Beyond the Doors of Death (5 page)

Shaken, Klein looked up at Jijibhoi and said, “Where was this taken? On that safari in Tanzania, I suppose.”

“Yes. In February. This man is the guide, the white hunter.”

“I saw him in Zanzibar. Gracchus, his name is. He was one of the deads traveling with Sybille.”

“He operates a hunting preserve not far from Kilimanjaro,” Jijibhoi said, “that is set aside exclusively for the use of the deads. One of the more bizarre manifestations of their subculture, actually. They hunt only those animals which—”

Klein said impatiently, “How did you get this picture?”

“It was taken by Nerita Tracy, who is one of your wife’s companions.”

“I met her in Zanzibar too. But how—”

“A friend of hers is an acquaintance of mine, one of my informants, in fact, a valuable connection in my researches. Some months ago I asked him if he could obtain something like this for me. I did not tell him, of course, that I meant it for you.” Jijibhoi looked close. “You seem troubled, dear friend.”

Klein nodded. He shut his eyes as though to protect them from the glaring surfaces of Sybille’s photograph. Eventually he said in a flat, toneless voice, “I have to get to see her.”

“Perhaps it would be better for you if you would abandon—”

“
No
.”

“Is there no way I can convince you that it is dangerous for you to pursue your fantasy of—”

“No,” Klein said. “Don’t even try. It’s necessary for me to reach her. Necessary.”

“How will you accomplish this, then?”

Klein said mechanically, “By going to Zion Cold Town.”

“You have already done that. They would not admit you.”

“This time they will. They don’t turn away deads.”

The Parsee’s eyes widened. “You will surrender your own life? Is this your plan? What are you saying, Jorge?”

Klein, laughing, said, “That isn’t what I meant at all.”

“I am bewildered.”

“I intend to infiltrate. I’ll disguise myself as one of them. I’ll slip into the Cold Town the way an infidel slips into Mecca.” He seized Jijibhoi’s wrist. “Can you help me? Coach me in their ways, teach me their jargon?”

“They’ll find you out instantly.”

“Maybe not. Maybe I’ll get to Sybille before they do.”

“This is insanity,” Jijibhoi said quietly.

“Nevertheless. You have the knowledge. Will you help me?”

Gently Jijibhoi withdrew his arm from Klein’s grasp. He crossed the room and busied himself with an untidy bookshelf for some moments, fussily arranging and rearranging. At length he said, “There is little I can do for you myself. My knowledge is broad but not deep, not deep enough. But if you insist on going through with this, Jorge, I can introduce you to someone who may be able to assist you. He is one of my informants, a dead, a man who has rejected the authority of the Guidefathers, a person who is
of
the deads but not with them. Possibly he can instruct you in what you would need to know.”

“Call him,” Klein said.

“I must warn you he is unpredictable, turbulent, perhaps even treacherous. Ordinary human values are without meaning to him in his present state.”

“Call him.”

“If only I could discourage you from—”

“Call him.”

F
IVE

Quarreling brings trouble. These days lions roar a great deal. Joy follows grief. It is not good to beat children much. You had better go away now and go home. It is impossible to work today. You should go to school every day. It is not advisable to follow this path, there is water in the way. Never mind, I shall be able to pass. We had better go back quickly. These lamps use a lot of oil. There are no mosquitoes in Nairobi. There are no lions here. There are people here, looking for eggs. Is there water in the well? No, there is none. If there are only three people, work will be impossible today.

D.V. Perrott:
Teach Yourself Swahili

***

Gracchus signals furiously to the porters and bellows, “
Shika njia hii hii!
” Three turn, two keep trudging along. “
Ninyi nyote!
” he calls. “
Fanga kama hivi!
” He shakes his head, spits, flicks sweat from his forehead. He adds, speaking in a lower voice and in English, taking care that they will not hear him, “Do as I say, you malevolent black bastards, or you’ll be deader than I am before sunset!”

Sybille laughs nervously. “Do you always talk to them like that?”

“I try to be easy on them. But what good does it do, what good does any of it do? Come on, let’s keep up with them.”

It is less than an hour after dawn, but already the sun is very hot, here in the flat dry country between Kilimanjaro and Serengeti. Gracchus is leading the party northward across the high grass, following the spoor of what he thinks is a quagga, but breaking a trail in the high grass is hard work and the porters keep veering away toward a ravine that offers the tempting shade of a thicket of thorn trees, and he constantly has to harass them in order to hold them to the route he wants. Sybille has noticed that Gracchus shouts fiercely to his blacks, as if they were no more than recalcitrant beasts, and speaks of them behind their backs with a rough contempt, but it all seems done for show, all part of his white-hunter role: she has also noticed, at times when she was not supposed to notice, that privately Gracchus is in fact gentle, tender, even loving among the porters, teasing them—she supposes—with affectionate Swahili banter and playful mock-punches. The porters are role-players too: they behave in the traditional manner of their profession, alternately deferential and patronizing to the clients, alternately posing as all-knowing repositories of the lore of the bush and as simple, guileless savages fit only for carrying burdens. But the clients they serve are not quite like the sportsmen of Hemingway’s time, since they are deads, and secretly the porters are terrified of the strange beings whom they serve. Sybille has seen them muttering prayers and fondling amulets whenever they accidentally touch one of the deads, and has occasionally detected an unguarded glance conveying unalloyed fear, possibly revulsion. Gracchus is no friend of theirs, however jolly he may get with them: they appear to regard him as some sort of monstrous sorcerer and the clients as fiends made manifest.

Sweating, saying little, the hunters move in single file, first the porters with the guns and supplies, then Gracchus, Zacharias, Sybille, Nerita constantly clicking her camera, and Mortimer. Patches of white cloud drift slowly across the immense arch of the sky. The grass is lush and thick, for the short rains were unusually heavy in December. Small animals scurry through it, visible only in quick flashes, squirrels and jackals and guinea-fowl. Now and then larger creatures can be seen: three haughty ostriches, a pair of snuffling hyenas, a band of Thomson gazelles flowing like a tawny river across the plain. Yesterday Sybille spied two wart hogs, some giraffes, and a serval, an elegant big-eared wildcat that slithered along like a miniature cheetah. None of these beasts may be hunted, but only those special ones that the operators of the preserve have introduced for the special needs of their clients; anything considered native African wildlife, which is to say anything that was living here before the deads leased this tract from the Masai, is protected by government decree. The Masai themselves are allowed to do some lion-hunting, since this is their reservation, but there are so few Masai left that they can do little harm. Yesterday, after the wart hogs and before the giraffes, Sybille saw her first Masai, five lean, handsome, long-bodied men, naked under skimpy red robes, drifting silently through the bush, pausing frequently to stand thoughtfully on one leg, propped against their spears. At close range they were less handsome—toothless, fly-specked, herniated. They offered to sell their spears and their beaded collars for a few shillings, but the safarigoers had already stocked up on Masai artifacts in Nairobi’s curio shops, at astonishingly higher prices.

All through the morning they stalk the quagga, Gracchus pointing out hoofprints here, fresh dung there. It is Zacharias who has asked to shoot a quagga. “How can you tell we’re not following a zebra?” he asks peevishly.

Gracchus winks. “Trust me. We’ll find zebras up ahead too. But you’ll get your quagga. I guarantee it.”

Ngiri, the head porter, turns and grins. “
Piga quagga m’uzuri bwana
,” he says to Zacharias, and winks also, and then—Sybille sees it plainly—his jovial confident smile fades as though he has had the courage to sustain it only for an instant, and a veil of dread covers his dark glossy face.

“What did he say?” Zacharias asks.

“That you’ll shoot a fine quagga,” Gracchus replies.

Quaggas. The last wild one was killed about 1870, leaving only three in the world, all females, in European zoos. The Boers had hunted them to the edge of extinction in order to feed their tender meat to Hottentot slaves and to make from their striped hides sacks for Boer grain, leather
veldschoen
for Boer feet. The quagga of the London zoo died in 1872, that in Berlin in 1875, the Amsterdam quagga in 1883, and none was seen alive again until the artificial revival of the species through breedback selection and genetic manipulation in 2025, when this hunting preserve was opened to a limited and special clientele.

It is nearly noon, now, and not a shot has been fired all morning. The animals have begun heading for cover; they will not emerge until the shadows lengthen. Time to halt, pitch camp, break out the beer and sandwiches, tell tall tales of harrowing adventures with maddened buffaloes and edgy elephants. But not quite yet. The marchers come over a low hill and see, in the long sloping hollow beyond, a flock of ostriches and several hundred grazing zebras. As the humans appear, the ostriches begin slowly and warily to move off, but the zebras, altogether unafraid, continue to graze. Ngiri points and says, “
Piga quagga, bwana
.”

“Just a bunch of zebras,” Zacharias says.

Gracchus shakes his head. “No. Listen. You hear the sound?”

At first no one perceives anything unusual. But then, yes, Sybille hears it: a shrill barking neigh, very strange, a sound out of lost time, the cry of some beast she has never known. It is a song of the dead. Nerita hears it too, and Mortimer, and finally Zacharias. Gracchus nods toward the far side of the hollow. There, among the zebras, are half a dozen animals that might almost be zebras, but are not—unfinished zebras, striped only on their heads and foreparts; the rest of their bodies are yellowish brown, their legs are white, their manes are dark-brown with pale stripes. Their coats sparkle like mica in the sunshine. Now and again they lift their heads, emit that weird percussive whistling snort, and bend to the grass again. Quaggas. Strays out of the past, relicts, rekindled specters. Gracchus signals and the party fans out along the peak of the hill. Ngiri hands Zacharias his colossal gun. Zacharias kneels, sights.

“No hurry,” Gracchus murmurs. “We have all afternoon.”

“Do I seem to be hurrying?” Zacharias asks. The zebras now block the little group of quaggas from his view, almost as if by design. He must not shoot a zebra, of course, or there will be trouble with the rangers. Minutes go by. Then the screen of zebras abruptly parts and Zacharias squeezes his trigger. There is a vast explosion; zebras bolt in ten directions, so that the eye is bombarded with dizzying stroboscopic waves of black and white; when the convulsive confusion passes, one of the quaggas is lying on its side, alone in the field, having made the transition across the interface. Sybille regards it calmly. Death once dismayed her, death of any kind, but no longer.

“
Paga m’uzuri!
” the porters cry exultantly.

“
Kufa
,” Gracchus says. “Dead. A neat shot. You have your trophy.”

Ngiri is quick with the skinning-knife. That night, camping below Kilimanjaro’s broad flank, they dine on roast quagga, deads and porters alike. The meat is juicy, robust, faintly tangy.

***

Late the following afternoon, as they pass through cooler stream-broken country thick with tall, scrubby gray-green vase-shaped trees, they come upon a monstrosity, a shaggy shambling thing twelve or fifteen feet high, standing upright on ponderous hind legs and balancing itself on an incredibly thick, heavy tail. It leans against a tree, pulling at its top branches with long forelimbs that are tipped with ferocious claws like a row of sickles; it munches voraciously on leaves and twigs. Briefly it notices them, and looks around, studying them with small stupid yellow eyes; then it returns to its meal.

“A rarity,” Gracchus says. “I know hunters who have been all over this park without ever running into one. Have you ever seen anything so ugly?”

“What is it?” Sybille asks.

“Megatherium. Giant ground sloth. South American, really, but we weren’t fussy about geography when we were stocking this place. We have only four of them, and it costs God knows how many thousands of dollars to shoot one. Nobody’s signed up for a ground sloth yet. I doubt anyone will.”

Sybille wonders where the beast might be vulnerable to a bullet: surely not in its dim peanut-sized brain. She wonders, too, what sort of sportsman would find pleasure in killing such a thing. For a while they watch as the sluggish monster tears the tree apart. Then they move on.

***

Gracchus shows them another prodigy at sundown: a pale dome, like some huge melon, nestling in a mound of dense grass beside a stream. “Ostrich egg?” Mortimer guesses.

“Close. Very close. It’s a moa egg. World’s biggest bird. From New Zealand, extinct since about the eighteenth century.”

Nerita crouches and lightly taps the egg. “What an omelet we could make!”

“There’s enough there to feed seventy-five of us,” Gracchus says. “Two gallons of fluid, easy. But of course we mustn’t meddle with it. Natural increase is very important in keeping this park stocked.”

“And where’s mama moa?” Sybille asks. “Should she have abandoned the egg?”

“Moas aren’t very bright,” Gracchus answers. “That’s one good reason why they became extinct. She must have wandered off to find some dinner. And—”

“Good God,” Zacharias blurts.

The moa has returned, emerging suddenly from a thicket. She stands like a feathered mountain above them, limned by the deep-blue of twilight: an ostrich, more or less, but a magnified ostrich, an ultimate ostrich, a bird a dozen feet high, with a heavy rounded body and a great thick hose of a neck and taloned legs sturdy as saplings. Surely this is Sinbad’s rukh, that can fly off with elephants in its grasp! The bird peers at them, sadly contemplating the band of small beings clustered about her egg; she arches her neck as though readying for an attack, and Zacharias reaches for one of the rifles, but Gracchus checks his hand, for the moa is merely rearing back to protest. It utters a deep mournful mooing sound and does not move. “Just back slowly away,” Gracchus tells them. “It won’t attack. But keep away from the feet; one kick can kill you.”

“I was going to apply for a license on a moa,” Mortimer says.

“Killing them’s a bore,” Gracchus tells him. “They just stand there and let you shoot. You’re better off with what you signed up for.”

***

What Mortimer has signed up for is an aurochs, the vanished wild ox of the European forests, known to Caesar, known to Pliny, hunted by the hero Siegfried, altogether exterminated by the year 1627. The plains of East Africa are not a comfortable environment for the aurochs and the herd that has been conjured by the genetic necromancers keeps to itself in the wooded highlands, several days’ journey from the haunts of quaggas and ground sloths. In this dark grove the hunters come upon troops of chattering baboons and solitary big-eared elephants and, in a place of broken sunlight and shadow, a splendid antelope, a bull bongo with a fine curving pair of horns. Gracchus leads them onward, deeper in. He seems tense: there is peril here. The porters slip through the forest like black wraiths, spreading out in arching crab-claw patterns, communicating with one another and with Gracchus by whistling. Everyone keeps weapons ready in here. Sybille half expects to see leopards draped on overhanging branches, cobras slithering through the undergrowth. But she feels no fear.

They approach a clearing.

“Aurochs,” Gracchus says.

A dozen of them are cropping the shrubbery: big short-haired long-horned cattle, muscular and alert. Picking up the scent of the intruders, they lift their heavy heads, sniff, glare. Gracchus and Ngiri confer with eyebrows. Nodding, Gracchus mutters to Mortimer, “Too many of them. Wait for them to thin off.” Mortimer smiles. He looks a little nervous. The aurochs has a reputation for attacking without warning. Four, five, six of the beasts slip away, and the others withdraw to the edge of the clearing, as if to plan strategy; but one big bull, sour-eyed and grim, stands his ground, glowering. Gracchus rolls on the balls of his feet. His burly body seems, to Sybille, a study in mobility, in preparedness.