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Authors: Jeffrey Lewis

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BOOK: Berlin Cantata
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By now, I don't really know but I imagine, there's a bit of an Auschwitz tourist industry, the buses filling the muddy fields, or who knows, there could be a paved lot by now; but that cloud-laden afternoon, it was just me and the two Polish guards; and I soon forgot their drunken brawling or dancing or whatever it was.

In my numbness, I forgot pretty much everything, even why I came. I could observe but not feel. This of course I recognized as possibly emblematic of my life, but it didn't make it any easier. How much I wanted to have definitive reactions, to make connection, to truly be where I was. But as I walked down the weedy railroad track, looking back every once in a while at the “Portal of Death,” I was more like those drunk guards. If I'd thought about them then, I would have understood them.

On each side of me, past barbed wire, were low wooden barracks, like sheds, that went on tirelessly in rows, and where the barracks left off, there were chimneys where the burnt ones had been. And why was the barbed wire still there, why had no one ever bothered to remove it? Evidence, all was evidence. That's how someone must have thought about it. And of course they'd have been right. Such old barbed wire. There was a break in it and I went through to the sheds. The little map I'd grabbed in the guard house said these were the women's barracks. I looked through cobwebbed windows, uncertain what I was seeing. A creaking door flapped open and shut. I walked through it with superstitious dread, afraid something rabid might jump out and bite me. I can say only the few words my map said about the lines of hard bunks, that women slept head to toe, eight to a bunk, the bunks themselves stacked three high. Don't take my word for it. I won't vouch for such things. There were a few graffiti on the walls. Why should I have a preference if they were made by inmates or tourists?

All the same, all the same, the world is all the same. These were my thoughts. I was alone. Look here, a wash basin. Look there, a latrine. Back out in the open, I followed my map to where one of the gas chambers had been. A couple of steps to the undressing room remained. An indented, grassy spot that had been a pond of ashes.

Why I went back to the guard house is unclear to me. Perhaps I did want to see “the whole thing,” as advertised. Perhaps I only wanted to see another human being. Only one of the bleary-eyed young men was there when I returned. He was the one I'd spoken with before. “Good?” That was what he asked me. “Good?”

He looked like a caricature, as well, half-steady on his feet with a cockeyed grin, as if the noise I'd heard before was him bouncing himself off the walls.

“Oh, very good. Very good. The only not good thing, if you want me to be critical, was it wasn't horrible enough.”

“You want go up? See whole thing. Very good.” His old refrain. He threw an arm towards the stairs.

And probably because I'd been sarcastic and regretted it, I gave in to his persistence. Maybe he was right, maybe it was something I should be seeing. I nodded and followed him up the narrow stairs, oddly aware of the mud on my boots, as if I were tracking mud into someone's house.

The upstairs space – you could hardly call it a room, it was more like a narrow attic – was fetid the way you'd expect if it was the retreat of these boys. Odd, too, but I felt no fear going up there, as if once you're afraid of everything, it's hard to be afraid of anything, there's no longer background to tell the foreground. I looked out through the wind-filthy window at “the whole thing.” I tried, without success, to imagine what my parents must have done to survive this place. The field of play below me had become familiar. Death, but at a suitable distance. I again began to compose such thoughts, to become lost in my opinions or what I would someday say. To Nils, for instance, what I would say to Nils. Though he was hardly a “for instance,” there was no one else to tell, my mother being gone. Dearest Mother, Dearest Father, what? This was not the place I would remember them or know them, this was only a long gray field where it had begun to rain. Then I felt the boy behind me. His breath stank of vodka and garlic.

“Love me? You want love?”

I could feel his chest and legs on me. I turned, to laugh him off or push him away.

“No. Are you crazy?”

He put his hands on me and with a Brueghel leer tried to kiss me.

I'm not sure what then happened first or second but he kept talking about love, nice love, have nice love, American girls like love, in that ridiculous stewed pidgin, then we were wrestling and I wrestled him away and the stairs seemed far away. For certain he grabbed my breasts and I spit on him and we wrestled on the filthy floor. He got a knee between my legs and fumbled with his pants. I screamed whatever I screamed. I was as tall as he was but he was stronger. Everything was disjointed. The only thing I remember clearly thinking is what if the other one came back, if the other one came back then I'd be done for, because what would they do, they'd lose their jobs, they'd have to kill me and I'd be the only Anholt to die in Auschwitz.

But the other one didn't come back. Nor did the first one rape me. I don't know how long we wrestled or exactly which body parts of mine he touched. What I thought at the time was that I freed myself by desperate effort, that I somehow rolled away and pulled my leg away from his reach and made the stairs and he didn't follow me down. But the truth is he may have spent himself in his pants. In retrospect, later in the Metropole in the so-called light of day, I decided I had heard a little groan.

My car suffered greater physical injuries than I did. When I woke the next morning, somebody had stolen the side view mirror, both windshield wipers, and the front grille. If it had been the grille from Oksana's Mercedes-Benz, I might have understood, but off my funny little clown car that barely made the trip, it was only adding ludicrous insult to injury. I laughed out loud then, thanking God for everyday life.

So much for my
tour de Pologne
. They won't be writing this one up in a tourist brochure. Driving home I thought, they ought to abolish all ruins, because they're phony, but they ought to keep the guards, because at least they know what they want.

I took care not to tell David of my misadventures. To Nils I told everything. He seemed to think it was his fault.

NILS SCHREIBER

Words

THINGS WHICH I SAID TO HER
, at one time or another, whether they were true or not:

That we Berliners erect plaques so as to sleep better at night.

She had agreed to meet me for coffee and a walk. We were standing in Grosse Hamburger Strasse by Boltanski's memorial to the bombed-out and disappeared, on the block of the Jewish old age home that had been the roundup point for deportation. It was a cold, miserable October night, the uncollected detritus of the Scheunenviertel streets swirling around us like an early, dirty snow. Holly kept her silence. She dutifully looked. “We have a talent for memorializing,” I also said, to fill the silence.

A wise guy, me, who could have said much more as well, could have opined with mordant proficiency on the substitution of monuments for active memory as it affects our personal lives, how we build our mental memorials, we change our furniture entirely around, one day it's this, the next day it's that, and still there's no forgetting, but only instead the transformation of feeling into stone. Or I might have confessed the twinge of bitter pleasure I might or might not have experienced in showing a visitor this neighborhood of mine.

Instead all I said was that I lived up the street.

She was taking no bait that night. She nodded and that was all. I thought she should speak, I wanted her to speak, to condemn my irony. But she already knew too much about me.

Later we walked the few blocks to where her father had owned the building that was now already an art gallery and was the subject of Holly's second claim.

That Miss Anholt, property claimant, was no longer the object of my journalistic intentions.

We were in bed and only half-dressed. She pounded my chest in mock anger, but her surprise was real enough. “You were going to write a story about me?” she cried like a shot bird.

I don't often laugh as I laughed then. “This is not only a confession, it's a promise.”

“Oh thank you very much. How generous you are! How thoughtful!”

My words stumbled over my laughter. “Sounded good to me. American girl, totally American, post-war, nothing bitter, nothing more than curiosity, comes with a claim…just follow where it leads.”

“And I bet I know why you're not writing it. Your editor doesn't want it! ‘Too many stories with Jews, Schreiber. Don't you have anything else to write about?'”

“As a matter of fact…”

“I'm right! I'm right, aren't I? I'm right!” she repeated, pounding on me till we were ready to make love. “Bastard! Asshole!”

We may have known little more about each other then, but we knew we were joined in conspiracy. To be specific, I believe: a conspiracy of guilt. Kissing, touching each other's nose and neck and hair. Things to remember, tenderness never to forget.

That dear Mother was in the cheerleading squad.

The B.D.M, the
Bund Deutscher Mädel
, the Nazis' girls. This I informed her of in my parents' bedroom, which for some reason we had entered, to get some piece of luggage down or something, over the Christmas holiday when we visited. Why I went along with this trip, or even subtly planted the seeds for it, is another matter again. The invitation was there. I hadn't been home in years. They had gotten word of the girl and presumably were curious. Holly wanted to, eager, as ever, to see whatever could be seen about me. I must have been mad. Perhaps I thought of it as a personalization of my great theme, the return of the living. Because why, because the killers are gone? Because the world is full of killers? Why do they come back?

Actually, Holly had been quite specific on the question of Christmas. She knew that I thought the idea was preposterous. Holly asked “what if?” We discussed such various “what if's.” And in the end she half-expressed and half-confessed a sentimental attachment to an old record cover of her father's, a Brahms second symphony, that showed a steepled German church in the still, pale light of Christmas Eve. In a sense she wished to test this fantasy, to see if the life on her father's record cover could actually be lived.

This led, perhaps inevitably, to our overnight stay in a little inn in Oxenburg, near Hamburg, and to my mother's dresser. There were other photographs there as well, my father's retirement, anniversaries, their vacations to Spain and Rio de Janeiro, my
gymnasium
graduation photo, portrait of a long-haired beanpole in black. Holly begged to differ. She saw an intense young scholar with the world in his dark sights. But when she was done cooing about her boyfriend, there was the small, creased snapshot of Gerhilde, long-legged and athletic, in hiking shorts, turning away for a moment from whatever mountain path she was on to have her moment in history taken in black-and-white. “How beautiful your mother looks, how happy,” Holly said.

I told her about the B.D.M. She already knew my parents had been in the Party. But this image of youth, and happiness, and health, alarmed her. Her eyes tightened. She may have been envious. I was flooded with remorse. I wished to tell her everything she had that my mother had never had.

She stared at the picture a moment too long. “Your mother looked great in shorts,” she said.

My parents, I should add, were as gracious as they could be during our day and a half in Oxenburg. My father was hearty and jocular and my mother baked without stopping for breath. They presented us with calfskin gloves. And they still looked quite fantastic, as if they climbed a mountain every weekend. Hartmut went on about his hero, Moishe Dayan, for whose benefit we'll leave to the reader to imagine. My mother kept her hectoring of my father to a minimum. I remained embarrassed and reluctant. Holly smiled at whatever either of them said. For certain she was struggling to see how I resembled them. My father's jocularity occasionally had a bit of an edge: “Just don't take him off to America! He's the only one we've got!”

And, on a point of interior decoration, not previously thought to be my long suit: I had never been so aware how stuffed with bric-a-brac my parents' middle-class house was.
Tchotchkes
, to use the proper Yiddish.

In the evening we went to church. A properly-steepled, eighteenth century church, by the way. Holly at least had been to a wedding or two over the years whereas I hadn't been in a church in my adult life, unless it was to cover a peace demo or a lunatic fringe. To keep her company, I pretended not to remember what to do, and was so successful at this that I actually began to be unsure. We stood when others stood, sat down when they sat down. Once we were caught half-standing when the congregation was merely reaching for its hymnals, but at least we were caught together. I couldn't tell a thing of what she was thinking, except by the music she seemed entranced.

We were up late that night in the inn, quietly, with the lights out. Holly couldn't sleep. She felt, she said, like a stranger to herself. “It started sometime in the carols. I thought: listen, Holly. Really try to listen. These lovely voices of children: are they singing to me with Christian love? Is this the reality Jews are blind to, that could convert a soul on the spot? I must be weak, I thought. I hear the lovely voices of children, and then…all I could hear was a lot of my own voice, like static. Telling me to listen. All these words. The music! I wanted to live in the music. But just then I couldn't.

“And so then I thought: is their love really different from mine? If they only knew how much a part of me wanted to be them, how that would simplify my life. To be converted to love and grace, me who just then was afraid I was living without either.”

BOOK: Berlin Cantata
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