Authors: Brian Grazer
military:
curiosity and,
54
miscommunication,
112
â13
Moonves, Leslie,
125
â26,
203
,
204
,
205
,
206
Mossad agents,
49
motivation:
and making connections,
142
movie business.
See
entertainment business
movie production executive:
Grazer's meeting with,
134
â36
See also:
specific person
movie theaters:
Murase, Tsuzo,
128
music:
of Brown,
137
â39
Eminem-Grazer conversation about,
48
and good taste,
179
â80
Jackson-Grazer conversation about,
214
â15
See also:
specific artist
My Girl
(movie),
213
Nabokov, Vladimir,
39
Nardino, Gary,
29
â30
Nasar, Sylvia:
See also:
A Beautiful Mind
National Aeronautical and Space Agency (NASA). See
Apollo 13
(movie)
National Public Radio (NPR),
79
,
80
,
280
“natural” curiosity,
116
NBC,
29
New York Times
:
Night Shift
based on story from,
102
,
281
The New Yorker
:
Grazer as “cultural attaché” story in,
23
Newton, Isaac,
193
Nicholson, Jack,
165
Night Shift
(movie),
31
,
45
,
77
,
102
,
103
,
108
See also: Frost/Nixon
(movie)
“no”:
and anti-curiosity,
170
â71,
172
â73
and asking questions,
116
to Dr. Seuss story,
113
fear and,
116
to Grazer,
101
,
102
,
103
â5,
106
â7,
114
Grazer saying,
178
in Hollywood/entertainment business,
33
,
61
,
101
â2,
169
as inside your head,
114
,
116
,
118
reactions to,
101
â2
Obama, Barack,
13
,
207
,
209
â11,
212
obstacles, Grazer's views about overcoming,
167
â69
open-ended questions,
139
â40,
198
â99,
261
openness,
181
â85,
198
â99,
200
optimism,
172
others:
curiosity on behalf of,
162
â66
See also:
point of view; relationships
Out of Africa
(movie),
157
Ovitz, Michael,
121
Page, Larry,
146
painful topics:
and when not to be anti-curious,
175
Paley, William,
204
The Paper
(movie),
128
Paramount Studios:
Grazer as producer at,
28
â31
Parenthood
(movie),
31
,
45
,
128
,
213
parochialism,
44
â45
Penn, Sean,
93
perspective of others.
See
point of view
physics:
Grazer's interest in,
89
â90
Picker, David,
21
Pink Flamingos
(movie),
174
Places in the Heart
(movie),
107
â8
point of view:
curiosity about others,
53
â67
and disruptions to your own point of view,
53
â67
Police Department, Los Angeles (LAPD),
39
â40,
41
,
46
polio,
153
â54
political campaigns:
“opposition research” in,
59
Pollack, Sydney,
157
Pop, Iggy,
174
power, curiosity and,
11
,
13
,
15
,
40
,
125
,
195
â96
Presley, Elvis,
217
Price, Jeff,
111
producers:
as “boss,”
141
collective persona of Hollywood,
120
progress, human,
83
â84
Public Enemy,
48
public sphere:
curiosity in,
15
,
183
â85,
195
â96
questions:
and admitting ignorance,
118
,
123
answers as point of,
152
and asking questions of boss,
150
atmosphere around,
152
benefits of using,
144
â45
in classrooms,
14
complex,
160
for curiosity conversations,
46
,
261
,
263
,
264
,
265
as dangerous,
11
â13
disadvantages of asking,
149
and familiarity as enemy of curiosity,
158
,
159
freedom to ask,
15
of Grazer as child,
3
Grazer's management style and,
28
,
32
â33,
134
â37
about
Grinch
movie,
111
and Howard's curiosity,
32
as impertinence,
196
importance of asking,
33
,
63
,
109
,
116
,
148
â49,
193
as instinctive,
32
as intrinsic to curiosity,
10
â11
and making the case,
139
â40
as management tool,
134
â37,
144
â53,
161
open-ended,
139
â40,
198
â99,
261
and paying attention to answers,
9
preparing,
261
purpose of,
62
,
111
â12,
114
â15,
116
,
137
,
149
â50,
152
reality and,
78
and relationships,
158
â60
teaching people to ask good,
63
underappreciation of,
151
unwelcome,
14
as urgent and trivial,
7
â8
values and,
144
Walton's,
56
as way to uncover ideas,
147
â48,
149
in workplace,
134
â37,
144
â52,
161
,
193
See also:
answers to questions
radio:
“driveway moments” and,
79
,
80
,
280
reading:
real estate agents:
curiosity of,
94
reality:
curiosity as connection to,
76
â79,
118
Reitman, Ivan:
Bronfman's call to,
128
rejection.
See
“no”
relationships:
and benefits of curiosity,
182
Oprah-Grazer conversation about,
225
and purpose of curiosity,
162
role of curiosity in,
7
,
158
â60,
189
,
192
See also:
connections; specific relationship
Renaissance:
curiosity before the,
194
â95
research and development:
resilience:
De Negri's story of human,
72
â76
respect:
and culture of curiosity,
193
and curiosity conversations,
260
â61,
263
genuine curiosity requires,
160
management style and,
145
Rice, Condoleezza “Condi,”
92
â93
Ritz-Carlton Hotel (New York City):
Asimov-Grazer conversation at,
97
â100
Ronstadt, Linda,
157
routine,
55
â56
Royal Premieres, British,
226
â29
Royalton Hotel (New York City):
Mailer-Grazer conversation at,
222
â23
rules:
for Hollywood/entertainment business,
122
for mermaid story,
105
â6
Ruscha, Ed,
216
Rush
(movie),
172
Sagan, Carl,
23
,
106
,
167
,
183
,
284
Salk, Jonas,
24
,
25
,
50
,
106
,
153
,
154
â57
sampler, Grazer's:
of curiosity conversations,
201
â29
Scherick, Edgar,
26
schizophrenia:
and making of
A Beautiful Mind,
163
â66
Schwartz, Sonia (Grazer's grandmother),
3
,
84
â85,
188
scientific curiosity,
194
â95
Seaman, Peter,
111
secrets:
and purpose of curiosity conversations,
66
September 11, 2001,
48
Seuss, Dr.,
45
,
110
â12,
113
â14
See also:
Geisel, Theodor
Shadyac, Tom,
110
Sheppard, Sam,
26
The Shining
(movie),
165
Simmons, Russell,
48
sin: curiosity as a,
195
Sky, why it is blue,
274
â75
Slick Rick,
48
speeches:
fear of giving,
114
â16
of Grazer,
114
â16
Splash
(movie),
6
,
31
,
35
,
36
,
97
,
102
â8,
109
,
137
,
155
,
218
sports:
See also:
baseball
Sports Night
(TV show),
77
standardized testing,
14
Stanford University:
creativity and innovation experts at,
60
Star Wars
(movie),
157
Stein, Jules,
5
Stephens, James,
97
,
123
,
280
â81
stories and storytelling: