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Authors: Michael Ondaatje

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(the communal poem—Sigiri Graffiti, 5th century)

They do not stir
these ladies of the mountain
do not give us
the twitch of eyelids.

The king is dead.

They answer no one
take the hard
rock as lover.
Women like you
make men pour out their hearts

‘Seeing you I want
no other life’
The golden skins have
caught my mind’

who came here
out of the bleached land
climbed this fortress
to adore the rock
and with the solitude of the air
behind them

carved an alphabet

whose motive was perfect desire

wanting these portraits of women
to speak
and caress.

Hundreds of small verses
by different hands
became one
habit of the unrequited.

Seeing you
I want no other life
and turn around
to the sky
and everywhere below
jungle, waves of heat
secular love

Holding the new flowers
a circle of

first finger and thumb
which is a window

to your breast

pleasure of the skin
earring earring
curl
of the belly

       and then

stone mermaid
stone heart
dry as a flower
on rock
you long eyed women
the golden
drunk swan breasts
lips
the long long eyes

we stand against the sky

I bring you

a flute
from the throat
of a loon

so talk to me
of the used heart

THE CINNAMON PEELER

If I were a cinnamon peeler
I would ride your bed
and leave the yellow bark dust
on your pillow.

Your breasts and shoulders would reek
you could never walk through markets
without the profession of my fingers
floating over you. The blind would
stumble certain of whom they approached
though you might bathe
under rain gutters, monsoon.

Here on the upper thigh
at this smooth pasture
neighbour to your hair
or the crease
that cuts your back. This ankle.
You will be known among strangers
as the cinnamon peeler’s wife.

I could hardly glance at you
before marriage
never touch you
—your keen nosed mother, your rough brothers.
I buried my hands
in saffron, disguised them
over smoking tar,
helped the honey gatherers …

*

When we swam once
I touched you in water
and our bodies remained free,
you could hold me and be blind of smell.
You climbed the bank and said

this is how you touch other women

the grass cutter’s wife, the lime burner’s daughter.
And you searched your arms
for the missing perfume

and knew

what good is it

to be the lime burner’s daughter
left with no trace
as if not spoken to in the act of love
as if wounded without the pleasure of a scar.

You touched
your belly to my hands
in the dry air and said
I am the cinnamon
peeler’s wife. Smell me.

KEGALLE (ii)

The family home of Rock Hill was littered with snakes, especially cobras. The immediate garden was not so dangerous, but one step further and you would see several. The chickens that my father kept in later years were an even greater magnet. The snakes came for the eggs. The only deterrent my father discovered was ping-pong balls. He had crates of ping-pong balls shipped to Rock Hill and distributed them among the eggs. The snake would swallow the ball whole and be unable to digest it. There are several paragraphs on this method of snake control in a pamphlet he wrote on poultry farming.

The snakes also had the habit of coming into the house and at least once a month there would be shrieks, the family would run around, the shotgun would be pulled out, and the snake would be blasted to pieces. Certain sections of the walls and floors showed the scars of shot. My stepmother found one coiled asleep on her
desk and was unable to approach the drawer to get the key to open the gun case. At another time one lay sleeping on the large radio to draw its warmth and, as nobody wanted to destroy the one source of music in the house, this one was watched carefully but left alone.

Most times though there would be running footsteps, yells of fear and excitement, everybody trying to quiet everybody else, and my father or stepmother would blast away not caring what was in the background, a wall, good ebony, a sofa, or a decanter. They killed at least thirty snakes between them.

After my father died, a grey cobra came into the house. My stepmother loaded the gun and fired at point blank range. The gun jammed. She stepped back and reloaded but by then the snake had slid out into the garden. For the next month this snake would often come into the house and each time the gun would misfire or jam, or my stepmother would miss at absurdly short range. The snake attacked no one and had a tendency to follow my younger sister Susan around. Other snakes entering the house were killed by the shotgun, lifted with a long stick and flicked into the bushes, but the old grey cobra led a charmed life. Finally one of the old workers at Rock Hill told my stepmother what had become obvious, that it was my father who had come to protect his family. And in fact, whether it was because the chicken farm closed down or because of my father’s presence in the form of a snake, very few other snakes came into the house again.

* * *

The last incident at Rock Hill took place in 1971, a year before the farm was sold. 1971 was the year of the Insurgence. The rebels against the government consisted of thousands from every walk
of life—but essentially the young. The age of an insurgent ranged from fifteen to twenty. They were a strange mixture of innocence and determination and anarchy, making home-made bombs with nails and scraps of metal and at the same time delighted and proud of their uniforms of blue trousers with a stripe down the side, and tennis shoes. Some had never worn tennis shoes before. My cousin Rhunie was staying at the Ambepussa resthouse with the Chitrasena dance troupe when fifty insurgents marched up the road in formation chanting “we are hungry we are hungry,” ransacked the place for food, but did not touch any one there because they were all fans of the dance company.

The insurgents were remarkably well organized and general belief is that they would have taken over the country if one group hadn’t mixed up the dates and attacked the police station in Wellawaya a day too soon. The following day every police station and every army barrack and every radio station was to be hit simultaneously. Some gangs hid out in the jungle reserves at Wilpattu and Yala where they survived by shooting and eating the wildlife. A week before the uprising they had broken into local government offices, gone through the files and found the location of every registered weapon in the country. The day after the revolt broke out, a gang of twenty marched from house to house in Kegalle collecting weapons and finally came up the hill to Rock Hill.

They had ransacked several houses already, stripping them of everything—food, utensils, radios and clothing, but this group of 17-year-olds was extremely courteous to my stepmother and her children. My father had apparently donated several acres of Rock Hill towards a playground several years earlier and many of these insurgents had known him well.

They asked for whatever weapons the house had and my stepmother handed over the notorious shotgun. They checked their files and saw a rifle was also listed. It turned out to be an air rifle, wrongly categorized. I had used it often as a ten-year-old, ankle deep in paddy fields, shooting at birds, and if there were no birds, at the fruit of trees. While all this official business was going on around the front porch, the rest of the insurgents had put down their huge collection of weapons, collected from all over Kegalle, and persuaded my younger sister Susan to provide a bat and a tennis ball. Asking her to join them, they proceeded to play a game of cricket on the front lawn. They played for most of the afternoon.

ECLIPSE PLUMAGE

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