A Dangerous Mourning (29 page)

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Authors: Anne Perry

Tags: #Police, #London (England), #Political, #Fiction, #Literary, #Crime & mystery, #Crime & Thriller, #Police - England, #Historical Fiction, #Traditional British, #Mystery, #Mystery & Detective - General, #Police Procedural, #Detective and Mystery Stories, #Inspector (Fictitious character), #Monk, #Historical, #english, #Mystery & Detective - Traditional British, #Detective, #Mystery & Detective, #Fiction - Mystery, #General, #Suspense, #William (Fictitious character)

BOOK: A Dangerous Mourning
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"Martha Rivett—Martha Rivett. Would she be a tall girl with fairish hair, about nineteen or twenty?"

"Seventeen—and I'm afraid I don't know what she looked like—except she was a parlormaid, so I expect she was handsome, and possibly tall."

"We've got a Martha about that age, with a baby. Can't remember her other name, but I'll send for her. You can ask her,'' the master offered.

"Couldn't you take me to her?" Monk suggested. "Don't want to make her feel—'' He stopped, uncertain what word to choose.

The workhouse master smiled wryly. "More likely she'll feel like talking away from the other women. But whatever you like."

Monk was happy to concede. He had no desire to see more of the workhouse than he had to. Already the smell of the place—overboiled cabbage, dust and blocked drains—was clinging in his nose, and the misery choked him.

"Yes—thank you. I don't doubt you're right."

The workhouse master disappeared and returned fifteen minutes later with a thin girl with stooped shoulders and a pale, waxen face. Her brown hair was thick but dull, and her wide blue eyes had no life in them. It was not hard to imagine that two years ago she might have been beautiful, but now she was apathetic and she stared at Monk with neither intelligence nor interest, her arms folded under the bib of her uniform apron, her gray stuff dress ill fitting and harsh.

"Yes sir?" she said obediently.

"Martha." Monk spoke very gently. The pity he felt was like a pain in his stomach, churning and sick. "Martha, did you work for Sir Basil Moidore about two years ago?"

"I didn't take anything.'' There was no protest in her voice, simply a statement of fact.

"No, I know you didn't," he said quickly. "What I want to know is did Mr. Kellard pay you any attention that was more than you wished?" What a mealymouthed way of expressing himself, but he was afraid of being misunderstood, of having her think he was accusing her of lying, troublemak-ing, raking up old and useless accusations no one would believe, and perhaps being further punished for slander. He watched her face closely, but he saw no deep emotion in it, only a flicker, too slight for him to know what it meant. "Did he, Martha?"

She was undecided, staring at him mutely. Misfortune and workhouse life had robbed her of any will to fight.

"Martha," he said very softly. "He may have forced himself on someone else, not a maid this time, but a lady. I need to know if you were willing or not—and I need to know if it was him or if it was really someone else?"

She looked at him silently, but this time there was a spark in her eyes, a little life.

He waited.

"Does she say that?" she said at last. "Does she say she weren't willing?"

''She doesn't say anything—she's dead.''

Her eyes grew huge with horror—and dawning realization, as memory became sharp and focused again.

"He lolled her?"

“I don't know,'' he said frankly. "Was he rough with you?''

She nodded, the memory of pain sharp in her face and fear rekindling as she thought of it again. "Yes."

"Did you tell anyone that?"

"What's the point? They didn't even believe me I was unwilling. They said I was loose-tongued, a troublemaker and no better than I should be. They dismissed me without a character. I couldn't get another position. No one would take me on with no character. An' I was with child—" Her eyes hazed over with tears, and suddenly there was life there again, passion and tenderness.

"Your child?" he asked, although he was afraid to know. He felt himself cringe inside as if waiting for the blow.

"She's here, with the other babes," she said quietly. "I get to see her now and again, but she's not strong. How could she be, born and raised here?"

Monk determined to speak to Callandra Daviot. Surely she could use another servant for something? Martha Rivett was one among tens of thousands, but even one saved from this was better than nothing.

"He was violent with you?" he repeated. "And you made it quite plain you didn't want his attentions?"

"He didn't believe me—he didn't think any woman meant it when she said no," she replied with a faint, twisted smile.

"Even Miss Araminta. He said she liked to be took—but I don't believe that. I was there when she married him—an' she really loved him then. You should have seen her face, all shining and soft. Then after her wedding night she changed. She looked like a sparkling fire the night before, all dressed in cherry pink and bright as you like. The morning after she looked like cold ashes in the grate. I never saw that softness back in her as long as I was there."

“I see,'' Monk said very quietly. "Thank you, Martha. You have been a great help to me. I shall try to be as much help to you. Don't give up hope."

A fraction of her old dignity returned, but there was no life in her smile.

"There's nothing to hope for, sir. Nobody'd marry me. I never see anyone except people that haven't a farthing of their own, or they'd not be here. And nobody looks for servants in a workhouse, and I wouldn't leave Emmie anyway. And even if she doesn't live, no one takes on a maid without a character, and my looks have gone too."

"They'll come back. Just please—don't give up," he urged her.

"Thank you, sir, but you don't know what you're saying."

"Yes I do."

She smiled patiently at his ignorance and took her leave, going back to the labor yard to scrub and mend.

Monk thanked the workhouse master and left also, not to the police station to tell Runcorn he had a better suspect than Percival. That could wait. First he would go to Callandra Daviot.

 

 

Chapter 8

 

Monk’s sense of elation was short-lived. When he returned to Queen Anne Street the next day he was greeted in the kitchen by Mrs. Boden, looking grim and anxious, her fece very pink and her hair poking in wild angles out of her white cap.

"Good morning, Mr. Monk. I am glad you've come!"

"What is it, Mrs. Boden?" His heart sank, although he could think of nothing specific he feared. "What has happened?"

"One of my big kitchen carving knives is missing, Mr. Monk." She wiped her hands on her apron. "I could have sworn I had it last time we had a roast o' beef, but Sal says she thinks as it was the other one I used, the old one, an' now I reckon she must be right." She poked her hair back under her cap and wiped her fece agitatedly. "No one else can remember, and May gets sick at the thought. I admit it fair turns my stomach when I think it could've been the one that stabbed poor Miss Octavia."

Monk was cautious. "When did this thought come to you, Mrs. Boden?" he asked guardedly.

"Yesterday, in the evening." She sniffed. "Miss Araminta sent down for a little thin-cut beef for Sir Basil. He'd come in late and wanted a bite to eat." Her voice was rising and there was a note of hysteria in it. "I went to get my best knife, an' it weren't there. That's when I started to look for it, thinking as it had been misplaced. And it in't here—not anywhere."

"And you haven't seen it since Mrs. Haslett's death?"

“I don't know, Mr. Monk!'' Her hands jerked up in the air. "I thought I 'ad, but Sal and May tell me as they 'aven't, and when I last cut beef I did it with the old one. I was so upset I can't recall what I did, and that's the truth."

"Then I suppose we'd better see if we can find it," Monk agreed. "I'll get Sergeant Evan to organize a search. Who else knows about this?"

Her face was blank; she understood no implication.

"Who else, Mrs. Boden?" he repeated calmly.

"Well I don't know, Mr. Monk. I don't know who I might have asked. I looked for it, naturally, and asked everyone if they'd seen it."

"Who do you mean by 'everyone,' Mrs. Boden? Who else apart from the kitchen staff?"

“Well—I 'm sure I can't think.'' She was beginning to panic because she could see the urgency in him and she did not understand. "Dinah. I asked Dinah because sometimes things get moved through to the pantry. And I may have mentioned it to 'Arold. Why? They don't know where it is, or they'd 'ave said."

"Someone wouldn't have," he pointed out.

It was several seconds before she grasped what he meant, then her hand flew to her mouth and she let out a stifled shriek.

"I had better inform Sir Basil." That was a euphemism for asking Sir Basil's permission for the search. Without a warrant he could not proceed, and it would probably cost him his job if he were to try against Sir Basil's wishes. He left Mrs. Boden in the kitchen sitting in the chair and May running for smelling salts—and almost certainly a strong nip of brandy.

He was surprised to find himself shown to the library and left barely five minutes before Basil came in looking tense, his face creased, his eyes very dark.

"What is it, Monk? Have you learned anything at last? My God, it is past time you did!"

"The cook reports one of her kitchen carving knives missing, sir. I would like your permission to search the house for it."

"Well of course search for it!" Basil said. "Do you expect me to look for it for you?''

"It was necessary to have your pennission, Sir Basil,"

Monk said between his teeth. "I cannot go through your belongings without a warrant, unless you permit me to."

"My belongings." He was startled, his eyes wide with disbelief.

"Is not everything in the house yours, sir, apart from what is Mr. Cyprian's, or Mr. Kellard's—and perhaps Mr. Thirsk's?"

Basil smiled bleakly, merely a slight movement of the corner of the lips. "Mrs. Sandeman's personal belongings are her own, but otherwise, yes, they are mine. Of course you have my permission to search anywhere you please. You will need assistance, no doubt. You may send one of my grooms in the small carriage to fetch whomever you wish—your sergeant..." He shrugged, but his shoulders under the black barathea of his coat were tense. "Constables?"

"Thankyou," Monk acknowledged. "That is most considerate. I shall do that immediately."

"Perhaps you should wait for them at the head of the male servants' staircase?" Basil raised his voice a little. "If whoever has the knife gets word of this they may be tempted to move it before you can begin your task. From there you can see the far end of the passage where the female servants' staircase emerges." He was explaining himself more than usual. It was the first real crack in his composure that Monk had seen. "That is the best position I can offer. I imagine there is little point in having any one of the servants stand guard—they must all be suspect." He watched Monk's face.

"Thank you," Monk said again. "That is most perceptive of you. May I also have one of the upstairs maids stay on the main landing? They would observe anyone coming or going on other than an ordinary duty—which they would be used to. Perhaps the laundrymaids and other domestic staff could remain downstairs until this is over—and the footmen of course?"

"By all means." Basil was regaining his command. "And the valet as well."

"Thank you, sir. That is most helpful of you."

Basil's eyebrows rose. "What on earth did you expect me to do, man? It was my daughter who was murdered." His control was complete again.

There was nothing Monk could reply to that, except to express a brief sympathy again and take his leave to go downstairs, write a note to Evan at the police station, and dispatch the groom to fetch him and another constable.

The search, begun forty-five minutes later, started with the rooms of the maids at the far end of the attic, small, cold garrets looking over the gray slates towards their own mews, and the roofs of Harley Mews beyond. They each contained an iron bedstead with mattress, pillow and covers, a wooden hard-backed chair, and a plain wood dresser with a glass on the wall above. No maid would be permitted to present herself for work untidy or in an ill-kept uniform. There was also a cupboard for clothes and a ewer and basin for washing. The rooms were distinguished one from another only by the patterns of the knotted rag rugs on the floor and by the few pictures that belonged to each inhabitant, a sketch of family, in one case a silhouette, a religious text or reproduction of a famous painting.

Neither Monk nor Evan found a knife. The constable, under detailed instructions, was searching the outside property, simply because it was the only other area to which the servants had access without leaving the premises, and thus their duty.

“Of course if it was a member of the family they Ve all been over half London by now," Evan observed with a crooked smile. "It could be at the bottom of the river, or in any of a million gutters or rubbish bins."

"I know that." Monk did not stop his work. "And Myles Kellard looks by far the most likely, at the moment. Or Ara-minta, if she knew. But can you think of a better thing to be doing?"

"No," Evan admitted glumly. "IVe spent the last week and a half chasing my shadow around London looking for jewelry I'll lay any odds you like was destroyed the night it was taken—or trying
to
find out the past history of servants whose records are exemplary and deadly monotonous." He was busy turning out drawers of neat, serviceable feminine clothes as he spoke, his long fingers touching them carefully, his face pulled into an expression of distaste at his intrusion. "I begin to think employers don't see people at all, simply aprons and uniform stuff dresses and a lace cap," he went on. "Whose head it is on is all the same, providing the tea is hot, the table is laid, the fires are blacked and laid and stoked, the

meal is cooked and served and cleared away, and every time the bell is rung, someone answers it to do whatever you want.'' He folded the clothes neatly and replaced them. "Oh—and of course the house is always clean and there are always clean clothes in the dresser. Who does it is largely immaterial."

"You are becoming cynical, Evan!"

Evan flashed a smile. "I'm learning, sir."

After the maids' rooms they came down the stairs to the second floor up from the main house. At one end of the landing were the rooms of the housekeeper and the cook and the ladies' maids, and now of course Hester; and at the other the rooms of the butler, the two footmen, the bootboy and the valet.

"Shall we begin with Percival?" Evan asked, looking at Monk apprehensively.

"We may as well take them in order," Monk answered. "The first is Harold."

But they found nothing beyond the private possessions of a very ordinary young man in service in a large house: one suit of clothes for the rare times off duty, letters from his family, several from his mother, a few mementoes of childhood, a picture of a pleasant-faced woman of middle years with the same fair hair and mild features as himself, presumably his mother, and a feminine handkerchief of inexpensive cambric, carefully pressed and placed in his Bible—perhaps Dinah's?

Percival's room was as different from Harold's as the one man was from the other. Here there were books, some poetry, some philosophy of social conditions and change, one or two novels. There were no letters, no sign of family or other ties. He had two suits of his own clothes in the cupboard for his times off duty, and some very smart boots, several neckties and handkerchiefs, and a surprising number of shirts and some extremely handsome cufflinks and collar studs. He must have looked quite a dandy when he chose. Monk felt a stab of familiarity as he moved the personal belongings of this other young man who strove to dress and deport himself out of his station in life. Had he himself begun like this—living in someone else's house, aping their manners trying to improve himself? It was also a matter of some curiosity as to where Percival got the money for such things—they cost a great deal

more than a footman's wages, even if carefully saved over several years.

"Sir!"

He jerked up and stared at Evan, who was standing white-faced, the whole drawer of the dresser on the floor at his feet, pulled out completely, and in his hand a long garment of ivory silk, stained brown in smears, and a thin, cruel blade poking through, patched and blotched with the rusty red of dried blood.

Monk stared at it, stunned. He had expected an exercise in futility, merely something to demonstrate that he was doing all he could—and now Evan held in his hand what was obviously the weapon, wrapped in a woman's peignoir, and it had been concealed in Percival's room. It was a conclusion so startling he found it hard to grasp.

"So much for Myles Kellard," Evan said, swallowing hard and laying the knife and the silk down carefully on the end of the bed, withdrawing his hand quickly as if desiring to be away from it.

Monk replaced the things he had been looking through in the cupboard and stood up straight, hands in his pockets.

"But why would he leave it here?" he said slowly. "It's damning!"

Evan frowned. "Well, I suppose he didn't want to leave the knife in her room, and he couldn't risk carrying it openly, with blood on it, in case he met someone—"

"Who, for heaven's sake?"

Evan's fair face was intensely troubled, his eyes dark, his lips pulled in distaste that was far deeper than anything physical.

"I don't know! Anyone else on the landing in the night—"

"How would he explain his presence—with or without a knife?" Monk demanded.

"I don't know!" Evan shook his head. "What do footmen do? Maybe he'd say he heard a noise—intruders—the front door—I don't know. But it would be better if he didn't have a knife in his hands—especially a bloodstained one."

"Better still if he had left it there in her room," Monk argued.

"Perhaps he took it out without thinking." He looked up and met Monk's eyes. "Just had it in his hand and kept hold of it? Panicked? Then when he got outside and halfway along the corridor he didn't dare go back?''

"Then why the peignoir?" Monk said. "He wrapped it in that to take it, by the look of it. That's not the kind of panic you're talking about. Now why on earth should he want the knife? It doesn't make sense.''

"Not to us," Evan agreed slowly, staring at the crumpled silk in his hand. "But it must have to him—there it is!"

"And he never had the opportunity to get rid of it between then and now?" Monk screwed up his face. "He couldn't possibly have forgotten it!"

"What other explanation is there?" Evan looked helpless. "It's here!"

"Yes—but was Percival the one who put it here? And why didn't we find it when we looked for the jewelry?"

Evan blushed. "Well I didn't pull out drawers and look under them for anything. I daresay the constable didn't either. Honestly I was pretty sure we wouldn't find it anyway—and the silver vase wouldn't have fitted." He looked uncomfortable.

Monk pulled a face. "Even if we had, it might not have been there then—I suppose. I don't know, Evan. It just seems so ... stupid! And Percival is arrogant, abrasive, contemptuous of other people, especially women, and he's got a hell of a lot of money from somewhere, to judge from his wardrobe, but he's not stupid. Why should he leave something as damning as this hidden in his room?"

"Arrogance?" Evan suggested tentatively. "Maybe he just thinks we are not efficient enough for him to be afraid of? Up until today he was right."

"But he was afraid," Monk insisted, remembering Perci-val's white face and the sweat on his skin. "I had him in the housekeeper's room and I could see the fear in him, smell it! He fought to get out of it, spreading blame everywhere else he could—on the laundrymaid, and Kellard—even Araminta."

"I don't know!" Evan shook his head, his eyes puzzled. "But Mrs. Boden will tell us if this is her knife—and Mrs. Kellard will tell us if that is her sister's—what did you call it?"

"Peignoir," Monk replied. "Dressing robe."

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