A Year with Aslan: Daily Reflections from The Chronicles of Narnia (10 page)

M
ARCH 11

Do Real Horses Roll?

W
HEN SHASTA HAD
finished his breakfast (which was by far the nicest he had ever eaten), Bree said, “I think I’ll have a nice roll before we put on that saddle again.” And he proceeded to do so. “That’s good. That’s very good,” he said, rubbing his back on the turf and waving all four legs in the air. “You ought to have one too, Shasta,” he snorted. “It’s most refreshing.”

But Shasta burst out laughing and said, “You do look funny when you’re on your back!”

“I look nothing of the sort,” said Bree. But then suddenly he rolled round on his side, raised his head and looked hard at Shasta, blowing a little.

“Does it really look funny?” he asked in an anxious voice.

“Yes, it does,” replied Shasta. “But what does it matter?”

“You don’t think, do you,” said Bree, “that it might be a thing
talking
horses never do—a silly, clownish trick I’ve learned from the dumb ones? It would be dreadful to find, when I get back to Narnia, that I’ve picked up a lot of low, bad habits. What do you think, Shasta? Honestly, now. Don’t spare my feelings. Should you think the real, free horses—the talking kind—do roll?”

“How should I know? Anyway, I don’t think I should bother about it if I were you. We’ve got to get there first. Do you know the way?”

—The Horse and His Boy

Why is Bree so worried that he might have habits that the other talking horses wouldn’t have? How would you respond to him if you were Shasta? When have you been worried about a habit of yours that might not be the same as everyone else’s?

M
ARCH 12

The Time of Greatest Need

I
F YOUR MAJESTY
is ever to use the Horn,” said Trufflehunter, “I think the time has now come.” Caspian had of course told them of his treasure several days ago.

“We are certainly in great need,” answered Caspian. “But it is hard to be sure we are at our greatest. Supposing there came an even worse need and we had already used it?”

“By that argument,” said Nikabrik, “your Majesty will never use it until it is too late.”

“I agree with that,” said Doctor Cornelius.

“And what do you think, Trumpkin?” asked Caspian.

“Oh, as for me,” said the Red Dwarf, who had been listening with complete indifference, “your Majesty knows I think the Horn—and that bit of broken stone over there—and your great King Peter—and your Lion Aslan—are all eggs in moonshine. It’s all one to me when your Majesty blows the Horn. All I insist on is that the army is told nothing about it. There’s no good raising hopes of magical help which (as I think) are sure to be disappointed.”

“Then in the name of Aslan we will wind Queen Susan’s horn,” said Caspian.

—Prince Caspian

Why is Caspian reluctant to use the horn? When have you waited, perhaps too long, to ask for help?

M
ARCH 13

Slaves’ and Fools’ Talk

P
OOR LITTLE BEAST
,” said the Horse in a gentler tone. “I forget you’re only a foal. We’ll make a fine rider of you in time. And now—we mustn’t start until those two in the hut are asleep. Meantime we can make our plans. My Tarkaan is on his way North to the great city, to Tashbaan itself and the court of the Tisroc—”

“I say,” put in Shasta in rather a shocked voice, “oughtn’t you to say ‘May he live forever’?”

“Why?” asked the Horse. “I’m a free Narnian. And why should I talk slaves’ and fools’ talk? I don’t want him to live forever, and I know that he’s not going to live forever whether I want him to or not. And I can see you’re from the free North too. No more of this Southern jargon between you and me!”

—The Horse and His Boy

What power do you think is in Shasta and the Horse rejecting the “slaves’ and fools’ talk” of the South? How can the language we use affect our outlook?

M
ARCH 14

A Better Man

T
HEN TWO WONDERS
happened at the same moment. One was that the voice was suddenly joined by other voices; more voices than you could possibly count. They were in harmony with it, but far higher up the scale: cold, tingling, silvery voices. The second wonder was that the blackness overhead, all at once, was blazing with stars. They didn’t come out gently one by one, as they do on a summer evening. One moment there had been nothing but darkness; next moment a thousand, thousand points of light leaped out—single stars, constellations, and planets, brighter and bigger than any in our world. There were no clouds. The new stars and the new voices began at exactly the same time. If you had seen and heard it, as Digory did, you would have felt quite certain that it was the stars themselves which were singing, and that it was the first voice, the deep one, which had made them appear and made them sing.

“Glory be!” said the Cabby. “I’d ha’ been a better man all my life if I’d known there were things like this.”

—The Magician’s Nephew

What do you think the Cabby means by his remark? Have you ever experienced anything so awe-inspiring it made you want to be a better person?

M
ARCH 15

The Knight and the Lady in Green

R
IDING TOWARD [SCRUBB
, Jill, and Puddleglum] on that ancient road were two people of normal grown-up human size.

“Keep on. Move toward them,” said Puddleglum. “Anyone you meet in a place like this is as likely as not to be an enemy, but we mustn’t let them think we’re afraid.”

By the time they had stepped off the end of the bridge onto the grass, the two strangers were quite close. One was a knight in complete armor with his visor down. His armor and his horse were black; there was no device on his shield and no banneret on his spear. The other was a lady on a white horse, a horse so lovely that you wanted to kiss its nose and give it a lump of sugar at once. But the lady, who rode side-saddle and wore a long, fluttering dress of dazzling green, was lovelier still.

“Good day, t-r-r-avelers,” she cried out in a voice as sweet as the sweetest bird’s song, trilling her R’s delightfully. “Some of you are young pilgrims to walk this rough waste.”

“That’s as may be, Ma’am,” said Puddleglum very stiffly and on his guard.

“We’re looking for the ruined city of the giants,” said Jill.

“The r-r-ruined city?” said the Lady. “That is a strange place to be seeking. What will you do if you find it?”

“We’ve got to—” began Jill, but Puddleglum interrupted.

“Begging your pardon, ma’am. But we don’t know you or your friend—a silent chap, isn’t he?—and you don’t know us. And we’d as soon not talk to strangers about our business, if you don’t mind. Shall we have a little rain soon, do you think?”

The Lady laughed: the richest, most musical laugh you can imagine. “Well, children,” she said, “you have a wise, solemn old guide with you. I think none the worse of him for keeping his own counsel, but I’ll be free with mine. I have often heard the name of the giantish City Ruinous, but never met any who would tell me the way thither. This road leads to the burgh and castle of Harfang, where dwell the gentle giants. They are as mild, civil, prudent, and courteous as those of Ettinsmoor are foolish, fierce, savage, and given to all beastliness. And in Harfang you may or may not hear tidings of the City Ruinous, but certainly you shall find good lodgings and merry hosts. You would be wise to winter there, or, at the least, to tarry certain days for your ease and refreshment. There you shall have steaming baths, soft beds, and bright hearths; and the roast and the baked and the sweet and the strong will be on the table four times a day.”

“I say!” exclaimed Scrubb. “That’s something like! Think of sleeping in a bed again.”

“Yes, and having a hot bath,” said Jill. “Do you think they’ll ask us to stay? We don’t know them, you see.”

“Only tell them,” answered the Lady, “that She of the Green Kirtle salutes them by you, and has sent them two fair Southern children for the Autumn Feast.”

—The Silver Chair

What about the Lady puts Puddleglum on his guard? Similarly, what about her leads Jill and Eustace to trust her?

M
ARCH 16

Puddleglum and
the Children Disagree

T
HE CHILDREN THANKED HER AGAIN
, with shining eyes, and the Lady waved to them. The Marsh-wiggle took off his steeple-hat and bowed very stiffly. Then the silent Knight and the Lady started walking their horses up the slope of the bridge with a great clatter of hoofs.

“Well!” said Puddleglum. “I’d give a good deal to know where
she’s
coming from and where she’s going. Not the sort you expect to meet in the wilds of Giantland, is she? Up to no good, I’ll be bound.”

“Oh rot!” said Scrubb. “I thought she was simply super. And think of hot meals and warm rooms. I do hope Harfang isn’t a long way off.”

“Same here,” said Jill. “And hadn’t she a scrumptious dress? And the horse!”

“All the same,” said Puddleglum, “I wish we knew a bit more about her.”

“I
was
going to ask her all about herself,” said Jill. “But how could I when you wouldn’t tell her anything about us?”

“Yes,” said Scrubb. “And why were you so stiff and unpleasant? Didn’t you like them? . . .”

“I was wondering,” remarked Puddleglum, “what you’d really see if you lifted up the visor of that helmet and looked inside. . . . How about a skeleton? . . . Or perhaps,” he added as an afterthought, “nothing at all. I mean, nothing you could see. Someone invisible.” . . .

“Oh, bother his ideas!” said Scrubb. “He’s always expecting the worst, and he’s always wrong. Let’s think about those Gentle Giants and get on to Harfang as quickly as we can. I wish I knew how far it is.”

—The Silver Chair

Why does Puddleglum urge caution? On what are Jill and Eustace basing their decision to travel to Harfang? How do our base needs get in the way of our judgment?

M
ARCH 17

The Road Grows Long

A
FTER THAT TALK WITH THE LADY
things got worse in two different ways. In the first place the country was much harder. The road led through endless, narrow valleys down which a cruel north wind was always blowing in their faces. There was nothing that could be used for firewood, and there were no nice little hollows to camp in, as there had been on the moor. And the ground was all stony, and made your feet sore by day and every bit of you sore by night.

In the second place, whatever the Lady had intended by telling them about Harfang, the actual effect on the children was a bad one. They could think about nothing but beds and baths and hot meals and how lovely it would be to get indoors. They never talked about Aslan, or even about the lost prince, now. And Jill gave up her habit of repeating the signs over to herself every night and morning. She said to herself, at first, that she was too tired, but she soon forgot all about it. And though you might have expected that the idea of having a good time at Harfang would have made them more cheerful, it really made them more sorry for themselves and more grumpy and snappy with each other and with Puddleglum.

—The Silver Chair

Why would looking forward to comforts make the children so grumpy? Have you ever noticed this effect on yourself?

M
ARCH 18

The Adventure Begins

[P
OLLY
’
S AND DIGORY
’
S
] adventures began chiefly because it was one of the wettest and coldest summers there had been for years. That drove them to do indoor things: you might say, indoor exploration. It is wonderful how much exploring you can do with a stump of candle in a big house, or in a row of houses. Polly had discovered long ago that if you opened a certain little door in the box-room attic of her house you would find the cistern and a dark place behind it which you could get into by a little careful climbing. The dark place was like a long tunnel with brick wall on one side and sloping roof on the other. In the roof there were little chunks of light between the slates. There was no floor in this tunnel: you had to step from rafter to rafter, and between them there was only plaster. If you stepped on this you would find yourself falling through the ceiling of the room below. Polly had used the bit of the tunnel just beside the cistern as a smugglers’ cave. She had brought up bits of old packing cases and the seats of broken kitchen chairs, and things of that sort, and spread them across from rafter to rafter so as to make a bit of floor. Here she kept a cash-box containing various treasures, and a story she was writing and usually a few apples. She had often drunk a quiet bottle of ginger-beer in there: the old bottles made it look more like a smugglers’ cave.

—The Magician’s Nephew

Like many children, Polly and Digory use their imaginations to create exciting places out of just about nothing. Do you still have this ability? What value do imagination and a sense of exploration have in today’s world?

M
ARCH 19

The Stone Lion

E
DMUND CREPT UP
to the arch and looked inside into the courtyard, and there he saw a sight that nearly made his heart stop beating. Just inside the gate, with the moonlight shining on it, stood an enormous lion crouched as if it was ready to spring. And Edmund stood in the shadow of the arch, afraid to go on and afraid to go back, with his knees knocking together. He stood there so long that his teeth would have been chattering with cold even if they had not been chattering with fear. How long this really lasted I don’t know, but it seemed to Edmund to last for hours.

Then at last he began to wonder why the lion was standing so still—for it hadn’t moved one inch since he first set eyes on it. Edmund now ventured a little nearer, still keeping in the shadow of the arch as much as he could. He now saw from the way the lion was standing that it couldn’t have been looking at him at all. (“But supposing it turns its head?” thought Edmund.) In fact it was staring at something else—namely a little dwarf who stood with his back to it about four feet away. “Aha!” thought Edmund. “When it springs at the dwarf then will be my chance to escape.” But still the lion never moved, nor did the dwarf. And now at last Edmund remembered what the others had said about the White Witch turning people into stone. Perhaps this was only a stone lion. And as soon as he had thought of that he noticed that the lion’s back and the top of its head were covered with snow. Of course it must be only a statue! No living animal would have let itself get covered with snow. Then very slowly and with his heart beating as if it would burst, Edmund ventured to go up to the lion. Even now he hardly dared to touch it, but at last he put out his hand, very quickly, and did. It was cold stone. He had been frightened of a mere statue!

The relief which Edmund felt was so great that in spite of the cold he suddenly got warm all over right down to his toes, and at the same time there came into his head what seemed a perfectly lovely idea. “Probably,” he thought, “this is the great Lion Aslan that they were all talking about. She’s caught him already and turned him into stone. So
that’s
the end of all their fine ideas about him! Pooh! Who’s afraid of Aslan?”

And he stood there gloating over the stone lion, and presently he did something very silly and childish. He took a stump of lead pencil out of his pocket and scribbled a moustache on the lion’s upper lip and then a pair of spectacles on its eyes. Then he said, “Yah! Silly old Aslan! How do you like being a stone? You thought yourself mighty fine, didn’t you?” But in spite of the scribbles on it the face of the great stone beast still looked so terrible, and sad, and noble, staring up in the moonlight, that Edmund didn’t really get any fun out of jeering at it. He turned away and began to cross the courtyard.

—The Lion, the Witch, and the Wardrobe

Why do you think Edmund is driven to draw on the stone lion? Why doesn’t he get any enjoyment from his act? Have you ever jeered at someone or something? How did it make you feel?