The Cabinet of Curiosities (50 page)

C
USTER ALLOWED
B
RISBANE TO STEW FOR A MINUTE, THEN TWO.
A
ND
then he smiled—almost conspiratorially—at the lawyer. “Mind if I…?” he began, nodding toward the bizarre chrome-and-glass chair before Brisbane’s desk.

Brisbane nodded. “Of course.”

Custer sank down, trying to maneuver his bulk into the most comfortable position the chair would allow. Then he smiled again. “Now, you were about to say something?” He hiked a pant leg, tried to throw it over the other, but the weird angle of the chair knocked it back against the floor. Unruffled, he cocked his head, raising an eyebrow quizzically across the desk.

Brisbane’s composure had returned. “Nothing. I just thought, with the hat…”

“What?”

“Nothing.”

“In that case, tell me about the Museum’s costume party.”

“The Museum often throws fund-raisers. Hall openings, parties for big donors, that sort of thing. Once in a while, it’s a costume ball. I always wear the same thing. I dress like an English banker on his way to the City. Derby hat, pinstriped pants, cutaway.”

“I see.” Custer glanced at the umbrella. “And the umbrella?”

“Everybody owns a black umbrella.”

A veil had dropped over the man’s emotions. Lawyer’s training, no doubt.

“How long have you owned the hat?”

“I already told you.”

“And where did you buy it?”

“Let’s see… at an old antique shop in the Village. Or perhaps TriBeCa. Lispinard Street, I believe.”

“How much did it cost?”

“I don’t remember. Thirty or forty dollars.” For a moment, Brisbane’s composure slipped ever so slightly. “Look, why are you so interested in that hat? A lot of people own derby hats.”

Watch the eyes.
And the eyes looked panicked. The eyes looked guilty.

“Really?” Custer replied in an even voice. “A lot of people? The only person I know who owns a derby hat in New York City is the killer.”

This was the first mention of the word “killer,” and Custer gave it a slight, but noticeable, emphasis. Really, he was playing this beautifully, like a master angler bringing in a huge trout. He wished this was being captured on video. The chief would want to see it, perhaps make it available as a training film for aspiring detectives. “Let’s get back to the umbrella.”

“I bought it… I can’t remember. I’m always buying and losing umbrellas.” Brisbane shrugged casually, but his shoulders were stiff.

“And the rest of your costume?”

“In the closet. Go ahead, take a look.”

Custer had no doubt the rest of the costume would match the description of a black, old-fashioned coat. He ignored the attempted distraction. “Where did you buy it?”

“I think I found the pants and coat at that used formalwear shop near Bloomingdale’s. I just can’t think of the name.”

“No doubt.” Custer glanced searchingly at Brisbane. “Odd choice for a costume party, don’t you think? English banker, I mean.”

“I dislike looking ridiculous. I’ve worn that costume half a dozen times to Museum parties, you can check with anyone. I put that costume to good use.”

“Oh, I have no doubt you put it to good use. Good use indeed.” Custer glanced over at Noyes. The man was excited, a kind of hungry, almost slavering look on his face. He, at least, realized what was coming.

“Where were you, Mr. Brisbane, on October 12, between eleven o’clock in the evening and four o’clock the following morning?” This was the time bracket the coroner had determined during which Puck had been killed.

Brisbane seemed to think. “Let’s see… It’s hard to remember.” He laughed again.

Custer laughed, too.

“I can’t remember what I did that night. Not precisely. After twelve or one, I would have been in bed, of course. But before then… Yes, I remember now. I was at home that night. Catching up on my reading.”

“And you live alone, Mr. Brisbane?”

“Yes.”

“So you have no one who can vouch for you being at home? A landlady, perhaps? Girlfriend?
Boy
friend?”

Brisbane frowned. “No. No, nothing like that. So, if it’s all the same to you—”

“One moment, Mr. Brisbane. And where did you say you live?”

“I didn’t say. Ninth Street, near University Place.”

“Hmmm. No more than a dozen blocks from Tompkins Square Park. Where the second murder took place.”

“That’s a very interesting coincidence, no doubt.”

“It is.”Custer glanced out the windows, where Central Park lay beneath a mantle of darkness. “And no doubt it’s a coincidence that the
first
murder took place right out there, in the Ramble.”

Brisbane’s frown deepened. “Really, Detective, I think we’ve reached the point where questions end and speculation begins.”He pushed back his chair, prepared to stand up. “And now, if you don’t mind, I’d like to get on with the business of clearing your men out of this Museum.”

Custer made a suppressing motion with one hand, glanced again at Noyes.
Get ready.
“There’s just one other thing. The
third
murder.” He slid a piece of paper out of his notebook with a nonchalant motion. “Do you know an Oscar Gibbs?”

“Yes, I believe so. Mr. Puck’s assistant.”

“Exactly. According to the testimony of Mr. Gibbs, on the afternoon of October 12, you and Mr. Puck had a little, ah,
discussion
in the Archives. This was after you found out that Human Resources had not supported your recommendation to fire Puck.”

Brisbane colored slightly. “I wouldn’t believe everything you hear.”

Custer smiled. “I don’t, Mr. Brisbane. Believe me, I don’t.”He followed this with a long, delicious pause. “Now, this Mr. Oscar Gibbs said that you and Puck were yelling at each other. Or rather, you were yelling at Puck. Care to tell me, in
your
words, what that was about?”

“I was reprimanding Mr. Puck.”

“What for?”

“Neglecting my instructions.”

“Which were?”

“To stick to his job.”

“To
stick
to his job. How had he been deviating from his job?”

“He was doing outside work, helping Nora Kelly with her external projects, when I had specifically—”

It was time. Custer pounced.

“According to Mr. Oscar Gibbs, you were (and I will read):
screaming and yelling and threatening to bury Mr. Puck. He
(that’s you, Mr. Brisbane)
said he wasn’t through by a long shot.”
Custer lowered the paper, glanced at Brisbane. “That’s the word you used: ‘
bury.
’”

“It’s a common figure of speech.”

“And then, not twenty-four hours later, Puck’s body was found, gored on a dinosaur in the Archives. After having been butchered, most likely in those very same Archives. An operation like that takes time, Mr. Brisbane. Clearly, it was done by somebody who knew the Museum’s ways very well. Someone with a security clearance. Someone who could move around the Museum without exciting notice. An insider, if you will. And then, Nora Kelly gets a phony note, typed on Puck’s typewriter, asking her to come down—and she herself is attacked, pursued with deadly intent.
Nora Kelly.
The other thorn in your side. The third thorn, the FBI agent, was in the hospital at this point, having been attacked by someone
wearing a derby hat.”

Brisbane stared at him in disbelief.

“Why didn’t you want Puck to help Nora Kelly in her—what did you call them—
external
projects?”

This was answered by silence.

“What were you afraid she would find?
They
would find?”

Brisbane’s mouth worked briefly. “I… I…”

Now Custer slipped in the knife. “Why the copycat angle, Mr. Brisbane? Was it something you found in the Archives? Is
that
what prompted you to do it? Was Puck getting too close to learning something?”

At this, Brisbane found his voice at last. He shot to his feet. “Now, just a minute—”

Custer turned. “Officer Noyes?”

“Yes?” Noyes responded eagerly.

“Cuff him.”

“No,”
Brisbane gasped. “You fool, you’re making a terrible mistake—”

Custer worked his way out of the chair—it was not as smooth a motion as he would have wished—and began abruptly booming out the Miranda rights: “You have the right to remain silent—”

“This is an outrage—”

“—you have the right to an attorney—”

“I will not accept this!”

“—you have the right—”

He thundered it out to the bitter end, overriding Brisbane’s protestations. He watched as the gleeful Noyes slapped the cuffs on the man. It was the most satisfying collar Custer could ever remember. It was, in fact, the single greatest job of police work he had done in his life. This was the stuff of legend. For many years to come, they’d be telling the story of how Captain Custer put the cuffs on the Surgeon.

P
ENDERGAST SET OFF UP
R
IVERSIDE ONCE AGAIN, BLACK SUIT COAT OPEN
and flapping behind him in the Manhattan night. Nora hurried after. Her thoughts returned to Smithback, imprisoned in one of these gaunt buildings. She tried to force the image from her mind, but it kept returning, again and again. She was almost physically sick with worry about what might be happening—what might have
already
happened.

She wondered how she could have been so angry with him. It’s true that much of the time he was impossible—a schemer, impulsive, always looking for an angle, always getting himself into trouble. And yet many of those same negative qualities were his most endearing. She thought back to how he’d dressed up as a bum to help her retrieve the old dress from the excavation; how he’d come to warn her after Pendergast was stabbed. When push came to shove, he was there. She had been awfully hard on him. But it was too late to be sorry. She suppressed a sob of bitter regret.

They moved past guttered mansions and once elegant townhouses, now festering crack dens and shooting galleries for junkies. Pendergast gave each building a searching look, always turning away with a little shake of his head.

Nora’s thoughts flitted briefly to Leng himself. It seemed impossible that he could still be alive, concealed within one of these crumbling dwellings. She glanced up the Drive again. She had to concentrate, try to pick his house out from the others. Wherever he lived, it would be comfortable. A man who had lived over a hundred and fifty years would be excessively concerned with comfort. But it would no doubt give the surface impression of being abandoned. And it would be well-nigh impregnable—Leng wouldn’t want any unexpected visitors. This was the perfect neighborhood for such a place: abandoned, yet once elegant; externally shabby, yet livable inside; boarded up; very private.

The trouble was, so many of the buildings met those criteria.

Then, near the corner of 138th Street, Pendergast stopped dead. He turned, slowly, to face yet another abandoned building. It was a large, decayed mansion, a hulking shadow of bygone glory, set back from the street by a small service drive. Like many others, the first floor had been securely boarded up with tin. It looked just like a dozen other buildings they had passed. And yet Pendergast was staring at it with an expression of intentness Nora had not seen before.

Silently, he turned the corner of 138th Street. Nora followed, watching him. The FBI agent moved slowly, eyes mostly on the ground, with just occasional darted glances up at the building. They continued down the block until they reached the corner of Broadway. The moment they turned the corner, Pendergast spoke.

“That’s it.”

“How do you know?”

“The crest carved on the escutcheon over the door. Three apothecary balls over a sprig of hemlock.” He waved his hand. “Forgive me if I reserve explanations for later. Follow my lead. And be very, very careful.”

He continued around the block until they reached the corner of Riverside Drive and 137th. Nora looked at the building with a mixture of curiosity, apprehension, and outright fear. It was a large, four-story, brick-and-stone structure that occupied the entire short block. Its frontage was enclosed in a wrought iron fence, ivy covering the rusty pointed rails. The garden within was long gone, taken over by weeds, bushes, and garbage. A carriage drive circled the rear of the house, exiting on 138th Street. Though the lower windows were securely boarded over, the upper courses remained unblocked, although at least one window on the second story was broken. She stared up at the crest Pendergast had mentioned. An inscription in Greek ran around its edge.

A gust of wind rustled the bare limbs in the yard; the reflected moon, the scudding clouds, flickered in the glass panes of the upper stories. The place looked haunted.

Pendergast ducked into the carriage drive, Nora following close behind. The agent kicked aside some garbage with his shoe and, after a quick look around, stepped up to a solid oak door set into deep shadow beneath the porte-cochère. It seemed to Nora as if Pendergast merely caressed the lock; and then the door opened silently on well-oiled hinges.

They stepped quickly inside. Pendergast eased the door closed, and Nora heard the sound of a lock clicking. A moment of intense darkness while they stood still, listening for any sounds from within. The old house was silent. After a minute, the yellow line of Pendergast’s hooded flashlight appeared, scanning the room around them.

They were standing in a small entryway. The floor was polished marble, and the walls were papered in heavy velvet fabric. Dust covered everything. Pendergast stood still, directing his light at a series of footprints—some shod, some stockinged—that had disturbed the dust on the floor. He looked at them for so long, studying them as an art student studies an old master, that Nora felt impatience begin to overwhelm her. At last he led the way, slowly, through the room and down a short passage leading into a large, long hall. It was paneled in a very rich, dense wood, and the low ceiling was intricately worked, a blend of the gothic and austere.

This hall was full of an odd assortment of displays Nora was unable to comprehend: weird tables, cabinets, large boxes, iron cages, strange apparatus.