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Cracknell, Basil,
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(Phillimore, 2005)

Darby, H. C. and Campbell, E.M.J., eds,
The Domesday Geography of South-East England
(Cambridge University Press, 1962)

Dawson, Charles and Woodward, Arthur Smith, ‘On the Discovery of a Palaeolithic Human Skull and Mandible in a Flint-bearing Gravel Overlying the Wealden (Hastings Beds) at Piltdown, Fletching (Sussex)’,
Quarterly Journal of the Geological Society 1913,
vol. 69

Eddison, Jill and Green, Christopher,
Romney Marsh: Evolution, Occupation, Reclamation
(Oxford University Committee for Archaeology: Monograph 24, 1988)

Ellis, Sir H., ‘Commissioners of Sewers for the Lewes Levels’,
Sussex Archaeological Collections X
(Sussex Archaeological Society, 1858)

Environment Agency,
Adur and Ouse Catchment abstraction management strategy: Final strategy
(Environment Agency, 2005)

––– Lewes Flood Report: March 2001
(Environment Agency, 2001)

Evans, Paul, ‘Lost Horizons’, in the
Guardian
(27 February 2008)

Fagan, Brian,
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(Basic Books, 2001)

Farrant, J.H., ‘The Evolution of Newhaven Harbour and the Lower Ouse before 1800’,
Sussex Archaeological Collections CX
(Sussex Archaeological Society, 1972)

Hallam, H.E., ed.,
The Agrarian History of England and Wales Volume II, 1042–1350
(Cambridge University Press, 1988)

Hartley, Dorothy,
Water in England
(Macdonald, 1964)

Holford-Strevens, Leofranc, ‘Sirens in Antiquity and the Middle Ages’, in
Music of the Sirens,
eds. Linda Phyllis Austern and Inna Naroditskaya (Indiana University Press, 2006)

Houghton, John,
The Great River of Lewes
(printed by Parchment Ltd, 2002)

–––
Unknown Lewes
(Tartarus Press, 1997)

Green, Peter, ‘Finding Ithaca’, in
New York Review of Book,
vol. 53, number 19 (2006)

Leslie, Kim and Short, Brian, eds.,
An Historical Atlas of Sussex
(Phillimore, 1999)

Loyn, H. R.,
Anglo-Saxon England and the Norman Conquest
(Longman, 1962)

Millar, Ronald,
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(S. B. Publications, 1998)

Rudling, David, ed.,
The Archaeology of Sussex to AD 2000
(Heritage, 2003)

Russell, Miles,
Piltdown Man: The Secret Life of Charles Dawson
(Tempus, 2003)

Thomas, Andy,
The Lewes Flood
(S. B. Publications, 2001)

Thorburn, Margaret,
The Lower Ouse Valley: A History of the Brookland
(Withy Books, 2007)

Weiner, J.S.,
The Piltdown Forgery
(Oxford University Press, 2003, first published 1955)

Woolf, Virginia,
Greek & Latin Notebooks, 1907–1909,
unpublished (Monks House Papers, University of Sussex Special Collections)

––– Mrs Dalloway
(Penguin, 1992, first published Hogarth Press, 1925)

VI THE LADY VANISHES

Bell, Julian, ‘Monk’s House and the Woolfs’, in
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Briggs, Julia,
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(Penguin, 2006)

Brosnan, Leila,
Reading Virginia Woof’s Essays and Journalism
(Edinburgh University Press, 1999)

Caramagno, Thomas C,
The Flight of the Mind: Virginia Woof’s art and manic-depressive illness
(University of California Press, 1992)

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(Vintage, 1957)

Hansen, Carol,
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(Cecil Woolf Bloomsbury Heritage Series, 2000)

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(Chatto & Windus, 1996)

–––
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(Methuen, 1977)

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(Fig Tree, 2007)

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Virginia Woolf in Camera
(Bloomsbury Heritage Series 31, 2001)

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(Gill & Macmillan, 1995)

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Virginia Woolf
(Weidenfeld & Nicolson, 2000)

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(Cambridge University Press, 1995, first published 1978)

Noble, Joan Russell,
Recollections of Virginia Woolf by her contemporaries
(Cardinal, 1989, first published Peter Owen, 1972)

Spatter, George and Parsons, Ian,
A Marriage of True Minds
(Hogarth Press, 1977)

Stape, J.H., ed.,
Interviews and Recollections
(Macmillan, 1995)

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Sowing
(Hogarth Press, 1960)

–––
Growing
(Hogarth Press, 1961)

–––
Beginning Again
(Hogarth Press, 1964)

–––
Downhill All the Way
(Hogarth Press, 1967)

–––
The Journey Not the Arrival Matters
(Hogarth Press, 1969)

Woolf, Virginia,
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(Duckworth, 1915)

–––
Jacob’s Room
(Penguin, 1992, first published Hogarth Press, 1922)

–––
To the Lighthouse
(Penguin, 2000, first published Hogarth Press, 1925)

–––
Orlando
(Penguin, 1970, first published Hogarth Press, 1928)

–––
The Waves
(Vintage, 2004, first published Hogarth Press, 1931)

–––
The Death of the Moth and other essays
(Hogarth Press, 1942)

–––
The Moment and other essays
(Hogarth Press, 1947)

–––
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(Hogarth Press, 1950)

–––
Collected Essays
, 4 vols, ed. Leonard Woolf (Chatto & Windus, 1996–7)

–––
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, ed. Susan Dick (Harvest, 1989)

–––
Selected Short Stories
, ed. with an introduction and notes by Sandra Kemp (Penguin, 1993)

–––
A Writer’s Diary
, ed. Leonard Woolf (Hogarth Press, 1953)

–––
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(Hesperus 2007, republished with new material, 2008)

––– ‘A Terrible Tragedy in a Duck Pond’ (unpublished story, Monks House Papers, Special Collections, University of Sussex Library)

––– ‘Greek and Latin Studies’ (unpublished notebook, Monks House Papers, Special Collections, University of Sussex)

––– ‘The Watering Place’ (unpublished draft of Woolf’s last story, Monks House Papers, Special Collections, University of Sussex Library)

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(University of California Press, 1986)

VII BEDE’S SPARROW

Adamson, Judith, ed.,
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(Chatto & Windus, 2001)

Farrant, John,
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Leonard Woolf
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Hemingway, Ernest,
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(Penguin, 1966)

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(Chatto & Windus, 1994)

Lucas, Edward Verrall,
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(Macmillan, 1904)

Philip, Neil, ed.,
Between Earth and Sky
(Penguin, 1984)

VIII SALVAGE

Hugo, Victor,
The Memoirs of Victor Hugo,
trans. John W. Harding (Bastian Books, 2008, first published 1899)

 

PERSONAL ACKNOWLEDGEMENTS

My thanks go first to Robert Macfarlane and Robert McCrum, both of whom have been instrumental in making this project possible and who have been unstintingly kind.

One of the great pleasures of writing this book has been conversing and corresponding with people far more knowledgeable than me. I should like to thank the following: Caroline Archer for putting me up at Navigation Cottage. Julian Barker for discussions on botany and greensand. John Bleach at the Sussex Archaeological Society for patiently explaining the topography of the Battle of Lewes, as well as drawing my attention to the bodies buried beneath the railway embankments. Ian Dunford at East Sussex Archaeology and Museums Partnership for answering endless archaeological queries. Anna Fewster for her brilliant take on Woolf’s books. Alison Light, for directing me to two quotations I would not otherwise have found. Helen Macdonald for her beautiful map, as well as last-minute bird aid. The staff of the Berg Collection at New York Public Library, Brighton Library, East Sussex County Records Office, Lewes Library, and the University of Sussex Library Special Collections, where, fortunately for me, much of the Woolf archive resides. Sarah Pearson, curator at the Hunterian Collection, for revealing the real fate of Gideon Mantell’s spine. Will Pilfold and Margaret Pilkington at the River Ouse Project for answering my queries about washlands. Sam St Pierre at the Sussex Ouse Conservation Society. Liz Williams at the Railway Lands for helping with bird identification. Nathan Williams for his trove of folk songs and indigenous ballads.

I’ve been very lucky with my publishers, and owe a great debt of gratitude in particular to Nick Davies, my editor, whose enthusiasm, sensitivity and insight I’ve deeply appreciated. In addition, I’d like to thank all at Canongate, especially the wonderful Norah Perkins, and Annie Lee. I’m also very grateful to my agent Jessica Woollard and the staff at the Marsh Agency.

I’ve been blessed with an exceptional group of early readers, among them Robert Dickinson, Denise Laing, Euan Ferguson, Peter Laing, Elizabeth Day, Helen Macdonald and William Skidelsky: thank you all. A special mention must go to Jean Hannah Edelstein, publishing guide par excellence, who went beyond the call of duty in almost every respect. I’d also like to thank Stuart Croll, Clare Davies, Tom de Grunwald, Grace Dunford, Maud Freemantle, Tony Gammidge, Barbara Howden Richards, Kitty Laing, Robin McKie, Lili Stevens, and Carole and Charles Villiers for their interest and support, as well as Mat Ash, who first took me to the river.

Sins of error and omission are of course my own.

 

PERMISSIONS ACKNOWLEDGEMENTS

The author and the publisher would like to thank The Society of Authors as the Literary Representative of the Estate of Virginia Woolf, and The University of Sussex and The Society of Authors as the Literary Representative of the Estate of Leonard Woolf.

Extracts from
Moments of Being
,
The Diaries of Virginia Woolf
and
The Letters of Virginia Woolf
(edited by Nigel Nicolson and Joanne Trautmann), published by Hogarth Press, are reprinted by permission of Random House.

‘The Diviner’ by Seamus Heaney is reprinted by permission of Faber and Faber.

‘In Praise of Limestone’ by W.H. Auden, copyright © 1978, is reprinted by permission of The Estate of W. H. Auden.

‘Ithaca’ by C. P. Cavafy translated by E. Sachperoglou in
Cavafy: Collected Poems
, is reprinted by permission of Oxford University Press

 

ABOUT THE AUTHOR

Olivia Laing lives in Brighton. Between 2007 and 2009, she was the
Observer
’s Deputy Books Editor. She writes and reviews widely, for the
Observer
, the
New Statesman
, the
TLS
and the
Guardian
among other publications. She has a first class BSc (Hons) in herbal medicine, and practised as a medical herbalist for several years before becoming a journalist, specialising in the treatment of anxiety and depression. Olivia Laing has been awarded a MacDowell Fellowship and grants from the Arts Council and Author’s Foundation to work on her second book,
The Trip to Echo Spring
, which will be published by Canongate in 2013.

Table of Contents

Title page

Copyright page

Dedication

Epigraph

Contents

Illustrations

I Clearing Out

II At the Source

III Going Under

IV Wake

V In the Flood

VI The Lady Vanishes

VII Bede's Sparrow

VIII Salvage

Bibliography

Personal Acknowledgements

Permissions Acknowledgements

About the Author

BOOK: To the River
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