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Authors: Robert McCammon

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Mister Slaughter (9 page)

BOOK: Mister Slaughter
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Dante plodded on, unmindful of his rider's memories. And then, quite before Matthew was fully ready, they came upon a wall of rough stones about eight feet high with vines and creepers dangling over it, and Matthew must have abruptly pressed in with his knees or jerked the reins like a greenhorn, for Dante's head came up with a reproachful snort and let him know that he was not above being tossed.

The road continued on, close-set against the ugly wall. As upon his first visit here, Matthew had the impression of approaching a fortress instead of an estate. In another moment he saw the great slab of the wooden gate ahead, wide open as when it was left by High Constable Lillehorne and the other men who'd come to his rescue. Matthew suddenly felt the sun was not bright enough, and that the cool air carried a wicked edge. He had to go through that gate and onto the grounds, because he had to find out how four people could have escaped Lillehorne's men and so completely disappeared that terrible day last summer.

He turned Dante through the gate, passed the white-washed gatehouse with its broken windowglass, and followed a driveway that curved to the right between thick woods.

Four people. A well-dressed man and woman Matthew had seen at a distance, back at the buildings by the corrupted vineyard. The woman had been watching from beneath a blue parasol. Both of them had disappeared, though Lillehorne and his men had gone over the grounds and through the woods not just that day but, after posting guards on the gate, had come back again to renew the search. Not a trace of them.

The young assassin-in-training, Ripley. Of indeterminate age. Small-boned, pale of skin and weirdly fragile. His silky hair the color of dust, a long thin scar running up through his right eyebrow into his hairline, and his eye on that side a cold milky-white orb. A blue knitting-needle in his hand, about to be pushed through Berry's eye into the brain.

Escaped.

The enigmatic swordsman, Count Anton Mannerheim Dahlgren, who'd so nearly slashed Matthew a belly-grin with the point of a dagger. Dahlgren had left the Chapel house rather violently, taking with him his broken left wrist and the garden door curtains out into the goldfish pond.

Gone, every last mean Prussian inch of him.

But how had those four gotten away? All the buildings on the estate had been searched through, from cellars to attics. The woods had been torn up like an old rug, and some of the searchers had climbed into trees the better to have a higher vantage point.

Had they
flown
away over the riverside cliffs, like demonic spirits? Matthew thought it was unlikely, particularly since Dahlgren had a broken wing. But even so, Dahlgren was a dangerous character, and Matthew also didn't like the idea of Ripley out there somewhere, sharpening his needles.

A large two-story manse of mottled red and gray brickwork came into view, its handsome front adorned with many windows and a gray-painted cupola at the top with a copper roof. Chimneys jutted skyward. The driveway made a circle around a lily pond that stood a few yards from the front steps, and it was at these steps that Matthew drew Dante to a halt.

The front door was open. Indeed, there was no front door; it had been removed from its hinges. Upon the steps lay a rain-ruined chair of yellow cloth, probably thrown out from the overloaded wagon that had carted away other valuables. Some of the windows were broken, and right in the doorway were ceramic shards that attested to a large white pot slipped from greasy fingers. Not far away, on the weeded lawn, a desk of dark oak with two broken legs leaned like a horse longing to be shot. The drawers had been pulled out and were missing. Matthew thought it might have been the desk from Chapel's office, which Lillehorne had already gone through in his collection of evidence.

So. As Matthew had surmised, many townsfolk had come here drawn by curiosity—and the lurid tales in the
Earwig
—and left as thieves with their saddlebags and wagons burdened by Chapel's loot. He couldn't blame them. He recalled the rich furnishings within; the tapestries, the paintings, the candelabras and chandeliers, the ornate desks and chairs and . . .

Oh, yes. The books.

Matthew had never gotten around to visiting the library. Well, there might be some books left behind. After all, who would load books in their wagon when they could carry off Persian rugs and canopied beds?

He dismounted and walked Dante over to the lily pond to drink. At the pond's edge, the horse suddenly shied away, and at the same time Matthew caught a foul odor from the water. Drifting there, being eaten by buzzing green flies, was a large dead snake. Matthew retreated, tied Dante to a lower branch of a tree a little further along the drive, and then he opened one of his saddlebags and fed the horse an apple. He had a leather flask of water, which he drank from and then poured some water into his cupped hand to let Dante drink. As he stood in the shadow of the house, he could smell the snake's rot wafting around him, like . . .

 . . . the unseen presence of Professor Fell?

It was Chapel's estate, yes, but it was Professor Fell's enterprise. As Greathouse had told Matthew,
No one makes Professor Fell angry and lives very long
.

Matthew had spoiled the enterprise. Had upturned the game table. But
won
the game? No. The death card that had arrived at his door, with its single bloody fingerprint, said the game was just beginning, and Matthew must pay for making the professor angry.

He found himself with his hand resting on the pistol in his sash. Nothing moved beyond the open doorway; there was not a sound, but for the feasting flies. He saw in there shadows and chaos, ruin and dissolution, a little piece of Hell on Earth. Yet also . . . knowledge for the hungry, in the books that Professor Fell's money must have bought.

Matthew walked up the steps and entered the house.

There is an underworld you can't imagine
, Greathouse had said.
They're in the business of counterfeiting, forgery, theft of both state and private papers, blackmail, kidnapping, arson, murder for hire and whatever else offers them a profit.

Matthew's boots crunched on broken pottery. Teacups, they looked to have been. Someone had pulled down the foyer's iron chandelier, and chunks of ceiling masonry had fallen to the floor. Holes had been gouged into the glossy dark wood of the walls. Some of the staircase's risers had been ripped up. Scavengers hunting hidden treasure, Matthew thought. Did they find it? He walked along the main corridor, where the tapestries had been taken from the walls and, once again, there were gaping holes that appeared to have been made by axeblows. Matthew wondered how many houses in New York now held items removed from here; he didn't doubt that Dippen Nack probably squatted over a chamberpot decorated with gold, and that Lillehorne himself hadn't delivered silk sheets to the shrewish wife he called 'Princess'.

Their gang wars
, Greathouse had said,
have been brutal and bloody and have gotten them nowhere. But in the last fifteen years, all that began to change. Professor Fell emerged—from where we don't know—and has through guile, intelligence and not a small amount of head-chopping—united the gangs into a criminal parliament
. Matthew came upon another room, on his right, that used to have a door before someone carted it away. Dusty yellow light streamed through two tall windows, both of them shattered, and illuminated under an arched pale blue ceiling what had once been a wall of books.

Next to a challenging question or a problem that needed solving, Matthew loved books. So it was with both great pleasure and gut-wrenching dismay that he took appraisal of the library's ruin. Pleasure because though most of the books had been swept from their shelves, they still lay in a pile on the floor; and dismay, because someone had thrown dozens of volumes into the fireplace and their black bindings were heaped up like so many bones.

No one knows his first name. No one knows really if 'he' is a man or a woman, or if 'he' ever was a professor at any school or university. No one has ever given an age for him or a description . . .

The room held a gray sofa that had been gutted with a blade and its stuffings pulled out. A writing desk appeared to have been a target for a drunk with a blacksmith's hammer. On the walls were marks where paintings had hung; it looked as if someone had actually tried to peel away the wallpaper to get the marks, as well. Matthew surmised that whoever had burned the books had done so for the necessity of heat and light, as they'd probably made a night of it.

Who could blame people for wanting to get up here and take what was left? Matthew knew he hadn't been the only celebrity created by the
Earwig
's
lurid tales. This estate had also been made a celebrity, and so reaching the end of its celebrity it had been attacked and ransacked by those who wished to have a little handful of fame. Or, failing that, a nice vase for the kitchen window.

Matthew surveyed the damage. The wall held seven shelves. There was a small stepladder on which to reach the topmost books. Eight or nine books remained on either side of each shelf, but the middle portion of volumes had been tossed to the floor, the better for that greedy axe to go to work on the wall. Probably more than one axe, Matthew thought. A ship's crew, by the looks of the destruction. So it was not enough to carry off the furnishings, but the very walls of the house had to be broken into in search of hidden money. Let them have it if they found any, he thought. The books are what I want, as many as I can put in my saddlebags. After that, the plan was to go through the woods once more in search of any clue as to how those four got away so completely, and then onto Dante and out of here before the light began to fade.

He strode forward amid the debris, knelt down and began his examination of the treasures left behind. He considered himself well-read, for a colonist, but certainly not up to the standards of the London intellect. While London had a row of bookshops and one could browse the aisles at leisure for new volumes delivered that morning—at least, according to the
Gazette
—the only opportunity for Matthew to find books was from the moldy trunks of those who had died on the Atlantic passage and therefore had no further need of enlightenment. Every arriving ship put out the baggage of dead people, sold to the highest bidder. In most instances, any available books were bought up by the occupants of Golden Hill, not as reading matter but as a statement of social standing. Tea-table books, they were called.

It was thus, then, that Matthew found himself amid a bounty of books he had not read and, indeed, had never heard of before. There were leather-bound tomes such as
The Blazing World
,
Sir Courtly Nice, Polexandre, Thou Thirsteth, The Pilgrim's Progress, A New Theory of the Earth
,
The Holy State and the Profane State, The Corruption of the Times By Money, King Arthur, Don Quixote de la Mancha
and
Annus Mirabilis, The Year of Wonders 1666.
There were books thin as gruel and thick as beefsteaks. There were volumes in Latin, French and Spanish as well as the mother tongue. There were religious sermons, novels, histories, philosophical statements and discourses on the elements, the planets, Eden and Purgatory and everything in between. Matthew looked through a book entitled
The Revengeful Mistress
and, his cheeks flaming red, decided he couldn't have such a scandalous book found in his house, but he put it aside anyway thinking it was more suited for Greathouse's ribald tastes.

He discovered historical novels so huge he thought a couple of them in each saddlebag would sprain Dante's back. Eight volumes of
Letters Written By A Turkish Spy
intrigued him, and these he also put aside. He had once enjoyed—if that was the word—a banquet here at the house, but this was the true feast that kept him digging for more and even sprang a little feverish sweat to his brow, for he was going to have to make a terrible choice of what to take and what to leave behind.
London's Liberty In Chains Discovered
?
An Account of Religion By Reason
?
Oh, hang it all; he'd go with
Love's A Lottery, And A Woman the Prize.

Matthew wished he'd brought a wagon. Already he'd chosen far too many books and would have to go through them again to make the final selections. And there were the books still on the shelves! He got up from the floor and approached the remaining valiant soldiers that stood at attention before him.

On the third shelf, left side, he immediately saw a book he wanted, titled
The Compleat Gamester
. Then almost directly above that was another volume that called to him, stamped across the spine
The Life And Death of Mr. Badman.
His gaze travelled upward, and there upon the topmost shelf on the far left side was
a huge tome entitled
The History of Locks As Regards The Craft of Ancient Egypt and Rome.
He felt his mouth watering as surely as if he'd been presented a selection of pastries. Chapel might have been an evil bastard, but if he'd read one quarter of these books he had certainly been a well-educated evil bastard.

Matthew pulled the library stepladder over and climbed up, reaching first for the
Gamester
. He looked through it, made a quick decision and put it aside to join the other candidates. He next latched onto a thin volume entitled
A Discourse on Moonbeams
, but this one was rejected. Then he reached up for the
History of Locks
and had to grab it with both hands for the thing was as heavy as a frying-pan. No, Dante would never stand for this, and he was about to push the book back into place when something shifted inside of it.

The movement caught Matthew by such surprise that he nearly tumbled off the ladder. He held the book steady, started to open it, and realized with a jolt that it was not a book at all.

It was a box, fashioned to masquerade as a book.
The History of Locks
bore its own lock, right where the edges of the pages ought to be. The lid would not budge. Whatever was inside, it was no light reading matter. But where was the key?

BOOK: Mister Slaughter
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