2007 - Oscar Wilde and the Candlelight Murders (2 page)

BOOK: 2007 - Oscar Wilde and the Candlelight Murders
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“Was he amused?” I asked.

“Arthur? He barely smiled, while Stoddart roared. And then, with great earnestness, he asked me whether I believed that I could ever commit a murder. “Oh no,” I said. “One should never do anything one cannot talk about at dinner.””

“He laughed then, I trust?”

“Not at all. He became quite serious and said, “Mr Wilde, you make jests of all that you fear most in yourself. It is a dangerous habit. It will be your undoing.” It was in that moment that I realised he was my friend. It was in that moment that I wanted to tell him about what I had seen this afternoon…But I did not dare. Stoddart was there. Stoddart would not have understood.” He drained his glass. “That, my dear Robert, is why we shall return to see my new friend in the morning. I must go now.”

The club clocks were striking twelve. “But, Oscar,” I cried, “you have not told me what you saw this afternoon.”

He stood up. “I saw a canvas rent in two. I saw a thing of beauty, destroyed by vandals.”

“I don’t understand.”

“I saw Billy Wood in a room in Cowley Street.”

“Billy Wood?”

“One of Bellotti’s boys. He had been murdered. By candlelight. In an upstairs room. I need to know why. For what possible purpose? I need to know who has done this terrible thing.” He took my hand in his. “Robert, I must go. It is midnight. I will tell you everything tomorrow. Let us meet at the Langham Hotel, at eight o’clock. The good doctor will be having his porridge. We will catch him. He will advise us what course to take. I have promised Constance I will be home tonight. Tite Street calls. You are no longer married, Robert, but I have my obligations. My wife, my children. I want to see them sleeping safely. I love them dearly. And I love you, too. Goodnight, Robert. We have heard the chimes at midnight. We can at least say that.”

And he was gone. He swept from the room with a flourish. He had arrived exhausted, but he appeared to depart refreshed. As I emptied the rest of the bottle into my glass, I pondered what he had told me, but could make no sense of it. Who was Billy Wood? Who was Bellotti? What upstairs room? Was this murder a fact or merely one of Oscar’s fantastical allegories?

I finished the champagne and left the club. To my surprise, Hubbard was almost civil as he bade me goodnight. There were cabs in the rank on Piccadilly and, as I had sold two articles that month, I was in funds, but the night was fine—there was a brilliant August moon—and the streets were quiet so I decided to walk back to my room in Gower Street.

Twenty minutes later, on my way north towards Oxford Street, as I turned from a narrow side-alley into Soho Square, suddenly I stopped and drew myself back into the shadows. Across the deserted square, by the new church of St Patrick, still encased in scaffolding, stood a hansom cab and, climbing into it, illuminated by a shaft of moonlight, were a man and a young woman. The man was Oscar; there was no doubt about that. But the young woman I did not recognise; her face was hideously disfigured and, from the way she held her shawl about her, I sensed that she was gripped by a dreadful fear.

2

1 September 1889

“Y
ou are late, Robert! You should have taken the twopenny tube as I did.”

I was late and I was troubled. I was perplexed by what I had witnessed in Soho Square the night before; consequently, I had slept fitfully and risen later than I had planned; and then, foolishly, I had allowed myself to be distracted by yet another impertinent letter from my estranged wife’s solicitor.

Oscar, by contrast, was ebullient and seemed not to have a care in the world. I found him and Conan Doyle hidden behind a cypress tree in the farthest corner of the Langham Hotel’s labyrinthine palm court. They were seated close together, side by side, like the Mad Hatter and the March Hare, at a long linen-covered table, the debris of breakfast all about them. Oscar—dressed, I noticed, in the same suit as the night before, but with a fresh shirt and necktie—was on song. Conan Doyle—younger, slighter, more pink-cheeked than Oscar’s description had led me to expect—was evidently already under the sorcerer’s spell. When Oscar introduced us, Doyle smiled at me with a certain reticence, but barely glanced my way again. He was wholly absorbed by the magic of the master.

Oscar summoned fresh coffee on my account. “You are too late for breakfast, Robert, but in time at least to hear my story and take note of Arthur’s advice. I will be brief, for our new friend is anxious to take his leave of us and of London—‘that great cesspool’, as he calls it, ‘into which all the loungers of the Empire are irresistibly drained’. We are the loungers, Robert.”

Doyle made a vain attempt to protest, but Oscar’s flow would not be staunched.

“No, no, believe me,” he went on. “Arthur wants to get away at once. His train departs within the hour. He has his ticket and scant means to buy another. He is strapped for cash, Robert. Like you, money is a perpetual worry to him. Unlike you, he pays his bills on time. Besides, it is his wife’s birthday and he is eager to hasten back to her, bearing gifts.”

Oscar paused to sip his coffee. Doyle was gazing at him, wide-eyed with admiration. “Mr Wilde, you are amazing,” he said. “You are correct in every particular.”

“Come, Arthur, no more ‘Mr Wilde’, please. I am your friend. And I have studied your
Study in Scarlet
. This was scarcely a three-pipe problem.”

Doyle pinched his lower lip with pleasure. “Give me your methodology,” he said.

Oscar was happy to oblige. “Well, Arthur, I surmised that you might be short of funds last night because of the alacrity with which you accepted Stoddart’s invitation to write for him and then enquired how soon you might be able to expect payment. This morning, when I arrived at the hotel, it was not yet eight o’clock and yet you were already at the desk, settling your account. I saw your cheque book. It was brand-new, but the cheque you were using was the last one in the book. As yesterday was the last day of the month, I thought to myself, The good doctor is a man who likes to pay his bills on time.”

“I am impressed,” said Doyle, laughing.

“I am not,” said Oscar, affecting a sudden earnestness. “Those who pay their bills are soon forgotten. It is only by not paying one’s bills that one can hope to live in the memory of the commercial classes. I further surmised that you were planning to catch an early train because why else would you settle your account before breakfast and have your luggage already brought down into the hallway?”

“But how did you know that today is my wife’s birthday?”

“Your luggage includes a bouquet of fresh flowers with card attached, and a lady’s hatbox. I do not yet know you well, Arthur, but I know you well enough to be certain that these are not gifts intended for some passing fancy. However, I was troubled by the hatbox—”

“I am anxious about that hat,” Doyle interjected. “I may have made a poor choice.”

“A hat for a lady is always a poor choice,” said Oscar, holding the moment as he stirred his coffee and considered his next thought. “In ancient Athens there was neither a milliner nor a milliner’s bill. These things were absolutely unknown, so great was the civilisation.”

Doyle was shaking his head in delight and disbelief. “And how do you know I have already purchased my railway ticket?” he asked.

“Because I see it sticking out of your left breast pocket!” Oscar replied.

Conan Doyle laughed and banged the table with so much pleasure that the teaspoons rattled in their saucers.

“Arthur.” Oscar turned to Doyle and looked into his eyes with sudden intensity. “I am glad to have made you laugh, for soon I shall make you weep. The words of Mercury are harsh after the songs of Apollo. If you have tears to shed, prepare to shed them now.”

Doyle returned Oscar’s gaze and smiled the reassuring smile of a kindly country doctor. “Unfold your tale,” he said. “I am all ears.”

“I will tell you the story as simply as I can,” said Oscar. “In truth, it can be simply told.” As he spoke, he lowered his voice. I recall every word precisely—I made a note of it that night—but I recall, too, having to lean across the table to hear him.

“Yesterday afternoon,” he began, “at some time between half past three and four o’clock, I presented myself at the door of number 23 Cowley Street in Westminster. I had an appointment there and I was late. I knocked sharply at the door, but there was no reply. I rang the doorbell—still nothing. Impatiently, I knocked again, more loudly. I rang the bell once more. Eventually, after what must have been several minutes, I was admitted by the housekeeper. Because I was late, I did not wait to listen to her excuses. Immediately I climbed the stairs, alone, and let myself into the first-floor sitting room. I was utterly unprepared for the scene that awaited me. It was a scene of horror, grotesque and pitiable.”

He paused, shook his head and lit a cigarette. “Go on,” said Conan Doyle.

Oscar drew on the cigarette and, his voice barely above a whisper, continued. “There, lying on the floor, his feet towards me, was the body of a boy—a young man named Billy Wood. His torso was soaked in blood, blood that glistened like liquid rubies, blood that was barely congealed. He could have died only minutes before. He was naked, quite naked. The blood was everywhere, except for his face. His face was untouched. I recognised his face at once—though his throat had been cut from ear to ear.”

Conan Doyle’s gaze remained fixed on Oscar. “What did you do then?” he asked.

“I fled the scene,” said Oscar, lowering his eyes as if in shame.

“Did you question the housekeeper?”

“No.”

“Did you call the police?”

“No. I walked along the embankment, towards Chelsea, towards my house in Tite Street. I must have walked for an hour, and as I walked, and watched the sunlight glinting on the black sheen of the river, and passed by other walkers intent on the pleasures of an afternoon stroll, I began to wonder whether what I had seen had been but a figment of my imagination. I reached my home and greeted my wife and kissed my boys, but as I sat in their nursery and read to them their goodnight fairy tale the picture of the body of Billy Wood would not leave my mind’s eye. He was innocent, as they are. He was beautiful, as they are…”

“But this Billy Wood,” Conan Doyle interjected, “he was not a relation?”

Oscar laughed. “By no means. I doubt that he had any known relations. He was a street urchin, a waif and stray, an uneducated lad of fifteen or sixteen. He had few enough friends. I am sure he had no relations.”

“But you knew him?”

“Yes, I knew him—but I did not know him well.”

Doyle looked perplexed. “Yet you had gone to Cowley Street to meet him? You had an assignation.”

Oscar laughed again and shook his head. “No, of course not. He was a street urchin. I barely knew him. I had a professional appointment in Cowley Street—nothing to do with this matter.” Doyle’s eyes widened, but Oscar went on, with energy: “Nothing to do with this matter, Arthur, I assure you. Nothing. My appointment was with a pupil, a student of mine. I found the boy there quite by chance.”

“But you were familiar with the house? You had been there before?”

“Yes, but I had not expected to find Billy Wood there—alive or dead. I had not seen him for a month or more.”

Arthur Conan Doyle pressed his broad fingertips against his moustache and murmured, “Oscar, I am confused. You went to Cowley Street to meet a ‘student’ of yours who, you tell me, has nothing to do with the case. Where was this ‘student’ when you arrived in Cowley Street?”

“Unavoidably detained. There was a note waiting for me at Tite Street when I got home.”

“And in the room where you had expected to find your ‘pupil’, in his place you found the body of a street urchin, a boy barely known to you, apparently the victim of a brutal attack—”

“A brutal murder, Arthur,” said Oscar, with emphasis. “A ritual murder, I believe.”

“A ritual murder?”

“Billy Wood’s body was laid out as though on a funeral bier: his arms were folded across his chest. There were lighted candles all around him and the smell of incense was in the air.”

Conan Doyle sat back, with arms folded, and appraised his new friend. “Oscar,” he said kindly, “are you sure you have not imagined all this?”

“Do you doubt me?”

“I don’t doubt that you believe that you saw what you say you saw. I don’t doubt your word, not for a moment. You are a gentleman. But you are also a poet—”

“Enough!” Oscar pushed back the table. He rose to his feet. “This is not a poet’s fancy, Arthur. Come! We shall go to Cowley Street. We shall go now! I will show you what I have seen. You, too, shall be a witness. It is no hallucination, Arthur, though it be the stuff of nightmares. Waiter, our bill! Robert, will you come also? Arthur is wary of mad poets—rightly so. You may be his chaperone.”

“But, Oscar,” Conan Doyle protested, “if all you tell me is true, this is a matter for the police, not a country doctor. I must return to Southsea. My wife is expecting me.”

“And she shall have you, Arthur. We will take you to Waterloo Station by way of Cowley Street. You will miss one train; you may miss two; but we shall have you in Southsea in time for tea, I promise.”

Conan Doyle continued to protest, but he protested in vain. Oscar got his way. Oscar always got his way. The poet, William Butler Yeats, a fellow Irishman, to whom Oscar introduced me that same year, wrote later of Oscar’s ‘hard brilliance’, of his ‘dominating self-possession’. Yeats recognised—as few did in Oscar’s lifetime—that our friend’s outward air of indolence masked an inner will that was formidable. “He posed as an idler,” Yeats said, “but, in truth, he was a man of action. He was a leader. You followed him you knew not quite why.”

Conan Doyle and I trooped out of the Langham Hotel in Oscar’s wake. He strode ahead of us,
en prince
. He was neither grand nor arrogant, but he was magnificent. He was never handsome, but he was striking, having the advantage of height and the discipline of good posture. Waiters bowed instinctively as he passed; other guests—men and women alike; even, in the hotel forecourt, a King Charles spaniel—looked up and acknowledged him. None of them may have known precisely who he was, but all of them seemed to sense that he was
somebody
.

BOOK: 2007 - Oscar Wilde and the Candlelight Murders
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