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Authors: Charles Bock

140006838X

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Alice & Oliver
is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

Copyright © 2016 by Charles Bock

All rights reserved.

Published in the United States by Random House, an imprint and division of Penguin Random House LLC, New York.

RANDOM HOUSE and the HOUSE colophon are registered trademarks of Penguin Random House LLC.

Grateful acknowledgment is made to Mark Arm for permission to reprint two stanzas from “Flat Out Fucked,” written by Mudhoney, copyright © 1989 by Better Than Your Music (ASCAP). Reprinted by permission.

LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA

Bock, Charles.

Alice & Oliver: a novel / Charles Bock.

pages cm

ISBN 978-1-4000-6838-8

eBook ISBN 978-0-8129-8847-5

1. Cancer—Patients—Fiction. 2. Married women—Fiction.

3. Terminally ill—Fiction. 4. Domestic fiction. I. Title. II. Title: Alice and Oliver.

PS3602.O3255A79 2016

813'.6—dc23 2015022303

eBook ISBN 9780812988475

randomhousebooks.com

Book design by Simon M. Sullivan, adapted for ebook

Cover design: Rodrigo Corral and Zak Tebbal

v4.1_r1

ep

Contents

Cover

Title Page

Copyright

Part I: Induction

1993

The now

Just a get-to-know-you visit

Yes, Everything Was Moving Forward

This treatment we’re discussing

Requisite Business

This is the only way we know to make you better

Part II: Consolidation

What Life’s Supposed to Be About

The next morning, the next lunch, the next evening

How to Save the Day

The Best of What Life’s Supposed to Be About

Welcome to my body

Evening

Part III: And what if he flinched

The first warm day of winter

I would search every cloud

An immediate horizon

5:00 p.m., tuesday afternoon

Little Edie

Libertines

The end of print party

The invention of fire

There was this to say

Part IV: Enlightenment

Epilogue: 2010

May, Third Wednesday, Early Afternoon

Dedication

Acknowledgments

By Charles Bock

About the Author

1993

T
HERE SHE WAS,
Alice Culvert, a little taller than most, her figure fuller than she would have liked. This brisk morning, the fourth Wednesday of November, Alice was making her way down West Thirteenth. Her infant was strapped to her chest; her backpack was overloaded and pulling at her shoulders. The Buddhist skull beads around her wrist kept a rattling time. She drank coffee from a paper cup. Sweat bubbled from her neck. Her scarf kept unraveling. She was rocking knee-high boots—sensuous leather, complicated buckles. Her gaze remained arrow straight, focused on some unseen goal. But she was slowing. A businessman only had a moment to avoid running into her. Alice bent over, coughing now, a coughing fit, bringing forth something phlegmy, bloody.

This couldn’t happen. Thanksgiving plans in Vermont had been set for too long; her mother was
insane
to see the Blueberry. And an extended weekend at Mom’s, with pecan cobbler and free round-the-clock childcare, trumped whatever bug she’d caught this time. She’d just have to swallow it, pretend her usual zazz hadn’t been absent for the last week, throbs weren’t emanating from her temples. This was adulthood, honeysuckle. You soldiered on. She was going to be on time, meeting Oliver at the rental car place. Alice regularly picked up winter coughs like they were sample swatches; she’d spent all afternoon batting that lozenge back and forth between her cheeks (the ground strokes lazy, the rally unending), hacking through the last of her chores (folding T-shirts into her knapsack, making sure the baby bag was loaded with Wet-Naps). Out of their apartment, down the front steps, everything had been ginger. Right until the coughing, three increasingly violent retches. The jewel of phlegm—its hue the light pink of a rose pearl—was probably nothing but saliva and coloring dye number five. Just goopy residue from the cherry cough drop.

The rental agency was on the rim of the West Village, usually a five-minute walk, ten with the baby strapped to her. It took Alice half an hour. A rust-colored Taurus was waiting out in front, its driver’s door open. Oliver stood on the side, making sure the suited agent documented every last ding. “Jesus,” he said. “Honey.” He felt her forehead. “You all right?” She answered: “Can you take Doe?”

Then they were emerging from the scrum of the city, into the bumper-to-bumper hell clogging every inch from Bridgeport to New Haven. Oliver kept blasting heat through the front compartment. No matter how many blankets Alice wrapped around herself, those weird cold sweats wouldn’t stop. If anything, she felt worse, the chill deep inside her bones. Now, nearing the western border of Massachusetts, they sped down one of those empty rural interstates, tall barren trees looming dark on either side. Alice’s voice quivered: “Could you pull over please?” Oliver veered into the first roadside rest area he saw, the lights of its parking lot distended and spooky.
It’s nothing,
she assured herself, again. She lowered her seat all the way down, her body following the tight collapse as if her own internal gears and stopgaps had also received permission to give way. The sensation went beyond a mental or physical recognition of her exhaustion: she fell back and lay still in the collapsed seat and shut her eyes.

For a time, inside the house that was her body, it was as if she were walking out of every room and turning off the lights behind her, one by one.

Dimly, Alice was aware of tiny limbs readjusting inside the baby seat, the Blueberry letting out a contented, somnolent breath. She was aware of her husband forcing himself to sound calm, asking:
“Favorito?”

Instead of answering, Alice recalibrated, focusing on the pulse behind her eyes, the labored rise and fall of her chest, how much effort it was taking her to inhale. Her weariness so intense now it
ached
.

“It’s okay,” she was told, the sweetest whisper. Alice moved toward its kiss.


It was not encouraging that her lips were a light purple. “Could be an early indicator of anemia. Could be something else.” Dr. Glenn trailed off. Instead of indicating what that something else might be, he continued with the task at hand, shifting the small steel disc along the upper part of Alice’s back, his concentration resolute, his movements precise, as if placing the stethoscope piece in the wrong location might set off an explosion.

“Deep breaths,” he said. “Whatever you can do is fine.”

She kept looking at the pink goo (wrapped in tissue paper, sealed inside a plastic sandwich bag, ignored on the instrument table).

The doctor wrote something in his folder, removed the stethoscope buds from his ears. Alice’d known him since girlhood, but, in the years since she’d last visited his family practice, he’d gone almost bald, just a few white cottony tufts left sprouting around his ears. A crescent of mustard from his lunch still smeared the corner of his mouth. He used to enter this same exam room and point his finger at her as if it were a gun—Alice was barely a teen when she’d first dismissed him: the kind of lightweight who knew he was being an ass but still acted that way. Who actually
chose
to spend his life flirting with middle-aged earth mothers, jamming rectal thermometers into their entitled kids? Life of the party in a small hippie town.

Presently he looked up from Alice’s folder. “I don’t like your temperature and blood pressure so low. Not with this lip color. And what you were telling me about no appetite, the lack of energy.” At once serious as a Protestant but trying to be kind, the doctor leveled his gaze, made sure he conveyed a point.

“We’re going to X-ray your lungs.” To his nurse he added, “I’ll want some blood.”

“What’s going on?” Alice said. Fear rushed through her; she felt her chin collapsing. “What’s wrong?”


Minutes dragged, then disappeared, time flushing itself into a black hole. Finally, that nice old doctor reappeared, but when he entered the room, he moved with purpose, heading directly to Alice, kneeling in front of her. He touched her knee, looked into her eyes. His face was already in mourning. “We have to get you to a hospital right now.”

Next to the exam table, Oliver Culvert had the baby cradled against his chest. He kept rocking the little one—babies sensed tension, Alice must have told him this a zillion times. Oliver was not one for sentiment—the saccharine of pop songs and greeting cards repulsed him, demonstrative emotional reactions making him freeze like a scared lizard. His natural response to most things was self-consciousness:
How am I supposed to feel?

Now he watched his wife’s eyes enlarging, saw the fear across her face.

The doctor continued, saying one awful phrase after another: you are very ill, this is a grave danger, your white blood cell count…

Sick recognition spread through Oliver’s stomach. He had one thought:
No.

Then he did his best to get beyond himself, and asked the doctor if he could slow down, could he please explain this again. Bureaucrats and medical personnel were shuffling in and out of the room. Oliver had the presence of mind to back away, giving them space to work. His back grazed the far wall, he made sure to hold Doe properly—protecting his child.

That was the least he could do. Take care of the small things.

Except the small things didn’t turn out to be simple.

Just putting Alice in the rental car and hightailing her to the nearest hospital wasn’t an option, it so happened.

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