Water Touching Stone (12 page)

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Authors: Eliot Pattison

BOOK: Water Touching Stone
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Shan stood suddenly. He felt short of breath. He stepped outside and breathed in the cool air. It had been Public Security headquarters in Beijing that had sent him to the gulag. He had assumed that the very worst that could happen to Gendun would be capture by the local knobs. But the headquarters knobs had university degrees and high ranks in the Party. The boot squads were their special soldiers, always led by a political officer. They would see Gendun differently. He would be an experiment. They might seek to use him, after breaking him with technologies not even the most serene mind could resist. They had done it before, more than once. They had even taken the Panchen Lama, the highest of all reincarnate lamas after the Dalai Lama, and imprisoned him for ten years in a maximum security prison near Beijing after he had spoken out for Tibetan independence. He had emerged a different man, married to a Han Chinese woman.

 

 

Inside the tent by the stables Shan found Malik kneeling by his bag, smoothing out a pallet consisting of three small carpets stacked together. Lokesh was sitting cross-legged on a similar pallet facing an assortment of objects that lay on a small red carpet, a Muslim prayer rug. He was holding the stub of a wooden pencil in his palm, in front of his chest, his eyes closed.

 

 

Shan's foot brushed against a tin can containing small bits of glass that lay at the edge of the red carpet. It tipped over, making a tinkling sound that snapped Lokesh out of his trance.

 

 

"He didn't have much," the old Tibetan sighed, gesturing toward the objects before him.

 

 

"These were the boy's?"

 

 

Lokesh nodded and stared inquisitively at the objects. The tin can with glass baubles. Three pencil stubs. A small, lute-like instrument with only two strings. A braid of leather straps that showed signs of having been repeatedly braided and unbraided, as if in practice. A single jade ball, the size of a large marble. Five pieces of dry, brittle wood with black marks that could have been writing on them. A young boy's treasures.

 

 

Malik raised the lute and plucked a string absently. "A dombra," he said sadly, "for singing the old clan songs."

 

 

Shan knelt and lifted one of the pieces of wood.

 

 

"We found them, that day," Malik said, looking at the pieces with a puzzled expression. "It had been smashed, the pieces scattered around his body."

 

 

What had been smashed, Shan almost asked, but he began fitting the pieces together and soon saw that the object was composed of two pieces, a flat bottom frame into which a wedge slid. The top of the wedge held two lines of text written in small fluid characters that resembled Sanskrit, the nearly extinct language of the lands south of Tibet. When it slid open, the flat surface inside, complete except for a large splinter missing from the center, was filled with writing in the same script. Like a letter, he thought, with the address on top.

 

 

He looked up to see Lokesh staring intensely at the collection of objects. Like an investigator, Shan thought. No, not exactly, he realized as he watched Lokesh slowly extend his hand and brush his fingertips over each item, for the old Buddhist would never see the collection as physical objects, as the meager trail of a young life. He would see them as the vestiges of a young soul, as signals for the boy's spirit, the tracks of the boy's inner god. Lokesh seemed to no longer be aware of Shan, as if once again the unpredictable embers within had ignited. The old Tibetan stared at the jade ball and slowly leaned toward it, as if it beckoned him. Shan picked it up and extended it toward Lokesh. They were in the land of jade. China had always obtained its jade from the Turkistan kingdoms north of the Kunlun. The Jade Bitch, the Uighur had called the prosecutor. Shan saw that the jade was delicately carved with tiny lotus flowers, with a hole running through its center. A bead. He dropped it into the Tibetan's open palm.

 

 

"What is it, old friend," Shan asked. "Who was the boy? Did you know Khitai?"

 

 

Lokesh sighed. "Not this boy," he said, as if there were multiple Khitais, then stared at the bead as a single tear rolled down his cheek.

 

 

* * *

It was almost dusk before Shan was able to return to the boy's grave, having finally left Lokesh in Jakli's care. His friend seemed to have gone into a strange trance, staring at the jade bead for more than an hour, during which the wild-eyed woman had reappeared, with a quiet, morose air, and sat beside the old Tibetan. When Shan had left the tent, the woman was patting Lokesh on the back like a sick child, humming one of her cradle songs as Jakli tried to coax him into eating some buckwheat porridge.

 

 

The last rays of the sun washed the back of the clearing, causing the grave to glow with an eerie pink light. Inside the rock enclosure the air was deathly still. A solitary cricket chirped.

 

 

Shan moved slowly along the edge of the rocks, then dropped to his knees beside the small mound of earth. He placed his palms on top of the loose soil, then stroked it, realizing after a moment that he was repeating the motion of the crazed woman, rubbing it the way a parent would smooth the blanket of a sleeping child. He had a son somewhere, not seen in years. With a stab of pain he realized that he didn't know if his own son was still alive. The possibility of his son's death had never occurred to him. But the tides of insane violence that had surged through his country did not discriminate between young and old. Children died for the sins of their parents, sometimes quickly, sometimes by the slow extinction of being abandoned. No, that was history, a voice in his head argued, and Shan's son would have the protection of his mother, a high cadre in the Party. Then he looked back at the grave under his hands. Khitai no doubt had thought himself well protected with the Red Stone clan. Children still died.

 

 

Was that indeed why he was here? he wondered. Was there something historic in the death of the woman Lau, something sensed by the old lamas that signaled a new tide of destruction, that meant a new demon of repression had been unleashed?

 

 

He absently scooped some of the loose earth from the grave, then slowly sprinkled the soil back over the mound and patted it smooth again. What was it about this homeless Kazakh boy that made him suddenly so dangerous to Bajys that he had to be shot? Had he indeed tried to stop Bajys's betrayal of the clans and the secrets of Fat Mao? Had he stolen something? Was it punishment? A mischievious boy who wandered from camp to camp might learn things, might be tempted by things that in turn could tempt Bajys. But what? The meager possessions of impoverished nomads? And what could he have that Bajys did not also have? Both boys, he remembered. Alta and Khitai had played together and had then been killed two days apart. One beaten and shot, the other beaten and stabbed. Maybe the boys had known something, had discovered something so dangerous to their killer they could not be left alive. They lived in a land of secrets. Secret families. Secret dissidents. Secret army bases.

 

 

As he idly stroked the earth, his fingers brushed something hard. He probed the soil and retrieved a curved piece of wood, small enough to fit into his hand. It had been crudely carved into the image of a bird in flight. It could have been one of Khitai's toys. It could have been a religious symbol. He pushed his fingers into the sandy soil and dragged them along the length of the grave. Near the head of the mound they touched something else, a five-inch splinter of wood. It was the missing piece from the strange wooden letter, containing a single line of the Sanskrit-like text. What did it mean? Was it an epitaph? Could the killer read the strange text? Did it contain a message that had caused the boy's death? He laid the two objects, the splinter of text and the crude bird, before him. Had they been buried by the same person? Perhaps they were both just offerings, or mementos. Did they mean something when put together?

 

 

He stared at them a long time, then scooped out two small holes and reverently returned the bird and the splinter of wood to the grave.

 

 

The cricket chirped again. Crickets were supposed to bring good luck. But they had brought none to Khitai. And none to Red Stone clan.

 

 

He rose and paced about the darkening clearing, considering it not as a graveyard but as a killing place. Bajys could have come up from the encampment or climbed along the ridge, over the rocks, into the clearing. He had come near the end of day, the end of a day when Khitai had been playing with Alta, the boy with the dropka. He had shot, but no one had heard a gun.

 

 

He realized the wind that coursed over the rocks could mask such a sound. As he paused to listen to its low moan, Shan felt something black and icy surge within him. It came like this sometimes, a dark coldness welling within, and when it did he had to stop and fight it. Sometimes it came on him with a spell of shaking, other times as a burning spot on his arm where he wore his lao gai tattoo, or along his spine where the knobs had used cattle prods. It was black and shapeless, and he had no name for it. It wasn't fear, or hate, it was just the thing that lingered from his years in the gulag, especially from the first weeks when all he could remember was a miasma of pain and people shouting at him. He closed his eyes and remembered the first time he had met one of the lamas, when the old Tibetan had pulled Shan's face out of the mud as he lay beneath a raging guard, about to suffocate. The lama had straddled Shan's body to take the baton blows meant for Shan. He remembered the serene smile on the lama's face as the guard beat him, and his weakness passed. He put a hand against the rock wall for a moment to steady himself, then continued around the clearing.

 

 

As he walked he found a place in the wall opposite the entry path where a thick slab of rock had tumbled from above, creating a small sheltered alcove. He stepped into its shadows and struck a match. A white cylindrical object lay at the base of the rock, partially covered with sand. He reached for it and found that it was a candle, which he lit just as the match flickered out.

 

 

Protected as it was from the wind, the sandy floor of the little enclosure still showed shallow indentations where two people had sat, facing the flat rear wall. On the wall, inscribed in chalk, was a circle eighteen inches wide. Only a circle. It could be a drawing game played by children. Shan's mind drifted to other circles he had seen on walls, those drawn on prison walls to symbolize a mandala, which always began with a circle to focus the mind into awareness of inner space and emptiness. Some circles were drawn to help focus meditation. But that was in Tibet, not in a Kazakh herding camp.

 

 

He held the flame higher and saw more writing on the adjacent wall. Two horizontal lines intersected by two perpendicular lines, with two Xs and two Os in four of the boxes formed by the lines. A drawing game popular in the West, played by Shan with his father when Shan had been Khitai's age. He looked back at the circle. No doubt it too had been part of a game, perhaps simply a target for boys throwing stones. He turned to the line game. It had been interrupted. He shuddered as he saw in his mind the young boy playing his innocent game, only to be dragged away by someone intent on killing him. Did it mean Alta had been a witness, left sitting in the alcove? Or did it mean the murderer himself had been playing the game with Khitai? A murderer so heartless as to kill a child would be capable of anything, even luring a child to his death by an act of playfulness. What kind was it, Lokesh would have asked, what kind of demon had taken over Bajys? Hariti, the dropka had said. The child-eating demon.

 

 

As Shan descended the hill, Malik was sitting in the evening greyness at a small fire by the animal pens, the big mastiff laying beside him. He was studying the sky and seemed not to notice when Shan sat beside him.

 

 

The sky was still and vast, dominated by a brilliant half moon. From a distance an animal howled. On the far side of the fire Shan saw a large peg in the ground from which a rope extended into the darkness. Tethered to the rope were several young horses.

 

 

When he had been released from prison, he had spent many nights like this, under the stars in secret meditation places shown him by the old lamas. Sometimes one of them, usually Gendun, had sat with him, trying, he eventually realized, to draw out the torment that resided in his soul. They had reconstructed his life year by year, sometimes month by month, having him speak over an old ceramic urn decorated with a simple line drawing of the Compassionate Buddha.

 

 

"The pot is now full," Gendun had said when they had finished, and he had capped the vessel with a ceramic lid. He had handed Shan a rock and one of the small, melodic bells used in the temple, then left Shan under the stars without further explanation.

 

 

Shan had been on an open ledge, so high that the sky had been almost as broad below him as above him. Once he had tried to move the urn and it had seemed incomprehensibly heavy. After several hours, in the darkest of the night, Shan had shattered the urn with the rock and picked up the bell. He had rung the small bell, making a sound like a brilliant vibrating crystal, until the sun rose.

 

 

He fingered the tiny shard of the urn that he still carried in his pocket. He had returned days later to retrieve it, for there was one piece of his prior life he could not leave behind. His son.

 

 

When Malik reached over to nudge his leg, the touch was so unexpected that Shan jumped. "Do you think he went there?" the boy asked quietly. "Last year, when a baby died, my uncle said they go to a beautiful valley on the moon."

 

 

Shan followed his gaze toward the moon. It made his heart ache, that the boy was so familiar with death. "I don't know," he said. "Maybe. It is very beautiful."

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