12 Rules for Life: An Antidote to Chaos (41 page)

When things fall apart, and chaos re-emerges, we can give structure to it, and re-establish order, through our speech. If we speak carefully and precisely, we can sort things out, and put them in their proper place, and set a new goal, and navigate to it—often communally, if we negotiate; if we reach consensus. If we speak carelessly and imprecisely, however, things remain vague. The destination remains unproclaimed. The fog of uncertainty does not lift, and there is no negotiating through the world.

The psyche (the soul) and the world are both organized, at the highest levels of human existence, with language, through communication. Things are not as they appear when the outcome has been neither intended nor desired. Being has not been sorted into its proper categories, when it is not behaving. When something goes wrong, even perception itself must be questioned, along with evaluation, thought and action. When error announces itself, undifferentiated chaos is at hand. Its reptilian form paralyzes and confuses. But dragons, which do exist (perhaps more than anything else exists) also hoard gold. In that collapse into the terrible mess of uncomprehended Being lurks the possibility of new and benevolent order. Clarity of thought—courageous clarity of thought—is necessary to call it forth.

The problem itself must be admitted to, as close to the time of its emergence as possible. “I’m unhappy,” is a good start (not “I have a right to be unhappy,” because that is still questionable, at the beginning of the problem-solving process). Perhaps your unhappiness is justified, under the current circumstances. Perhaps any reasonable person would be displeased and miserable to be where you are. Alternatively, perhaps, you are just whiny and immature? Consider both at least equally probable, as terrible as such consideration might appear. Just exactly how immature might you be? There’s a potentially bottomless pit. But at least you might rectify it, if you can admit to it.

We parse the complex, tangled chaos, and specify the nature of things, including ourselves. It is in this way that our creative, communicative exploration continually generates and regenerates the world. We are shaped and informed by what we voluntarily encounter, and we shape what we inhabit, as well, in that encounter. This is difficult, but the difficulty is not relevant, because the alternative is worse.

Maybe our errant husband ignored the dinner conversation of his wife because he hated his job and was tired and resentful. Maybe he hated his job because his career was forced on him by his father and he was too weak or “loyal” to object. Maybe she put up with his lack of attention because she believed that forthright objection itself was
rude and immoral. Maybe she hated her own father’s anger and decided, when very young, that all aggression and assertiveness were morally wrong. Maybe she thought her husband wouldn’t love her if she had any opinions of her own. It is very difficult to put such things in order—but damaged machinery will continue to malfunction if its problems are neither diagnosed nor fixed.

Precision specifies. When something terrible happens, it is precision that separates the unique terrible thing that has actually happened from all the other, equally terrible things that might have happened—but did not. If you wake up in pain, you might be dying. You might be dying slowly and terribly from one of a diverse number of painful, horrible diseases. If you refuse to tell your doctor about your pain, then what you have is unspecified: it could be
any
of those diseases—and it certainly (since you have avoided the diagnostic conversation—the act of articulation) is something unspeakable. But if you talk to your doctor, all those terrible possible diseases will collapse, with luck, into just one terrible (or not so terrible) disease, or even into nothing. Then you can laugh at your previous fears, and if something really is wrong, well, you’re prepared. Precision may leave the tragedy intact, but it chases away the ghouls and the demons.

What you hear in the forest but cannot see might be a tiger. It might even be a conspiracy of tigers, each hungrier and more vicious than the other, led by a crocodile. But it might not be, too. If you turn and look, perhaps you’ll see that it’s just a squirrel. (I know someone who was actually chased by a squirrel.) Something is out there in the woods. You know that with certainty. But often it’s only a squirrel. If you refuse to look, however, then it’s a dragon, and you’re no knight: you’re a mouse confronting a lion; a rabbit, paralyzed by the gaze of a wolf. And I am not saying that it’s always a squirrel. Often it’s something truly terrible. But even what is terrible in actuality often pales in significance compared to what is terrible in imagination. And often what cannot be confronted because of its horror in imagination
can in fact be confronted when reduced to its-still-admittedly-terrible actuality.

If you shirk the responsibility of confronting the unexpected, even when it appears in manageable doses, reality itself will become unsustainably disorganized and chaotic. Then it will grow bigger and swallow all order, all sense, and all predictability. Ignored reality transforms itself (reverts back) into the great Goddess of Chaos, the great reptilian Monster of the Unknown—the great predatory beast against which mankind has struggled since the dawn of time. If the gap between pretence and reality goes unmentioned, it will widen, you will fall into it, and the consequences will not be good. Ignored reality manifests itself in an abyss of confusion and suffering.

Be careful with what you tell yourself and others about what you have done, what you are doing, and where you are going. Search for the correct words. Organize those words into the correct sentences, and those sentences into the correct paragraphs. The past can be redeemed, when reduced by precise language to its essence. The present can flow by without robbing the future if its realities are spoken out clearly. With careful thought and language, the singular, stellar destiny that justifies existence can be extracted from the multitude of murky and unpleasant futures that are far more likely to manifest themselves of their own accord. This is how the Eye and the Word make habitable order.

Don’t hide baby monsters under the carpet. They will flourish. They will grow large in the dark. Then, when you least expect it, they will jump out and devour you. You will descend into an indeterminate, confusing hell, instead of ascending into the heaven of virtue and clarity. Courageous and truthful words will render your reality simple, pristine, well-defined and habitable.

If you identify things, with careful attention and language, you bring them forward as viable, obedient objects, detaching them from their underlying near-universal interconnectedness. You simplify them. You make them specific and useful, and reduce their complexity. You make it possible to live with them and use them without dying from that complexity, with its attendant uncertainty and anxiety. If
you leave things vague, then you’ll never know what is one thing and what is another. Everything will bleed into everything else. This makes the world too complex to be managed.

You have to consciously define the topic of a conversation, particularly when it is difficult—or it becomes about everything, and everything is too much. This is so frequently why couples cease communicating. Every argument degenerates into every problem that ever emerged in the past, every problem that exists now, and every terrible thing that is likely to happen in the future. No one can have a discussion about “everything.” Instead, you can say, “This exact, precise thing—that is what is making me unhappy. This exact, precise thing—that is what I want, as an alternative (although I am open to suggestions, if they are specific). This exact, precise thing—that is what you could deliver, so that I will stop making your life and mine miserable.” But to do that, you have to
think
: What is wrong,
exactly
? What do I want,
exactly
? You must speak forthrightly and call forth the habitable world from chaos. You must use honest precise speech to do that. If instead you shrink away and hide, what you are hiding from will transform itself into the giant dragon that lurks under your bed and in your forest and in the dark recesses of your mind—and it will devour you.

You must determine where you have been in your life, so that you can know where you are now. If you don’t know where you are, precisely, then you could be anywhere. Anywhere is too many places to be, and some of those places are very bad. You must determine where you have been in your life, because otherwise you can’t get to where you’re going. You can’t get from point A to point B unless you are already at point A, and if you’re just “anywhere” the chances you are at point A are very small indeed.

You must determine where you are going in your life, because you cannot get there unless you move in that direction. Random wandering will not move you forward. It will instead disappoint and frustrate you and make you anxious and unhappy and hard to get along with (and then resentful, and then vengeful, and then worse).

Say what you mean, so that you can find out what you mean. Act out what you say, so you can find out what happens. Then pay attention.
Note your errors. Articulate them. Strive to correct them. That is how you discover the meaning of your life. That will protect you from the tragedy of your life. How could it be otherwise?

Confront the chaos of Being. Take aim against a sea of troubles. Specify your destination, and chart your course. Admit to what you want. Tell those around you who you are. Narrow, and gaze attentively, and move forward, forthrightly.

Be precise in your speech.

There was a time when kids skateboarded on the west side of Sidney Smith Hall, at the University of Toronto, where I work. Sometimes I stood there and watched them. There are rough, wide, shallow concrete steps there, leading up from the street to the front entrance, accompanied by tubular iron handrails, about two and a half inches in diameter and twenty feet long. The crazy kids, almost always boys, would pull back about fifteen yards from the top of the steps. Then they would place a foot on their boards, and skate like mad to get up some speed. Just before they collided with the handrail, they would reach down, grab their board with a single hand and jump onto the top of the rail, boardsliding their way down its length, propelling themselves off and landing—sometimes, gracefully, still atop their boards, sometimes, painfully, off them. Either way, they were soon back at it.

Some might call that stupid. Maybe it was. But it was brave, too. I thought those kids were amazing. I thought they deserved a pat on the back and some honest admiration. Of course it was dangerous. Danger
was the point. They wanted to triumph over danger. They would have been safer in protective equipment, but that would have ruined it. They weren’t trying to be safe. They were trying to become competent—and it’s competence that makes people as safe as they can truly be.

I wouldn’t dare do what those kids were doing. Not only that, I couldn’t. I certainly couldn’t climb a construction crane, like a certain type of modern daredevil, evident on YouTube (and, of course, people who work on construction cranes). I don’t like heights, although the twenty-five thousand feet to which airliners ascend is so high that it doesn’t bother me. I have flown several times in a carbon fibre stunt plane—even doing a hammerhead roll—and that was OK, although it’s very physically and mentally demanding. (To perform a hammerhead roll, you pilot the plane straight up vertically, until the force of gravity makes it stall. Then it falls backwards, corkscrewing, until eventually it flips and noses straight down, after which you pull out of the dive. Or you don’t do another hammerhead roll.) But I can’t skateboard—especially down handrails—and I can’t climb cranes.

Sidney Smith Hall faces another street on the east side. Along that street, named St. George—ironically enough—the university installed a series of rough, hard-edged, concrete plant boxes, sloping down to the roadway. The kids used to go out there, too, and boardslide along the box edges, as they did along the concrete surround of a sculpture adjacent to the building. That didn’t last very long. Little steel brackets known as “skatestoppers” soon appeared, every two or three feet, along those edges. When I first saw them, I remembered something that happened in Toronto several years previously. Two weeks before elementary school classes started, throughout the city, all the playground equipment disappeared. The legislation governing such things had changed, and there was a panic about insurability. The playgrounds were hastily removed, even though they were sufficiently safe, grandfathered re their insurability, and often paid for (and quite recently) by parents. This meant no playgrounds at all for more than a year. During this time, I often saw bored but admirable kids charging around on the roof of our local school. It was that or scrounge about in the dirt with the cats and the less adventurous children.

I say “sufficiently safe” about the demolished playgrounds because when playgrounds are made too safe, kids either stop playing in them or start playing in unintended ways. Kids need playgrounds dangerous enough to remain challenging. People, including children (who are people too, after all) don’t seek to minimize risk. They seek to optimize it. They drive and walk and love and play so that they achieve what they desire, but they push themselves a bit at the same time, too, so they continue to develop. Thus, if things are made too safe, people (including children) start to figure out ways to make them dangerous again.
¹⁶⁵

When untrammeled—and encouraged—we prefer to live on the edge. There, we can still be both confident in our experience and confronting the chaos that helps us develop. We’re hard-wired, for that reason, to enjoy risk (some of us more than others). We feel invigorated and excited when we work to optimize our future performance, while playing in the present. Otherwise we lumber around, sloth-like, unconscious, unformed and careless. Overprotected, we will fail when something dangerous, unexpected and full of opportunity suddenly makes its appearance, as it inevitably will.

The skatestoppers are unattractive. The surround of the nearby sculpture would have to have been badly damaged by diligent boardsliders before it would look as mean as it does now, studded with metal like a pit bull’s collar. The large plant boxes have metal guards placed at irregular intervals across their tops, and this, in addition to the wear caused by the skateboarders, produces a dismal impression of poor design, resentment and badly executed afterthoughts. It gives the area, which was supposed to be beautified by the sculpture and vegetation, a generic industrial/prison/mental institution/work-camp look of the kind that appears when builders and public officials do not like or trust the people they serve.

The sheer harsh ugliness of the solution makes a lie of the reasons for its implementation.

If you read the depth psychologists—Freud and Jung, for example, as well as their precursor, Friedrich Nietzsche—you learn that there is a dark side to everything. Freud delved deeply into the latent, implicit content of dreams, which were often aimed, in his opinion, at the expression of some improper wish. Jung believed that every act of social propriety was accompanied by its evil twin, its unconscious shadow. Nietzsche investigated the role played by what he termed
ressentiment
in motivating what were ostensibly selfless actions—and, often, exhibited all too publicly.
¹⁶⁶

For that man be delivered from revenge—that is for me the bridge to the highest hope, and a rainbow after long storms. The tarantulas, of course, would have it otherwise. “What justice means to us is precisely that the world be filled with the storms of our revenge”—thus they speak to each other. “We shall wreak vengeange and abuse on all whose equals we are not”—thus do the tarantula-hearts vow. “And ‘will to equality’ shall henceforth be the name for virtue; and against all that has power we want to raise our clamor!” You preachers of equality, the tyrant-mania of impotence clamors thus out of you for equality: your most secret ambitions to be tyrants thus shroud themselves in words of virtue.

The incomparable English essayist George Orwell knew this sort of thing well. In 1937, he wrote
The Road to Wigan Pier
, which was in part a scathing attack on upper-class British socialists (this, despite being inclined towards socialism himself). In the first half of this book, Orwell portrays the appalling conditions faced by UK miners in the 1930s:
¹⁶⁷

Several dentists have told me that in industrial districts a person over thirty with any of his or her own teeth is coming to be an abnormality. In Wigan various people gave me their opinion that it is best to get shut of your teeth as early in life as possible. ‘Teeth is just a misery,’ one woman said to me
.

A Wigan Pier coal miner had to walk—crawl would be a better word, given the height of the mine shafts—up to three miles, underground, in the dark, banging his head and scraping his back, just to get to his seven-and-a-half-hour shift of backbreaking work. After that, he crawled back. “It is comparable, perhaps, to climbing a smallish mountain before and after your day’s work,” stated Orwell. None of the time spent crawling was paid.

Orwell wrote
The Road to Wigan Pier
for the Left Book Club, a socialist publishing group that released a select volume every month. After reading the first half of his book, which deals directly with the miners’ personal circumstances, it is impossible not to feel sympathy for the working poor. Only a monster could keep his heart hardened through the accounts of the lives Orwell describes:

It is not long since conditions in the mines were worse than they are now. There are still living a few very old women who in their youth have worked underground, crawling on all fours and dragging tubs of coal. They used to go on doing this even when they were pregnant.

In book’s second half, however, Orwell turned his gaze to a different problem: the comparative unpopularity of socialism in the UK at the time, despite the clear and painful inequity observable everywhere. He concluded that the tweed-wearing, armchair-philosophizing, victim-identifying, pity-and-contempt-dispensing social-reformer types frequently did not like the poor, as they claimed.
Instead, they just hated the rich
. They disguised their resentment and jealousy with piety, sanctimony and self-righteousness. Things in the unconscious—or on the social justice–dispensing leftist front—haven’t changed much, today. It is because of of Freud, Jung, Nietzsche—and Orwell—that I always wonder, “What, then, do you stand against?” whenever I hear someone say, too loudly, “I stand for this!” The question seems particularly relevant if the same someone is complaining, criticizing, or trying to change someone else’s behaviour.

I believe it was Jung who developed the most surgically wicked of psychoanalytic dicta:
if you cannot understand why someone did
something, look at the consequences—and infer the motivation.
This is a psychological scalpel. It’s not always a suitable instrument. It can cut too deeply, or in the wrong places. It is, perhaps, a last-resort option. Nonetheless, there are times when its application proves enlightening.

If the consequences of placing skatestoppers on plant-boxes and sculpture bases, for example, is unhappy adolescent males and brutalist aesthetic disregard of beauty then, perhaps, that was the aim. When someone claims to be acting from the highest principles, for the good of others, there is no reason to assume that the person’s motives are genuine. People motivated to make things better usually aren’t concerned with changing other people—or, if they are, they take responsibility for making the same changes to themselves (and first). Beneath the production of rules stopping the skateboarders from doing highly skilled, courageous and dangerous things I see the operation of an insidious and profoundly anti-human spirit.

My friend Chris, whom I wrote about earlier, was possessed by such a spirit—to the serious detriment of his mental health. Part of what plagued him was guilt. He attended elementary and junior high school in a number of towns, up in the frigid expanses of the northernmost Alberta prairie, prior to ending up in the Fairview I wrote about earlier. Fights with Native kids were a too-common part of his experience, during those moves. It’s no overstatement to point out that such kids were, on average, rougher than the white kids, or that they were touchier (and they had their reasons). I knew this well from my own experience.

I had a rocky friendship with a Métis kid, Rene Heck,
fn1
when I was in elementary school. It was rocky because the situation was complex. There was a large cultural divide between Rene and me. His clothes were dirtier. He was rougher in speech and attitude. I had skipped a grade in school, and was, in addition, small for my age. Rene was a big, smart, good-looking kid, and he was tough. We were in grade six
together, in a class taught by my father. Rene was caught chewing gum. “Rene,” said my father, “spit that gum out. You look like a cow.” “Ha, ha,” I laughed, under my breath. “Rene the cow.” Rene might have been a cow, but there was nothing wrong with his hearing. “Peterson,” he said, “after school—you’re dead.”

Earlier in the morning, Rene and I had arranged to see a movie that night at the local movie theatre, the Gem. It looked like that was off. In any case, the rest of the day passed, quickly and unpleasantly, as it does when threat and pain lurk. Rene was more than capable of giving me a good pounding. After school, I took off for the bike stands outside the school as fast as I could, but Rene beat me there. We circled around the bikes, him on one side, me on the other. We were characters in a “Keystone Cops” short. As long as I kept circling, he couldn’t catch me, but my strategy couldn’t work forever. I yelled out that I was sorry, but he wasn’t mollified. His pride was hurt, and he wanted me to pay.

I crouched down and hid behind some bikes, keeping an eye on Rene. “Rene,” I yelled, “I’m sorry I called you a cow. Let’s quit fighting.” He started to approach me again. I said, “Rene, I am sorry I said that. Really. And I still want to go to the movie with you.” This wasn’t just a tactic. I meant it. Otherwise what happened next would not have happened. Rene stopped circling. Then he stared at me. Then he broke into tears. Then he ran off. That was Native-white relationships in a nutshell, in our hard little town. We never did go to a movie together.