The Complete Short Stories (3 page)

The next day it died.

Where Jane went to I don't know. Not long afterwards the Recess ended, and the big government schemes came along and started up all the clocks and kept us too busy working off the lost time to worry about a few bruised petals. Harry told me that Jane had been seen on her way through Red Beach, and I heard recently that someone very like her was doing the nightclubs this side out of Pernambuco.

So if any of you around here keep a choro-florist's, and have a Khan-Arachnid orchid, look out for a golden-skinned woman with insects for eyes. Perhaps she'll play i-Go with you, and I'm sorry to have to say it, but she'll always cheat.

1956

Neither of us was watching the play too closely when I first noticed the slip. I was stretched back in front of the fire with the crossword, braising gently and toying with 17 down ('told by antique clocks? 5, 5.') while Helen was hemming an old petticoat, looking up only when the third lead, a heavy-chinned youth with a 42-inch neck and a base-surge voice, heaved manfully downscreen. The play was 'My Sons, My Sons', one of those Thursday night melodramas Channel 2 put out through the winter months, and had been running for about an hour; we'd reached that ebb somewhere round Act 3 Scene 3 just after the old farmer learns that his sons no longer respect him. The whole play must have been recorded on film, and it sounded extremely funny to switch from the old man's broken mutterings back to the showdown sequence fifteen minutes earlier when the eldest son starts drumming his chest and dragging in the high symbols. Somewhere an engineer was out of a job.

'They've got their reels crossed,' I told Helen. 'This is where we came in.'

'Is it?' she said, looking up. 'I wasn't watching. Tap the set.'

'Just wait and see. In a moment everyone in the studio will start apologizing.'

Helen peered at the screen. 'I don't think we've seen this,' she said. 'I'm sure we haven't. Quiet.'

I shrugged and went back to 17 down, thinking vaguely about sand dials and water clocks. The scene dragged on; the old man stood his ground, ranted over his turnips and thundered desperately for Ma. The studio must have decided to run it straight through again and pretend no one had noticed. Even so they'd be fifteen minutes behind their schedule.

Ten minutes later it happened again.

I sat up. 'That's funny,' I said slowly. 'Haven't they spotted it yet? They can't all be asleep.'

'What's the matter?' Helen asked, looking up from her needle basket. 'Is something wrong with the set?'

'I thought you were watching. I told you we'd seen this before. Now they're playing it back for the third time.'

'They're not,' Helen insisted. 'I'm sure they aren't. You must have read the book.'

'Heaven forbid.' I watched the set closely. Any minute now an announcer spitting on a sandwich would splutter redfaced to the screen. I'm not one of those people who reach for their phones every time someone mispronounces meteorology, but this time I knew there'd be thousands who'd feel it their duty to keep the studio exchanges blocked all night. And for any goahead comedian on a rival station the lapse was a god-send.

'Do you mind if I change the programme?' I asked Helen. 'See if anything else is on.'

'Don't. This is the most interesting part of the play. You'll spoil it.'

'Darling, you're not even watching. I'll come back to it in a moment, I promise.'

On Channel 5 a panel of three professors and a chorus girl were staring hard at a Roman pot. The question-master, a suave-voiced Oxford don, kept up a lot of crazy patter about scraping the bottom of the barrow. The professors seemed stumped, but the girl looked as if she knew exactly what went into the pot but didn't dare say it.

On 9 there was a lot of studio laughter and someone was giving a sports-car to an enormous woman in a cartwheel hat. The woman nervously ducked her head away from the camera and stared glumly at the car. The compre opened the door for her and I was wondering whether she'd try to get into it when Helen cut in: 'Harry, don't be mean. You're just playing.'

I turned back to the play on Channel 2. The same scene was on, nearing the end of its run.

'Now watch it,' I told Helen. She usually managed to catch on the third time round. 'Put that sewing away, it's getting on my nerves. God, I know this off by heart.'

'Sb!' Helen told me. 'Can't you stop talking?'

I lit a cigarette and lay back in the sofa, waiting. The apologies, to say the least, would have to be magniloquent. Two ghost runs at £100 a minute totted up to a tidy heap of doubloons.

The scene drew to a close, the old man stared heavily at his boots, the dusk drew down and - We were back where we started from.

'Fantastic!' I said, standing up and turning some snow off the screen. 'It's incredible.'

'I didn't know you enjoyed this sort of play,' Helen said calmly. 'You never used to.' She glanced over at the screen and then went back to her petticoat.

I watched her warily. A million years earlier I'd probably have run howling out of the cave and flung myself thankfully under the nearest dinosaur. Nothing in the meanwhile had lessened the dangers hemming in the undaunted husband.

'Darling,' I explained patiently, just keeping the edge out of my voice, 'in case you hadn't noticed they are now playing this same scene through for the fourth time.'

'The fourth time?' Helen said doubtfully. 'Are they repeating it?'

***

I was visualizing a studio full of announcers and engineers slumped unconscious over their mikes and valves, while an automatic camera pumped out the same reel. Eerie but unlikely. There were monitor receivers as well as the critics, agents, sponsors, and, unforgivably, the playwright himself weighing every minute and every word in their private currencies. They'd all have a lot to say under tomorrow's headlines.

'Sit down and stop fidgeting,' Helen said. 'Have you lost your bone?'

I felt round the cushions and ran my hand along the carpet below the sofa.

'My cigarette,' I said. 'I must have thrown it into the fire. I don't think I dropped it.'

I turned back to the set and switched on the give-away programme, noting the time, 9.03, so that I could get back to Channel 2 at 9.15. When the explanation came I just had to hear it.

'I thought you were enjoying the play,' Helen said. 'Why've you turned it off?'

I gave her what sometimes passes in our flat for a withering frown and settled back.

The enormous woman was still at it in front of the cameras, working her way up a pyramid of questions on cookery. The audience was subdued but interest mounted. Eventually she answered the jackpot question and the audience roared and thumped their seats like a lot of madmen. The compere led her across the stage to another sports car.

'She'll have a stable of them soon,' I said aside to Helen.

The woman shook hands and awkwardly dipped the brim of her hat, smiling nervously with embarrassment.

The gesture was oddly familiar.

I jumped up and switched to Channel 5. The panel were still staring hard at their pot.

Then I started to realize what was going on.

All three programmes were repeating themselves.

'Helen,' I said over my shoulder. 'Get me a scotch and soda, will you?'

'What is the matter? Have you strained your back?'

'Quickly, quickly!' I snapped my fingers.

'Hold on.' She got up and went into the pantry.

I looked at the time .9.12. Then I returned to the play and kept my eyes glued to the screen. Helen came back and put something down on the end-table.

'There you are. You all right?'

When it switched I thought I was ready for it, but the surprise must have knocked me flat. I found myself lying out on the sofa. The first thing I did was reach round for the drink.

'Where did you put it?' I asked Helen.

'What?'

'The scotch. You brought it in a couple of minutes ago. It was on the table.'

'You've been dreaming,' she said gently. She leant forward and started watching the play.

I went into the pantry and found the bottle. As I filled a tumbler I noticed the clock over the kitchen sink .9.07. An hour slow, now that I thought about it. But my wristwatch said 9.05, and always ran perfectly. And the clock on the mantelpiece in the lounge also said 9.05.

Before I really started worrying I had to make sure.

Mulivaney, our neighbour in the flat above, opened his door when I knocked.

'Hello, Bartley. Corkscrew?'

No, no,' I told him. 'What's the right time? Our clocks are going crazy.'

He glanced at his wrist. 'Nearly ten past.'

'Nine or ten?'

He looked at his watch again. 'Nine, should be. What's up?'

'I don't know whether I'm losing my - , I started to say. Then I stopped.

Mullvaney eyed me' curiously. Over his shoulder I heard a wave of studio applause, broken by the creamy, unctuous voice of the giveaway compre.

'How long's that programme been on?' I asked him.

'About twenty minutes. Aren't you watching?'

'No,' I said, adding casually, 'Is anything wrong with your set?'

He shook his head. 'Nothing. Why?'

'Mine's chasing its tail. Anyway, thanks.'

'OK,' he said. He watched me go down the stairs and shrugged as he shut his door.

I went into the hall, picked up the phone and dialled.

'Hello, Tom?' Tom Farnold works the desk next to mine at the office. 'Tom, Harry here. What time do you make it?'

'Time the liberals were back.'

'No, seriously.'

'Let's see. Twelve past nine. By the way, did you find those pickles I left for you in the safe?'

'Yeah, thanks. Listen, Tom,' I went on, 'the goddamdest things are happening here. We were watching Diller's play on Channel 2 when - , 'I'm watching it now. Hurry it up.'

'You are? Well, how do you explain this repetition business? And the way the clocks are stuck between 9 and 9.15?'

Tom laughed. 'I don't know,' he said. 'I suggest you go outside and give the house a shake.'

I reached out for the glass I had with me on the hall table, wondering how to explain to - The next moment I found myself back on the sofa. I was holding the newspaper and looking at 17 down. A part of my mind was thinking about antique clocks.

I pulled myself out of it and glanced across at Helen. She was sitting quietly with her needle basket. The all too familiar play was repeating itself and by the clock on the mantelpiece it was still just after 9.

I went back into the hail and dialled Tom again, trying not to stampede myself. In some way, I hadn't begun to understand how, a section of time was spinning round in a circle, with myself in the centre.

'Tom,' I asked quickly as soon as he picked up the phone. 'Did I call you five minutes ago?'

'Who's that again?'

'Harry here. Harry Bartley. Sorry, Tom.' I paused and rephrased the question, trying to make it sound intelligible. 'Tom, did you phone me up about five minutes ago? We've had a little trouble with the line here.'

'No,' he told me. 'Wasn't me. By the way, did you get those pickles I left in the safe?'

'Thanks a lot,' I said, beginning to panic. 'Are you watching the play, Tom?'

'Yes. I think I'll get back to it. See you.'

I went into the kitchen and had a long close look at myself in the mirror. A crack across it dropped one side of my face three inches below the other, but apart from that I couldn't see anything that added up to a psychosis. My eyes seemed steady, pulse was in the low seventies, no tics or clammy traumatic sweat. Everything around me seemed much too solid and authentic for a dream.

I waited for a minute and then went back to the lounge and sat down. Helen was watching the play.

I leant forward and turned the knob round. The picture dimmed and swayed off.

'Harry, I'm watching that! Don't switch it off.'

I went over to her. 'Poppet,' I said, holding my voice together. 'Listen to me, please. Very carefully. It's important.'

She frowned, put her sewing down and took my hands.

'For some reason, I don't know why, we seem to be in a sort of circular time trap, just going round and round. You're not aware of it, and I can't find anyone else who is either.'

Helen stared at me in amazement. 'Harry,' she started, 'what are you - '

'Helen!' I insisted, gripping her shoulders. 'Listen! For the last two hours a section of time about 15 minutes long has been repeating itself. The clocks are stuck between 9 and 9.15. That play you're watching has - '

'Harry, darling.' She looked at me and smiled helplessly. 'You are silly. Now turn it on again.'

I gave up.

***

As I switched the set on I ran through all the other channels just to see if anything had changed.

The panel stared at their pot, the fat woman won her sports car, the old farmer ranted. On Channel 1, the old BBC service which put out a couple of hours on alternate evenings, two newspaper men were interviewing a scientific pundit who appeared on popular educational programmes.

'What effect these dense eruptions of gas will have so far it's impossible to tell. However, there's certainly no cause for any alarm. These billows have mass, and I think we can expect a lot of strange optical effects as the light leaving the sun is deflected by them gravitationally.'

He started playing with a set of coloured celluloid balls running on concentric metal rings, and fiddled with a ripple tank mounted against a mirror on the table.