he chuckled, "and as I said, would not stay in the shelter. She kept going out on the prow in the rain, so she was cold and wet all the time. By this morning she was as you saw her when we arrived."

"I should have known you'd be talking about me," another voice said, and Franz's head whipped around to see Marla standing in the doorway at the back of the room, dressed in a thick robe and with a large shawl wrapped around her.

In the next moment, he was at her side and guiding her to a chair near the stove. "You should be resting," he scolded, worry in his eyes.

"I'm fine, Franz," she said, a little of her normal fire returning to her face and voice. "Once I got dry and started to get warm, I began to feel better."

"Are you sure?"

"Franz . . . " with a warning tone.

Marla's face was still somewhat drawn, but the color was returning, and she was smiling. A knot of worry in Franz's mind released, and he sighed in response. "All right, if you insist. But you are not going outside again today, maybe not tomorrow."

"I promise," she said. "But . . . "

"But what?"

"I want to know about the Steinway."

"Marla . . . " with exasperation.

"Franz . . . " sweetly.

He gazed into her eyes, and sighed. "All right, if I go and bring word to you, will you stay here?"

"Yes."

"Promise?"

She raised a hand to his face. "I promise." He captured the hand and brought it around to kiss the fingertips.

"Then I will go forth and return with word of your precious Steinway." Franz straightened, then looked down at her with a grin. "You know, if that piano was a man, I would be very jealous."

"You!" She slapped his leg. "Get, and find out what's happening with my piano!"

"As you command," he intoned. Hilde appeared with his coat, which, if not totally dry, was at least dryer than it had been, and considerably warmer to boot.

"By your leave, Frau Simpson," he said with a slight bow.

"Go, Franz," she laughed. "She won't rest until you do."

He stepped to the door, raised a hand in farewell, and was gone.

****

Franz closed the door behind him and turned to face the street. Immediately he noticed that the rain had almost stopped. Casting a quizzical eye to the sky, he muttered, "You could have answered my prayer to stop the rain a little earlier than this, and spared Marla." He looked back at the street, and started down the steps. "I know, I know, 'The Lord giveth and the Lord taketh away, blessed be the Name of the Lord.'"

When he reached the bottom, he turned and began walking toward the docks. At the end of the row of houses, he stopped a merchant's apprentice hurrying by and asked for directions to the palace. Slipping and sliding through the mud, he dodged wagons, horses and other people and finally arrived at the palace without injury. The wagon that had been hired to carry the piano from the docks to the hall was still waiting in front of it.

Like the rest of Magdeburg, the building had been built anew after Tilly's sack and the subsequent fires had damaged the original hall. Franz walked up the main steps to the portico, paused at the top to scrape his boots on the tool provided for that purpose, then faced a pair of large but plain doors. No doubt they would be replaced with ornately carved panels at the emperor's earliest convenience. He passed through them and entered a foyer with a couple of offices on each side, then a cross hallway, and on the other side a large space before a pair of doors flanked by stairways. Some money had already been spent here, for these doors had glass panes in them.

One of the office doors was open, so Franz stuck his head in the doorway. He spied a clerk hard at work at a ledger book. "Where is the great room?"

The clerk didn't even look up, just jabbed with the quill in his hand toward his left. "Through the glass doors." Dipping his quill in his ink, he continued his hasty scribbling.

The first thing Franz noticed as he opened the doors was Friedrich Braun's voice. "No, you idiot! Do not start lifting until I tell you to!"

Franz entered the room at the far end from where Friedrich was rolling out from under the piano to glare at someone Franz didn't know. Several of the men standing around the piano looked around as he approached. He saw Hermann Katzberg, Isaac Fremdling and Josef and Rupert Tuchman standing together, watching as Friedrich worked at uncrating the piano. Several Magdeburg locals, obviously drafted to provide muscle power, were grouped together on the other side of the piano. It was one of them that Friedrich was glaring at. The man started to bristle, but something caught his attention, and he paled and backed away to mingle with his companions. Franz followed his eyes, to see Gunther Achterhof leaning against the side wall and directing a very piercing gaze at the offender.

Franz's footsteps sounded in the suddenly quiet room, and Friedrich turned to spy him. "Franz! How is Marla?" All of his friends looked at him with concern written on their faces, expressions which lightened as they saw the smile on his own face.

"She is feeling better," he responded as he joined their rank. "Getting her inside where she could be warm and dry has made much difference. In a day or two, we will have her amongst us again, belaboring us with directions and criticisms, and assuring us that we will grow used to the dissonance."

They all laughed in relief as Franz squatted to bring himself down to Friedrich's level. "So what happens here, oh greatest of all journeymen?"

BOOK: 1635: Music and Murder
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