All Due Respect Issue 2 (15 page)

“Anyhow, if he goes to the police, I’ll talk to them. I know them well. I know everyone in this town.”

Vera didn’t respond. A peculiar feeling, part disappointment, part humiliation, gagged her. She ran her hand over her stomach, hoping, praying almost, that no injury had been done, and she tried to imagine what crossing the gulf would be like.

When he got to the room, Frank discovered that the wound was a short slash, nothing serious. He unzipped his knapsack, took out the first-aid kit, smeared disinfectant on his shoulder, and applied gauze and adhesive tape. The pain had diminished, and he had an erection. He didn’t like having it. While slapping Vera he’d been on the verge of release, but the stab, the unceremonious stab, had interrupted him. Frustration lingered in his blood; sleep, rest, would be impossible tonight. He went outside wearing a black T-shirt.

I might’ve killed it. Better have, or else my own flesh and blood will be walking around in the world somewhere. Unbelievable…

He found his glass where he’d left it on the drunken man’s porch, between the two stools, but the rum bottle and the Coca Cola bottles were empty. The man lay swathed in his hammock. Frank shook him awake. No sooner had his pink eyes cleared than he crowed with the satisfaction of a cynic proven correct.

“What happened, American? The little lady broke it off?”

“Yes.”

“I told you. White bitches.”

Frank recounted what had happened, holding Vera responsible for his wound.

“If she’d accepted my apology, I wouldn’t have been in the guy’s basement. How could he not get mad? I even punched him once.”

“You’re an honest man,” said the Belizean. “Want some rum?”

“Absolutely.”

He sat down and the man came out of the kitchen with a fresh bottle.

“Soda?” Frank said.

“All gone.”

“Straight’s good.”

Glass in hand, Frank ruffled the dirt with his sandals. He picked up a stone and flipped it toward the road. “Who says the baby has to be born?”

“What?”

“You talkin’ to yourself, American.”

Frank realized he had been and shut his mouth. But the Belizean had given him an idea.

Could he?

How?

He shouldn’t even be thinking about it.

Yet that would clean the mess up.

“Man-Man’s my friend,” the Belizean said.

“Man-Man?”

“Where your girlfriend is.”

“The guy…How’d you know?”

“He texted me.”

“Texted you? When?”

The Belizean took a cell phone from his pocket.

“He’s a jack of all trades, Man-Man. For the right price, he can do you lots of things.”

Vera
had
promised to get an abortion. When they returned to the States, in a month, at a clinic, but now she was changing her tune. A unilateral decision to keep the baby and she was dumping him in the process?

No fucking way.

He finished his drink and refilled his glass, downed that. Poured again.

“I have traveler’s checks in the room,” he said. “And credit cards on me.”

“Make sure you sure, American.”

Frank drank, reflected. He put his glass down on the ground.

“I’m sure.”

“I’ll text my buddy back,” the Belizean said. “See how we gonna work this.”

Sunlight woke Frank. He felt his temples throbbing and stabs behind his eyes. A dryness in his throat. The sky looked clear, and something was digging into his shoulder. Where in the hell…?

Ah, yes, he must’ve fallen asleep outside.

The discomfort came from a rock beneath him, and he was lying on the ground.

“Feel okay, American?”

The Belizean, peering at him from his hammock. Now Frank remembered: they’d polished off the bottle and he’d said fuck it and stretched himself out in the dirt.

That was after their discussion about…

“Did you talk to him?” Frank asked. “You did, right? It’s kind of hazy.”

“He took her.”

Into the gulf but not across. One shove off his open motorboat, perhaps preceded by a blow to the head.

Frank sat up, to find himself facing a girl. She was standing in the yard with them. She couldn’t have been more than twenty-five, wearing a basic yellow frock, thongs on her feet, hair in braids. No make-up, neither ugly nor pretty, with weight in her hips and a timid stare on her face.

“This is my niece,” the Belizean said. “She’ll go with you when you go home.”

Frank didn’t understand and his face must have showed it.

“Your travels are over, mon. Time to catch a flight back to New York.”

Was the girl twenty-five even? Probably more like twenty, a good ten years younger than he was.

“She won’t be bringing much. A suitcase or two.”

The girl said nothing but kept her eyes on him and Frank pulled himself to his feet.

“Let me get this straight—”

“It’s simple,” the Belizean said. “She needs a green card.”

The girl and the man had family up in New York and all of them expected a wedding invitation. Nothing fancy—a civil marriage ceremony would do. As long as they did the marriage soon and got the green card process started.

“And if anything happens to her, American, anything at all…”

“Yeah?”

“We’re a tight family.”

Frank had envisioned putting this whole trip behind him, blotting the experience from his mind. It had been a nightmare he wanted to forget.

“Don’t look like that,” the Belizean said. “You still got your life. You still American. You just tied to our country now.”

Scott Adlerberg
lives in New York City. He is the author of the Martinique-set crime novel
Spiders and Flies,
available from Amazon, B&N, and wherever books are sold. His short fiction has appeared in
Thuglit.
He contributes pieces regularly for the Criminal Element website and blogs about books, movies, and writing at Scott Adlerberg’s Mysterious Island
(
scottadlerberg.blogspot.com
).
Each summer, he co-hosts the Word for Word Reel Talks film commentary series at the HBO Bryant Park Summer Film Festival in Manhattan.

Non-Fiction

On Arbitrary Writing Decisions:
An Interview with Owen Laukkanen

By Chris F. Holm

It’d be awfully easy to say Owen Laukkanen is on a lucky run. After graduating college, he answered a Craigslist ad that led to him spending the next three years traveling the globe as a tournament reporter for a poker website. And when he turned his attention to writing fiction, his debut novel,
The Professionals
, garnered raves from the likes of Lee Child, John Sandford, and Jonathan Kellerman, as well as starred reviews from
Publishers Weekly
and
Library Journal
and a slew of award nominations.

But his follow-up,
Criminal Enterprise
, proved luck had nothing to do with it. As taut, gripping, and richly textured as
The Professionals
, it laughed in the face of the sophomore slump and cemented Laukkanen’s place among the finest thriller writers of the day. And luckily for all us crime-fic fans, his upcoming third novel,
Kill Fee
(out this March), is as much a joy to read as the first two.

Owen was kind enough to chat with me recently about crafting nuanced characters, his aversion to living a comfortable life, and his clandestine predilection for Cinnamon Toast Crunch.

Chris F. Holm:
Your protagonists, Kirk Stevens and Carla Windermere, are an unlikely pair. Stevens is a quiet, paunchy family man who works for the Minnesota Bureau of Criminal Apprehension (BCA), and Windermere is a brash, beautiful, aggressive FBI agent ten years his junior. And yet there’s no denying they’ve got chemistry. What led you to put these two together? Were they always intended to be the stars of the show, or is that something that developed over time?

Owen Laukkanen:
It seems funny now, but I never intended for Stevens and Windermere to be the stars of anything. I wrote my first novel,
The Professionals
, figuring the bad guys were the protagonists, and created Stevens to be their antagonist on the law enforcement side. I realized pretty quickly that their case would require more than a state policeman’s expertise, so I brought Windermere into the mix, and their relationship really just developed from there.

I’m very much a “write from the seat of your pants” kind of guy, and it’s funny how arbitrary decisions panned out sometimes. I didn’t plan to write a series about a pair of Minnesota-based cops; I just needed someone to chase my college-age kidnappers, and they happened to be in Minnesota when the state police cottoned on. So it’s been pretty cool to be able to revisit them and expand on their initial premise.

CH:
I’ve read plenty of novels featuring FBI agents—heck, I’ve even written one—but
The Professionals
was my first exposure to the BCA. Tell us a little about the organization. What is it about the BCA that lends itself to a crime novel?

OL:
I had no real exposure to the BCA either, before I wrote
The Professionals
. I just figured a state policeman would take an interest in a kidnapping case, and quickly discovered the Bureau. Seat of my pants, like I said—and I may have thought twice about my decision, had I known just how incredibly well John Sandford had already covered the BCA terrain in his Lucas Davenport books. Had I known any better, I probably would have been too daunted to try and follow in his footsteps.

That said, the BCA is a fascinating operation, and in many ways is an ideal backdrop for a crime series. BCA agents can travel around the state, working cold cases and helping out smaller jurisdictions with major crime investigations, and they have a state-of-the art forensics lab for the CSI stuff. I’ve taken significant liberties with the scope of a BCA agent’s work—there’s probably no way Kirk Stevens leaves Minnesota in real life, but in my series he spends a lot of time chasing bad guys around the country with Windermere. I like writing thrillers that keep everyone on the move, cops and criminals alike, and part of the fun is figuring out plausible ways to keep Stevens involved when the cases go beyond the state line.

CH:
You live and write in Vancouver—and thanks to your prior gig as a poker journalist, you’ve traveled extensively, from the sketchy card rooms of Atlantic City to the swank casinos of Monaco and Macau. Why set your novels in Minnesota? Any chance we’ll see a globetrotting international thriller from you? A slug of seedy poker noir? A crime novel set in your hometown?

OL:
The simplest answer is that the books are set in Minnesota because that’s where the bad guys happened to be when I needed a law enforcement antagonist, and the bad guys were only in Minnesota because I arbitrarily started
The Professionals
in Chicago and, just as arbitrarily, sent them north after the first crime.

I really had no intention to set a series in Minnesota, and had I been planning better, I probably would have chosen somewhere like Detroit, which I know pretty well. Happily, I’ve been able to get back to the Twin Cities a number of times in the course of the series, and I like them so much that it almost feels like serendipity that my series wound up set there.