A Confederacy of Dunces

A CONFEDERACY OF DUNCES

Copyright © 1980 by Thelma D. Toole All rights reserved.

No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form, by any means, including mechanical, electronic, photocopying, recording, or otherwise, without prior written permission of the publisher.

Published by Grove Weidenfeld

A division of Wheatland Corporation

841 Broadway

New York, NY 10003-4793

Excerpts from A Confederacy of Dunces appeared in New Orleans Review, V

(1978).

This Evergreen Edition is published by arrangement with Louisiana State University Press.

Library of Congress Cataloging-in-Publication Data Toole, John Kennedy, 1937-1969.

A confederacy of dunces.

I. Title.

[PS3570.054C66 1987] 813'.54 87-408 ISBN 0-8021-3020-8 (pbk.) Manufactured in the United States of America Printed on acid-free paper First Evergreen Edition 1987 10 9 8 7 6

A CONFEDERACY OF DUNCES

Perhaps the best way to introduce this novel-which on my third reading of it astounds me even more than the first-is to tell of my first encounter with it. While I was teaching at Loyola in 1976 I began to get telephone calls from a lady unknown to me. What she proposed was preposterous. It was not that she had written a couple of chapters of a novel and wanted to get into my class. It was that her son, who was dead, had written an entire novel during the early sixties, a big novel, and she wanted me to read it. Why would I want to do that? I asked her. Because it is a great novel, she said.

Over the years I have become very good at getting out of things I don't want to do. And if ever there was something I didn't want to do, this was surely it: to deal with the mother of a dead novelist and, worst of all, to have to read a manuscript that she said was great, and that, as it turned out, was a badly smeared, scarcely readable carbon.

But the lady was persistent, and it somehow came to pass that she stood in my office handing me the hefty manuscript. There was no getting out of it; only one hope remained-that I could read a few pages and that they would be bad enough for me, in good conscience, to read no farther. Usually I can do just that.

Indeed the first paragraph often suffices. My only fear was that this one might not be bad enough, or might be just good enough, so that I would have to keep reading.

In this case I read on. And on. First with the sinking feeling that it was not bad enough to quit, then with a prickle of interest, then a growing excitement, and finally an incredulity: surely it was not possible that it was so good. I shall resist the temptation to say what first made me gape, grin, laugh out loud, shake my head in wonderment. Better let the reader make the discovery on his own.

Here at any rate is Ignatius Reilly, without progenitor in any literature I know of-slob extraordinary, a mad Oliver Hardy, a fat Don Quixote, a perverse Thomas Aquinas rolled into one-who is in violent revolt against the entire modern age, lying in his flannel nightshirt, in a back bedroom on Constantinople Street in New Orleans, who between gigantic seizures of flatulence and eructations is filling dozens of Big Chief tablets with invective.

His mother thinks he needs to go to work. He does, in a succession of jobs. Each job rapidly escalates into a lunatic adventure, a full-blown disaster; yet each has, like Don Quixote's, its own eerie logic.

His girlfriend, Myrna Minkoff of the Bronx, thinks he needs sex. What happens between Myrna and Ignatius is like no other boy-meets-girl story in my experience.

By no means a lesser virtue of Toole's novel is his rendering of the particularities of New Orleans, its back streets, its out-of-the-way neighborhoods, its odd speech, its ethnic whites-and one black in whom Toole has achieved the near-impossible, a superb comic character of immense wit and resourcefulness without the least trace of Rastus minstrelsy.

But Toole's greatest achievement is Ignatius Reilly himself, intellectual, ideologue, deadbeat, goof-off, glutton, who should repel the reader with his gargantuan bloats, his thunderous contempt and one-man war against everybody-Freud, homosexuals, heterosexuals, Protestants, and the assorted excesses of modern times. Imagine an Aquinas gone to pot, transported to New Orleans whence he makes a wild foray through the swamps to LSU at Baton Rouge, where his lumber jacket is stolen in the faculty men's room where he is seated, overcome by mammoth gastro-intestinal problems. His pyloric valve periodically closes in response to the lack of a "proper geometry and theology" in the modern world.

I hesitate to use the word comedy-though comedy it is-because that implies simply a funny book, and this novel is a great deal more than that. A great rumbling farce of Falstaffian dimensions would better describe it; cammedia would be closer to it.

It is also sad. One never quite knows where the sadness comes from-from the tragedy at the heart of Ignatius's great gaseous rages and lunatic adventures or the tragedy attending the book itself.

The tragedy of the book is the tragedy of the author-his suicide in 1969 at the age of thirty-two. Another tragedy is the body of work we have been denied.

It is a great pity that John Kennedy Toole is not alive and well and writing. But he is not, and there is nothing we can do about it but make sure that this gargantuan tumultuous human tragicomedy is at least made available to a world of readers.

-WALKER PERCY

There is a New Orleans city accent . . . associated with downtown New Orleans, particularly with the German and Irish Third Ward, that is hard to distinguish from the accent of Hoboken, Jersey City, and Astoria, Long Island, where the Al Smith inflection, extinct in Manhattan, has taken refuge. The reason, as you might expect, is that the same stocks that brought the accent to Manhattan imposed it on New Orleans.

"You're right on that. We're Mediterranean. I've never been to Greece or Italy, but I'm sure I'd be at home there as soon as I landed."

He would, too, I thought. New Orleans resembles Genoa or Marseilles, or Beirut or the Egyptian Alexandria more than it does New York, although all seaports resemble one another more than they can resemble any place in the interior. Like Havana and Port-au-Prince, New Orleans is within the orbit of a Hellenistic world that never touched the North Atlantic. The Mediterranean, Caribbean and Gulf of Mexico form a homogeneous, though interrupted, sea.

A. J. Liebling,

A green hunting cap squeezed the top of the fleshy balloon of a head. The green earflaps, full of large ears and uncut hair and the fine bristles that grew in the ears themselves, stuck out on either side like turn signals indicating two directions at once. Full, pursed lips protruded beneath the bushy black moustache and, at their corners, sank into little folds filled with disapproval and potato chip crumbs. In the shadow under the green visor of the cap Ignatius J. Reilly's supercilious blue and yellow eyes looked down upon the other people waiting under the clock at the D. H. Holmes department store, studying the crowd of people for signs of bad taste in dress.

Several of the outfits, Ignatius noticed, were new enough and expensive enough to be properly considered offenses against taste and decency. Possession of anything new or expensive only reflected a person's lack of theology and geometry; it could even cast doubts upon one's soul.

Ignatius himself was dressed comfortably and sensibly. The hunting cap prevented head colds. The voluminous tweed trousers were durable and permitted unusually free locomotion. Their pleats and nooks contained pockets of warm, stale air that soothed Ignatius. The plaid flannel shirt made a jacket unnecessary while the muffler guarded exposed Reilly skin between earflap and collar. The outfit was acceptable by any theological and geometrical standards, however abstruse, and suggested a rich inner life.

Shifting from one hip to the other in his lumbering, elephantine fashion, Ignatius sent waves of flesh rippling beneath the tweed and flannel, waves that broke upon buttons and seams. Thus rearranged, he contemplated the long while that he had been waiting for his mother. Principally he considered the discomfort he was beginning to feel. It seemed as if his whole being was ready to burst from his swollen suede desert boots, and, as if to verify this, Ignatius turned his singular eyes toward his feet. The feet did indeed look swollen. He was prepared to offer the sight of those bulging boots to his mother as evidence of her thoughtlessness.

Looking up, he saw the sun beginning to descend over the Mississippi at the foot of Canal Street. The Holmes clock said almost five. Already he was polishing a few carefully worded accusations designed to reduce his mother to repentance or, at least, confusion. He often had to keep her in her place.

She had driven him downtown in the old Plymouth, and while she was at the doctor's seeing about her arthritis, Ignatius had bought some sheet music at Werlein's for his trumpet and a new string for his lute. Then he had wandered into the Penny Arcade on Royal Street to see whether any new games had been installed. He had been disappointed to find the miniature mechanical baseball game gone. Perhaps it was only being repaired. The last time that he had played it the batter would not work and, after some argument, the management had returned his nickel, even though the Penny Arcade people had been base enough to suggest that Ignatius had himself broken the baseball machine by kicking it.

Concentrating upon the fate of the miniature baseball machine, Ignatius detached his being from the physical reality of Canal Street and the people around him and therefore did not notice the two eyes that were hungrily watching him from behind one of D. H. Holmes' pillars, two sad eyes shining with hope and desire.

Was it possible to repair the machine in New Orleans?

Probably so. However, it might have to be sent to some place like Milwaukee or Chicago or some other city whose name Ignatius associated with efficient repair shops and permanently smoking factories.

Ignatius hoped that the baseball game was being carefully handled in shipment, that none of its little players was being chipped or maimed by brutal railroad employees determined to ruin the railroad forever with damage claims from shippers, railroad employees who would subsequently go on strike and destroy the Illinois Central.

As Ignatius was considering the delight which the little baseball game afforded humanity, the two sad and covetous eyes moved toward him through the crowd like torpedoes zeroing in on a great woolly tanker. The policeman plucked at Ignatius's bag of sheet music.

"You got any identification, mister?" the policeman asked in a voice that hoped that Ignatius was officially unidentified.

"What?" Ignatius looked down upon the badge on the blue cap. "Who are you?"

"Let me see your driver's license."

"I don't drive. Will you kindly go away? I am waiting for my mother."

"What's this hanging out your bag?"

"What do you think it is, stupid? It's a string for my lute."

"What's that?" The policeman drew back a little. "Are you local?"

"Is it the part of the police department to harass me when this city is a flagrant vice capital of the civilized world?" Ignatius bellowed over the crowd in front of the store. "This city is famous for its gamblers, prostitutes, exhibitionists, anti-Christs, alcoholics, sodomites, drug addicts, fetishists, onanists, pornographers, frauds, jades, Jitterbugs, and lesbians, all of whom are only too well protected by graft. If you have a moment, I shall endeavor to discuss the crime problem with you, but don't make the mistake of bothering me."

The policeman grabbed Ignatius by the arm and was struck on his cap with the sheet music. The dangling lute string whipped him on the ear.

"Hey," the policeman said.

"Take that!" Ignatius cried, noticing that a circle of interested shoppers was beginning to form.

Inside D. H. Holmes, Mrs. Reilly was in the bakery department pressing her maternal breast against a glass case of macaroons. With one of her fingers, chafed from many years of scrubbing her son's mammoth, yellowed drawers, she tapped on the glass case to attract the saleslady.