Affliction (26 page)

Wade glanced back over his shoulder and made sure Pop was still seated at the table: he was pouring himself a drink from the bottle of Canadian Club. Wade saw through the doorway beyond into the living room, and huddled at the bottom of the stairs at the far side of the room were his little brother Rolfe and his sister Lena in pajamas. Lena sucked her thumb ferociously, and Rolfe, without smiling, flipped a wave to his brother.

“Come on, Ma,” Wade said, “let's just call it a night, okay? Come on,” he said gently, turning her toward the door into the
living room. “Why don't you ease on to bed now, okay? I'll be right here.” He heard his father snort.

“He just starts picking on me,” Ma cried. “Picking and picking, over nothing. Nothing.” She shuffled a few steps toward the door. Wade had one arm around her tiny shoulders and held one of her hands with the other, as if inviting her onto the dance floor.

Slowly, carefully, he moved her out of the room, while she continued to talk brokenly. “It starts with nothing, nothing … and he, he gets mad at me. It was only for supper, he was mad because the casserole … it was a nice supper, it was, but he was late, so we ate without him. You know, you were here. He was late, and the casserole got all dried out, and he was mad because we didn't wait for him. I explained, Wade, I told him you had a movie date and all, and he was late.”

Wade said, “I know, I know. It's all right now.” He tried to hush her as they moved one small step at a time across the living room toward the door to the bedroom, Uncle Elbourne's room, they still called it, after all these years, as if our mother and father had never taken true possession of it, even though they had conceived all but one of their children in that room.

“And then when I try to argue with him … all I did was try to explain, but he just gets madder and madder and starts yelling at me for all kinds of things. About money, and you kids. Wade, he blames me for
everything!
Nothing I say … nothing I say, …”

“I know, Ma,” Wade said. “It's okay now, it's over.” They entered the darkened bedroom, and Wade turned on the lamp on the dresser by the door and closed the door behind them. He eased her over to the bed, drew back the covers, and when she had climbed into the bed, brought the blankets back over her. She looked like a sick child, her fingers clutching at the top of the blankets, her face looking mournfully up at him: so helpless and frail, so confused, so pathetically dependent, that—though he wanted to weep for her—he was filled instead with terror: he knew that he could not help her but had to try.

He whispered, “Did he hit you, Ma? Did Pop hit you?”

She shook her head no, turned down her mouth and stuck out her lower lip and started crying.

“Ma, he didn't hit you, did he? Tell me the truth.” Her face didn't show any evidence of having been hit, but that did
not mean much, Wade knew. He could have hit her someplace where it would not show.

She caught her breath and said in a whisper, “No. No, he hasn't done that in a long time. He stopped … he stopped doing that. Not since that last time … with you, when you got fresh. Oh, you poor thing!” she said, and she started crying again.

Wade said, “He hasn't done it since then? What about the other kids? I'm not here a lot, you know.”

“You boys are all too big now,” she said.

“No, I mean Rolfe and Lena.” He looked back nervously at the closed door.

She shook her head. “No. He doesn't do that now.”

“You're sure?” Wade did not believe her. “What about tonight?”

She looked up at him, and her eyes filled again. “I thought … I was afraid. I
thought
he was going to do it again,” she said. “That's when you came in. He had his fist up, he was going to do it. Just because … I was all upset, he was saying terrible things, things about me. I know it's just the alcohol in him that's talking and I shouldn't react, but I can't help it, the things he says upset me so, and I start crying and answering back, and that's what he can't stand. Answering back. Questioning his authority. He loses his temper.”

“What did he say?” Wade asked; then he said, “No, never mind. I don't want to know. He's drunk. It doesn't matter what he said, does it?” He smiled down at her and patted her hands. “You try to sleep now. Everything's over now. He'll be off on some other tangent, and in a minute he'll be hollering at me for coming in late. You watch,” Wade said, and he smiled.

He backed away from the bed and, still facing her, turned out the light, then reached behind him for the doorknob, opened the door and stepped out, closing it carefully, quietly, as if she had already fallen asleep. He looked over at his little sister and brother and flapped the backs of both hands for them to scoot upstairs to bed. Somberly, they obeyed and were gone.

When Wade returned to the kitchen, Pop was standing by the sink, studying the half-filled glass in his hand as if he'd spotted a crack in it. “You get an earful?” he asked Wade.

“What do you mean?”

“‘What do you mean?' You know what I mean. Did you get an earful?”

Wade stood on the other side of the table with his arms folded across his chest. He said, “Listen, Pop, I don't care what you guys fight about, it's your business. I just don't want—”

“What? You just don't
want
what? Let's hear it.” He put the glass down on the counter next to him and glared at his son. “Pissant,” he said.

Wade took in a deep breath. “I guess I just don't want you to ever hit her again.”

Pop stepped forward suddenly and said, “Guess. You guess.” He moved toward the table, then around it on the right, and Wade swiftly moved around it on the left, until they had reversed positions—Wade had his back to the kitchen sink, and his father was on the other side of the table, with his back to the door.

“She tell you I hit her?” Glenn said. “She tell you that?”

“I'm not talking about tonight. I'm talking about the future. And the past doesn't matter. That's all,” Wade added weakly. “The future.”

“You're telling
me?
You are trying to tell
me
what I'm supposed to be afraid of? You think I'm afraid of
you?”
He showed his large teeth and made a quick move toward Wade, and when Wade jumped, he stopped and folded his arms over his chest and laughed. “Jesus H. Christ,” he said. “What a candy-ass.”

Without thinking it, Wade reached behind him into the dishrack, and his hand wrapped itself, as if of its own volition, around the handle of the skillet, heavy, black, cast iron, and he lifted it free of the rack and swung it around in front of him. The sound of his heart pounded in his ears like a hammer against steel, and he heard his voice, high and thin in the distance, say to his father, “If you touch her or me, or any of us, again, I'll fucking kill you.”

His father quietly said, “Jesus.” He sounded like a man who had just broken a shoelace.

“I mean it. I'll kill you.” He lifted the skillet in his right hand and held it out and just off his shoulder, like a Ping-Pong paddle, and he suddenly felt ridiculous.

Without hesitation, Pop walked quickly around the table, came up to his son and punched him straight in the face, sending the boy careening back against the counter and the
skillet to the floor. Grabbing him by his shirtfront, Pop hauled the boy back in front of him and punched him a second time and a third. A fourth blow caught him square on the forehead and propelled him along the counter to the corner of the room, where he stood with his hands covering his face. “Come on!” his father said, and he advanced on him again. “Come on, fight back like a man! Come on, little boy, let's see what you're made of!”

Wade yanked his hands away and thrust his face open-eyed at his father and cried, “I'm not made of what you're made of!” and Pop hit him again, slamming Wade's head back against the wall. Wade covered his face with his hands once more, and he began to cry.

Pop turned away in disgust. “You sure as shit ain't,” he said, and he walked over to the door, where he turned back to Wade and said, “Next time you start telling your father what to do and what not to do, make goddamned sure you can back it up, buddy-boy.” Then he went out, slamming the door behind him.

Wade let himself slide slowly down to the floor, where he sat with his legs straight out, his head slumped on one shoulder, his arms flopped across his lap—a marionette with its strings cut.

 

It was like being asleep, he told Lillian, only he was not really sleeping. He did not know how long he remained there on the floor—hours, maybe—but at some point he heard his father's pickup turn into the yard. He got up from the floor, wobbly-legged, and quickly made his way to the stairs, and by the time he heard his father bump his way into the kitchen, Wade was standing in the darkness in the middle of his bedroom. He listened to the man's clumsy drunken movements below, heard him at last go into Uncle Elbourne's room and close the door. Then, slowly, his face on fire, Wade took off his shirt and jeans and loafers and socks and got into his bed.

Lillian held his hands to her own face, as if to rub into her cheeks and brow the heat and pain that filled Wade's face. “Did your mother see you this morning? Does she know?”

“No. I left early, before anyone was up,” he said. “I didn't want her to know. I didn't want anyone to know. Not even you.”

“Oh, Wade. Why?”

He started to try to say it, and he spoke the word “shame,” but when he heard himself say the word, he knew that it meant something different to her, so he tightened his lips into a line and shook his head from side to side. “It's over now, that's all that matters. I only wish,” he said, “I wish I'd killed him when I had the chance. I should've busted his head open with that frying pan,” he said.

“Why didn't you? Why didn't you fight back? You're bigger than he is.”

Wade looked at her and withdrew his hands quickly and slapped them onto the steering wheel rim. “Don't,” he said. “Don't ever ask me that again. You don't understand. Nobody can understand. Okay?”

She said, “Okay. I'm … I'm sorry. I didn't mean …”

“Never mind I didn't mean' or ‘I'm sorry.'Just don't ever ask me that again,” he said, and he started the motor of the old Ford. He reached over and flipped on the radio and ran the dial up and down for a few seconds, until he caught the Burlington station. It was a Supremes song, and he could not make out the words, but he liked the way the music sounded, tight and fast and clear, like a stream in spring, filled with snowmelt.

By the time they got back to town and were parked in front of Lillian's aunt's house, it was dark. “Do you want to come in for supper?” she asked. “I know Aunt Alma won't—”

He said, “Lillian. No. Jesus.”

“I'm sorry. I forgot.”

“Well, I didn't,” he said. “I can't. Ever.”

“I meant about how you look,” she said. She reached over and once again touched his swollen cheeks and brow, gently, as if verifying the truth of his story by touching his wounds. Then she got out of the car and went inside.

IN TERMS OF THE SOCIAL FORCES at play, in terms of our native environment, one might say, my life was not different from Wade's. We were raised alike, until I left home and went down to the university, where, if I was not exactly transplanted, I grew and throve as if placed in the sun and under the care of a more kindly and talented gardener than any I had known so far. Since that time, however, because of the similarity of our early lives, every thought, memory and dream of my brother Wade has brought with it the painful unanswerable question “Why me, Lord?” Why me and not Wade? In my dreams of Wade, in my memories and thoughts of him, we are interchangeable.

After all, I was no more or less adapted than Wade to the soil and climate we were both born into—stingy soil, rocky and thin, and a mean climate. By the age of eighteen I was as much a tough little lichen as he and should have shriveled, should have curled up at the edges and died at the university, as he believed he would, which is why it never occurred to him to apply to the university when he was eighteen. And later, in the affluent suburban town where I have lived now for almost a
decade, I should have been, as Wade would have been, merely a curious exhibit of foreign flora at the local museum of natural history or a figure in a diorama depicting life among the less advantaged peoples to the north. Yet here I am, a teacher, no less, a veritable pillar of a privileged community, member of benevolent and fraternal orders, welcome guest in the white colonial homes of physicians, dentists, real estate brokers and auto dealers. I even attend church regularly. Episcopal.

It makes no sense. Which is why the question “Why me, Lord?” has plagued my adult life. It makes me feel permanently and universally displaced, as much here as up in the village of Lawford. As if I were Chinese in Switzerland or Welsh in Brazil. We struggle to change our place in society, and all we manage to do is displace ourselves. It should be a simple matter: it is what this country was invented to do—to change our lives. Lift yourself up by the bootstraps, young fellow. Make yourself upwardly mobile, my dear. Rise like cream to the top, m' boy.

And in a way it is a simple matter, if, like most people, a person is intelligent, organized and energetic. Certainly most of the people in the Whitehouse family possessed those qualities, especially as children. After all, every year thousands, maybe millions, of good citizens do change their lives for the better, in terms of class, just as I have done, and as my brother did not. From log cabin to president: it is our dominant myth. We live by it, generation after generation. Do not look back, look ahead. Keep your eye on the sparrow, your shoulder to the wheel, your feet on the ground. That is what I have done; it is how I have lived my life so far. And it is how my brother Wade lived his life too. That is why I ask, Why me, Lord?

Why did I apply to the university, when no one else in my graduating high school class aspired to an education higher than that offered at hairstyling or welding school in Littleton? Elbourne and Charlie joined the army. Wade, who was a better student than I, on graduation simply turned his summer job with LaRiviere into a full-time job and considered himself lucky. Lena got pregnant and married. But I left our parents' home in a radically different way than my brothers and sister, for reasons I still cannot name, and when I got down there to the university and discovered that I did not know how to talk or dress or eat in the acceptable way, did not know how to write or read or speak in class, did not even know how to smile,
why did I endure such inadequacy and not go running home to where my inadequacies were regarded as virtues and skills? Wade, had he got as far as enrolling, would have been expelled in a week for brawling in the cafeteria or would have quickly flunked out. Why did I go on, to graduate school in Boston, to the study of history—that place where no one lives, where everyone is dead now—to become a teacher, of all things, when all I wanted, all I want now, is to be left alone? I am not ambitious, I am not bookish, I am not even unusually intelligent, and I have no special gift. So why me, Lord?

I asked it, of course, whenever I happened to see Wade himself or when he called me on the telephone. But I also ask it when I find myself seated at dinner next to the attractive unmarried woman poet from Chicago with the interesting new haircut who is visiting her older sister, who happens to be the wife of my ophthalmologist, a man who knows no one more suitable as a dinner companion for his sister-in-law than I. And I ask it in the middle of the high school parking lot as I watch my scrubbed well-fed elaborately dressed and coiffed students pile into their new Japanese cars and race away to the beaches, ski slopes and dance bars. I ask it when I read in my morning newspaper another account of the death of a child at the hands of her mother's drunken boyfriend. I ask it while driving in my car when I come to the outskirts of town where the hills and forests begin and I turn my car around and head back south into town. Why me and not Wade—and why Wade and not me?

 

It is depressing, at least to me, to linger over such questions, and distracting. After all, this is not my story, it is Wade's. I am but the witness, the compiler; I am the investigator and the chronicler; and I should get on with my work.

When we last saw Wade, he had left Margie's warm bed and was plowing the town roads at dawn on a Sunday. You no doubt will have noticed by now that we often leave him there, perched up on the grader with snow blowing in his face, dreaming of his past or future, adrift on a wave of feeling that carries him away from his present life. That is a characteristic tableau for him, perhaps an emblematic one. He is alone, and while he is of the town and plays an essential role in its life, he is not in the town exactly, is not going intently about his private
business like everyone else. Gordon LaRiviere, in pajamas, is seated at his kitchen table drinking coffee and balancing his personal checkbook, while his wife sleeps. Alma Pittman is dressed and making a pot of tea and wondering if it is too early in the season to shop in Littleton for the Christmas cards that she likes to have ready to mail to every taxpayer in town the day after Thanksgiving. Chub Merritt is down at the garage already, on his back underneath Hank Lank's truck, fixing an oil leak. Nick Wickham has opened the restaurant, and his first customers, a pair of deer hunters from Manchester, have just shucked their orange coats and sat down at the counter, briskly rubbing their cold hands. While at the north end of town, in the drafty old house she rents from her ex-husband's parents, Margie Fogg, naked, lies awake in her bed, pondering Wade's suggestion that she marry him.

She has lived alone in this house for almost five years now, but she lived there with her husband, Harvey, and his parents for the previous five years as well. They had wanted children, she and Harvey, but had been unable to conceive one, and they had wanted their own house, but Harvey was a carpenter without much work and she worked part time then, tinting photographs of babies and graduating seniors for a Littleton studio photographer, and they could never seem to get enough money together for a down payment. Then Harvey fell in love with a twenty-two-year-old waitress at Toby's Inn, and he left Margie, to live with the waitress and her two small children in a trailer out on Route 29, and six months later she had his baby. Harvey's parents felt sorry for Margie and ashamed of their son and let Margie live on in their house, and when they decided to move to a retirement village near Lakeland, Florida, they took out a second mortgage on the house and let Margie make the payments to the bank as rent.

It was not a bad deal, but Margie was not happy in the big old house, a ramshackle colonial that got shabbier every year, as paint peeled, shutters fell, shingles blew off and the furnace broke. She repainted the downstairs rooms and closed off the second floor, so that she would not have to heat it in winter and did not have to go on sleeping in the same bedroom she had shared with her husband. His leaving her for the waitress had not afflicted her nearly as much as her in-laws supposed. Harvey had been a boastful insecure man, and from the start their sexual connection had been at best problematic. He wanted
children, “a real family,” as he put it, and blamed her for their not producing any and consequently treated her as if she were depriving him of an essential right. It made him bossy and sarcastic and filled him with self-pity, which saddened her: she remembered Harvey Fogg when he was a teenaged boy, skinny and shy and eager to please, surprised and nervously passionate when, at nineteen, he discovered that she loved him and married her for it.

Then, a year before Harvey left her, Wade had come into her life—sort of. She had not intended or expected it, but they had become the kind of friends who are bound by unhappy marriages—they could talk to each other as to no one else of the hurt their marriages were causing them—and for a few months they sustained a jumpy distracted love affair, until both decided to try to save their marriages and broke it off. They were not in love with each other and knew it. Wade was in love with Lillian, he thought: he had already divorced her once and married her again, and besides, they had Jill now. And Margie, secretly, loved only her memory of Harvey as a teenaged boy. Sometimes she was afraid that the only man she could ever love would be a teenaged boy, shy and fragile, awkward in his passion and openly embarrassed by it. She found herself increasingly attracted to the boys who came into the restaurant, and though she hid her interest in them, she could not keep herself from lingering at their tables, talking and joking and teasing them about their clothes and hair, their sweet male pretensions. The boys thought of her as motherly but still
young
and sexual and flirted with her as they wished they could flirt with girls their own age or with their mothers. They said things to her that combined tenderness and bravado, and she made them think they were brilliant.

Later, when both their spouses had left them, Margie and Wade gradually resumed their old friendship, and the sex, licit now, was easeful and generous without the fervent anxiety of before. Once a week or so, they slept together, always in her bed. For Wade, it was not the way it had been with Lillian, fraught with mystery and often capable of astonishing him with the thoughts it provoked. Instead, it was what he assumed sex was for most people. For Margie, making love with Wade was slightly boring but necessary, and it always made her feel better afterwards, like exercise.

Marrying Wade, however, was something she had not
thought about once, not in all the years she had known him, which might seem strange: she was a single woman in her late thirties in a town where such a woman was suspect, and Wade was the one man in town whose company she enjoyed. Wade was smart, everyone knew that, and not bad-looking, and he could be funny when he wanted to, and he worked hard, although he did not make much money, and a chunk of that went to his ex-wife. He drank too much, sure, but most men did, especially unmarried unhappy men. And he had that reputation for violence, his sudden bursts of anger. But most of the unmarried unhappy men she knew had that same reputation: it seemed to go with the territory. They were disconnected men, cut off from what calmed them—a home, children, a loving loyal woman who comforted and reassured them when everyone else treated them as if they were useless and expendable. Of course, Wade had once possessed all that, and he had still been violent, not down at Toby's Inn, as now, but worse, at home and against his own wife. Remember, Margie thought, Wade Whitehouse was a wife-beater.

It was
known
, by rumor and surmise, the way it usually happens in a village, without the principals ever telling anyone. Lillian's mother lived up in Littleton with her second husband, and people remembered that when Lillian was married to Wade she had left him several times for a week or two and had gone to stay with her mother. And people knew that there were three or four other times when she and Jill had left the house they shared with Wade and had stayed overnight in town at Alma Pittman's. Later, on her return home, when out in public with her husband, Lillian had acted like a POW— dutiful but sullen, slow-moving, careful: most people, though they do not say it and may not even think it, associate this kind of behavior in wives with domestic violence. And when Wade and Lillian had got divorced the second time, rumors drifted back down from Littleton, rumors possibly started by Wade's lawyer, Bob Chagnon, that the reason Wade got slapped with heavy child-support payments and lost the house to Lillian and could see his daughter only once a month was that he had admitted to having lost his temper on several occasions and hit his wife with his fists. Wade could have denied it: she had no proof: there were no medical records to be subpoenaed; and Alma had refused to get mixed up in marital problems, as she put it; her mother, after all, was her mother, and Lillian had
wanted to spare her the pain of having to say in public what her daughter had revealed to her in secrecy and shame; Jill, of course, was too young to be questioned about it. Fortunately for all of them, Wade had simply hung his head and confessed that, yes, in the heat of a quarrel, he had hit her. People shook their heads sadly when they heard this, but they understood: Lillian was a hard case, a demanding intelligent woman with a lot of mouth on her, a woman who made most people feel that she thought she was somehow superior to them, and no doubt she made Wade feel that way too. A man should never hit a woman, but sometimes it is understandable. Right? It happens, doesn't it? It happens.

Margie agreed. Lillian was a demanding woman, and Wade was a stubborn man: no wonder they came to blows. Margie herself was not demanding, however; and that was then, this was now. That was Lillian Pittman; and she was Marjorie Fogg. They were not interchangeable parts. Wade would never hit
her.

As for his drinking, Margie believed that it was immaterial, and besides, if he had a good woman to come home to, Wade would come home, instead of hanging out after work at Toby's Inn till all hours with kids like Jack Hewitt and Hettie Rodgers. Instead, he would be home telling Margie jokes over supper and watching TV with her afterwards and making love to her in bed before falling peacefully to sleep. So it
was
possible that she and Wade could have a happy life together, certainly a life happier than this one they were leading alone.