A Model World And Other Stories (17 page)

BOOK: A Model World And Other Stories
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Nathan had been prey, of course, to night fantasies of Eleanor Parnell. He concocted these happy narratives of seduction with the same thoroughness he brought to all his imaginary projects, such as Davor, the Golden Planet, and the vast turnpike, each of its rest stops and motor courts carefully named, that he had once mapped across two hundred pages of his loose-leaf notebook. He had envisioned Mrs. Parnell in all manner of empty rooms, and on desert beaches, and under a remote lean-to in the Far West, but during these trysts she remained demurely clothed. (At those crucial moments when Eleanor began to remove her garments, Nathan’s vision tended to falter.) But he had never imagined her in a black leather bikini, black cape, black boots, and black visor with a great pointed pair of black leather ears.

“I’m Batman,” Eleanor said, giving Nathan a dry kiss on the cheek. “You look wonderful,” she said to Mrs. Shapiro. She stepped back to examine Nathan, and her eyes narrowed within their moon-shaped black windows. “Nathan, you’re a—You’re a lamp. You’re a lamppost.”

“Oh, no,” said Mrs. Shapiro.

“That’s right,” said Nathan the Lamppost. “Ha, ha.” He could not say whether it was desire he felt for her or total, irredeemable embarrassment.

“Nathan,” said his mother. “You are not a lamp. Tell her.”

“Come in,” said Eleanor. “We’re in the Yellow Room. So what are you, Nathan?”

She drew them into the house, taking their hands in her own, as was her habit. The Yellow Room was filled, as Nathan had known it would be, with alcohol and disco music and adulthood in its most intimidating aspect. Two dozen men and women in costume—Nathan spotted a knight, a baseball player, and some sort of witch or hag—held their drinks and shouted mildly at each other over the agitated music, and five or six couples were dancing in the middle of the room. Ever since his mother had become a single woman she had increasingly involved herself, it seemed, with adults who liked to dance—a sight that for Nathan had not lost its novelty. He especially enjoyed watching the diligent men as they jogged in place.

“O.K., I give up,” Eleanor said. She turned to face him and Nathan stopped dead. “No, I don’t.” A pinched look crossed her face as she scanned his body, and she seemed to take in for the first time the poverty of Nathan’s lamentable concept. Nathan blushed and looked away, though this was partly because he feared he had already looked too many times at her breasts and at her radiant stomach.

“Are you supposed to be Thomas Edison? Is that it? Are you Thomas Alva Edison?”

Nathan forced himself to meet the humiliation of her sympathetic gaze. He opened his mouth to explain, to tell her that he was indeed the Wizard of Menlo Park, on the verge of stealing fire.

“He’s a guy in the process of having a good idea for a costume,” said Mrs. Shapiro, crossing her arms and shrugging her tattooed shoulders. “What do you think of that?”

“Nathan,” said Eleanor, smiling at Nathan and taking his chin between the long fingers of her hand. “You’re such a strange young man.”

She laughed her magpie’s laugh, and in her hooded eyes Nathan read both pain and amusement, as though she already knew that he loved her. Then she turned away from him, and the two women put their arms around one another—a habit his mother had picked up from Eleanor, who had learned it from Major Ray, who put his arm around everybody. They went to the long table, draped by a black paper tablecloth, that served as the bar. Major Ray, wearing his Bruce Wayne smoking jacket, came over to hug Mrs. Shapiro. He said something to her, she laughed, and then he led her off to one side, so that Eleanor was left momentarily alone. For a moment Nathan, suffused with the careless, wild-haired courage of an inventor, contemplated Eleanor in her racy suit. He took a step toward her, then another, tentatively, gathering all his strength, as though about to throw a heavy switch that would, if his calculations were correct, bring light to a hundred cities and ten thousand darkened rooms. He was going to ask her to dance—that was all. In the few seconds before he reached her bat-winged side he searched his memory for a suave line or smooth invitation from some movie, but all he could think of at that moment was
Young Mr. Lincoln
. “Eleanor,” he said, “I would like to dance with you in the worst way.”

Eleanor smiled, then leaned close to him and put her hand on his shoulder, her lips to his ear. For a long time she hesitated. “I know a couple of very bad ways,” she said at last, “but you’re too young for them, Nathan.”

“I suppose so,” he said, almost happily. He doffed his wire hat and set it down on the bar. There was now nothing on his face or his temples, and he felt light, almost headless, as he imagined he would feel on the brilliant evening he tried liquor for the first time. He took her hand, peacefully, and put it over his eyes, then covered her visor with his own damp palm. They stood a moment in this darkness. Then he said, “Guess who I am now.”

The Lost World

O
NE SUMMER NIGHT NOT
long after he turned sixteen, Nathan Shapiro drank four tall cans of Old English 800 and very soon found himself sitting in the front seat of a huge, banana-colored Ford LTD, with his friends Buster, Felix, and Tiger Montaine. They had swallowed the malt liquor while bathing in Buster French’s hot tub (the Frenches were from Los Angeles) and, as a result, were driving around boiled, steaming drunk, and in various stages of undress. Buster and Felix E. still had on their scant Speedo bathing suits, Tiger Montaine wore only a black mesh tank top and one sanitary sock, and Nathan, through some combination of glee and desperation, was naked from head to toe.

Two weeks before this, his mother, in a modest and homemade little ceremony, had married a man named Ed, a kindly, balding geologist from Idaho whom she had been dating for six months. And then just this evening, an hour before Nathan went over to Buster French’s house, Dr. Shapiro had telephoned jubilantly from Boston to announce the first pregnancy of his wife, Anne. Ricky, Nathan’s brother, had been living in Boston for a year now, and he went on and on over the phone about the little bubble of life that had blossomed in the vial of Anne’s home pregnancy test, which Ricky had taken to his room and placed between his soccer trophy and a photograph of his mother and father and Nathan standing in the wind at Nag’s Head.

All of these developments, though he did his best to welcome them, had left Nathan somewhat more than normally confused. He liked his new stepfather, who had been to Antarctica and Peru and Novaya Zemlya and returned with all sorts of hair-raising tales and queer stones; in his own way he was genuinely as excited as Ricky by the prospect of a new baby; and he was old enough to regard these changes as the inevitable outward expansion, as of an empire or a galaxy, of what once had been his family. He was happy for his parents in their new lives, the way he had always been happy for them, all along, as step by step they had dismantled their marriage; and so he was looking for a reason, an excuse to feel so unmoored, at once so angry and nostalgic; and alcohol seemed to be doing the job. He had no idea of where he and his friends were going, and it was not until they had been lurching aimlessly along the empty, fragrant streets of Huxley for what seemed like hours that he understood that they were headed—as Buster French put it—to the crib of Chaya Feldman.

Buster, driving Mrs. French’s car, made this declaration just as the drink, the deep velour seats, and the sweet smell of lawns flowing in through the open windows had begun to lull Nathan to sleep, and at the mention of Chaya’s name Nathan sat bolt upright. Buster then called Chaya a “skeezer,” which meant, as far as Nathan had been able to determine, that she was certain to permit them—all four of them—those dark liberties of which he was still very much ignorant, a notion which filled him only with wonder, and with solicitude for Chaya, whom he had known since he was six years old. She was a quiet girl, with a serious brown face and tangled hair, and her parents dressed her like a doll. He remembered her as someone who was always coming upon orphaned puppies and sparrow chicks with broken wings, in meadows and along roads where anyone else would have found nothing at all, and then trying imperfectly and with an eyedropper full of milk or sugar water to nurse them back to health. Her chief social art—until recently, at least—had been that, upon request, she could draw you an extremely realistic picture of an eyeball, with a sparkle on the iris, and fathomless pupils, and the finest tracery of veins.

They had never really been friends, but from time to time Nathan still thought about one distant afternoon when he and Chaya had somehow ended up playing together, in the fields behind the Huxley Interfaith Plexus. In the tall grass and the weeds they had played a game of Chaya’s own invention, called Planet of the Birds. Nathan had been an intergalactic castaway trying to survive in a windy, grassy world, and Chaya’s hair had tossed like a crest of feathers as she sang to him in a variety of cries. Chaya even claimed that when she grew up she was going to write a book set on this imaginary planet, whose name, she said, was Jadis; in the dust she scratched a map of its oceans and aeries. As with all of those blissful Sunday afternoons he had ever passed with some child with whom he never played again—every childhood has a dozen or so—his memory of this vanished afternoon was luminous and clear. In the three years since his liberation from Hebrew school he had seen Chaya twice, from a distance, coming out of a movie with her parents and her sister, Mara. Now Nathan was suddenly afraid for her, and he was afraid, for the first time ever, of the raucous bodies of his friends.

“Hey, Buster,” said Felix E. Scott, leaning forward so that for an instant his thigh lay smooth and cool against Nathan’s, “what you going to do to Chaya Feldman?”

“Don’t tell me you don’t already know, Felix E.,” said Buster, heaving the LTD into a small cul-de-sac which Nathan recognized, from some long-ago car pool, as Chaya’s street.

“Gut the engine,” suggested Tiger Montaine, who excelled in stealthy behavior. He ran his battered little Fiat on siphoned gasoline, filched cigarettes from the supermarket, and had for several months, with Nathan’s shocked connivance, been replacing Mrs. Shapiro’s codeine pills with extra-strength Tylenol, one at a time. “Don’t be waking up that mean Israelite daddy.” Chaya’s father, Moshe, an oncologist, had been born and raised in Israel, and was, in fact, the most humorless and stern of the one hundred and five fathers Nathan had known in his life. He had a dense black beard and crazy eyebrows, and it was widely half-believed that he kept an Uzi submachine gun, from his days in the army of Israel, hidden under his bed.

Buster turned off the ignition and the car began to glide silently toward Chaya’s house. The sudden calm cast a pall over the party and no one spoke; perhaps they were only being careful. Nathan pictured Chaya, asleep, her legs tangled under a light summer blanket; a skeezer! Then, because the ignition had been cut, the steering wheel locked, automatically, and before Buster could do anything they had hopped up over the curb, and came to a stop halfway across somebody’s front lawn.

“We’re there,” said Buster, and everyone laughed. “Now who’s going to go knocking on that skeezer’s window?”

“I’ll go,” said Nathan. “I know her.”

All of the other boys turned to regard him. Although Nathan felt fairly confident that his friends held him in a certain esteem—his naked presence among them was testimony to that—he had never distinguished himself for his daring, and in fact generally had to be persuaded even to perform minor feats such as dancing with Twanda Woods, or wearing his sneakers without any laces, an affectation which drove his mother out of her mind. And all of the boys knew, for Nathan had been unable, despite himself, to conceal it, that he had never made love to a girl. Emboldened by the malt liquor, he reached out and pushed Felix E. and Tiger in their faces, so that they fell backward into each other.

“I went to Hebrew school with her,” he explained.

Perhaps it was only their shock at this uncharacteristic display of fearlessness, but as Nathan stepped out of the car, he noticed a strange look in the eyes of his friends. It was a kind of blank, blinking puzzlement, as though the game had gone awry. Nathan wondered if the whole thing was a lie, if Chaya was not a skeezer at all, and the boys were all of them virgins, and none of them knew what fate awaited him as he began to make his way, naked, barefoot as a child, across the soft grass. He glanced toward the car, toward the three shadowy heads now drawn together in what looked like anxious parley, and almost turned back.

The next moment, however, he felt an entirely new kind of drunkenness; the air was warm against his skin, his lips, his forearms, and—incredibly—moonlight fell upon his penis. He wished that it were a mile to Chaya’s house, and not a few short steps, so that he might walk this way a little longer, like a fairy on a moonlit heath. Just this summer—just this month—his body had begun to grow lean, and he strode across the grass with the jangling gait of a young man, delighting in the purpose of his legs. He came to the Feldmans’ driveway and zigzagged quickly around to the left side of the house, where he was confronted with a gated, wooden fence. He stopped and contemplated the latticed gate. His breath came quickly now and there was sweat in his eyebrows; a drop spattered against his cheek. Just when he felt the water on his face he saw, through the spaces in the lattice, that a swimming pool, long and unusually narrow, lay beyond. It was not a pool for a pleasure swim; it was a lap pool, no wider than a pair of racing freestylers. Nathan remembered hearing that Dr. Feldman required himself and his family to swim a mile every day.

Pretending for the moment that he was tricksy Tiger Montaine, Nathan held his breath, eased up the steel latch, and slowly let open the gate, without a sound. He walked to the railroad ties that formed the near end of the lap pool and curled his toes over their edge. Thus perched he stood a moment, looking at the reflected moon on the black water and trying to force the tumult in his stomach to abate. He was so nervous that he forgot why he was nervous, and simply hovered at the edge of Chaya’s swimming pool, shaking. What was he doing here? Where were his clothes? He crouched and then slipped, like a deer fleeing a forest fire, into the cool water. He swam across the pool with a light and leisurely stroke. The exercise of his arms and heart in the cold water cleared his thoughts, and left him with a pleasant chlorine sting in his eyes, and when he arrived at the far side of the lap pool, he felt a greater trust in himself and in the general benevolence of a Tuesday night in July. He pulled himself from the pool and tiptoed around to the back of the Feldmans’ house. There were some bed-sheets, striped pillowcases, and a pair of bath towels hanging from a revolving clothesline in the backyard, and he considered taking a towel and tying it around his waist. But he felt, obscurely, that there was some advantage in his nakedness, an almost magical advantage that Tiger Montaine, for example, would never have surrendered, and he went over to the windows of the daylight basement in which Chaya had always had her room and stood a moment, with his hands on his wet hips, looking into the dark windows, preparing to wake her. The pool water streamed down his chest to his thighs, raising goosebumps along his legs and arms as Nathan drummed lightly on the glass, attempting a sort of suave seductive rhythm that came out, inexorably, as shave-and-a-hair-cut, two-bits.

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