The Collected Works of Chögyam Trungpa: Volume Five (9 page)

BOOK: The Collected Works of Chögyam Trungpa: Volume Five
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S:
You can maintain the ruthlessness—

TR:
You don’t maintain the ruthlessness. Your ruthlessness is maintained by others. You don’t maintain anything at all. You just
be
there, and whatever situation comes to you, you just project back. Take the example of fire. It does not possess its destructiveness. That just happens. When you put something in the fire or try to kill the fire, its offensive power just comes out. It is the organic or chemical nature of fire.

S:
When these things come at you, then you have to be ruthless in order to repel them, right? Then it seems that a judgment has to be made as to right and wrong, as to whether what is coming at you is positive or negative, and whether to be compassionate or ruthless.

TR:
I don’t think so. That’s the whole point of the transcendental type of ruthlessness. It does not need judgment. The situation brings the action. You simply react, because the elements contain aggression. If the elements are interfered with or dealt with in an irreverent or unskillful way, they hit you back.

Ruthlessness may seem to survive on a sense of relativity, of “this” versus “that,” but in fact it actually does not. It is absolute. The others present a relative notion, which you cut through. This state of being is not on a relative level at all. In other words, this absoluteness cuts through the relative notion that comes to it, but still it remains self-contained.

S:
That would make it very isolated, very lonely.

TR:
No, I don’t think so, because absolute means
everything.
So you have more than you need, so to speak.

S:
Are you saying that hopelessness and fearlessness are the same thing?

TR:
Yes. They are the ultimate thing, if you are able to work with that. They are the ultimate thing.

Student:
How does ruthlessness apply to the destruction of ego? Ruthlessness seems so uncompassionate, almost ego-like itself.

Trungpa Rinpoche:
Well, it is ego’s intensity that brings forth “uncompassionate” measures. In other words, when neurosis and confusion reach an extreme point, the only way to correct the confusion is by destroying it. You have to completely shatter the whole thing. That process of destruction is demanded by the confusion itself rather than it being a question of somebody thinking it is a good idea to destroy the confusion by force. No other thinking is involved. The intensity of confusion itself demands its own destruction. Ruthlessness is just putting that energy into action. It is just letting that energy burn itself out rather than your killing something. You just let ego’s neurosis commit suicide rather than killing it. That’s the ruthlessness. Ego is killing itself ruthlessly, and you are providing the accommodation for that.

This is not warfare. You are there, and therefore it happens. On the other hand, if you are not there, there is the possibility of scapegoats and sidetracks of all kinds. But if you are there, you don’t even actually have to be ruthless. Just be there; from the point of view of ego, that is ruthless.

THREE

Primordial Innocence

 

T
HE DISCOVERY OF THE PATH
and the appropriate attitude toward it have a certain function spiritually. The path can make it possible to connect with basic, primordial, innocent being.

We put so much emphasis on pain and confusion that we forget basic innocence. The usual approach that we take toward spirituality is to look for some experience that might enable us to rediscover our adulthood rather than go back to our innocent childlike quality. We have been fooled into looking for a way to become completely grown-up and respectable, as it were, or psychologically sound.

This seems to correspond to the basic idea we have of enlightenment. An enlightened person is supposed to be more or less an old-wise-man type: not quite like an old professor, but perhaps an old father who can supply sound advice on how to handle all of life’s problems or an old grandmother who knows all the recipes and all the cures. That seems to be the current fantasy that exists in our culture concerning enlightened beings. They are old and wise, grown-up and solid.

Tantra has a different notion of enlightenment, which is connected with youth and innocence. We can see this pattern in Padmasambhava’s life story, where the awakened state of mind is portrayed not as old and adult but as young and free. Youth and freedom in this case are connected with the birth of the awakened state of mind. The awakened state of mind has the quality of morning, of dawn—fresh and sparkling, completely awake. This is the quality of the birth of Padmasambhava.

Having identified ourselves with the path and the proper attitude toward the path, we suddenly discover that there is something beautiful about it. The path has a freshness to it that contrasts sharply with the monotony of going through a program of various practices. New discoveries are being made. New discovery is the birth of Padmasambhava.

Padmasambhava was born in a lotus flower on a lake in Uddiyana. He had the appearance of an eight-year-old. He was inquisitive, bright, youthful, untouched by anything. Since he had never been touched by anything, he was not afraid to touch anything. He was surrounded by dakinis making offerings to him and playing music. There were even beasts, wild animals, all around paying homage to him on this fresh, unpolluted lake—Lake Dhanakosha in Uddiyana, somewhere in the Himalayan region of Afghanistan. The landscape was similar to that of Kashmir, with very fresh mountain air and snow-capped mountains all around. There was a sense of freshness and at the same time some sense of wildness.

For an infant to be born in such a wild, desolate place in the middle of a lake on a lotus is beyond the grasp of conceptual mind. For one thing, a child cannot be born from a lotus. For another, such a wild mountain region is too hostile to accommodate the birth of a child, and a healthy one at that. Such a birth is impossible. But then, impossible things happen, things beyond our imagination. In fact, impossible things happen before our imagination even occurs, so we could appropriately describe them as unimaginable—even “out of sight” or “far out.”

Padmasambhava was born in a lotus on this lake. He was born a prince, young and cute, but also bright, terrifyingly bright. His bright eyes look at you. He is not afraid to touch anything at all. Sometimes it is embarrassing to be around him, this good and beautiful eight-year-old infant.

The awakened state of mind could as well be infantlike as grown-up, the way we usually imagine grown-up. Life batters us, confuses us, but somebody manages to cross the turbulent river of life and find the answer; somebody works very, very hard and finally achieves peace of mind. That is our usual idea, but that is not how it is with Padmasambhava. He is inexperienced. Life has not battered him at all. He was just born out of a lotus in the middle of a lake in Afghanistan somewhere. That is a very exciting message, extraordinarily exciting. One can be enlightened and be infantlike. That is in accord with things as they are: if we are awake, we are only an infant. At the first stage of our experience, we are just an infant. We are innocent, because we have gone back to our original state of being.

Padmasambhava was invited to the court of King Indrabhuti. The king had asked his gardeners to collect fresh flowers—lotuses and mountain flowers—in the region of the lake. To one of the gardeners’ surprise, he discovered a gigantic lotus with a child sitting on it—very happily. He did not want to touch the child; he was afraid of the mysteriousness of it. He reported back to the king, who told him to bring the child as well as the flower. Padmasambhava was enthroned and crowned as the Prince of Uddiyana. He was called Padma Raja, or Pema Gyalpo in Tibetan, “the Lotus King.”

It is possible for us to discover our own innocence and childlike beauty, the princelike quality in us. Having discovered all our confusions and neuroses, we begin to realize that they are harmless or helpless. Then gradually we find the innocent-child quality in us. Of course, this is quite different from the primal-scream type of idea. And it does not mean that we are being
reduced
to a child. Rather, we discover the child
like
quality in us. We become fresh, inquisitive, sparkling; we want to know more about the world, more about life. All of our preconceptions have been stripped away. We begin to realize ourselves—it is like a second birth. We discover our innocence, our primordial quality, our eternal youth.

The first breakthrough presents us with our childlike quality, but we are still somewhat apprehensive about how to deal with life, though we are not terrified by it. There is a sense of reaching out our hand and beginning to explore all the unknown areas for the first time. Our experience of duality, what we thought we knew, our preconceptions—all that has become false, has fallen apart. Now, for the first time, we recognize the real quality of the path. We give up our ego reservations, or at least realize them.

The more we realize ego and ego’s neurosis, the closer we are to that infantlike state of mind of not knowing how to handle the next step in life. Often people ask, “Suppose I do meditate, then what am I going to do? If I attain a peaceful state of mind, how am I going to deal with my enemies and my superiors?” We actually ask very infantlike questions. “If thus-and-such happens as we progress along the path, then what’s going to happen next?” It is very childlike, infantlike; it is a fresh discovery of perception, a new discovery of a sense of things as they are.

So Padmasambhava lived in the palace; he was taken care of and entertained. At a certain point, he was asked to marry. Because of his innocence, he had great reservations about this, but he finally decided to go ahead. The young prince grew up. He explored sexuality and the marriage system and related with a wife. Gradually he came to realize that the world around him was not all that delicate anymore, not as delicate as lotus petals. The world was exciting, playful. It was like being given, for the first time, a substantial toy that could be bashed about, unscrewed, taken apart, put back together again.

This is a very moving story of a journey ever further outward. Starting from the basic innocence of the dharmakaya level, which is the embryonic state of buddha nature, we have to come out, step out. We have to relate with the playfulness of the world as it is on the sambhogakaya and nirmanakaya levels.

Padmasambhava as a baby represents that complete, childlike state in which there is no duality; there is no “this” and no “that.” This state is completely all-pervading. There is also a sense of freshness, because this state is total, it is all over, there is no reference point. If there is no reference point, then there is nothing to pollute one’s concepts or ideas. It is one absolute ultimate thing altogether.

Starting from that, Padmasambhava, having married, became more playful. He even began to experiment with his aggression, finding that he could use his strength to throw things and things could get broken. And he carried this to an extreme, knowing that he had the potential for crazy wisdom within him. He danced holding two scepters—a vajra and a trident—on the palace roof. He dropped his vajra and trident, and they fell and hit a mother and her son who were walking below, simultaneously killing them both. They happened to be the wife and son of one of the king’s ministers. The vajra hit the child’s head, and the trident struck the mother’s heart.

Very playful! (I am afraid this is not quite a respectable story.)

This event had serious repercussions. The ministers decided to exert their influence on the king and asked him to send Padmasambhava away, to exile him from the kingdom. Padmasambhava’s crime was committed in the wildness of exploring things, which is still on the sambhogakaya level—in the realm of experiencing things and their subtleties, and of exploring birth and death as well. So the king exiled Padmasambhava. This was much to the king’s own regret, but the play of the phenomenal world had to be legal. The phenomenal world is a very basic legal setup. The play of phenomena has cause and effect constantly happening within it.

This does not mean to say that Padmasambhava was subject to karma. Rather, he was exploring the legality of karma—karmic interplays with the outside world, the confused world. It was that confused world that molded him to be a teacher, rather than his proclaiming himself, saying, “I am a teacher” or “I am the savior of the world.” He never claimed anything like that. But the world began to mold Padmasambhava into the shape of a teacher or savior. And one of the expressions of the world’s doing that, which made this process able to proceed, was the fact that he performed this violent action and therefore had to be expelled from King Indrabhuti’s kingdom and had to go to the charnel ground of Silwa Tsal (“Cool Grove”), supposedly somewhere in the region of Bodhgaya in southern India.

This infant quality and the exploratory quality that develops in our being as we begin to work on the spiritual path require working with dangers as well as working with pleasures of all kinds. That childlike quality automatically tends toward the world outside, having already realized that the sudden, instant enlightened state of mind is not the end but the beginning of the journey. The sudden awakeness happens, and then we become an infant. Then after that, we explore how to work with phenomena, how to dance with phenomena, and at the same time, how to relate with confused people. Working with confused people automatically draws us into certain shapes according to the teachings the confused people require and the situations that are required in order to relate with them.

Student:
Could you say a bit more about the dharmakaya principle and the idea of totality, as well as a bit more about the sambhogakaya and nirmanakaya?

Trungpa Rinpoche:
It seems that the dharmakaya principle is that which accommodates everything. It accommodates any extremes, whether the extremes are there or not—it doesn’t really make any difference. It is the totality in which there is tremendous room to move about. The sambhogakaya principle is the energy that is involved with that totality and that puts further emphasis on that totality. The totality aspect of the dharmakaya is like the ocean, and the sambhogakaya aspect is like the waves of that ocean, which make the statement that that ocean does exist. The nirmanakaya aspect is like a ship on the ocean, which makes the whole situation into a pragmatic and workable one—you can sail across the ocean.

BOOK: The Collected Works of Chögyam Trungpa: Volume Five
3.43Mb size Format: txt, pdf, ePub
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