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Authors: Pat Walsh

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William grimaced. “Whatever it is, it can't be worse than facing the demon.”

“One thing I have learned, human, is not to go looking for trouble before it comes to find you.”

“We're still bound together by the king's curse,” William said. “Are you angry about that?”

Shadlok considered this for a moment. “I am . . . disappointed.”

“If the angel
had
broken the curse, where would you have gone?”

There was an odd expression on the fay's face. “Perhaps I would have stayed here.”

William snorted. “Ha! I find that
very
hard to believe.”

Shadlok looked sideways at him and smiled. “Perhaps I have grown used to living in cold and poverty. Perhaps I actually
like
it.”

William grinned. “Now I know you're lying.”

“The truth is, I have nowhere else to go,” Shadlok said with a shrug. “I have traveled this world many times over with Bone. I have no wish to do so again by myself.” He regarded William thoughtfully. “But we are still bound together, so when I leave this place, it will be with you. Until then, I will content myself by turning you into a fine musician. That will be enough of a challenge to keep me occupied for years to come.”

William raised his eyebrows. “I thought you said I was a quick learner?”

“Quick enough, for a human,” Shadlok said, but the hint of a smile softened his words. “You will have your new flute in a few days' time, and then we will continue with your lessons. Be prepared to work hard.” The bruise on the fay's temple was already fading, along with the blood and dirt in his hair. The stains on his tunic were barely visible now, and somehow his clothes seemed to have dried out.

How does he
do
that?
William thought in exasperation.
I look as if I've been dragged along a ditch, twice, and he looks as if he's been sitting quietly somewhere, clean and dry
.

William spotted the feather in the puddle and went over to pick it up. Perhaps it
was
only a pigeon's feather after all, but to him it would always be the angel's feather. He wiped it on his tunic and carefully smoothed it out.

“What is that?” Shadlok asked, glancing at it curiously.

William held it up.

“A feather? What do you want with that?”

“The angel gave it to me,” William said, “back in Sir Robert's garden, when I asked it to come and help us.”

“Oh, so it answered
your
prayers, but not the monks'?” Shadlok said drily. “I would not mention that to Prior Ardo if I were you.”

William put the feather into his belt. “I'm not that eager for another beating, but we should let everyone at Bethlehem know that the demon has gone.”

“We will go there now,” Shadlok said. “It will be dark soon, but I think there will be no danger for us in the forest tonight.”

“I'll go and find the hob,” William said, “and tell him what's happened. I'll meet you by the gatehouse.”

The hob greeted William's news with delight. He capered about Mary Magdalene's pen, kicking up the straw and singing, “Gone! Gone! Gone
gone
gone, all gone!”

The pig came over to let William give her ears a good scratch, then with a contented grunt, she flopped down in the straw and moments later began to snore.

“We're leaving for Bethlehem, to tell the monks that the demon is dead,” William said. “I think they'll want to come back to the abbey and start rebuilding it as soon as possible.”

“Then I will wait here for you, with the pig,” the hob said. “Bring
plenty
of food back with you and don't be gone too long.”

“It's good to see the demon didn't dull your appetite,” William said with a grin.

“Gonegonegone,” the hob sang softly as he settled down beside the pig.

As he turned to go, William caught the last whispery snatch of the hob's song, “Gone, all gone . . .”

GLOSSARY

Ashlar:
stone building blocks with smooth faces and straight edges.

Book of Hours:
a book of prayers, psalms, and holy texts, handwritten and illuminated by monks.

Caudle:
a medicinal hot drink for minor ailments, made with wine or ale, thickened with bread crumbs, egg yolks, or ground almonds.

Cellarer/Cellarium:
the cellarer is the monk in charge of the abbey's provisions and storeroom, or cellarium.

Cesspit:
a pit for garbage and/or sewage.

Chancel Screen:
a decorated screen of stone or wood separating the chancel from the nave.

Chapter House:
a room off the cloister, close to the south door of the church. The monks meet here each day to discuss abbey business and listen to a reading from the Rule of St. Benedict.

Chilblains:
itchy red sores on the feet, hands, nose, or ears, caused by exposure to the cold.

Choir:
at Crowfield Abbey, this is the area between the transepts and the east end of the church. Two rows of wooden stalls, or seats, face each other across the width of the choir. The monks sit here during the daily round of services.

Cloister:
four covered alleys or corridors surrounding a central garden or garth, usually situated on the south side of the abbey church. The main rooms of the abbey can be reached from the cloister.

Demesne Farm:
land owned and used by a manorial lord or the king, not rented to tenants.

Dorter/Dormitory:
the open-plan room on the first floor of the east range of the buildings surrounding the cloisters, where the monks sleep.

Frater:
a long room where the monks eat their meals. At Crowfield Abbey, the frater is in the west range, between the kitchens and the guest quarters.

Hurdy-gurdy:
a stringed musical instrument. The strings pass over a wheel, which is turned by a crank handle. The wheel acts very much like a violin bow, producing musical notes from the strings. When played, the hurdy-gurdy sounds like a bagpipe.

Lent:
in the Christian church, the forty days leading up to Easter.

Maslin bread:
made from a mixture of rye and wheat flour. After a poor harvest, dried and ground peas or beans could be added to the flour.

Midden:
a refuse heap.

Mummers:
mummers and guisers were street performers in towns and villages who dressed up and wore masks and entertained people, usually around Christmas. They cavorted through the streets, singing carols and playing music and sometimes begging for money from door to door. Later on, mummers performed plays that included such characters as St. George, Beelzebub, and Robin Hood.

Nave:
the long, main body of the church.

Pannage:
the practice of allowing pigs to forage in woodland for beech mast and acorns from September to early November.

Parchment/Vellum:
thin sheets of sheep-, goat-, or calfskin used for pages of books or manuscripts. The skin is stretched, scraped, and dried to prepare it. Better quality skins are called vellum.

Pottage:
a cross between a soup and a stew, usually made with whatever vegetables were available. In winter, dried peas were a staple ingredient. Sometimes a little meat or fish would be included. Herbs such as wild garlic, thyme, rosemary, sage, and parsley would be added for flavor and salt for seasoning.

Psalms/Psalter:
religious songs sung or recited as part of daily worship. A book of psalms is a psalter.

Reredorter:
the monks' latrines or toilets, situated next to the dorter.

Rushlight:
a type of candle made from rushes. The inner pith of the rush is dipped in fat, grease, or beeswax. The pith then acts as the wick when the rushlight is lit.

Sacristy/Sacristan:
the room where the abbey's more valuable possessions are kept locked away. The sacristan is the monk in charge of the sacristy. At Crowfield Abbey, this is one of Brother Snail's duties.

Shawm:
a woodwind instrument, similar to a modern oboe.

Sigils:
magical symbols created to summon and control spirits.

Small Beer:
a diluted beer with a very low alcohol content, drunk by adults and children with meals.

Tallow:
rendered beef or sheep fat used as a cheap alternative to wax in candle-making.

Transepts:
the shorter cross-arms of the church, between the nave and the choir.

Triforium:
an arched gallery running above the nave of a church.

ABOUT THE AUTHOR

PAT WALSH
is a trained archaeologist as well as an amateur historian, inspired by the rich mythology of Britain. Born in a haunted house in Kent, she now lives in Bedfordshire, England, with her husband and children.
The Crowfield Demon
is the sequel to her critically acclaimed debut novel
The Crowfield Curse
. Visit her at
www.pat-walsh.com.

*Attention, readers!
See this page
for a glossary of terms.*

Text © 2012 Pat Walsh

 

All rights reserved. Published by Chicken House, an imprint
of Scholastic Inc.,
Publishers since 1920
.
CHICKEN HOUSE
,
SCHOLASTIC
, and associated logos are trademarks and/or
registered trademarks of Scholastic Inc.
www.scholastic.com

 

First published in the United Kingdom in 2011
by Chicken House, 2 Palmer Street, Frome,
Somerset BA11 1DS.
www.doublecluck.com

 

 

Library of Congress Cataloging-in-Publication Data

 

Walsh, Pat, 1954–

 

The Crowfield demon / Pat Walsh. p. cm.

 

Sequel to: The Crowfield curse.

Summary: In March of 1348, the awakening of an ancient evil drives
fay creatures from the woods, causes Crowfield Abbey to crumble,
and haunts the dreams of the monks, but the demon seems especially
drawn to Will, who is beginning to realize the significance of his Sight.

 

ISBN 978-0-545-31769-6

 

[1. Orphans — Fiction. 2. Demonology — Fiction.
3. Magic — Fiction. 4. Identity — Fiction. 5. Monasteries — Fiction.
6. Blessing and cursing — Fiction. 7. Great Britain — History —
14th century — Fiction.] I. Title.

 

PZ7.W16892Cs 2012

[Fic] — dc23

 

2011029246

 

First American edition, February 2012

 

Cover art © 2012 by David Frankland
Cover design by Whitney Lyle

 

e-ISBN 978-0-545-39229-7

 

All rights reserved under International and Pan-American Copyright Conventions. No part of this publication may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of the publisher. For information regarding permission, write to Scholastic Inc., Attention: Permissions Department, 557 Broadway, New York, NY 10012.

BOOK: The Crowfield Demon
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