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Authors: P. D. James

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BOOK: The Children of Men
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Jasper didn’t even bother to glance at her. “Hilda is hardly in a
position to object. I’m the one who does the caring. If it’s easier for me, it’s what we ought to do. I was thinking that it might suit us both—I mean you and me—if I joined you in St. John Street. You don’t really need that large house. There’s plenty of room at the top for a separate flat. I’d pay for the conversion, of course.”

The idea appalled me. I hope I concealed my repugnance. I paused as if considering the idea, then said: “I don’t think it would really suit you. You’d very much miss the garden. And the stairs would be difficult for Hilda.”

There was a silence; then Jasper said: “You’ve heard of the Quietus, I suppose, the mass suicide of the old?”

“Only what I read briefly in the newspapers, or see on television.”

I remembered one picture, I think the only one ever shown on television: white-clad elderly being wheeled or helped on to the low barge-like ship, the high, reedy singing voices, the boat slowly pulling away into the twilight, a seductively peaceful scene, cunningly shot and lit.

I said: “I’m not attracted to gregarious death. Suicide should be like sex, a private activity. If we want to kill ourselves, the means are always at hand, so why not do it comfortably in one’s own bed? I would prefer to make my quietus with a bare bodkin.”

Jasper said: “Oh, I don’t know, there are people who like to make an occasion of these rites of passage. It’s happening in one form or another all over the world. I suppose there’s comfort in numbers, in ceremony. And their survivors get this pension from the State. Not exactly a pittance either, is it? No, I think I can see the attraction. Hilda was talking about it the other day.”

I thought that unlikely. I could imagine what the Hilda I had known would have thought of such a public exhibition of sacrifice and emotion. She had been a formidable academic in her day, cleverer, people said, than her husband, her sharp tongue venomous in his defence. After her marriage she taught and published less, talent and personality diminished by the appalling subservience of love.

Before leaving, I said: “It looks as if you could do with extra help. Why not apply for a couple of Sojourners? Surely you’d qualify.”

He dismissed the idea. “I don’t think I want strangers here, particularly not Sojourners. I don’t trust those people. It’s asking to get murdered under my own roof. And most of them don’t know what a day’s work means. They’re better used mending the roads, cleaning the sewers
and collecting the rubbish, jobs where they can be kept under supervision.”

I said: “The domestic workers are very carefully selected.”

“Perhaps, but I don’t want them.”

I managed to get away without making any promises. On the drive back to Oxford I pondered how to frustrate Jasper’s determination. He was, after all, used to getting his own way. It looks as if the thirty-year-old bill for benefits received, the special coaching, the expensive dinners, the theatre and opera tickets, is belatedly being presented. But the thought of sharing St. John Street, of the violation of privacy, of my increasing responsibility for a difficult old man, repels me. I owe Jasper a great deal, but I don’t owe him that.

Driving into the city, I saw a queue about a hundred yards long outside the Examination Schools. It was an orderly, well-dressed crowd, old and middle-aged, but with more women than men. They stood waiting quietly and patiently with that air of complicity, controlled anticipation and lack of anxiety which characterizes a queue where everyone has a ticket, entry is assured and there is a sanguine expectation that the entertainment will be worth the wait. For a moment I was puzzled, then remembered: Rosie McClure, the evangelist, is in town. I should have realized at once; the advertisements have been prominent enough. Rosie is the latest and most successful of the television performers who sell salvation and do very well out of a commodity which is always in demand and which costs them nothing to supply. For the first two years after Omega we had Roaring Roger and his sidekick, Soapy Sam, and Roger still has a following for his weekly TV slot. He was—still is—a natural and powerful orator, a huge man, white-bearded, consciously moulding himself on the popular idea of an Old Testament prophet, pouring out his comminations in a powerful voice curiously given increased authority by its trace of a Northern Ireland accent. His message is simple if unoriginal: Man’s infertility is God’s punishment for his disobedience, his sinfulness. Only repentance can appease the Almighty’s rightful displeasure, and repentance is best demonstrated by a generous contribution towards Roaring Roger’s campaign expenses. He himself never touts for cash; that remains the job of Soapy Sam. They were initially an extraordinarily effective pair and their large house on Kingston Hill is the solid manifestation of their success. In the first five years after Omega the message had some validity, as Roger
fulminated against inner-city violence, old women attacked and raped, children sexually abused, marriage reduced to no more than a monetary contract, divorce the norm, dishonesty rife and the sexual instinct perverted. Text after damning Old Testament text fell from his lips as he held aloft his well-thumbed Bible. But the product had a short shelf-life. It is difficult to fulminate successfully against sexual licence in a world overcome by ennui, to condemn the sexual abuse of children when there are no more children, to denounce inner-city violence when the cities are increasingly becoming the peaceful repositories of the docile aged. Roger has never fulminated against the violence and selfishness of the Omegas; he has a well-developed sense of self-preservation.

Now, with his decline, we have Rosie McClure. Sweet Rosie has come into her own. She is originally from Alabama but left the United States in 2019, probably because her brand of religious hedonism is over-supplied there. The gospel according to Rosie is simple: God is love and everything is justified by love. She has resurrected an old pop song of the Beatles, a group of young Liverpool boys in the 1960s, “All You Need Is Love,” and it is this repetitive jingle, not a hymn, which precedes her rallies. The Last Coming is not in the future but now, as the faithful are gathered in, one by one, at the end of their natural lives and translated to glory. Rosie is remarkably specific about the joys to come. Like all religious evangelists, she realizes that there is little satisfaction in the contemplation of heaven for oneself if one cannot simultaneously contemplate the horrors of hell for others. But hell as described by Rosie is less a place of torment than the equivalent of an ill-conducted and uncomfortable fourth-rate hotel where incompatible guests are forced to endure each other’s company for eternity and do their own washing-up with inadequate facilities although, presumably, with no lack of boiling water. She is equally specific about the joys of heaven. “In my Father’s house are many mansions,” and Rosie assures her adherents that there will be mansions to suit all tastes and all degrees of virtue, the highest pinnacle of bliss being reserved for the chosen few. But everyone who heeds Rosie’s call to love will find an agreeable place, an eternal Costa del Sol liberally supplied with food, drink, sun and sexual pleasure. Evil has no place in Rosie’s philosophy. The worst accusation is that people have fallen into error because they have not understood the law of love. The answer to pain is an anaesthetic or an aspirin, to loneliness the assurance of God’s personal concern, to bereavement the
certainty of reunion. No man is called to practise inordinate self-denial, since God, being Love, desires only that His children shall be happy.

Emphasis is placed on the pampering and gratification of this temporal body, and Rosie is not above giving a few beauty hints during her sermons. These are spectacularly arranged, the white-clad choir of a hundred ranked under the strobe lights, the brass band and the Gospel singers. The congregation join in the cheerful choruses, laugh, cry and fling their arms like demented marionettes. Rosie herself changes her spectacular dresses at least three times during each rally. Love, proclaims Rosie, all you need is love. And no one need feel deprived of a love object. It needn’t be a human being; it can be an animal—a cat, a dog; it can be a garden; it can be a flower; it can be a tree. The whole natural world is one, linked by love, upheld by love, redeemed by love. One would suppose that Rosie had never seen a cat with a mouse. By the end of the rally the happy converts are generally throwing themselves into each other’s arms and casting notes into the collection buckets with reckless enthusiasm.

During the mid-1990s the recognized churches, particularly the Church of England, moved from the theology of sin and redemption to a less uncompromising doctrine: corporate social responsibility coupled with a sentimental humanism. Rosie has gone further and has virtually abolished the Second Person of the Trinity together with His cross, substituting a golden orb of the sun in glory, like a garish Victorian pub sign. The change was immediately popular. Even to unbelievers like myself, the cross, stigma of the barbarism of officialdom and of man’s ineluctable cruelty, has never been a comfortable symbol.

8

Just before nine-thirty on Sunday morning Theo set off to walk across Port Meadow to Binsey. He had given his word to Julian and it was a matter of pride not to renege. But he admitted to himself that there was a less estimable reason for fulfilling his promise. They knew who he was and where to find him. Better be bothered once, meet the group and get it over, than spend the next few months in the embarrassing expectation of meeting Julian every time he went to chapel or shopped in the covered market. The day was bright, the air cold but dry under a clear sky of deepening blue; the grass, still crisp from an early morning frost, crackled under his feet. The river was a crinkled ribbon reflecting the sky, and as he crossed the bridge and paused to look down, a noisy gaggle of ducks and two geese came clamouring, wide-beaked, as if there could still be children to fling them crusts and then run screaming in half-simulated fear from their noisy importunities. The hamlet was deserted. The few farmhouses to the right of the wide green were still standing but most of their windows were boarded up. In places the boarding had been smashed and through the splinters and spears of jagged glass edging the window frames he could glimpse the remnants of peeling wallpaper, flowered patterns once chosen with anxious care but now in tattered fragments, frail transitory banners of departed life. On one of the roofs slates were beginning to slide, revealing the rotting timbers, and the gardens were wildernesses of shoulder-high grass and weeds.

The Perch Inn, as he knew, had long been closed, as custom had dwindled. Across Port Meadow to Binsey had been one of his favourite Sunday-morning walks, with the inn as its destination. It seemed to him
now that he passed through the hamlet like the ghost of that former self, seeing with unfamiliar eyes the narrow half-mile avenue of chestnuts which led north-west from Binsey to St. Margaret’s Church. He tried to remember when he had last taken this walk. Was it seven years ago, or ten? He could recall neither the occasion nor his companion if there had been one. But the avenue had changed. The chestnuts were still standing but the lane, dark under the intertwined boughs of the trees, had narrowed to a footpath musty with fallen leaves and tangled with an untamed profusion of elderberry and ash. The Local Council had, he knew, designated certain footpaths for clearage but gradually the number of those preserved had fallen. The old were too weak for the work, the middle-aged, on whom the burden of maintaining the life of the State largely depended, were too busy, the young cared little for the preservation of the countryside. Why preserve what would be theirs in abundance? They would all too soon inherit a world of unpopulated uplands, unpolluted streams, encroaching woods and forests and deserted estuaries. They were seldom seen in the country and, indeed, seemed frightened by it. Woods, in particular, had become places of menace which many feared to enter, as if terrified that, once lost among those dark unyielding trunks and forgotten paths, they would never again emerge into the light. And it wasn’t only the young. More and more people were seeking the company of their own kind, deserting the lonelier villages even before prudence or official decree made it necessary, and moving to those designated urban districts where the Warden had promised that light and power would be provided, if possible, until the end.

The solitary house which he remembered still stood in its garden to the right of the church and Theo saw to his surprise that it was at least partly occupied. The windows were curtained, there was a thin trail of smoke from the chimney and to the left of the path some attempt had been made to clear the earth of the knee-high grasses and to cultivate a vegetable garden. A few shrivelled runner beans still hung from the supporting sticks and there were uneven rows of cabbages and yellowing, half-picked Brussels sprouts. During his visits as an undergraduate he remembered regretting that the peace of the church and the house, which it was difficult to believe were so close to the city, had been spoiled by the loud, ceaseless roar from the M40 motorway. Now that
nuisance was hardly noticeable and the house seemed wrapped in an ageless calm.

It was broken when the door burst open and an elderly man in a faded cassock precipitated himself out and came squawking and stumbling down the path, waving his arms as if to repel recalcitrant beasts. He called out in a quavering voice: “No service! No service today. I’ve got a christening at eleven o’clock.”

Theo said: “I’m not attending a service, I’m just visiting.”

“That’s all they ever do. Or so they say. But I shall want the font at eleven. All out then. Everyone out except the christening party.”

“I don’t expect to be here as late as that. Are you the parish priest?”

He came close and glared at Theo with fierce paranoid eyes. Theo thought that he had never seen anyone so old, the skull stretching the paper-thin, mottled skin of his face as if death couldn’t wait to claim him.

The old man said: “They had a black Mass here last Wednesday, singing and shouting all night. That’s not right. I can’t stop it, but I don’t approve. And they don’t clear up after themselves—blood, feathers, wine all over the floor. And black candle-grease. You can’t get it out. It won’t come out, you know. And it’s all left for me to do. They don’t think. It isn’t fair. It isn’t right.”

BOOK: The Children of Men
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