Airman's Odyssey (35 page)

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Authors: Antoine de Saint-Exupéry

BOOK: Airman's Odyssey
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The pilot did not move. His engine was started. Now he would feel in his shoulders that pressed upon it the airplane come to life. At last, after all those false alarms—to start or not to start—his mind was easy His lips were parted and in the moon his keen white teeth glittered like a jungle cub's.

“Watch out! The night, you know...!”

He did not hear his comrade's warning. His hands thrust in his pockets and head bent back, he stared toward the clouds, mountains and seas and rivers, and laughed silently. Soft laughter that rustled through him like a breeze across a tree, and all his body thrilled with it. Soft laughter, yet stronger, stronger far, than all those clouds and mountains, seas and rivers.

“What's the joke?”

“It's that damned fool Rivière, who said . . who thinks I've got the wind up!”

XXIII

In a minute he would be leaving Buenos Aires and Rivière, on active service once again, wanted to hear him go. To hear his thunder rise and swell and die into the distance like the tramp of armies marching in the stars.

With folded arms Rivière passed among the clerks and halted at a window to muse and listen. If he had held up even one departure, that would be an end of night flights. But, by launching this other mail into the darkness, Rivière had forestalled the weaklings who tomorrow would disclaim him.

Victory, defeat—the words were meaningless. Life lies behind these symbols and life is ever bringing new symbols into being. One nation is weakened by a victory, another finds new forces in defeat. Tonight's defeat conveyed perhaps a lesson which would speed the coming of final victory. The work in progress was all that mattered.

Within five minutes the radio stations would broadcast the news along the line, and across a thousand miles the vibrant force of life would give pause to every problem.

Already a deep organ note was booming; the plane.

Rivière went back to his work and, as he passed, the clerks quailed under his stern eyes; Rivière the Great, Rivière the Conqueror, bearing his heavy load of victory.

Flight to Arras

Translated from the French by Lewis Galantière

I

Surely I must be dreaming. It is as if I were fifteen again. I am back at school. My mind is on my geometry problem. Leaning over the worn black desk, I work away dutifully with compass and ruler and protractor. I am quiet and industrious.

Near by sit some of my schoolmates, talking in murmurs. One of them stands at a blackboard chalking up figures. Others less studious are playing bridge. Out-of-doors I see the branch of a tree swaying in the breeze. I drop my work and stare at it. From an industrious pupil I have become an idle one. The shining sun fills me with peace. I inhale with delight the childhood odor of the wooden desk, the chalk, the blackboard in this schoolhouse in which we are quartered. I revel in the sense of security born of this daydream of a sheltered childhood.

What course life takes, we all know. We are children, we are sent to school, we make friends, we go to college—and we are graduated. Some sort of diploma is handed to us, and our hearts pound as we are ushered across a certain threshold, marched through a certain porch, the other side of which we are of a sudden grown men. Now our footfalls strike the ground with a new assurance. We have begun to make our way in life, to take the first few steps of our way in life. We are about to measure our strength against real adversaries. The ruler, the T square, the compass have become weapons with which we shall build a world, triumph over an enemy. Playtime is over.

All this I see as I stare at the swaying branch. And I see too that schoolboys have no fear of facing life. They champ at the bit. The jealousies, the trials, the sorrows of the life of man do not intimidate the schoolboy.

But what a strange schoolboy I am! I sit in this schoolroom, a schoolboy conscious of my good fortune and in no hurry to face life. A schoolboy aware of its cares....

Dutertre comes by, and I stop him.

“Sit down. I'll do some card-tricks for you.”

Dutertre sits facing me on a desk as worn as mine. I can see his dangling legs as he shuffles the cards. How pleased with myself I am when I pick out the card he has in mind! He laughs. Modestly, I smile. Pénicot comes up and puts his arm across my shoulder.

“What do you say, old boy?”

How tenderly peaceful all this is!

A school usher—is it an usher?—opens the door and summons two among us. They drop their ruler, drop their compass, get up, and go out. We follow them with our eyes. Their schooldays are over. They have been released for the business of life. What they have learnt, they are now to make use of. Like grown men, they are about to try out against other men the formulas they have worked out.

Strange school, this, where each goes forth alone in turn. And without a word of farewell. Those two who have just gone through the door did not so much as glance at us who remain behind. And yet the hazard of life, it may be, will transport them farther away than China. So much farther! When schooldays are past, and life has scattered you, who can swear that you will meet again?

The rest of us, those still nestling in the cosy warmth of our incubator, go back to our murmured talk.

“Look here, Dutertre. To-night—”

But once again the same door has opened. And like a court sentence the words ring out in the quiet schoolroom:

“Captain de Saint-Exupéry and Lieutenant Dutertre report to the major!”

Schooldays are over. Life has begun.

 

“Did you know it was our turn?”

“Pénicot flew this morning.”

“Oh, yes.”

The fact that we had been sent for meant that we were to be ordered out on a sortie. We had reached the last days of May, 1940, a time of full retreat, of full disaster. Crew after crew was being offered up as a sacrifice. It was as if you dashed glassfuls of water into a forest fire in the hope of putting it out. The last thing that could occur to anyone in this world that was tumbling round our ears was the notion of risk or danger. Fifty reconnaissance crews was all we had for the whole French army. Fifty crews of three men each—pilot, observer, and gunner. Out of the fifty, twenty-three made up our unit—Group 2-33. In three weeks, seventeen of the twenty-three had vanished. Our Group had melted like a lump of wax. Yesterday, speaking to Lieutenant Gavoille, I had let drop the words, “Oh, we'll see about that when the war is over.” And Gavoille had answered, “I hope you don't mean, Cap tain, that you expect to come out of the war alive?”

Gavoille was not joking. He was sincerely shocked. We knew perfectly well that there was nothing for us but to go on flinging ourselves into the forest fire. Even though it serve no purpose. Fifty crews for the whole of France. The whole strategy of the French army rested upon our shoulders. An immense forest fire raging, and a hope that it might be put out by the sacrifice of a few glassfuls of water. They would be sacrificed.

And this was as it should be. Who ever thought of complaining? When did anyone ever hear, among us, anything else than “Very good, sir. Yes, sir. Thank you, sir. Quite right, sir.” Throughout the closing days of the French campaign one impression dominated all others—an impression of absurdity. Everything was cracking up all round us. Everything was caving in. The collapse was so entire that death itself seemed to us absurd. Death, in such a tumult, had ceased to count. But we ourselves did not count.

Dutertre and I went into the major's office. The major's name was Alias. As I write, he is still in command of Group 2-33, at Tunis.

 

“Afternoon, Saint-Ex. Hello, Dutertre. Sit down.”

We sat down. The major spread out a map on the table and turned to his clerk:

“Fetch me the weather reports.”

He sat tapping on the table with his pencil, I stared at him. His face was drawn. He had had no sleep. Back and forth in a motorcar, he had driven all night in search of a phantom General Staff. He had been summoned to division headquarters. To brigade headquarters. He had argued and wrangled with supply depots that never delivered the spare parts they had promised. His car had been bottled up in the crazy traffic. He had supervised our last moving out and our most recent moving in—for we were driven by the enemy from one field to another like poor devils scrambling in the van of a relentless bailiff. Alias had succeeded in saving our planes, saving our lorries, saving the stores and files of the Group. He looked as if he had reached the end of his strength, of his nerves.

“Well,” he said, and he went on tapping with his pencil. He was still not looking at us.

A moment passed before he spoke again. “It's damned awkward,” he said finally; and he shrugged his shoulders. “A damned awkward sortie. But the Staff want it done. They very much want it done. I argued with them; but they want it done.... And that's that.”

Dutertre and I sat looking out of the window. Here too a branch was swaying in the breeze. I could hear the cackle of the hens. Our Intelligence Room had been set up in a schoolhouse; the major's office was in a farmhouse.

It would be easy to write a couple of fraudulent pages out of the contrast between this shining spring day, the ripening fruit, the chicks filling plumply out in the barnyard, the rising wheat—and death at our elbow. I shall not write that couple of pages because I see no reason why the peace of a spring day should constitute a contradiction of the idea of death. Why should the sweetness of life be a matter for irony?

But a vague notion did go through my mind as I stared out of Alias' window. “The spring has broken down,” I said to myself. “The season is out of order.” I had flown over abandoned threshing machines, abandoned binders. I had seen motorcars deserted in roadside ditches. I had come upon a village square standing under water while the village faucet—“the fountain” as our people call it—stood open and the stream flowed on.

And suddenly a completely ridiculous image came into my mind. I thought of clocks out of order. All the clocks of France—out of order. Clocks in their church steeples. Clocks on railway stations. Chimney clocks in empty houses. A charnelhouse of clocks. “The war,” I said to myself, “is that thing in which clocks are no longer wound up. In which beets are no longer gathered in. In which farm carts are no longer greased. And that water, collected and piped to quench men's thirst and to whiten the Sunday laces of the village women—that water stands now in a pool flooding the square before the village church.”

As for Alias, he was talking like a bedside physician. “Hm,” says the doctor with a shake of the head, “rather awkward, this”; and you know that he is hinting that you ought to be making your will, thinking of those you are about to leave behind. There was no question in Dutertre's mind or mine that Alias was talking about sacrificing another crew.

“And,” Alias went on, “things being as they are, it's no good worrying about the chances you run.”

Quite so. No good at all. And it's no one's fault. It's not our fault that we feel none too cheerful. Not the major's fault that he is ill at ease with us. Not the Staff's fault that it gives orders. The major is out of sorts because the orders are absurd. We know that they are absurd; but the Staff knows that as well as we do. It gives orders because orders have to be given. Giving orders is its trade, in time of war. And everyone knows what war looks like. Handsome horsemen transmit the orders—or rather, to be modern about it, motorcyclists. The orders ordain events, change the face of the world. The handsome horsemen are like the stars—they bring tidings of the future. In the midst of turmoil and despair, orders arrive, flung to the troops from the backs of steaming horses. And then all is well—at least, so says the blueprint of war. So says the pretty picture-book of war. Everybody struggles as hard as he can to make war look like war. Piously respects the rules of the game. So that war may perhaps be good enough to agree to look like war.

Orders are given for the sacrifice of the air arm because war must be made to look like war. And nobody admits meanwhile that this war looks like nothing at all. That no part of it makes sense. That not a single blueprint fits the circumstances. That the puppets have been cut free of the strings which continue to be pulled.

In all seriousness the Staffs issue orders that never reach anybody. They ask us for intelligence impossible to provide. But the air arm cannot undertake to explain war to the Staffs. Reconnaissance pilots might be able to test or verify the Staffs' hypotheses. But there are no longer any hypotheses. Fifty reconnaissance crews are asked to sketch the face of a war that has no face. The Staffs appeal to us as if we were a tribe of fortune-tellers.

While Alias was speaking I threw a glance at Dutertre—my fortune-telling observer. This was what he said afterwards.

“What do they take us for, sending us off on low-altitude sorties? Only yesterday I had to tick off a colonel from division headquarters who was talking the same rot. ‘Will you tell me,' I said to him; ‘will you tell me how I am going to report the enemy's position to you from an altitude of fifty feet when I'm doing three hundred miles an hour?' He looked at me as if I was the one who was mad. ‘Why,' he said, ‘that's easy. You can tell according to whether they shoot or not. If they shoot at you, the positions are German.' Imagine! The bloody fool!”

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