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Authors: James Lasdun

The Horned Man

BOOK: The Horned Man
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THE
HORNED MAN

James Lasdun

Contents

Cover

Title

Copyright

About the Author

By the Same Author

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author's and publisher's rights and those responsible may be liable in law accordingly.

Version 1.0

Epub ISBN 9781409002758

www.randomhouse.co.uk

Published by Jonathan Cape 2002

2 4 6 8 10 9 7 5 3 1

Copyright © James Lasdun 2002

James Lasdun has asserted his right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work

This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher's prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser

First published in Great Britain in 2002 by Jonathan Cape Random House, 20 Vauxhall Bridge Road, London SW1V 2SA

Random House Australia (Pty) Limited 20 Alfred Street, Milsons Point, Sydney, New South Wales 2061, Australia

Random House New Zealand Limited 18 Poland Road, Glenfield, Auckland 10, New Zealand

Random House South Africa (Pty) Limited Endulini, 5A Jubilee Road, Parktown 2193, South Africa

The Random House Group Limited Reg. No. 954009
www.randomhouse.co.uk

A CIP catalogue record for this book is available from the British Library

ISBN 0-224-06217-4

Papers used by Random House are natural, recyclable products made from wood grown in sustainable forests; the manufacturing processes conform to the environmental regulations of the country of origin

Typeset by Deltatype Ltd, Birkenhead Printed and bound in Great Britain by Mackays of Chatham Plc

THE HORNED MAN

James Lasdun was born in London and now lives in upstate New York. He has published two collections of short stories and three books of poetry. His story ‘The Siege' was adapted by Bernardo Bertolucci for his film
Besieged
. He co-wrote the screenplay for the film
Sunday
(based on another of his stories) which won Best Feature and Best Screenplay awards at Sundance, 1997. He is the recipient of a Guggenheim Fellowship in poetry, and currently teaches poetry and fiction workshops at Princeton.

BY THE SAME AUTHOR

POETRY

A Jump Start
The Revenant
After Ovid: New Metamorphoses
(co-edited with Michael Hofmann)
Landscape with Chainsaw

FICTION

The Silver Age
Three Evenings and Other Stories
The Siege and Other Stories
(Selected Stories)

CHAPTER 1

One afternoon earlier this winter, in a moment of idle curiosity, I took a book from the shelf in my office, and began reading it where it fell open on a piece of compressed tissue that had evidently been used as a bookmark. I only had time to read a few sentences when I was interrupted by a knock on the door. Reluctantly – the sentences had looked interesting – I closed the book on its marker and returned it to the shelf.

The next morning I took it down again, intending to continue reading where I had left off, only to find that the marker was no longer at the page it had been on the day before. Leafing through the book, I found my sentences thirty pages earlier. Either I had moved the marker inadvertently myself, or else some night-visitor had been reading the book in my absence. I settled on the first as the more likely explanation, though it seemed odd that I could have moved a bookmark thirty pages forward without noticing it.

I mentioned it that afternoon to Dr Schrever as I lay on the crimson couch of her small consulting room on West Eighty-sixth Street. After telling her the story, which she received in her customary silence, I asked her if it might have been a case of parapraxis – Freud's term for the lapses of memory, slips of the tongue, and other minor suppressions of consciousness that occur in everyday life.

‘Maybe I moved it myself, without being aware of it.'

‘Is that what you think happened?' Dr Schrever asked.

‘I don't know. I suppose if it is, the next question is why would I have done it?'

Dr Schrever said nothing.

‘You think I deliberately hid the words from myself because they disturbed me in some way?'

‘Is that what you think?'

‘I suppose it's possible …'

We continued like this for a little while, but the topic didn't seem to be leading anywhere, and we moved on to other, unrelated, matters.

And by the time I next went into my office, the mystery of the moving bookmark had ceased to interest me.

A few days later I received my office phone bill through the internal mail. Glancing over the list of calls, almost all of which were to my own number in New York, I happened to notice an unfamiliar area code. I was wondering who I could have been calling at that number when I saw that the call had been made at two in the morning; not an hour at which I had ever been in the office.

I was a little perturbed by the idea of a stranger having access to my office and coming there in the middle of the night to make phone calls. I didn't have anything to hide, but the intrusion made the bland carpeted space with its metal desks and cabinets feel momentarily strange, as though it was concealing something from me.

Until then, it hadn't crossed my mind to wonder whose books these were on the shelves, whose files were stored in the cabinet, even whose computer it was that sat shrouded in plastic on the surface of the cumbrous desks arranged on one
side of the room. There were always the same things lying around these offices when you were assigned them – books, files, letters, invitations to talks, dog-eared old
New Yorker
cartoons, often a pair of gloves, an umbrella … the residue of former occupants, leached by time and dust of anything suggestive of a living human being.

But as I looked at the phone bill on my desk, it crossed my mind that my visitor, who must have had a key to the room (I always locked it when I left), might have been one of these former occupants.

On the other hand, perhaps I really
was
sharing the room, legitimately and officially, with a colleague who worked on different days from me. Perhaps it was simply that nobody had thought to inform me of this arrangement.

On my way to lunch I asked Amber, the intern, as casually as I could, whether anyone besides me was using Room 106.

‘No.'

She looked at me as if expecting an explanation of the question. Ignoring this, I asked if she knew who had had my office before I moved in there.

‘Yes. That was Barbara.'

‘Barbara?'

‘Barbara Hellermann. Why?'

‘I – I think she may have left some things behind.' I was reluctant to get into a conversation about the bookmark and the phone number.

Amber gave me a strange look. ‘Well – maybe. I mean … You know about her, right?'

‘No?'

‘She's dead.'

‘Oh!'

I was about to ask more when I felt the warning signs of an
ailment that had been afflicting me since I had begun this job in the fall: an unpredictable and embarrassing tendency to blush. Like insomnia, the affliction had become a self-perpetuating problem. The fear of blushing had me in a state of permanent blush-readiness in which the slightest errancy of thought, conscious or unconscious, could open the blood-gates. A moment before it started, I would experience a faint lurch inside me, and with a helpless lucidity I would know that a burning crimson tide was about to start rising from my neck over my chin and cheeks, all the way up to my forehead. I would have grown a beard by now if the hair on my face were not so fair and scant.

I thanked Amber curtly, and hurried away. Outside her force-field, the blush command withdrew itself, and I continued pallidly down the corridor that led out of our building.

It was snowing as I walked up Central Park West from the subway station. The large flakes were few enough in number that I was aware of each individually as it drifted by, though the sky had a lurid, bruise-colored tone, as if it were getting ready to unleash something more serious.

Lights came on in windows as I passed the Dakota Building and reached the area I had once heard described as the Therapy District. Already the snow was thickening. The trees on Dr Schrever's street had started to catch puffy snowflakes on the tips of their purple twigs – a ghostly blossom, almost luminous in the darkening air. Through the proliferating whiteness I saw a figure moving toward me: a woman, in a thick jacket, powder-blue scarf and black skirt – leather, from the way it gleamed.

As she approached, I found myself absent-mindedly eyeing
her figure, a crude reflex I had been struggling to correct, but still sometimes caught myself succumbing to. Her legs were slim and shapely; her hips moved in their gleaming sheath with a sinuous, swaying motion. As she drew close, I peered through the veils of snow to check out her face and saw, to my astonishment, that it was Dr Schrever.

I was early for my appointment, so I suppose there was no reason for her not to be out on the street. But the sight of her there (I had never seen her outside the context of the consulting room) was disconcerting. She smiled at me; we said hello, and continued on our separate ways. At the end of the street I looked back and saw that she had crossed the avenue and was heading into Central Park.

I had half an hour to kill, so I stopped for a coffee at a diner on Amsterdam Avenue. As I sat in my booth I found myself thinking about the encounter. Had Dr Schrever noticed me eyeing her up? I wondered. The thought that she might have, troubled me. She had asked me more than once whether I ever experienced sexual feelings for her, and I had told her emphatically that I hadn't. As a matter of fact, although I had spent the first few sessions sitting on a chair opposite her (rather than the couch I now lay on), I had never formed a very definite sense of her physical reality at all. She had shortish dark hair, dark eyes, smooth skin. Beyond that, her appearance always melted into vagueness whenever I tried to summon it. Age-wise, for all I knew, she might have been a seasoned thirty or a well-preserved fifty. I never noticed her clothes, though I suppose I wouldn't have suspected a taste for leather skirts.

It became clear to me now that, in her capacity as my therapist, I had placed her off-limits sexually, but that, reduced
to the anonymity of a female human being, she was in fact quite capable of arousing desire in me after all.

These two aspects had been separated as I watched her coming towards me through the snow. I pictured her again, trying to catch the carefree, sensual elegance she had projected before I realised who she was. A distinct pang of arousal went through me. And at once a preposterous surmise came into my head: she changed into the leather skirt between sessions to pick up men and have sex with them for money in the park. I could go there now and find her with one knee provocatively cocked as she leaned pale and delicately shivering against a cedar post of the trellised walkway that led down to the lake …

BOOK: The Horned Man
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