Authors: Piers Anthony
Gutbucket Quest
The Gutbucket Quest
Piers Anthony and Ron Leming
Contents
1
. . . the blues transcend conditions created by social injustice; and the attraction is that they express simultaneously the agony of life and the possibility of conquering it through the sheer toughness of spirit.
—Ellison,
Shadow and Act
Born for the Blues (G-flat minor)
Some folks are born with a soul full of trouble,
And some are born just too poor to choose,
Me, I know, my time is on to comin’,
‘Cause this boy here was born for the blues
My daddy left before my life was seen,
My momma saw me as one more way to lose,
Doc said, “This boy a-comin’ in blood and screams,
I know this here boy was born for the blues.”
Poor man got no justice and rich man got no heart,
If you find somebody lovin’, life tears you right apart,
When you just sit there a moanin’, then you know you got to choose,
‘Cause that’s when you know you was born for the blues.
Folk say the road to hell is paved with good intentions,
But a poor man got no time to pay that much attention,
When you have to fight to live you either die or lose,
But you have to keep on fightin’ bein’ born for the blues.
T
he main color of the creek was green. Willow thickets closed and hid much of it, the water making only a small, narrow tunnel through the thin, knotted leaves and branches. Clumps of cottonwood grew spaced apart all up and down the bank, and catclaw bushed out in any place that wasn’t filled with something else. Nature, Slim Chance thought, was odd and wonderful.
One of his first tasks, when he had settled here, had been to build a run of steps down the cliffside to the creek. Shaky, but fundamentally sound, the stairs had held up well, and he smiled as he hitched the guitar up on his shoulder and started down. He got nearly to the bottom, then paused. Something felt wrong, like a memory trying to surface. He started to look up at the sky, but then he knew.
There was nothing at all he could do to avoid or escape the bolt of lightning that exploded from the ground beneath him. It caught him fair and square and blew him up into the air. It hurt like hell, it scrambled his brain and nerves, but he twisted in his flight, trying to make sure the precious guitar was above him, so that he wouldn’t land on it and shatter his dreams.
Then he hit the ground. He landed on his back, the guitar clutched to his chest. His head hit hard, and though he tried to avoid it, unconsciousness closed him into darkness.
When Slim woke, he was looking up at an old black man with a mouthful of gold teeth. His face was metallically black in the sunlight and he was smiling broadly, compassionately.
“What the—” Slim mumbled.
“You all right, son?” the man asked him.
“All right?” Slim answered. “No, I don’t think so.”
“Why? Is you kilt?”
“No,” Slim said. “I think I may be maimed, though.”
“What about that guitar?” the old man asked. “Is that okay?”
Slim, becoming more and more conscious with every word, sat and held the guitar close, examining the body and neck. No new dents or scratches, and the neck was straight and tight; it hadn’t been hurt.
“Yeah,” he said. “Yeah, s’okay.”
“Good, then.” The man held out a delicate, white-palmed hand. Slim took it and stood up, surprised at the old man’s deceptive strength pulling at him.
“That’s a fine-lookin’ guitar, son. I bet it plays real nice, too. You mind?”
Before Slim could object, the old man took the guitar out of his hands and proceeded to play the slickest, cleanest, smoothest B-flat blues riff Slim had ever heard. Even without an amplifier, he could tell it would sound true blue and beautiful as hell.
“Whoo,” the old man huffed. “That maple neck’s right nice. Never cared for ‘em my own self, but you got a good one. Put some work in on it I ‘spect.”
“Wait just a damn minute,” Slim said, frustrated. “Who the hell are you?”
The man laughed, his gold teeth flashing in the sunlight.
Sunlight?
Slim wondered.
What had happened to the storm?
The one whose lightning had launched him here.
“Me?” the man said, holding out his hand to be shaken. “Progress is my name. Progress T. Hornsby.”
Slim took the proffered hand. “Pleased to meetcha,” he said. “Did you see what happened to me?”
The man scratched his head. “Well now,” he said. “I did and I
didn’t, you might say. Ain’t sure atall. I was just goin’ back to the house and
bang!,
there you was, flyin’ through the air off my stairs, holdin’ that there guitar.”
“Yeah, I—hey, wait a minute.
Your
stairs? No, man, those are
my
stairs. I
built
those”
Slim turned to point to the stairs, but they weren’t there any longer. Instead, he saw a flight of well-poured concrete steps blended into the bank of the cliff. “What the hell?”
“Look here, son. I gots me a feelin’ about you, somethin’ I purely likes. Whyn’t you come on up the house with me. I think you’re more hurt than you maybe thinks.”
“Yeah,” Slim said, quietly. “Sure, whatever. Thanks.”
He followed Progress up the steps, jumping up and down on each one, just to make sure they were real and not the product of his scrambled brains. He’d almost started to feel halfway normal when they got to the top of the trail and he looked down at the house.
“No,” he moaned. “Oh no, that can’t be.”
It was like his house, but it wasn’t. The shape was the same, but the adobe walls had been stuccoed and painted sky blue. Bricks had been laid in the walkways and instead of raw dirt and weeds for a yard, there was grass and a small garden. The deep wash in front of the house was filled with water and a quiet pump connected the water to the house. And there were real oaks surrounding the house. Not small, new oaks, either, but mature, double-trunked oaks that cast shade in all the right places.
“I do not
believe
this,” Slim said.
“Believe what, son?”
“This was my house, man. I mean—it was before I went down to the creek and the lightning got me. It was nice. Well, it wasn’t, but it was
gonna
be. I hadn’t finished it. It was just adobe. No real yard or anything. No trees except for a few cedars. No pond. But this was just the way I thought I was gonna do it. Just like this.”
Progress looked at Slim closely, looked deeply into his eyes, at his confusion, but he remained silent.
“Progress—”
“Yeah, boy?”
“
Where the hell am I?"
“I ain’t at all sure that’s a question I can answer, son. But as far as
here,
you’re at my house.” Progress pointed south over the hill. “Over there, that’s the city of Armadillo. And all this here is a part of the great nation of Tejas.”
“Nation?” Slim said weakly. “Tejas?”
“Yep. Problem with that?”
“Oh no. No problem. Just that before I walked down to the creek, that city was called Amarillo, and this was the state of Texas.”
“Texas?” Progress said. “What’s it in a state of?”
“The United States.”
Progress laughed. “You’re foolin’ me, ain’tcha? The United States? That’s just a little ole country clear on over to the east coast. Nowhere near here.”
Slim opened his mouth to say something, but nothing intelligible would come out of his tightened throat.
Progress laid a gentle hand on his shoulder. “Son,” he said, “come on down to the house. They’s somethin’ happenin’ here, but I don’t know what it is.”
Progress led Slim down the trail, through the yard, to the house. They went through the painted front door. The jarring, the dislocation, was total. The house was just enough like his own to throw his sense of existence completely out of whack. The walls were plastered and painted a clean white. Instead of the dirt floors he was used to, there was concrete and thick, brightly colored rugs. The furniture was wildly varied in style, but all of it was good stuff. Though different, a stereo and TV cabinet stood in the same place he was used to. There was a big, handmade table against the same wall he’d had his own. A
different collection of stands and guitars stood beneath the same window his guitars had stood under.
“Nice,” Slim said, trying hard not to act nonplussed. “It must have cost you a little bit to fix it up like this.”
“Mmmm. Wouldn’t have cost so much, but I did most of the work myself.”
That made Slim laugh. He was overly familiar with the costs of self labor.
“That’s better,” the old man said. “You maybe got a hard shot here, but long as you can laugh I ‘spect you be okay.”
“Oh, man, Progress. This can’t be happening. But it
is
happening. What am I gonna do?”
“What you mean, son? Do about what?”
“This isn’t my house. This isn’t even my whole world, I don’t think. I don’t know if I’m dead or crazy, but this just isn’t where I should be. Where do I go? What do I do? I got a life I gotta try to live”
“You any good with that there guitar?” Progress asked.
Slim shrugged. “Sometimes I think I am. Sometimes I feel like I’m not for shit. Depends on the day.”
“Yessir, I hears that. We all like that. But do you have it inside you?”
“I think I do.”
“Shore, son. I thinks maybe you do, too. I see me a man flyin’ through the air, more careful about his guitar than his own ass, that there’s a man I think maybe got hold of somethin’ and tryin’ to find out what it is he’s holdin’ on to. So I tells you what. You just come on and lives here with me awhile.”
“Really?” Slim smiled. The offer, and the old man, made him feel better than he’d felt in a while, not just since the lightning, made him feel mighty good inside.
“Oh, shore. Look here, it gets pretty danged lonesome out here all alone. And I guess it’s about time I took me on an apprentice. I ain’t gettin’ any younger, or so they tell me.”
“Apprentice?” Slim was puzzled. “Apprentice to what? What do you do?”
Progress moved to the kitchen, not answering. He filled two glasses with ice, and then with brown-gold sun tea, and brought them back into the living room, handing one to Slim. Then he laughed. It was a deep, throaty sound that carried an honest joy. It had been a long time since Slim had felt so welcomed or liked by another human being.
“That’s right,” Progress said. “I forgot you ain’t from around here. I s’pose you needs a proper introduction.”
Progress walked to the stereo cabinet and turned on the power to the receiver and the turntable. He pulled an album from the shelf, pulled the disk out and placed it on the turntable. The needle hit the grooves and a raucous, sexy, beautiful twelve-bar blues song came from the speakers.
“Well, I woke up this mornin’, to a rattle in my bed,
Said I woke up this mornin’, to a rattle in my bed,
It was the loose shell blues, runnin’ all round my head.”
The voice was what Slim thought of as whiskey-soaked, full of the kind of pain and sorrow only the blues expressed. The electric guitar accompaniment was loose and slick and dirty-good, like a heat wave.
“
Well, I shook and shivered, till I nearly cried,Yes I shook and shivered, till I nearly cried,
Tighten me up, mama, give the good man a try.
My bones may rattle, but my mind is tight,
Say my bones may rattle, but my mind is tight,
And if I know one thing, it’s where I am at night.
They tell me not to be impatient, every dog will have its day,
Say don’t be impatient, every dog has its day,
But with these armadillo blues, I’m runnin’ every which a way.
People talkin’ ‘bout hard times, tell me what they all about,
Talkin’ ‘bout hard times, tell me what they all about,
Hard times don’t bother me, I was there when they started out.
I been boobin’ it and noobin’ it, I can tell by the way I smell,
Yes boobin’ it and noobin’ it, I can smell that smell,
So come here, mama, put some oil on this here shell.”
It was a straight twelve-bar blues in E, but it went a long way down the road, was almost exactly what Slim himself wanted so badly to play.
The record went on to a slow blues and Progress motioned Slim over to the stereo cabinet, to a shelf filled with a short row of albums. Slim started pulling them out one at a time to look at them.
Fat Tuesday, Livin’ Blue, Hook and Line, Two Finger Blues, Standin’ Hard,
album after album. He counted: there were thirty-seven and Progress’ name was on all of them.
