Vanishing Girl (20 page)

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Authors: Shane Peacock

BOOK: Vanishing Girl
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Sherlock slips over, his hand on the vial in his pocket, and stumbles, falling into the big plate of oysters and deftly knocking one to the floor.

A kitchenmaid turns and glowers at him.

“Many pardons, mum,” he says, reaching down to pick up the morsel.

“No one is eatin’ that ‘un, you savage. Throw it out and be on your way.”

“Yes, mum.” But his eyes are on the footman, whose eyes are on the oyster.

“I have a rule,” whispers Sherlock into the other boy’s ear as he rises. “In fact, I am the originator of it, mate. It’s this: once a portion of food strikes the floor, it can be eaten
within three seconds, no later. That’s the ‘Three Second Rule.’ The time grows longer dependin’ on your poverty, as your lodgins is deeper in Whitechapel, Stepney, or the Isle of Dogs.”

The young footman grins, takes the dirty oyster from Sherlock’s open hand, holds his head back, and quickly tips the contents into his gaping mouth. Sherlock sees the brown, powdered opium enter with it and the footman’s Adam’s apple bounce in his gullet.

“I shall be off.”

He waits outside, around the back, at the rear kitchen door, hidden from the view of the coachman out front. No more than five minutes later, the footman staggers out the door, perspiring heavily and feeling drowsy.

“Anything wrong, mate?” asks Sherlock quietly, offering his shoulder.

“It’s you, boy. I am seeing strange things … I am feeling … feeling …”

Sherlock takes his full weight when he collapses and drags him into the nearby stable. Stripping down to his underclothing, shivering as he works, he is in the footman’s uniform in minutes. Not a perfect fit, a little large and loose, but it will do. His calves don’t show as well as he’d like, and it takes him a while before he has the wig on just the way he wants. He’d like a mirror. Then he chides himself.
Stop fussing. Stop delaying
.

He practices for a minute in the stable, remembering the typically proud bearing of the young footman, his gait, and his haughty expression. He takes a deep breath, opens
the stable door, and makes for the kitchen.
Confidence
. Sweeping indoors, he heads directly toward the food.

“Barrymore! Barrymore, where are you?”

That must mean me
.

He keeps his eyes averted from the kitchenmaid, who hands him a full plate and directs him toward a doorway that leads to a set of stairs. Sherlock is to take the food up to the dining room. This is what he was hoping for; an acceptable reason to not only move up a floor into the main part of the great house, but a chance to observe all three members of the family, too. From there, he intends to somehow find his way farther up … and enter Lady Rathbone’s bedroom. But first, to the dinner table, where he can consider the conduct and attitude of the Rathbones and their daughter
and
listen to the conversation, which will surely be about the robbery.
What else would they all speak of?
He may hear details that the papers don’t have. But he can’t spend long there – his goal is the bedroom.

Then, a daring thought occurs to him. What if he tried to say something to Victoria? Just a few whispered words in her ear as he walked past, mentioning Paul Dimly’s name – it might save the little boy’s life. If she is as kind as Irene says, she might find a way to respond. But he dismisses this before he reaches the room. It could endanger the whole case.

The impossibly long wooden table gleams beneath massive chandeliers, attended by two elongated rows of diners. There are indeed paintings in every appropriate place on the walls and the silverware is conspicuously shiny.
Everything has been replaced. The guests seem to be almost glittering: ladies in white and men in black. Sherlock realizes his mouth is hanging open, and closes it.

He isn’t exactly sure what a footman’s job is in a dining room, but quickly spots another man in uniform serving the guests over their right shoulders and then standing with his back against a wall. That servant doesn’t look anyone in the eyes and the guests don’t acknowledge his presence. Sherlock follows his example. Then, up against the wall at about the midpoint of the table, so he can see both ends, he listens, heart pounding.

At first the talk is merely niceties and little jokes, as the food is consumed, stuffed into big mustache-adorned mouths by the men, daintily set onto darting tongues by women. Distended stomachs bulge inside suits and dresses. Way down at the far end, far from her parents and anyone her age, in the seat of honor, sits Victoria. Sherlock observes her out of the corner of his eye.

It is intriguing to see her at a reasonably close distance and in this setting. She has that distinctive strawberry blonde hair, those fine, high cheekbones that he’s seen in the illustrations in the papers. But there are things about her that surprise him. She appears a little older than he’d thought she’d look. She rarely looks anyone in the eye; she seems to be alone, though she’s in a crowd. It is almost as if she can hardly wait to leave. There’s something about her that disturbs Sherlock. Something isn’t right with Victoria Rathbone.

Sherlock also watches her mother, who is almost right in front of him.

She is as beautiful as Irene said and is dressed to the nines today, gems glittering around her neck. Her hair is similar in color to Victoria’s and he can see a line of resemblance: from her to her daughter to Andrew Doyle and even Irene. Lady Rathbone’s brown eyes are indeed a little cloudy, but the way she focuses them to examine things makes her beauty even more bewitching. The use of a long-stemmed, bejeweled lorgnette that she raises in order to gaze at people or objects farther away adds an upper-crust air that she obviously cultivates. But she rarely speaks to anyone for more than a moment, and Sherlock doesn’t hear her mention her daughter or see her as much as turn in the girl’s direction.

Holmes peeks the other way, toward the opposite end of the room, to the lord at the head of the table. Rathbone barely looks at anyone either, even when he is holding forth on subjects of impressive importance, which seems to be often – his chin is thrust out and his nose elevated. His red-veined face is only partially evident beneath the mustache, mutton chops, and beard that cover it. He never glances down the table to regard his daughter either, but
his
inattentiveness to her existence is somewhat surprising, given Victoria’s avowal that her every wish is his command. They sit so far apart here, their conversation might be best conducted by telegram.

For an instant, Sherlock thinks of his own parents, of his mother hugging him, gazing lovingly into his eyes. But that memory hurts, so he rejects it and returns to the task at hand.

Most
upper-class people barely know their children, he reminds himself. They have them reared by nannies, educated by governesses. The way Victoria is being treated may not be so unusual.

Then, a guest actually speaks to her.

“It is a joy to have you back, my dear,” intones a white-powdered old woman in a loud voice and with a feigned smile. Her face is like a mask and she isn’t turned in the girl’s direction.

“Yes, yes,” says Lord Rathbone, his big, bullish tone sounding forced, as if he knows he must appear courageous and confident the day after his latest setback. He notices a wayward thread on his sleeve and plucks it off. “She is a good girl, is Victoria, very brave through it all, as I taught her to be, and as I admonish our nation to be. Look at her: she has been matured by all of this. She looks as though she has aged several years.”

He doesn’t glance her way, nor does anyone else, though Lady Rathbone smiles and acknowledges the expressions of admiration Victoria receives from her female peers.

“Your robbery is an incident of national significance,” states a young man clearly.

“Yes, yes, I suppose it is.” The lord caresses his big whiskers and smoothes down his hair, combed straight forward to hide his balding scalp.

“We must find these evil perpetrators, and the ones who absconded with your daughter at the end of the season (how barbaric of them to choose such a time), use the
maxi mum power of the Force, spare no expense, and hang them all, as you say, publicly.”

“That may not be the way very soon, unfortunately, my good man. Even Newgate Prison has taken to executing indoors, out of sight. One may never see a public hanging in London again.”

“Perhaps they can make exceptions on this occasion.”

There is a round of laughter. Even Lord Rathbone can’t hold back.

Sherlock uses his peripheral vision now. He tries to see as many diners as possible and how they are reacting. This robbery was performed by someone who knew the Rathbones, their habits, their whereabouts, their possessions, their home, and how to get in and out of it. The best suspects may well be … seated at this very table.

Who is the bold young man who brought up the subject of the robbery?
That gentleman continues to talk, almost dominating the conversation, returning it to the crime when it wanders, and insisting on severe punishment for the criminals.

Either twenty-seven or-eight years of age, and obviously single by the attentions he is paying to that plain, fawning female next to him, who is certainly not his wife. Her accent is American, her glowing, low-cut dress and diamonds expensive. He’s of high breeding but there are minute threads frayed on his shirt collar, which looks a little yellowed, as if it has had too many washings. His black hair appears to have been combed a thousand times. Is this a man in search of a rich wife? In search of money? He seems at home in the Rathbone mansion
.

But Sherlock wonders.
This sniveling sycophant doesn’t seem capable of conceiving such a robbery
. Holmes is wasting his time, getting off on the wrong foot just as he did in St. Neots. He doubts there is anything else to be learned at this table – he must get to the heart of the matter, upstairs. The other footman is removing a few plates.

Lady Rathbone hasn’t touched her food for some time. She appears to be finished with this course despite the fact that most of her meal is still sitting there. Sherlock leans over her right shoulder. She smells like lemons. Her skin looks like butter. He lifts the plate and glances toward Victoria. Strangely enough, she is looking back at him. Their eyes meet for an instant. It is a strange thing for an upper-class woman to do. She turns away quickly. Sherlock notices her plate. Every morsel has been consumed, the only serving to be so thoroughly attacked. She must be hungry. He glides over, lifts her plate and observes her, just inches away. She appears to be trembling. That’s strange, too. But Sherlock doesn’t have much time to think about it.

He is careful to leave the room alone. Out in the hall, he glances around, sees no one, and steals up the stairs, dinner plates still in hand. Once he is on the next floor, he slows down, making sure his footfalls are soundless. The richly colored carpets that cover every inch of the hall help. Lady Rathbone’s bedroom is one more storey up.

When he gets there he finds that the door is closed, but not locked. He shuts it behind him and turns to the room. It is like being in an illustration from a society magazine. Parts of the upstairs hallways had looked a little empty,
stripped in places of valuables: a painting gone here, and a vase there. But this room is different. It smells of lemons just like its inhabitant and is filled with so much furniture, so many plants and flowers, and the walls and floors are so densely decorated that it seems as though it will be difficult to move about. He takes a step …
and sees someone!
He almost drops the dinner plates. But it’s his image in a mirror. There are mirrors everywhere. He regards himself for a moment, thinking he looks fine in the footman’s costume.

Get on with it
.

He sets the plates on Lady Rathbone’s four-poster bed where they almost disappear into the soft red covers.

Why did the thieves not come here?

He makes for her dressing room.

Downstairs, Lady Rathbone is thinking that it is time to announce that she is feeling a little uncomfortable, that she needs a moment to refresh herself in her boudoir. She excuses herself, leaves the table, and glides through the door to head upstairs.

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