Stories and Texts for Nothing (3 page)

BOOK: Stories and Texts for Nothing
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After we had verified the last address the cabman suggested bringing me to a hotel he knew where I would be comfortable. That makes sense, cabman, hotel, it's plausible. With his recommendation I would want for nothing. Every convenience, he said, with a wink. I place this conversation on the sidewalk, in front of the house from which I had just emerged. I remember, beneath the lamp, the flank of the horse, hollow and damp, and on the handle of the door the cabman's hand in its woollen glove. The roof of the cab was on a level with my neck. I suggested we have a drink. The horse had neither eaten nor drunk all day. I mentioned this to the cabman, who replied that his beast would take no food till it was back in the stable. If it ate anything whatever, during work, were it but an apple or a lump of sugar, it would have stomach
pains and colics that would root it to the spot and might even kill it. That was why he was compelled to tie its jaws together with a strap whenever for one reason or another he had to let it out of his sight, so that it would not have to suffer from the kind hearts of the passers-by. After a few drinks the cabman invited me to do his wife and him the honour of spending the night in their home. It was not far. Recollecting these emotions, with the celebrated advantage of tranquillity, it seems to me he did nothing else, all that day, but turn about his lodging. They lived above a stable, at the back of a yard. Ideal location, I could have done with it. Having presented me to his wife, extraordinarily full-bottomed, he left us. She was manifestly ill at ease, alone with me. I could understand her, I don't stand on ceremony on these occasions. No reason for this to end or go on. Then let it end. I said I would go down to the stable and sleep there. The cabman protested. I insisted. He drew his wife's attention to the pustule on top of my skull, for I had removed my hat out of civility. He should have that removed, she said. The cabman named a doctor he held in high esteem who had rid him of an induration of the seat. If he wants to sleep in the stable, said his wife, let him sleep in the stable. The cabman took the lamp from the table and preceded me down the stairs, or rather ladder, which descended to the stable, leaving his wife in the dark. He spread a horse blanket on the ground in a corner on the straw and left me a box of matches in case I needed to see clearly in the night. I don't remember what the horse was doing all this time. Stretched out in the dark I heard the noise it made as it drank, a noise like no other, the sudden gallop of the rats, and
above me the muffled voices of the cabman and his wife as they criticized me. I held the box of matches in my hand, a big box of safety matches. I got up during the night and struck one. Its brief flame enabled me to locate the cab. I was seized, then abandoned, by the desire to set fire to the stable. I found the cab in the dark, opened the door, the rats poured out, I climbed in. As I settled down I noticed that the cab was no longer level, it was inevitable, with the shafts resting on the ground. It was better so, that allowed me to lie well back, with my feet higher than my head on the other seat. Several times during the night I felt the horse looking at me through the window and the breath of its nostrils. Now that it was unharnessed it must have been puzzled by my presence in the cab. I was cold, having forgotten to take the blanket, but not quite enough to go and get it. Through the window of the cab I saw the window of the stable, more and more clearly. I got out of the cab. It was not so dark now in the stable, I could make out the manger, the rack, the harness hanging, what else, buckets and brushes. I went to the door but couldn't open it. The horse didn't take its eyes off me. Don't horses ever sleep? It seemed to me the cabman should have tied it, to the manger for example. So I was obliged to leave by the window. It wasn't easy. But what is easy? I went out head first, my hands were flat on the ground of the yard while my legs were still thrashing to get clear of the frame. I remember the tufts of grass on which I pulled with both hands, in my efforts to extricate myself. I should have taken off my greatcoat and thrown it through the window, but that would have meant thinking of it. No sooner had I left the yard than I thought of
something. Weakness. I slipped a banknote in the match box, went back to the yard and placed the box on the sill of the window through which I had just come. The horse was at the window. But after I had taken a few steps in the street I returned to the yard and took back my banknote. I left the matches, they were not mine. The horse was still at the window. I was sick and tired of this cabhorse. Dawn was just breaking. I did not know where I was. I made towards the rising sun, towards where I thought it should rise, the quicker to come into the light. I would have liked a sea horizon, or a desert one. When I am abroad in the morning, I go to meet the sun, and in the evening, when I am abroad, I follow it, till I am down among the dead. I don't know why I told this story. I could just as well have told another. Perhaps some other time I'll be able to tell another. Living souls, you will see how alike they are.


Translated by
R
ICHARD
S
EAVER

in collaboration with the author

THE CALMATIVE

I don't know when I died. It always seemed to me I died old, about ninety years old, and what years, and that my body bore it out, from head to foot. But this evening, alone in my icy bed, I have the feeling I'll be older than the day, the night, when the sky with all its lights fell upon me, the same I had so often gazed on since my first stumblings on the distant earth. For I'm too frightened this evening to listen to myself rot, waiting for the great red lapses of the heart, the tearings at the caecal walls, and for the slow killings to finish in my skull, the assaults on unshakable pillars, the fornications with corpses. So I'll tell myself a story, I'll try and tell myself another story, to try and calm myself, and it's there I feel I'll be old, old, even older than the day I fell, calling for help, and it came. Or is it possible that in this story I have come back to life, after my death? No, it's not like me to come back to life, after my death.

What possessed me to stir when I wasn't with anybody? Was I being thrown out? No, I wasn't with anybody. I see a kind of den littered with empty tins. And yet we are not in the country. Perhaps it's just ruins, a ruined folly, on the skirts of the town, in a field, for the fields come right up to our walls, their walls, and the cows lie down at night in the lee of the ramparts. I have changed refuge so often, in the course
of my rout, that now I can't tell between dens and ruins. But there was never any city but the one. It is true you often move along in a dream, houses and factories darken the air, trams go by, and under your feet wet from the grass there are suddenly cobbles. I only know the city of my childhood, I must have seen the other, but unbelieving. All I say cancels out, I'll have said nothing. Was I hungry itself? Did the weather tempt me? It was cloudy and cool, I insist, but not to the extent of luring me out. I couldn't get up at the first attempt, nor let us say at the second, and once up, propped against the wall, I wondered if I could go on, I mean up, propped against the wall. Impossible to go out and walk. I speak as though it all happened yesterday. Yesterday indeed is recent, but not enough. For what I tell this evening is passing this evening, at this passing hour. I'm no longer with these assassins, in this bed of terror, but in my distant refuge, my hands twined together, my head bowed, weak, breathless, calm, free, and older than I'll have ever been, if my calculations are correct. I'll tell my story in the past none the less, as though it were a myth, or an old fable, for this evening I need another age, that age to become another age in which I became what I was.

But little by little I got myself out and started walking with short steps among the trees, oh look, trees! The paths of other days were rank with tangled growth. I leaned against the trunks to get my breath and pulled myself forward with the help of boughs. Of my last passage no trace remained. They were the perishing oaks immortalized by d'Aubigné. It was only a grove. The fringe was near, a light less green and kind of tattered told me so, in a whisper. Yes, no matter where
you stood, in this little wood, and were it in the furthest recess of its poor secrecies, you saw on every hand the gleam of this pale light, promise of God knows what fatuous eternity. Die without too much pain, a little, that's worth your while. Under the blind sky close with your own hands the eyes soon sockets, then quick into carrion not to mislead the crows. That's the advantage of death by drowning, one of the advantages, the crabs never get there too soon. But here a strange thing, I was no sooner free of the wood at last, having crossed unminding the ditch that girdles it, than thoughts came to me of cruelty, the kind that smiles. A lush pasture lay before me, nonsuch perhaps, who cares, drenched in evening dew or recent rain. Beyond this meadow to my certain knowledge a path, then a field and finally the ramparts, closing the prospect. Cyclopean and crenellated, standing out faintly against a sky scarcely less sombre, they did not seem in ruins, viewed from mine, but were, to my certain knowledge. Such was the scene offered to me, in vain, for I knew it well and loathed it. What I saw was a bald man in a brown suit, a comedian. He was telling a funny story about a fiasco. Its point escaped me. He used the word snail, or slug, to the delight of all present. The women seemed even more entertained than their escorts, if that were possible. Their shrill laughter pierced the clapping and, when this had subsided, broke out still here and there in sudden peals even after the next story had begun, so that part of it was lost. Perhaps they had in mind the reigning penis sitting who knows by their side and from that sweet shore launched their cries of joy towards the comic vast, what a talent. But it's to me this evening something has to happen, to
my body as in myth and metamorphosis, this old body to which nothing ever happened, or so little, which never met with anything, loved anything, wished for anything, in its tarnished universe, except for the mirrors to shatter, the plane, the curved, the magnifying, the minifying, and to vanish in the havoc of its images. Yes, this evening it has to be as in the story my father used to read to me, evening after evening, when I was small, and he had all his health, to calm me, evening after evening, year after year it seems to me this evening, which I don't remember much about, except that it was the adventures of one Joe Breem, or Breen, the son of a lighthouse-keeper, a strong muscular lad of fifteen, those were the words, who swam for miles in the night, a knife between his teeth, after a shark, I forget why, out of sheer heroism. He might have simply told me the story, he knew it by heart, so did I, but that wouldn't have calmed me, he had to read it to me, evening after evening, or pretend to read it to me, turning the pages and explaining the pictures that were of me already, evening after evening the same pictures, till I dozed off on his shoulder. If he had skipped a single word I would have hit him, with my little fist, in his big belly bursting out of the old cardigan and unbuttoned trousers that rested him from his office canonicals. For me now the setting forth, the struggle and perhaps the return, for the old man I am this evening, older than my father ever was, older than I shall ever be. I crossed the meadow with little stiff steps at the same time limp, the best I could manage. Of my last passage no trace remained, it was long ago. And the little bruised stems soon straighten up again, having need of air and light, and as for the
broken their place is soon taken. I entered the town by what they call the Shepherds' Gate without having seen a soul, only the first bats like flying crucifixions, nor heard a sound except my steps, my heart in my breast and then, as I went under the arch, the hoot of an owl, that cry at once so soft and fierce which in the night, calling, answering, through my little wood and those nearby, sounded in my shelter like a tocsin. The further I went into the city the more I was struck by its deserted air. It was lit as usual, brighter than usual, although the shops were shut. But the lights were on in their windows with the object no doubt of attracting customers and prompting them to say, I say, I like that, not dear either, I'll come back tomorrow, if I'm still alive. I nearly said, Good God it's Sunday. The trams were running, the buses too, but few, slow, empty, noiseless, as if under water. I didn't see a single horse! I was wearing my long green greatcoat with the velvet collar, such as motorists wore about 1900, my father's, but that day it was sleeveless, a vast cloak. But on me it was still the same great dead weight, with no warmth to it, and the tails swept the ground, scraped it rather, they had grown so stiff, and I so shrunken. What would, what could happen to me in this empty place? But I felt the houses packed with people, lurking behind the curtains they looked out into the street or, crouched far back in the depths of the room, head in hands, were sunk in dream. Up aloft my hat, the same as always, I reached no further. I went right across the city and came to the sea, having followed the river to its mouth. I kept saying, I'll go back, unbelieving. The boats at anchor in the harbour, tied up to the jetty, seemed no less numerous than
usual, as if I knew anything about what was usual. But the quays were deserted and there was no sign or stir of arrival or departure. But all might change from one moment to the next and be transformed like magic before my eyes. Then all the bustle of the people and things of the sea, the masts of the big craft gravely rocking and of the small more jauntily, I insist, and I'd hear the gulls' terrible cry and perhaps the sailors' cry. And I might slip unnoticed aboard a freighter outward bound and get far away and spend far away a few good months, perhaps even a year or two, in the sun, in peace, before I died. And without going that far it would be a sad state of affairs if in that unscandalizable throng I couldn't achieve a little encounter that would calm me a little, or exchange a few words with a navigator for example, words to carry away with me to my refuge, to add to my collection. I waited sitting on a kind of topless capstan, saying, The very capstans this evening are out of order. And I gazed out to sea, out beyond the breakwaters, without sighting the least vessel. I could see lights flush with the water. And the pretty beacons at the harbour mouth I could see too, and others in the distance, flashing from the coast, the islands, the headlands. But seeing still no sign or stir I made ready to go, to turn away sadly from this dead haven, for there are scenes that call for strange farewells. I had merely to bow my head and look down at my feet, for it is in this attitude I always drew the strength to, how shall I say, I don't know, and it was always from the earth, rather than from the sky, notwithstanding its reputation, that my help came in time of trouble. And there, on the flagstone, which I was not focussing, for why focus it, I saw haven afar, where
the black swell was most perilous, and all about me storm and wreck. I'll never come back here, I said. But when with a thrust of both hands against the rim of the capstan I heaved myself up I found facing me a young boy holding a goat by a horn. I sat down again. He stood there silent looking at me without visible fear or revulsion. Admittedly the light was poor. His silence seemed natural to me, it befitted me as the elder to speak first. He was barefoot and in rags. Haunter of the waterfront he had stepped aside to see what the dark hulk could be abandoned on the quayside. Such was my train of thought. Close up to me now with his little guttersnipe's eye there could be no doubt left in his mind. And yet he stayed. Can this base thought be mine? Moved, for after all that is what I must have come out for, in a way, and with little expectation of advantage from what might follow, I resolved to speak to him. So I marshalled the words and opened my mouth, thinking I would hear them. But all I heard was a kind of rattle, unintelligible even to me who knew what was intended. But it was nothing, mere speech-lessness due to long silence, as in the wood that darkens the mouth of hell, do you remember, I only just. Without letting go of his goat he moved right up against me and offered me a sweet out of a twist of paper such as you could buy for a penny. I hadn't been offered a sweet for eighty years at least, but I took it eagerly and put it in my mouth, the old gesture came back to me, more and more moved since that is what I wanted. The sweets were stuck together and I had my work cut out to separate the top one, a green one, from the others, but he helped me and his hand brushed mine. And a moment later as he made to move
away, hauling his goat after him, with a great gesticulation of my whole body I motioned him to stay and I said, in an impetuous murmur, Where are you off to, my little man, with your nanny? The words were hardly out of my mouth when for shame I covered my face. And yet they were the same I had tried to utter but a moment before. Where are you off to, my little man, with your nanny! If I could have blushed I would have, but there was not enough blood left in my extremities. If I had had a penny in my pocket I would have given it to him, for him to forgive me, but I did not have a penny in my pocket, nor anything resembling it. Nothing that could give pleasure to a little unfortunate at the mouth of life. I suspect I had nothing with me but my stone, that day, having gone out as it were without premeditation. Of his little person I was fated to see no more than the black curly hair and the pretty curve of the long bare legs all muscle and dirt. And the hand, so fresh and keen, I would not forget in a hurry either. I looked for better words to say to him, I found them too late, he was gone, oh not far, but far. Out of my life too he went without a care, not one of his thoughts would ever be for me again, unless perhaps when he was old and, delving in his boyhood, would come upon that gallows night and hold the goat by the horn again and linger again a moment by my side, with who knows perhaps a touch of tenderness, even of envy, but I have my doubts. Poor dear dumb beasts, how you will have helped me. What does your daddy do? that's what I would have said to him if he had given me the chance. Soon they were no more than a single blur which if I hadn't known I might have taken for a young centaur. I was nearly going to have the goat dung, then pick
up a handful of the pellets so soon cold and hard, sniff and even taste them, no, that would not help me this evening. I say this evening as if it were always the same evening, but are there two evenings? I went, intending to get back as fast as I could, but it would not be quite empty-handed, repeating, I'll never come back here. My legs were paining me, every step would gladly have been the last, but the glances I darted towards the windows, stealthily, showed me a great cylinder sweeping past as though on rollers on the asphalt. I must indeed have been moving fast, for I overhauled more than one pedestrian, there are the first men, without extending myself, I who in the normal way was left standing by cripples, and then I seemed to hear the footfalls die behind me. And yet each little step would gladly have been the last. So much so that when I emerged on a square I hadn't noticed on the way out, with a cathedral looming on the far side, I decided to go in, if it was open, and hide, as in the Middle Ages, for a space. I say cathedral, it may not have been, I don't know, all I know is it would vex me in this story that aspires to be the last, to have taken refuge in a common church. I remarked the Saxon Stützenwechsel. Charming effect, but it didn't charm me. The brilliantly lit nave appeared deserted. I walked round it several times without seeing a soul. They were hiding perhaps, under the choir-stalls, or dodging behind the pillars, like woodpeckers. Suddenly close to where I was, and without my having heard the long preliminary rumblings, the organ began to boom. I sprang up from the mat on which I lay before the altar and hastened to the far end of the nave as if on my way out. But it was a side aisle and the
door I disappeared through was not the exit. For instead of being restored to the night I found myself at the foot of a spiral staircase which I began to climb at top speed, mindless of my heart, like one hotly pursued by a homicidal maniac. This staircase faintly lit by I know not what means, slits perhaps, I mounted panting as far as the projecting gallery in which it culminated and which, separated from the void by a cynical parapet, encompassed a smooth round wall capped by a little dome covered with lead or verdigrised copper, phew, if that's not clear. People must have come here for the view, those who fall die on the way. Flattening myself against the wall I started round, clockwise. But I had hardly gone a few steps when I met a man revolving in the other direction, with the utmost circumspection. How I'd love to push him, or him to push me, over the edge. He gazed at me wild-eyed for a moment and then, not daring to pass me on the parapet side and surmising correctly that I would not relinquish the wall just to oblige him, abruptly turned his back on me, his head rather, for his back remained glued to the wall, and went back the way he had come so that soon there was nothing left of him but a left hand. It lingered a moment, then slid out of sight. All that remained to me was the vision of two burning eyes starting out of their sockets under a check cap. Into what nightmare thingness am I fallen? My hat flew off, but did not get far thanks to the string. I turned my head towards the staircase and lent an eye. Nothing. Then a little girl came into view followed by a man holding her by the hand, both pressed against the wall. He pushed her into the stairway, disappeared after her, turned and raised towards me a face that
made me recoil. I could only see his bare head above the top step. When they were gone I called. I completed in haste the round of the gallery. No one. I saw on the horizon, where sky, sea, plain and mountain meet, a few low stars, not to be confused with the fires men light, at night, or that go alight alone. Enough. Back in the street I tried to find my way in the sky, where I knew the Bears so well. If I had seen someone I would have stopped him to ask, the most ferocious aspect would not have daunted me. I would have said, touching my hat, Pardon me your honour, the Shepherds' Gate for the love of God. I thought I could go no further, but no sooner had the impetus reached my legs than on I went, believe it or not, at a very fair pace. I wasn't returning empty-handed, not quite, I was taking back with me the virtual certainty that I was still of this world, of that world too, in a way. But I was paying the price. I would have done better to spend the night in the cathedral, on the mat before the altar, I would have continued on my way at first light, or they would have found me stretched out in the rigor of death, the genuine bodily article, under the blue eyes fount of so much hope, and put me in the evening papers. But suddenly I was descending a wide street, vaguely familiar, but in which I could never have set foot, in my lifetime. But soon realizing I was going downhill I turned about and set off in the other direction. For I was afraid if I went downhill of returning to the sea where I had sworn never to return. When I say I turned about I mean I wheeled round in a wide semi-circle without slowing down, for I was afraid if I stopped of not being able to start again, yes, I was afraid of that too. And this evening too I

BOOK: Stories and Texts for Nothing
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