Adultery & Other Choices (20 page)

‘How is he?'

She doesn't answer. She clamps her teeth and shuts her eyes and raising her left hand she pushes her hair back from her face and quickly wipes the tears from beneath her eyes.

‘Bad?' Hank says.

‘Yes.'

‘Stay as long as you want,' he says. His voice is tender and for a moment she responds to that; but she has been married to him for eight years and known him for the past three and the moment passes; she squeezes the phone and wants to hit him with it.

She goes to the kitchen, the bathroom, and the living room, getting her drink and turning out lights. Joe is lying on his belly with his eyes closed. She undresses, hoping he will open his eyes and see her; she is the only woman he has ever made love with and always he has liked watching her undress; but he does not open his eyes. She turns out the lamp and goes around the bed and gets in with her drink. Propped on a pillow she finishes it and lowers the glass to the floor as he holds her hand. He remains quiet and she can feel him talking to her in his mind. She moves closer to him, smelling mouthwash and ointment, and she thinks of the first time they made love and the next day he bought a second pillow and two satin pillowcases and that night showing them to her he laughed and said he felt like Gatsby with his shirts. She said: Don't make me into that Buchanan bitch; I don't leave bodies in the road. Months later when she went to the hospital to see him after the operation she remembered what she had said. Still, and strangely, there is a sad but definite pleasure remembering him buying the pillow and two satin pillowcases.

Suddenly he is asleep. It happens so quickly that she is afraid. She listens to his slow breath and then, outstretched beside him, touching as much of the length of his body as she can, she closes her eyes and prays to the dark above her. She feels that her prayers do not ascend, that they disseminate in the dark beneath the ceiling. She does not use words, for she cannot feel God above the bed. She prays with images: she sees Joe suffering in a hospital bed with tubes in his body and she does not want him to suffer. So finally her prayer is an image of her sitting beside this bed holding his hand while, gazing at her peacefully and without pain, he dies. But this doesn't touch the great well of her need and she wishes she could know the words for all of her need and that her statement would rise through and beyond the ceiling, up beyond the snow and stars, until it reached an ear. Then listening to Joe's breathing she begins to relax, and soon she sleeps. Some time in the night she is waked by his hands. He doesn't speak. His breath is quick and he kisses her and enters with a thrust she receives; she feels him arcing like Icarus, and when he collapses on her and presses his lips to her throat she knows she holds his entire history in her body. It has been a long time since she has felt this with a man. Perhaps she never has.

§2

A
LL SHE HAD
ever wanted to be was a nice girl someone would want to marry. When she married Hank Allison she was twenty-two years old and she had not thought of other possibilities. Husbands died, but one didn't think of that. Marriages died too: she had seen enough corpses and heard enough autopsies in Winnetka (the women speaking: sipping their drinks, some of them afraid, some fascinated as though by lust; no other conversation involved them so; Edith could feel flesh in the room, pores, blood, as they spoke of what had destroyed or set free one of their kind); so she knew about the death of love as she knew about breast cancer. And, just as she touched and explored her breasts, she fondled her marriage, stroked that space of light and air that separated her from Hank.

He was her first lover; they married a year earlier than they had planned because she was pregnant. From the time she missed her first period until she went to the gynecologist she was afraid and Hank was too; every night he came to her apartment and the first thing he asked was whether she had started. Then he drank and talked about his work and the worry left his eyes. After she had gone to the doctor she was afraid for another week or so; Hank's eyes pushed her further into herself. But after a while he was able to joke about it. We should have done it right, he said—gone to the senior prom and made it in the car. He was merry and resilient. In her bed he grinned and said the gods had caught up with him for all the times he'd screwed like a stray dog.

When she was certain Hank did not feel trapped she no longer felt trapped, and she became happy about having a child. She phoned her parents. They seemed neither alarmed nor unhappy. They liked Hank and, though Edith had never told them, she knew they had guessed she and Hank were lovers. She drove up to Winnetka to plan the wedding. While her father was at work or gone to bed she had prenatal conversations with her mother. They spoke of breast-feeding, diet, smoking, natural childbirth, saddleblocks. Edith didn't recognize the significance of these conversations until much later, in her ninth month. They meant that her marriage had begun at the moment when she was first happy about carrying a child. She was no longer Hank's lover; she was his wife. What had been clandestine and sweet and dark was now open; the fruit of that intimacy was shared with her mother. She had begun to nest. Before the wedding she drove back to Iowa City, where Hank was a graduate student, and found and rented a small house. There was a room where Hank could write and there was a room for the baby, as it grew older. There was a back yard with an elm tree. She had money from her parents, and spent a few days buying things to put in the house. People delivered them. It was simple and comforting.

In her ninth month, looking back on that time, she began to worry about Hank. Her life had changed, had entered a trajectory of pregnancy and motherhood; his life had merely shifted to the side, to make more room. But she began to wonder if he had merely shifted. Where was he, who was he, while she talked with her mother, bought a washing machine, and felt the baby growing inside her? At first she worried that he had been left out, or anyway felt left out; that his shifting aside had involved enormous steps. Then at last she worried that he had not shifted at all but, for his own survival, had turned away.

She became frightened. She remembered how they had planned marriage: it would come when he finished school, got a job. They used to talk about it. Hank lived in one room of an old brick building which was owned by a cantankerous and colorful old man who walked with the assistance of a stout, gnarled, and threatening cane; like most colorful people, he knew he was and he used that quality, in his dealings with student-tenants, to balance his cantankerousness, which he was also aware of and could have controlled but instead indulged, the way some people indulge their vicious and beloved dogs. In the old brick house there was one communal kitchen, downstairs; it was always dirty and the refrigerator was usually empty because people tended to eat whatever they found there, even if the owner had attached a note to it asking that it be spared.

Edith did not cook for Hank in that kitchen. When she cooked for him, and she liked to do that often, she did it in her own apartment, in a tiny stifling kitchen that was little more than an alcove never meant to hold the refrigerator and stove, which faced each other and could not be opened at the same time. Her apartment itself was narrow, a room on one side of a house belonging to a tense young lawyer and his tenser young wife and their two loud sons who seemed oblivious to that quality which permeated their parents' lives. Neither the lawyer nor his wife had ever told Edith she could not keep a man overnight. But she knew she could not. She knew this because they did not drink or smoke or laugh very much either, and because of the perturbed lust in the lawyer's eyes when he glanced at her. So she and Hank made love on the couch that unfolded and became a narrow bed, and then he went home. He didn't want to spend the night anyway, except on some nights when he was drunk. Since he was a young writer in a graduate school whose only demand was that he write, and write well, he was often drunk, either because he had written well that day or had not. But he was rarely so drunk that he wanted to stay the night at Edith's. And, when he did, it wasn't because liquor had released in him some need he wouldn't ordinarily yield to; it was because he didn't want to drive home. Always, though, she got him out of the house; and always he was glad next morning that she had.

He had little money, only what an assistantship gave him, and he didn't like her to pay for their evenings out, so when they saw each other at night it was most often at her apartment. Usually before he came she would shower and put on a dress or skirt. He teased her about that but she knew he liked it. So did she. She liked being dressed and smelling of perfume and brushing her long black hair before the mirror, and she liked the look in his eyes and the way his voice heightened and belied his teasing. She put on records and they had drinks and told each other what they had done that day. She was pretending to be in her first year of graduate school, in American history, so she could be near Hank; she attended classes, even read the books and wrote the papers, even did rather well; but she was pretending. They drank for a while, then she stood between the hot stove and the refrigerator and cooked while he stood at the entrance of the alcove, and they talked. They ate at a small table against the wall of the living room; the only other room was the bathroom. After dinner she washed the dishes, put away leftovers in foil, and they unfolded the couch and made love and lay talking until they were ready to make love again. It all felt like marriage. Even at twenty-seven, looking back on those nights after five years of marriage, she still saw in them what marriage could often be: talk and dinner and, the child asleep, living-room lovemaking long before the eleven o'clock news which had become their electronic foreplay, the weather report the final signal to climb the stairs together and undress.

On those nights in the apartment they spoke of marriage. And he explained why, even on the nights of Iowa winter when his moustache froze as he walked from her door around the lawyer's house and down the slippery driveway to his car, he did not want to spend the night with her. It was a matter of ritual, he told her. It had to do with his work. He did not want to wake up with someone (he said
someone
, not
you
) and then drive home to his own room where he would start the morning's work. What he liked to do, he said (already she could see he sometimes confused like to with have to) was spend his first wakeful time of the day alone. In his room, each working morning, he first made his bed and cleared his desk of mail and books, then while he made his coffee and cooked bacon and eggs on the hot plate he read the morning paper; he read through the meal and afterward while he drank coffee and smoked. By the time he had finished the paper and washed the dishes in the bathroom he had been awake for an hour and a half. Then, with the reluctance which began as he reached the final pages of the newspaper, he sat at his desk and started to work.

He spoke so seriously, almost reverently, about making a bed, eating some eggs, and reading a newspaper, that at first Edith was amused; but she stifled it and asked him what was happening during that hour and a half of quiet morning. He said, That's it: quiet: silence. While his body woke he absorbed silence. His work was elusive and difficult and had to be stalked; a phone call or an early visitor could flush it. She said, What about after we're married? He smiled and his arm tightened her against him. He told her of a roommate he had, when he was an undergraduate. The roommate was talkative. He woke up talking and went to bed talking. Most of the talk was good, a lot of it purposely funny, and Hank enjoyed it. Except at breakfast. The roommate liked to share the newspaper with Hank and talk about what they were reading. Hank was writing a novel then; he finished it in his senior year, read it at home that summer in Phoenix, and, with little ceremony or despair, burned it. But he was writing it then, living with the roommate, and after a few weeks of spending an hour and a half cooking, reading, and talking and then another hour in silence at his desk before he could put the first word on paper, he started waking at six o'clock so that his roommate woke at eight to an apartment that smelled of bacon and, walking past Hank's closed door, he entered the kitchen where Hank's plate and fork were in the drainer, the clean skillet on the stove, coffee in the pot, and the newspaper waiting on the table.

So in her ninth month she began worrying about Hank. What had first drawn her to him was his body: in high school he had played football; he was both too light and too serious to play in college; he was short, compact, and hard, and she liked his poised, graceful walk; with yielding hands she liked touching his shoulders and arms. When he told her he ran five miles every day she was pleased. Later, not long before they were lovers, she realized that what she loved about him was his vibrance, intensity; it was not that he was a writer; she had read little and indiscriminately and he would have to teach her those things about his work that she must know. She loved him because he had found his center, and it was that center she began worrying about in her ninth month. For how could a man who didn't want to spend a night with his lover be expected to move into a house with a woman, and then a baby? She watched him.

When he finished the novel, Sharon was two and they were buying a house in Bradford, Massachusetts, where he taught and where Edith believed she could live forever. Boston was forty minutes to the south, and she liked it better than Chicago; the New Hampshire beaches were twenty minutes away; she had been landlocked for twenty-four years and nearly every summer day she took Sharon to the beach while Hank wrote; on sunny days when she let herself get trapped into errands or other trifles that posed as commitments, she felt she had wronged herself; but there were not many of those days. She loved autumn—she and Hank and Sharon drove into New Hampshire and Vermont to look at gold and red and yellow leaves—and she loved winter too—it wasn't as cold and windy as the midwest—and she loved the evergreens and snow on the hills; and all winter she longed for the sea, and some days she bundled up Sharon and drove to it and looked at it from the warmth of the car. Then they got out and walked on the beach until Sharon was cold.