The Silent Woman (5 page)

‘Make haste, mistress!’ cried the intruder. ‘The master has returned.’

‘That cannot be!’ cried Jane in alarm.

‘He’s here below. I wonder you did not hear him open the door, it creaks so loud.’ The maidservant hissed at Edmund Hoode. ‘Fly, sir! He will surely kill you if he finds you in his bed.’

The maidservant rushed out again and the lovers leapt up. Jane pulled down her nightgown and sped on tiptoe into the corridor in time to hear the heavy tread of boots upon the stairs. She waited long enough to see her husband’s hat and cloak come out of the gloom then she darted back into the bedchamber and closed the door. Two bolts were slid into place and she flung her back against it for extra fortification.

‘Run, Edmund!’ she advised ‘Run!’

‘I try!’ wailed the stricken wooer, attempting to gather up his clothing from the floor. Valour flickered. ‘Should I not stay to defend you, my love?’

‘He will murder us both if he sees you. Go!’

A thunderous banging on the door convinced Hoode that a speedy exit was his only hope of salvation. Opening the window, he hurled his clothing out then dived madly after it without any concessions to self-respect. A forgotten ruff trailed down disconsolately after him then the window was closed tight. The interrupted swain grabbed his apparel and sprinted off through the streets as if a pack of hounds were on his tail. Jane Diamond might have turned London into an enchanted garden but her husband had just made a tour with Westfield’s Men seem infinitely more appealing. He did not stop running until he reached the comparative safety of his lodging and even there he barricaded himself in.

The lady herself was covered in distress but spared the ultimate horror of being interrogated by her husband. In response to his pounding, she told him that she was already in bed and that he was disturbing her slumbers. Accepting her word, he mumbled an apology and trudged off to spend the night in another chamber. Jane Diamond was so relieved by her narrow escape that she flung herself down and buried her head among the pillows. She was still rehearsing the excuse she would use next morning when she eventually fell asleep.

The real beneficiary of the night’s work was the maidservant. In addition to gratitude from her mistress and money from Edmund Hoode, she was given a much more generous payment by Lawrence Firethorn. In the cloak and hat provided by the maidservant, any man could have looked
like a returning husband who is only glimpsed once on a dark staircase, but the portrayal had been given real authenticity by a master of his craft. The absent spouse had cause to be eternally thankful to Lawrence Firethorn. Not only had the finest actor of the day deigned to impersonate him, he had also saved him by a hair’s breadth from certain cuckoldry.

Firethorn collected his horse and rode off towards Shoreditch in a mood of self-congratulation. Once he had found out the address of Hoode’s inamorata, he had won over the maidservant with a combination of charm and bribery, and been informed of the tryst. It had been simple to set up his performance and to achieve the desired response. A much-needed member of the company had been forcibly returned to its bosom and a wandering wife had been frightened into fidelity for at least a fortnight. Firethorn could now play the returning husband at home and while away his last night there in connubial delights. His wife, Margery, was made of sterner stuff than Jane Diamond. When she took her man into her bed, nothing and nobody would be allowed to interrupt her until she had wrung the last ounce of pleasure out of him. Firethorn’s heels jabbed the horse into a gallop.

Catastrophe had been averted at the Queen’s Head but the fire there had still been sufficiently destructive to merit a ballad on the subject. It was being sung in the taproom by a dishevelled old pedlar with a once-melodious voice that was thickened by drink and cracked by age. Leonard was among the crowd who listened to the ballad.

Five verses were allotted to a description of how Nicholas Bracewell had helped to prevent the fire from spreading across the roof. The pedlar had not witnessed the event but he had picked up enough details from those who had to be able to compose his ballad with confidence. Using the licence of his trade, he embellished the facts wildly but nobody complained except Alexander Marwood. The landlord sang a woeful descant until he was cowed into silence by the reproach of the final verse.

Leonard clapped his huge palms together to lead the applause then lumbered forward to buy one of the copies of the ballad. Though he could not read, he stared at it in utter fascination and let out a rumbling laugh.

‘I’ll give this to Master Bracewell himself,’ he said proudly. ‘It will send him on his way in good humour.’

‘Where does he travel?’ asked a neighbour.

‘With Westfield’s Men, sir. Our yard is so damaged that they have no theatre and needs must make shift. They are forced to go on tour.’ Leonard enjoyed being the holder of privileged information from his friend. ‘The company makes for Oxford and Marlborough, I hear, but they will lose their book holder at Bristol.’

‘Why so?’

‘Because he must go on to Barnstaple.’

The other man blenched. ‘Barnstaple?’ he exclaimed, his West Country accent breaking through his London vowels.

‘He has been called back home. And your voice tells me that you may be from those parts yourself.’ The gravity of his news made Leonard speak in a respectful whisper. ‘We have had strange portents. A message was sent to him but the messenger was poisoned here in this taproom.’

‘How then was it delivered?’ asked the man.

‘The murder was message enough for Master Bracewell. He knows that he is needed in Barnstaple and he will be there when time and Westfield’s Men allow him.’

The listener stroked his raven-black beard and cursed himself for not killing his victim more promptly with the thrust of a dagger. The poison had only done its worst after the messenger had reached the intended recipient. Hired for his ruthless proficiency, the man had for once failed, and
dangerous loose ends now trailed from his botched work. Those loose ends would have to be severed before he could collect his reward. He turned back to Leonard, who was still perusing the ballad with a childlike delight.

‘When do Westfield’s Men leave London?’ said the man.

‘At noon, sir.’

‘From the Queen’s Head?’

‘No,’ said Leonard, ‘they would not show themselves here while our landlord still burns so brightly about their fire. I’ll be taking this ballad to the Bel Savage Inn on Ludgate Hill. That is where they set forth upon their adventure.’

‘What manner of man is this Nicholas Bracewell?’

‘A hero, sir.’ He waved the ballad. ‘Here’s warranty.’

‘How would you pick him out from his fellows?’

‘’Tis no great art,’ said Leonard. ‘He is a proper man in every aspect with fair hair and a beard of like description. And though he lives among players who are practised at catching the eye, he is the tallest and the best of them.’ He beamed with nostalgia. ‘Master Bracewell is my friend. I know him by his kindness and good fellowship.’

His companion thanked him and drifted away. He had heard enough to identify his target. Preparations had to be made. There must be no margin of error this time.

Nicholas Bracewell was the first to arrive at Ludgate Hill. Having spent the night at a friend’s lodging in Southwark, he was up early to make the last arrangements for the departure of Westfield’s Men. Taking a company out on the open highway was always a hazardous enterprise and it obliged them to travel armed and ready to repel attacks from one of the many bands of robbers, outlaws and masterless men who roved the countryside.
The quality of their venues would fluctuate drastically, and their audiences would be neither as large nor as well tuned to their work as those in London. Bad weather would only hinder a performance at the Queen’s Head. It could cause the company far more inconvenience if it struck them suddenly on some lonely road, soaking their costumes and sapping their morale. Nicholas Bracewell knew that wet, unhappy actors are far more inclined to friction than those who are dry and content.

‘Good morrow, Nick!’

‘Welcome!’

‘A plague on this damnable tour!’

‘Yes, Owen,’ said Nicholas, ‘and yet it is the one tour that is not forced upon us by the plague. London is having a healthy summer and there is no cause to close the theatres and throw us out of our occupation. Fire drives us away.’

‘And it may keep us there in perpetuity.’

‘The Queen’s Head will be restored when we return.’

‘But will that miserable maggot of a landlord allow us near the place? Diu! It gives me the sweating sickness just to look upon Marwood, yet for all that, I’d sooner endure his woebegone hospitality than drag my talent the length and breadth of England.’

Nicholas smiled. ‘What about Wales?’

‘That is different. I would gladly lead Westfield’s Men across the border to the land of my ancestors.’

Owen Elias was an exuberant Welshman, who was becoming one of the mainstays of the company. Dark and manic, he was a gifted actor whose career had been held back by a quickness of temper and a fatal readiness to acquaint people with his true opinion of them. Wearied by his lack of progress, Elias had defected to his company’s
arch-rivals, Banbury’s Men, and he was only brought back by the promise of promotion to the rank of sharer. Now that he had a real stake in Westfield’s Men, his forthrightness was slightly diminished, but he still enjoyed a rancorous dispute when he felt – as he did without fail – that he had right on his side. Nicholas Bracewell was very fond of the Welshman and knew that his talent was strong enough to bear the extra weight that a tour placed upon it. A sturdy, fearless character of middle height, Owen Elias was also an extremely useful man to have at your side in a brawl or a swordfight.

‘How now, gentlemen!’

‘Hail, sirs!’

‘I am glad to see your worships so well.’

‘God save you all!’

‘A thousand welcomes.’

‘Farewell, dear London!’

‘Owen, you rogue!’

‘Nick, dear heart!’

Greetings assailed them as the company arrived, singly or in pairs, many with tearful wives or sweethearts clinging to their arms and a few, like Lawrence Firethorn, with their entire family. It would be a poignant leave-taking. The Bel Savage was an apposite location. Standing outside Ludgate itself, it was a big, sprawling, cavernous building that had been in existence for over a hundred and forty years and which occupied its site with half-timbered familiarity. Savage’s Inn, as it had initially been called, was also known as the Bell on the Hoop, and the names had made common cause to give the property a clear title. Long before the first custom-built theatre in London was opened in 1576, the Bel Savage had been staging plays in its courtyard, and it was in this evocative
arena that Westfield’s Men now met. Countless prizefights, fencing displays and other entertainments had been held there as well, but the actors saw it solely as part of their heritage. When they gazed up at the three levels of galleries that jutted out at them on every side, they saw cheering spectators and heard the ghost of some dear departed speech. It was only when they glanced across at their leader that they realised the ghost had come back to life because Lawrence Firethorn was declaiming one of the soliloquies he had spoken when he played Hector at that same venue in his younger days.

Nicholas Bracewell had chosen the meeting place as the closest alternative to the Queen’s Head, but he might have been less ready to nominate it if he had known that it overlooked the very spot where the messenger from Devon had first been marked out by her killer. The yard continued to fill and servingmen brought out ale to whet the appetite of the travellers. All but one of the company had now appeared, and Nicholas was touched to see how many of its discarded members had also made the effort to get there in order to wave off their fellows. Thomas Skillen stood nearby, alternately chiding and hugging George Dart, the smallest and youngest of his assistant stagekeepers, clipping his ear as he warned him to discharge his duties correctly and enfolding him in his old arms lest it be the last time they might ever meet. It was a moving sight and it epitomised the true spirit of theatre. Tradition was handing over the torch to innovation.

George Dart would have quailed to hear that such a construction was being placed on his separation from a loved but feared mentor. The hired man occupied the most menial station in the company and it obliged him to be the butt and scapegoat with depressing regularity, yet at least he was still
employed. A tour would double the already heavy workload that was thrust upon him and condemn him to play a string of minor parts in the plays, but even these guarantees of additional pain and humiliation were preferable to being cast out with Thomas Skillen and the others.

It was the scurrying legs of George Dart that Nicholas Bracewell used on the previous evening to notify the chosen company of the time and place of departure. The tiny stagekeeper had been given good news to spread while Nicholas reserved for himself the more onerous and saddening task of telling the rest of his fellows that they had been set aside. Knowing their haunts and their habits, he had spent long hours in tracking them down to pass on the bad tidings as gently as he could. It now struck him as a harsh irony that a man enjoined to oust so many others had then himself been ejected from a cherished home.