The day of the locust (15 page)

He tried to take the red, but Earle held the bird high in the air out of the little man's reach.

Miguel opened the trunk and took out a small wooden box, the kind chessmen are kept in. It was full of curved gaffs, small squares of chamois with holes in their centers and bits of waxed string like that used by a shoemaker. They crowded around to watch him arm. Juju. First he wiped the short stubs on the cock's legs to make sure they were clean and then placed a leather square over one of them so that the stub came through the hole. He then fitted a gaff over it and fastened it with a bit of the soft string, wrapping very carefully. He did the same to the other leg.

When he had finished, Earle started on the big red. "That's a bird with lots of cojones," Miguel said. "He's won plenty fights. He don't look fast maybe, but he's fast all right and he packs an awful wallop."

"Strictly for the cook stove, if you ask me," the dwarf said.

Earle took out a pair of shears and started to lighten the red's plumage. The dwarf watched him cut away most of the bird's tail, but when he began to work on the breast, he caught his hand.

"Leave him be!" he barked. "You'll kill him fast that way. He needs that stuff for protection."

He turned to Claude again.

"Please, mister, let me handle him."

"Make him buy a share in the bird," Miguel said.

Claude laughed and motioned for Earle to give Abe the bird. Earle didn't want to and looked meaningly at Miguel. The dwarf began to dance with rage.

"You're trying to cold-deck us!" he screamed.

"Aw, give it to him," Miguel said.

The little man tucked the bird under his left arm so that his hands were free and began to look over the gaffs in the box. They were all the same length, three inches, but some had more pronounced curves than the others. He selected a pair and explained his strategy to Claude.

"He's going to do most of his fighting on his back. This pair'll hit right that way. If he could get over the other bird, I wouldn't use them."

He got down on his knees and honed the gaffs on the cement floor until they were like needles.

"Have we a chance?" Tod asked.

"You can't ever tell," he said, shaking his extra large head. "He feels almost like a dead bird."

After adjusting the gaffs with great care, he looked the bird over, stretching its wings and blowing its feathers in order to see its skin.

"The comb ain't bright enough for fighting condition," he said, pinching it, "but he looks strong. He may have been a good one once."

He held the bird in the light and looked at its head. When Miguel saw him examining its beak, he told him anxiously to quit stalling. But the dwarf paid no attention 'and went on muttering to himself. He motioned for Tod and Claude to look.

"What'd I tell you!" he said, puffing with indignation. "We've been cold-decked."

He pointed to a hair line running across the top of the bird's beak.

"That's not a crack," Miguel protested, "it's just a mark." He reached for the bird as though to rub its beak and the bird pecked savagely at him. This pleased the dwarf. "We'll fight," he said, "but we won't bet."

Earle was to referee. He took a piece of chalk and drew three lines in the center of the pit, a long one in the middle and two shorter ones parallel to it and about three feet away.

"Pit your cocks," he called.

"No, bill them first," the dwarf protested.

He and Miguel stood at arm's length and thrust their birds together to anger them. Juju caught the big red by the comb and held on viciously until Miguel jerked him away. The red, who had been rather apathetic, came to life and the dwarf had trouble holding him. The two men thrust their birds together again, and again Juju caught the red's comb. The big cock became frantic with rage and struggled to get at the smaller bird.

"We're ready," the dwarf said.

He and Miguel climbed into the pit and set their birds down on the short lines so that they faced each other. They held them by the tails and waited for Earle to give the signal to let go.

"Pit them," he ordered.

The dwarf had been watching Earle's lips and he had his bird off first, but Juju rose straight in the air and sank one spur in the red's breast. It went through the feathers into the flesh. The red turned with the gaff still stuck in him and pecked twice at his opponent's head.

They separated the birds and held them to the lines again.

"Pit 'em!" Earle shouted.

Again Juju got above the other bird, but this time he missed with his spurs. The red tried to get above him, but couldn't. He was too clumsy and heavy to fight in the air. Juju climbed again, cutting and hitting so rapidly that his legs were a golden blur. The red met him by going back on his tail and hooking upward like a cat. Juju landed again and again. He broke one of the red's wings, then practically severed a leg.

"Handle them," Earle called.

When the dwarf gathered the red up, its neck had.. begun to droop and it was a mass of blood and matted feathers. The little man moaned over the bird, then set to work. He spit into its gaping beak and took the comb between his lips and sucked the blood back into it. The red began to regain its fury, but not its strength. Its beak closed and its neck straightened. The dwarf smoothed and shaped its plumage. He could no nothing to help the broken wing or the dangling leg.

"Pit 'em," Earle said.

The dwarf insisted that the birds be put down beak to beak on the center line, so that the red would not have to move to get at his opponent. Miguel agreed.

The red was very gallant. When Abe let go of its tail, it made a great effort to get off the ground and meet Juju in the air, but it could only thrust with one leg and fell over on its side. Juju sailed above it, half turned and came down on its back, driving in both spurs. The red twisted free, throwing Juju, and made a terrific effort to hook with its good leg, but fell sideways again.

Before Juju could get into the air, the red managed to drive a hard blow with its beak to Juju's head. This slowed the smaller bird down and he fought on the ground. In the pecking match, the red's greater weight and strength evened up for his lack of a leg and a wing. He managed to give as good as he got. But suddenly his cracked beak broke off, leaving only the lower half. A large bubble of blood rose where the beak had been. The red didn't retreat an inch, but made a great effort to get into the air once more. Using its one leg skillfully, it managed to rise six or seven inches from the ground, not enough, however, to get its spurs into play. Juju went up with him and got well above, then drove both gaffs into the red's breast. Again one of the steel needles stuck.

"Handle them," Earle shouted.

Miguel freed his bird and gave the other back to the dwarf. Abe, moaning softly, smoothed its feathers and licked its eyes clean, then took its whole head in his mouth. The red was finished, however. It couldn't even hold its neck straight. The dwarf blew away the feathers from under its tail and pressed the lips of its vent together hard. When that didn't seem to help, he inserted his little finger and scratched the bird's testicles. It fluttered and made a gallant effort to straighten its neck.

"Pit birds."

Once more the red tried to rise with Juju, pushing hard with its remaining leg, but it only spun crazily. Juju rose, but missed. The red thrust weakly with its broken bill. Juju went into the air again and this time drove a gaff through one of the red's eyes into its brain. The red fell over stone dead.

The dwarf groaned with anguish, but no one else said anything. Juju pecked at the dead bird's remaining eye.

"Take off that stinking cannibal!" the dwarf screamed.

Miguel laughed, then caught Juju and removed its gaffs. Earle did the same for the red. He handled the dead cock gently and with respect.

Tod passed the whiskey.

22

They were well on their way to getting drunk when Homer came out to the garage. He gave a little start when he saw the dead chicken sprawled on the carpet. He shook hands with Claude after Tod introduced him, and with Abe Kusich, then made a little set speech about everybody coming in for a drink. They trooped after him. Faye greeted them at the door. She was wearing a pair of green silk lounging pajamas and green mules with large pompons and very high heels. The top three buttons of her jacket were open and a good deal of her chest was exposed but nothing of her breasts; not because they were small, but because they were placed wide apart and their thrust was upward and outward.

She gave Tod her hand and patted the dwarf on the top of the head. They were old friends. In acknowledging Homer's awkward introduction of Claude, she was very much the lady. It was her favorite role and she assumed it whenever she met a new man, especially if he were someone whose affluence was obvious.

"Charmed to have you," she trilled.

The dwarf laughed at her.

In a voice stiff with hauteur, she then ordered Homer into the kitchen for soda, ice and glasses.

"A swell layout," announced the dwarf, putting on the hat he had taken off in the doorway.

He climbed into one of the big Spanish chairs, using his knees and hands to do it, and sat on the edge with his feet dangling. He looked like a ventriloquist's dummy.

Earle and Miguel had remained behind to wash up. When they came in, Faye welcomed them with stilted condescension.

"How do you do, boys? The refreshments will be along in a jiffy. But perhaps you prefer a liqueur, Miguel?"

"No, mum," he said, a little startled. "I'll have what the others have."

He followed Earle across the room to the couch. Both of them took long, wooden steps, as though they weren't used to being in a house. They sat down gingerly with their backs straight, their big hats on their knees and their hands under their hats. They had combed their hair before leaving the garage and their small round heads glistened prettily.

Homer took the drinks around on a small tray.

They all made a show of manners, all but the dwarf, that is, who remained as arrogant as ever. He even commented on the quality of the whiskey. As soon as everyone had been served, Homer sat down.

Faye alone remained standing. She was completely self-possessed despite their stares. She stood with one hip thrown out and her hand on it. From where Claude was sitting he could follow the charming line of her spine as it swooped into her buttocks, which were like a heart upside down.

He gave a low whistle of admiration and everyone agreed by moving uneasily or laughing.

"My dear," she said to Homer, "perhaps some of the men would like cigars?"

He was surprised and mumbled something about there being no cigars in the house but that he would go to the store for them if...Having to say all this made him unhappy and he took the whiskey around again. He poured very generous shots.

"That's a becoming shade of green," Tod said.

Faye peacocked for them all.

"I thought maybe it was a little gaudy...vulgar, you know."

"No," Claude said enthusiastically, "it's stunning."

She repaid him for his compliment by smiling in a peculiar, secret way and running her tongue over her lips. It was one of her most characteristic gestures and very effective. It seemed to promise all sorts of undefined intimacies, yet it was really as simple and automatic as the word thanks. She used it to reward anyone for anything, no matter how unimportant.

Claude made the same mistake Tod had often made and jumped to his feet.

"Won't you sit here?" he said, waving gallantly at his chair.

She accepted by repeating the secret smile and the tongue caress. Claude bowed, but then, realizing that everyone was watching him, added a little mock flourish to make himself less ridiculous. Tod joined them, then Earle and Miguel came over. Claude did the courting while the others stood by and stared at her.

"Do you work in pictures, Mr. Estee?" she asked.

"Yes. You're in pictures, of course?"

Everyone was aware of the begging note in his voice, but no one smiled. They didn't blame him. It was almost impossible to keep that note out when talking to her. Men used it just to say good morning.

"Not exactly, but I hope to be," she said. "I've worked as an extra, but I haven't had a real chance yet. I expect to get one soon. All I ask is a chance. Acting is in my blood. We Greeners, you know, were all theatre people from away back."

"Yes. I..."

She didn't let Claude finish, but he didn't care.

"Not musicals, but real dramas. Of course, maybe light comedies at first. All I ask is a chance. I've been buying a lot of clothes lately to make myself one. I don't believe in luck. Luck is just hard work, they say, and I'm willing to work as hard as anybody."

"You have a delightful voice and you handle it well," he said.

He couldn't help it. Having once seen her secret smile and the things that accompanied it, he wanted to make her repeat it again and again.

"I'd like to do a show on Broadway," she continued. "That's the way to get a start nowadays. They won't talk to you unless you've had stage experience."

She went on and on, telling him how careers are made in the movies and how she intended to make hers. It was all nonsense. She mixed bits of badly understood advice from the trade papers with other bits out of the fan magazines and compared these with the legends that surround the activities of screen stars and executives. Without any noticeable transition, possibilities became probabilities and wound up as inevitabilities. At first she occasionally stopped and waited for Claude to chorus a hearty agreement, but when she had a good start, all her questions were rhetorical and the stream of words rippled on without a break.

None of them really heard her. They were all too busy watching her smile, laugh, shiver, whisper, grow indignant, cross and uncross her legs, stick out her tongue, widen and narrow her eyes, toss her head so that her platinum hair splashed against the red plush of the chair back. The strange thing about her gestures and expressions was that they didn't really illustrate what she was saying. They were almost pure. It was as though her body recognized how foolish her words were and tried to excite her hearers into being uncritical. It worked that night; no one even thought of laughing at her. The only move they made was to narrow their circle about her.