Discworld 26 - The Thief of Time (26 page)

 
 
  
There was an overpowering smell of milk.
Lu-Tze sat bolt upright.
It was a large room, and he had been placed on a table in the middle of it. By the feel of the
surface, it was sheeted with metal. There were churns stacked along the wall, and big metal
bowls ranged beside a sink the size of a bath.
Under the milk smell were many others - disinfectant, well-scrubbed wood and a distant
odour of horses.
Footsteps approached. Lu-Tze lay back hurriedly and shut his eyes.
He heard someone enter the room. They were whistling under their breath, and they had to be
a man, because no woman in Lu-Tze's long experience had ever whistled in that warbling,
hissing way. The whistling approached the slab, stayed still for a moment, then turned away
and headed for the sink. It was replaced by the sound of a pump handle being operated.
Lu-Tze half opened one eye.
The man standing at the sink was quite short, so that the standard-issue blue-and-white
striped apron he wore almost reached the floor. He appeared to be washing bottles.
Lu-Tze swung his legs off the slab, moving with a stealthiness that made the average ninja
sound like a brass band, and let his sandals gently touch the floor.
'Feeling better?' said the man, without turning his head.
'Oh, er, yes. Fine,' said Lu-Tze.
'I thought, here's a little bald monk sort of a fellow,' said the man, holding a bottle up to the
light to inspect it. 'With a wind-up thing on his back, and down on his luck. Fancy a cup of
tea? Kettle's on. I've got yak butter.'
'Yak? Am I still in Ankh-Morpork?' Lu-Tze looked down at a rack of ladles beside him. The
man still hadn't looked round.
'Hmm. Interestin' question,' said the bottle-washer. 'You could say you're sort of in Ankh-
Morpork. No to yak milk? I can get cow's milk, or goat, sheep, camel, llama, horse, cat, dog,
dolphin, whale or alligator if you prefer.'
'What? Alligators don't give milk!' said Lu-Tze, grasping the biggest ladle. It made no noise
as it came off its hook.
'I didn't say it was easy.'
The sweeper got a good grip. 'What is this place, friend?' he said.
'You are in... the dairy.'

 
 
  
The man at the sink said the last word as if it was as portentous as 'castle of dread', placed
another bottle on the draining board, and, still with his back to Lu-Tze, held up a hand. All
the fingers were folded except for the middle digit, which was extended.
'You know what this is, monk?' he said.
'It's not a friendly gesture, friend.' The ladle felt good and heavy. Lu-Tze had used much
worse weapons than this.
'Oh, a superficial interpretation. You are an old man, monk. I can see the centuries on you.
Tell me what this is, and know what I am.'
The coldness in the dairy got a little colder.
'It's your middle finger,' said Lu-Tze.
'Pah!' said the man.
'Pah?'
'Yes, pah! You have a brain. Use it.'
'Look, it was good of you to-'
'You know the secret wisdoms that everyone seeks, monk.' The bottle-washer paused. 'No, I
even suspect that you know the explicit wisdoms, the ones hidden in plain view, which
practically no one looks for. Who am I?'
Lu-Tze stared at the solitary finger. The walls of the dairy faded. The cold grew deeper.
His mind raced, and the librarian of memory took over.
This wasn't a normal place, that wasn't a normal man: A finger. One finger. One of the five
digits on a- One of five. One of Five. Faint echoes of an ancient legend signalled his
attention.
One from five is four.
And one left over.
Lu-Tze very carefully hung the ladle back on its hook.
'One from Five,' he said. 'The Fifth of Four.'
'There we are. I could see you were educated.'
'You were... you were the one who left before they became famous?'
'Yes.'

 
 
  
'But... this is a dairy, and you're washing bottles!'
'Well? I had to do something with my time.'
'But... you were the Fifth Horseman of the Apocalypse!' said Lu-Tze.
'And I bet you can't remember my name.'
Lu-Tze hesitated. 'No,' he said. 'I don't think I ever heard it.'
The Fifth Horseman turned round. His eyes were black. Completely black. Shiny, and black,
and without any whites at all.
'My name,' said the Fifth Horseman, 'is...'
'Yes?'
'My name is Ronnie.'
Timelessness grew like ice. Waves froze on the sea. Birds were pinned to the air. The world
went still.
But not quiet. There was a sound like a finger running around the rim of a very large glass.
'Come on,' said Susan.
'Can't you hear it?' said Lobsang, stopping.
'But it's no use to us-'
She pushed Lobsang back into the shadows. The robed grey shape of an Auditor appeared in
the air halfway down the street, and began to spin. The air around it filled with dust, which
became a whirling cylinder, which became, slightly unsteady on its feet, something that
looked human.
It rocked backwards and forwards for a moment. It raised its hands slowly and looked at
them, turning them this way and that. Then it marched away, purposefully. Further along the
street it was joined by another one, emerging from an alley.
'This really isn't like them,' said Susan, as the pair turned a corner. 'They're up to something.
Let's follow them.'
'What about Lu-Tze?'
'What about him? How old did you say he was?'
'He says he's eight hundred years old.'
'Hard to kill, then. Ronnie's safe enough if you're alert and don't argue. Come on.'

 
 
  
She set off along the streets.
The Auditors were joined by others, weaving between the silent carts and motionless people
and along the street towards, as it turned out, Sator Square, one of the biggest open spaces in
the city. It was market day. Silent, motionless figures thronged the stalls. But, amongst them,
there were scurrying grey shapes.
'There's hundreds of them,' said Susan. 'All human-shaped, and it looks like they're having a
meeting.'
Mr White was losing patience. Until now he had never been aware that he had any, because if
anything he had been all patience. But now he could feel it evaporating. It was a strange, hot
sensation in his head. And how could a thought be hot?
The mass of incarnated Auditors watched him nervously.
'I am Mr White!' he said, to the luckless new Auditor that had been brought before him, and
shuddered with the astonishment of using that singular word and surviving. 'You cannot be
Mr White also. It would be a matter of confusion.'
'But we are running out of colours,' said Mr Violet, intervening.
'That cannot be the case,' said Mr White. 'There is an infinite number of colours.'
'But there are not that many names,' said Miss Taupe.
'That is not possible. A colour must have a name.'
'We can find only one hundred and three names for green before the colour becomes
noticeably either blue or yellow,' said Miss Crimson.
'But the shades are endless!'
'Nevertheless, the names are not.'
'This is a problem that must be solved. Add it to the list, Miss Brown. We must name every
possible shade.'
One of the female Auditors looked startled. 'I cannot remember all the things,' she said. 'Nor
do I understand why you are giving orders.'
'Apart from the renegade, I have the greatest seniority as an incarnate.'
'Only by a matter of seconds,' said Miss Brown.
'That is immaterial. Seniority is seniority. This is a fact.'
It was a fact. Auditors respected facts. And it was also a fact, Mr White knew, that there were
now more than seven hundred Auditors walking rather awkwardly around the city.

 
 
  
Mr White had put a stop to the relentless increase in incarnations as more and more of his
fellows rushed into the trouble spot. It was too dangerous. The renegade had demonstrated,
he pointed out, that the human shape forced the mind to think in a certain troublesome way.
The utmost caution was necessary. This was a fact. Only those with a proven ability to
survive the process should be allowed to incarnate and complete the work. This was a fact.
Auditors respected facts. At least until now. Miss Brown took a step back.
'Nevertheless,' she said, 'being here is dangerous. It is my view that we should discarnate.'
Mr White found his body replying by itself. It let out a breath of air.
'And leave things unknown?' he said. 'Things that are unknown are dangerous. We are
learning much.'
'What we are learning makes no sense,' said Miss Brown.
'The more we learn, the more sense it will make. There is nothing we cannot understand,' said
Mr White.
'I do not understand why it is that I now perceive a desire to bring my hand in sharp contact
with your face,' said Miss Brown.
'Exactly my point,' said Mr White. 'You do not understand it, and therefore it is dangerous.
Perform the act, and we will know more.'
She hit him.
He raised his hand to his cheek.
'Unbidden thoughts of avoidance of repetition are engendered,' he said. 'Also heat.
Remarkably, the body does indeed appear to do some thinking on its own behalf.'
'For my part,' said Miss Brown, 'the unbidden thoughts are of satisfaction coupled with
apprehension.'
'Already we learn more about humans,' said Mr White.
'To what end?' said Miss Brown, whose sensations of apprehension were increasing at the
sight of the contorted expression on Mr White's face. 'For our purposes, they are no longer a
factor. Time has ended. They are fossils. The skin under one of your eyes is twitching.'
'You are guilty of inappropriate thought,' said Mr White. 'They exist. Therefore we must
study them in every detail. I wish to try a further experiment. My eye is functioning
perfectly.'
He took an axe from a market stall. Miss Brown took another step back.
'Unbidden thoughts of apprehension increase markedly,' she said.

 
 
  
'Yet this is a mere lump of metal on a piece of wood,' said Mr White, hefting the axe. 'We,
who have seen the hearts of stars. We, who have watched worlds burn. We, who have seen
space tormented. What is there about this axe that could cause concern to us?'
He swung. It was a clumsy blow and the human neck is a lot tougher than people believe, but
Miss Brown's neck exploded into coloured motes and she collapsed.
Mr White looked around at the nearest Auditors, who all stepped back.
'Is there anyone else who wishes to try the experiment?' he said.
There was a chorus of hasty refusals.
'Good,' said Mr White. 'Already we are learning a great deal!'
'He chopped her head off!'
'Don't shout! And keep your head down!' Susan hissed.
'But he-'
'I think she knows! Anyway, it's an it. And so's it.'
'What's going on?'
Susan drew back into the shadows. 'I'm not... entirely sure,' she said, 'but I think they've tried
to make themselves human bodies. Pretty good copies, too. And now... they're acting human.'
'Do you call that acting human?'
Susan gave Lobsang a sad look. 'You don't get out much, do you? My grandfather says that if
an intelligent creature takes a human shape, it starts to think human. Form defines function.'
'That was the action of an intelligent creature?' said Lobsang, still shocked.
'Not only doesn't get out much, also doesn't read history,' said Susan glumly. 'Do you know
about the curse of the werewolves?'
'Isn't being a werewolf curse enough?'
'They don't think so. But if they stay wolf-shaped for too long, they stay a wolf,' said Susan.
'A wolf is a very strong... form, you see? Even though the mind is human, the wolf creeps in
through the nose and the ears and the paws. Know about witches?'
'We, er, stole the broomstick of one of them to get here,' said Lobsang.
'Really? Bit of luck for you that the world's ended, then,' said Susan. 'Anyway, some of the
best witches have this trick they call Borrowing. They can get into the mind of an animal.
Very useful. But the trick is to know when to pull out. Be a duck for too long and a duck
you'll stay. A bright duck, maybe, with some odd memories, but still a duck.'

 
 
  
'The poet Hoha once dreamed he was a butterfly, and then he awoke and said, “Am I a man
who dreamed he was a butterfly, or am I a butterfly dreaming he is a man?”' said Lobsang,
trying to join in.
'Really?' said Susan briskly. 'And which was he?'
'What? Well... who knows?'
'How did he write his poems?' said Susan.
'With a brush, of course.'
'He didn't flap around making information-rich patterns in the air or laying eggs on cabbage
leaves?'
'No one ever mentioned it.'
'Then he was probably a man,' said Susan. 'Interesting, but it doesn't move us on a lot. Except
you could say that the Auditors are dreaming that they're human, and the dream is real. And
they've got no imagination. Just like my grandfather, really. They can create a perfect copy of
anything, but they can't make anything that's new. So what I think is happening is that they're
finding out what being human really means.'
'Which is?'
'That you're not as much in control as you think.' She took another careful look at the crowd
in the square. 'Do you know anything about the person who built the clock?'
'Me? No. Well, not really...'
'Then how did you find the place?'
'Lu-Tze thought this was where the clock was being built.'
'Really? Not a bad guess. You even got the right house.'
'I, er, it was me that found the house. It, er, I knew that was where I should be. Does that
sound silly?'
'Oh, yes. With twinkly bells and bluebirds on it. But it might be true. I always know where I
should be, too. And where should you be now?'
'Just a minute,' said Lobsang. 'Who are you? Time has stopped, the world is given over to...
fairy tales and monsters, and there's a schoolteacher walking around?'
'Best kind of person to have,' said Susan. 'We don't like silliness. Anyway, I told you. I've
inherited certain talents.'
'Like living outside time?'

 
 
  
'That's one of them.'
'It's a weird talent for a schoolteacher!'
'Good for marking, though,' said Susan calmly.
'Are you actually human?'
'Hah! As human as you are. I won't say I haven't got a few skeletons in the family closet,
though.'
There was something about the way she said it...
'That wasn't just a figure of speech, was it?' said Lobsang flatly.
'No, not really,' said Susan. 'That thing on your back. What happens when it stops spinning?'
'I'll run out of time, of course.'
'Ah. So the fact that it slowed down and stopped back there when that Auditor practised its
axemanship isn't a factor, then?'
'It's not turning?' Panicking, Lobsang tried to reach round to the small of his back, spinning
himself in the effort.
'It looks as though you have a hidden talent,' said Susan, leaning against the wall and
grinning.
'Please! Wind me up again!'
'All right. You are a-'
'That wasn't very funny the first time!'
'That's all right, I don't have much of a sense of humour.'
She grabbed his arms as he wrestled with the straps of the spinner.
'You don't need it, understand?' she said. 'It's just a dead weight! Trust me! Don't give in!
You're making your own time. Don't wonder how.'
He stared at her in terror. 'What's happening?'
'It's okay, it's okay,' said Susan, as patiently as she could. 'This sort of thing always comes as
a shock. When it happened to me there wasn't anyone around, so consider yourself lucky.'
'What happened to you?'
'I found out who my grandfather was. And don't ask. Now, concentrate. Where ought you to
be?'