A Medicine for Melancholy and Other Stories (26 page)

T
o enter out into that silence that was the city at eight o'clock of a misty evening in November, to put your feet upon that buckling concrete walk, to step over grassy seams and make your way, hands in pockets, through the silences, that was what Mr. Leonard Mead most dearly loved to do. He would stand upon the corner of an intersection and peer down long moonlit avenues of sidewalk in four directions, deciding which way to go, but it really made no difference; he was alone in this world of
A.D.
2053, or as good as alone, and with a final decision made, a path selected, he would stride off, sending patterns of frosty air before him like the smoke of a cigar.

Sometimes he would walk for hours and miles and return only at midnight to his house. And on his way he would see the cottages and homes with their dark windows, and it was not unequal to walking through a graveyard where only the faintest glimmers of firefly light appeared in flickers behind the windows. Sudden gray phantoms seemed to manifest upon inner room walls where a curtain was still undrawn against the night, or there were whisperings and murmurs where a window in a tomb-like building was still open.

Mr. Leonard Mead would pause, cock his head, listen, look, and march on, his feet making no noise on the lumpy walk. For long ago he had wisely changed to sneakers when strolling at night, because the dogs in intermittent squads would parallel his journey with barkings if he wore hard heels, and lights might click on and faces appear and an entire street be startled by the passing of a lone figure, himself, in the early November evening.

On this particular evening he began his journey in a westerly direction, toward the hidden sea. There was a good crystal frost in the air; it cut the nose and made the lungs blaze like a Christmas tree inside; you could feel the cold light going on and off, all the branches filled with invisible snow. He listened to the faint push of his soft shoes through autumn leaves with satisfaction, and whistled a cold quiet whistle between his teeth, occasionally picking up a leaf as he passed, examining its skeletal pattern in the infrequent lamplights as he went on, smelling its rusty smell.

“Hello, in there,” he whispered to every house on every side as he moved. “What's up tonight on Channel 4, Channel 7, Channel 9? Where are the cowboys rushing, and do I see the United States Cavalry over the next hill to the rescue?”

The street was silent and long and empty, with only his shadow moving like the shadow of a hawk in midcountry. If he closed his eyes and stood very still, frozen, he could imagine himself upon the center of a plain, a wintry, windless American desert with no house in a thousand miles, and only dry river beds, the streets, for company.

“What is it now?” he asked the houses, noticing his wrist watch. “Eight-thirty
P.M.
? Time for a dozen assorted murders? A quiz? A revue? A comedian falling off the stage?”

Was that a murmur of laughter from within a moonwhite house? He hesitated, but went on when nothing more happened. He stumbled over a particularly uneven section of sidewalk. The cement was vanishing under flowers and grass. In ten years of walking by night or day, for thousands of miles, he had never met another person walking, not once in all that time.

He came to a cloverleaf intersection which stood silent where two main highways crossed the town. During the day it was a thunderous surge of cars, the gas stations open, a great insect rustling and a ceaseless jockeying for position as the scarab-beetles, a faint incense puttering from their exhausts, skimmed homeward to the far directions. But now these highways, too, were like streams in a dry season, all stone and bed and moon radiance.

He turned back on a side street, circling around toward his home. He was within a block of his destination when the lone car turned a corner quite suddenly and flashed a fierce white cone of light upon him. He stood entranced, not unlike a night moth, stunned by the illumination, and then drawn toward it.

A metallic voice called to him:

“Stand still. Stay where you are! Don't move!”

He halted.

“Put up your hands!”

“But—” he said.

“Your hands up! Or we'll shoot!”

The police, of course, but what a rare, incredible thing; in a city of three million, there was only
one
police car left, wasn't that correct? Ever since a year ago, 2052, the election year, the force had been cut down from three cars to one. Crime was ebbing; there was no need now for the police, save for this one lone car wandering and wandering the empty streets.

“Your name?” said the police car in a metallic whisper. He couldn't see the men in it for the bright light in his eyes.

“Leonard Mead,” he said.

“Speak up!”

“Leonard Mead!”

“Business or profession?”

“I guess you'd call me a writer.”

“No profession,” said the police car, as if talking to itself. The light held him fixed, like a museum specimen, needle thrust through chest.

“You might say that,” said Mr. Mead. He hadn't written in years. Magazines and books didn't sell any more. Everything went on in the tomblike houses at night now, he thought, continuing his fancy. The tombs, ill-lit by television light, where the people sat like the dead, the gray or multicolored lights touching their faces, but never really touching
them
.

“No profession,” said the phonograph voice, hissing. “What are you doing out?”

“Walking,” said Leonard Mead.

“Walking!”

“Just walking,” he said simply, but his face felt cold.

“Walking, just walking, walking?”

“Yes, sir.”

“Walking where? For what?”

“Walking for air. Walking to see.”

“Your address!”

“Eleven South Saint James Street.”

“And there is air
in
your house, you have an
air conditioner
, Mr. Mead?”

“Yes.”

“And you have a viewing screen in your house to see with?”

“No.”

“No?” There was a crackling quiet that in itself was an accusation.

“Are you married, Mr. Mead?”

“No.”

“Not married,” said the police voice behind the fiery beam. The moon was high and clear among the stars and the houses were gray and silent.

“Nobody wanted me,” said Leonard Mead with a smile.

“Don't speak unless you're spoken to!”

Leonard Mead waited in the cold night.

“Just
walking
, Mr. Mead?”

“Yes.”

“But you haven't explained for what purpose.”

“I explained; for air, and to see, and just to walk.”

“Have you done this often?”

“Every night for years.”

The police car sat in the center of the street with its radio throat faintly humming.

“Well, Mr. Mead,” it said.

“Is that all?” he asked politely.

“Yes,” said the voice. “Here.” There was a sigh, a pop. The back door of the police car sprang wide. “Get in.”

“Wait a minute, I haven't done anything!”

“Get in.”

“I protest!”

“Mr. Mead.”

He walked like a man suddenly drunk. As he passed the front window of the car he looked in. As he had expected there was no one in the front seat, no one in the car at all.

“Get in.”

He put his hand to the door and peered into the back seat, which was a little cell, a little black jail with bars. It smelled of riveted steel. It smelled of harsh antiseptic; it smelled too clean and hard and metallic. There was nothing soft there.

“Now if you had a wife to give you an alibi,” said the iron voice. “But—”

“Where are you taking me?”

The car hesitated, or rather gave a faint whirring click, as if information, somewhere, was dropping card by punch-slotted card under electric eyes. “To the Psychiatric Center for Research on Regressive Tendencies.”

He got in. The door shut with a soft thud. The police car rolled through the night avenues, flashing its dim lights ahead.

They passed one house on one street a moment later, one house in an entire city of houses that were dark, but this one particular house had all of its electric lights brightly lit, every window a loud yellow illumination, square and warm in the cool darkness.

“That's
my
house,” said Leonard Mead.

No one answered him.

The car moved down the empty river-bed streets and off away, leaving the empty streets with the empty sidewalks, and no sound and no motion all the rest of the chill November night.

B
ut of course he was going away, there was nothing else to do, the time was up, the clock had run out, and he was going very far away indeed. His suitcase was packed, his shoes were shined, his hair was brushed, he had expressly washed behind his ears, and it remained only for him to go down the stairs, out the front door, and up the street to the small-town station where the train would make a stop for him alone. Then Fox Hill, Illinois, would be left far off in his past. And he would go on, perhaps to Iowa, perhaps to Kansas, perhaps even to California; a small boy, twelve years old, with a birth certificate in his valise to show he had been born forty-three years ago.

“Willie!” called a voice belowstairs.

“Yes!” He hoisted his suitcase. In his bureau mirror he saw a face made of June dandelions and July apples and warm summer-morning milk. There, as always, was his look of the angel and the innocent, which might never, in the years of his life, change.

“Almost time,” called the woman's voice.

“All right!” And he went down the stairs, grunting and smiling. In the living room sat Anna and Steve, their clothes painfully neat.

“Here I am!” cried Willie in the parlor door.

Anna looked like she was going to cry. “Oh, good Lord, you can't really be leaving us, can you, Willie?”

“People are beginning to talk,” said Willie quietly. “I've been here three years now. But when people begin to talk, I know it's time to put on my shoes and buy a railway ticket.”

“It's all so strange. I don't understand. It's so sudden,” Anna said. “Willie, we'll miss you.”

“I'll write you every Christmas, so help me. Don't you write me.”

“It's been a great pleasure and satisfaction,” said Steve, sitting there, his words the wrong size in his mouth. “It's a shame it had to stop. It's a shame you had to tell us about yourself. It's an awful shame you can't stay on.”

“You're the nicest folks I ever had,” said Willie, four feet high, in no need of a shave, the sunlight on his face.

And then Anna
did
cry. “Willie, Willie.” And she sat down and looked as if she wanted to hold him but was afraid to hold him now; she looked at him with shock and amazement and her hands empty, not knowing what to do with him now.

“It's not easy to go,” said Willie. “You get used to things. You want to stay. But it doesn't work. I tried to stay on once after people began to suspect. ‘How horrible!' people said. ‘All these years, playing with our innocent children,' they said, ‘and us not guessing! Awful!' they said. And finally I had to just leave town one night. It's not easy. You know darned well how much I love both of you. Thanks for three swell years.”

They all went to the front door. “Willie, where're you going?”

“I don't know. I just start traveling. When I see a town that looks green and nice, I settle in.”

“Will you ever come back?”

“Yes,” he said earnestly with his high voice. “In about twenty years it should begin to show in my face. When it does, I'm going to make a grand tour of all the mothers and fathers I've ever had.”

They stood on the cool summer porch, reluctant to say the last words. Steve was looking steadily at an elm tree. “How many other folks've you stayed with, Willie? How many adoptions?”

Willie figured it, pleasantly enough. “I guess it's about five towns and five couples and over twenty years gone by since I started my tour.”

“Well, we can't holler,” said Steve. “Better to've had a son thirty-six months than none whatever.”

“Well,” said Willie, and kissed Anna quickly, seized at his luggage, and was gone up the street in the green noon light, under the trees, a very young boy indeed, not looking back, running steadily.

 

The boys were playing on the green park diamond when he came by. He stood a little while among the oak-tree shadows, watching them hurl the white, snowy baseball into the warm summer air, saw the baseball shadow fly like a dark bird over the grass, saw their hands open in mouths to catch this swift piece of summer that now seemed most especially important to hold onto. The boys' voices yelled. The ball lit on the grass near Willie.

Carrying the ball forward from under the shade trees, he thought of the last three years now spent to the penny, and the five years before that, and so on down the line to the year when he was really eleven and twelve and fourteen and the voices saying: “What's wrong with Willie, missus?” “Mrs. B., is Willie late agrowin'?” “Willie, you smokin' cigars lately?” The echoes died in summer light and color. His mother's voice: “Willie's twenty-one today!” And a thousand voices saying: “Come back, son, when you're fifteen; then maybe we'll give you a job.”

He stared at the baseball in his trembling hand, as if it were his life, an interminable ball of years strung around and around and around, but always leading back to his twelfth birthday. He heard the kids walking toward him; he felt them blot out the sun, and they were older, standing around him.

“Willie! Where you goin'?” They kicked his suitcase.

How tall they stood to the sun. In the last few months it seemed the sun had passed a hand above their heads, beckoned, and they were warm metal drawn melting upwards; they were golden taffy pulled by an immense gravity to the sky, thirteen, fourteen years old, looking down upon Willie, smiling, but already beginning to neglect him. It had started four months ago:

“Choose up sides! Who wants Willie?”

“Aw, Willie's too little; we don't play with ‘kids.'”

And they raced ahead of him, drawn by the moon and the sun and the turning seasons of leaf and wind, and he was twelve years old and not of them any more. And the other voices beginning again on the old, the dreadfully familiar, the cool refrain: “Better feed that boy vitamins, Steve.” “Anna, does shortness
run
in your family?” And the cold fist kneading at your heart again and knowing that the roots would have to be pulled up again after so many good years with the “folks.”

“Willie, where are you goin'?”

He jerked his head. He was back among the towering, shadow
ing boys who milled around him like giants at a drinking fountain bending down.

“Goin' a few days visitin' a cousin of mine.”

“Oh.” There was a day, a year ago, when they would have cared very much indeed. But now there was only curiosity for his luggage, their enchantment with trains and trips and far places.

“How about a coupla fast ones?” said Willie.

They looked doubtful, but, considering the circumstances, nodded. He dropped his bag and ran out; the white baseball was up in the sun, away to their burning white figures in the far meadow, up in the sun again, rushing, life coming and going in a pattern. Here,
there!
Mr. and Mrs. Robert Hanlon, Creek Bend, Wisconsin, 1932, the first couple, the first year! Here, there! Henry and Alice Boltz, Limeville, Iowa, 1935! The baseball flying. The Smiths, the Eatons, the Robinsons! 1939! 1945! Husband and wife, husband and wife, husband and wife, no children, no children, no children! A knock on this door, a knock on that.

“Pardon me. My name is William. I wonder if—”

“A sandwich? Come in, sit down. Where you
from
, son?”

The sandwich, a tall glass of cold milk, the smiling, the nodding, the comfortable, leisurely talking.

“Son, you look like you been traveling. You run
off
from somewhere?”

“No.”

“Boy, are you an orphan?”

Another glass of milk.

“We always wanted kids. It never worked out. Never knew why. One of those things. Well, well. It's getting late, son. Don't you think you better hit for home?”

“Got no home.”

“A boy like you? Not dry behind the ears? Your mother'll be worried.”

“Got no home and no folks anywhere in the world. I wonder if—I wonder—could I sleep here tonight?”

“Well, now, son, I don't just know. We never considered taking in—” said the husband.

“We got chicken for supper tonight,” said the wife, “enough for extras, enough for company....”

And the years turning and flying away, the voices, and the faces, and the people, and always the same first conversations. The voice
of Emily Robinson, in her rocking chair, in summer-night darkness, the last night he stayed with her, the night she discovered his secret, her voice saying:

“I look at all the little children's faces going by. And I sometimes think, What a shame, what a shame, that all these flowers have to be cut, all these bright fires have to be put out. What a shame these, all of these you see in schools or running by, have to get tall and unsightly and wrinkle and turn gray or get bald and finally, all bone and wheeze, be dead and buried off away. When I hear them laugh I can't believe they'll ever go the road I'm going. Yet here they
come!
I still remember Wordsworth's poem: ‘When all at once I saw a crowd, A host of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze.' That's how I think of children, cruel as they sometimes are, mean as I know they can be, but not yet showing the meanness around their eyes or
in
their eyes, not yet full of tiredness. They're so eager for everything! I guess that's what I miss most in older folks, the eagerness gone nine times out of ten, the freshness gone, so much of the drive and life down the drain. I like to watch school let out each day. It's like someone threw a bunch of flowers out the school front doors. How does it feel, Willie? How does it feel to be young forever? To look like a silver dime new from the mint? Are you happy? Are you as fine as you
seem?
”

 

The baseball whizzed from the blue sky, stung his hand like a great pale insect. Nursing it, he heard his memory say:

“I worked with what I had. After my folks died, after I found I couldn't get man's work anywhere, I tried carnivals, but they only laughed. ‘Son,' they said, ‘you're not a midget, and even if you are, you look like a
boy!
We want midgets with midgets'
faces!
Sorry, son, sorry.' So I left home, started out, thinking: What was I? A boy. I looked like a boy, sounded like a boy, so I might as well go on being a boy. No use fighting it. No use screaming. So what could I do? What job was handy? And then one day I saw this man in a restaurant looking at another man's pictures of his children. ‘Sure wish I had kids,' he said. ‘Sure wish I had kids.' He kept shaking his head. And me sitting a few seats away from him, a hamburger in my hands. I sat there,
frozen!
At that very instant I knew what my job would be for most of
my life. There was work for me, after all. Making lonely people happy. Keeping myself busy. Playing forever. I knew I had to play forever. Deliver a few papers, run a few errands, mow a few lawns, maybe. But
hard
work? No. All I had to do was be a mother's son and a father's pride: I turned to the man down the counter from me. ‘I beg your pardon,' I said. I
smiled
at him....”

“But, Willie,” said Mrs. Emily long ago, “didn't you ever get lonely? Didn't you ever want—
things
—that grown-ups wanted?”

“I fought that out alone,” said Willie. “I'm a boy, I told myself, I'll have to live in a boy's world, read boys' books, play boys' games, cut myself off from everything else. I can't be both. I got to be only one thing—young. And so I played that way. Oh, it wasn't easy. There were times—” He lapsed into silence.

“And the family you lived with, they never knew?”

“No. Telling them would have spoiled everything. I told them I was a runaway; I let them check through official channels, police. Then, when there was no record, let them put in to adopt me. That was best of all; as long as they never guessed. But then, after three years, or five years, they guessed, or a traveling man came through, or a carnival man saw me, and it was over. It always had to end.”

“And you're very happy and it's
nice
being a child for over forty years?”

“It's a living, as they say. And when you make other people happy, then you're almost happy too. I got my job to do and I do it. And anyway, in a few years now I'll be in my second childhood. All the fevers will be out of me and all the unfulfilled things and most of the dreams. Then I can relax, maybe, and play the role all the way.”

He threw the baseball one last time and broke the reverie. Then he was running to seize his luggage. Tom, Bill, Jamie, Bob, Sam—their names moved on his lips. They were embarrassed at his shaking hands.

“After all, Willie, it ain't as if you're going to China or Timbuktu.”

“That's right, isn't it?” Willie did not move.

“So long, Willie. See you next week!”

“So long, so long!”

And he was walking off with his suitcase again looking at the trees, going away from the boys and the street where he had lived,
and as he turned the corner a train whistle screamed, and he began to run.

The last thing he saw and heard was a white ball tossed at a high roof, back and forth, back and forth, and two voices crying out as the ball pitched now up, down, and back through the sky, “Annie, annie, over! Annie, annie, over!” like the crying of birds flying off to the far south.

 

In the early morning, with the smell of the mist and the cold metal, with the iron smell of the train around him and a full night of traveling shaking his bones and his body, and a smell of the sun beyond the horizon, he awoke and looked out upon a small town just arising from sleep. Lights were coming on, soft voices muttered, a red signal bobbed back and forth, back and forth in the cold air. There was that sleeping hush in which echoes are dignified by clarity, in which echoes stand nakedly alone and sharp. A porter moved by, a shadow in shadows.