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Authors: Craig Revel Horwood

All Balls and Glitter (44 page)

BOOK: All Balls and Glitter
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Fortune Theatre
(i)

Foster, Mark
(i)

Fowler, Hal
(i)

Gail (Grant’s mother)
(i)

Garraway, Kate
(i)
,
(ii)

Gaydar (website)
(i)

George (uncle)
(i)

Gershwin, George
(i)

Gillmer, Caroline
(i)
,
(ii)

Glen, Iain
(i)

Gloag, Ann
(i)

GMTV
(i)

Goddard, Ben
(i)

Gogoll, Mark
(i)
,
(ii)
,
(iii)

Craig finishes with
(i)

Golding, Miss (ballet teacher)
(i)

Goodman, Len
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
,
(ix)
,
(x)

Goodwin, Maggie
(i)
,
(ii)
,
(iii)

Gough, Darren
(i)
,
(ii)

Gould, Philip
(i)

Grant (partner)
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)

‘Auntie Grantie’ sobriquet of
(i)

Craig meets
(i)

Grant, Carrie
(i)

Grant, Cecily (‘Ces’)
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)

Grant, David
(i)

Granville rail disaster
(i)

Guardian, The
(i)
,
(ii)
,
(iii)

Gunn, Jason
(i)

Halfpenny, Jill
(i)
,
(ii)
,
(iii)

Hanks, Robert
(i)

Hanson, Jack
(i)

Hard Times: The Musical
(i)

Hardy, Karen
(i)
,
(ii)

Harrison, Howard
(i)

Harvey, Kit Hesketh
(i)

Hawn, Goldie
(i)

Haymarket Theatre
(i)

Haynes, Stacey
(i)

Heartbreak Hotel
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

Heather (assistant)
(i)

Henning, Anne
(i)

Henning, John
(i)

Henshall, Ruthie
(i)
,
(ii)
,
(iii)

Her Majesty’s Theatre (‘Hermaj’)
(i)

Hey, Mr Producer!
(i)
,
(ii)
,
(iii)
,
(iv)

Hickmore, Carol-Ann
(i)

Hines, Marcia
(i)
,
(ii)

HIV
(i)

see also
AIDS

Hole, Max (husband of Ravens, Jan)
(i)

Holland, Jools
(i)

Holliday, Jennifer
(i)

Holt, Stacey Todd
(i)

Home and Away
(i)

homophobia
(i)
,
(ii)
,
(iii)
,
(iv)

AIDS and
(i)

Hood, Margot
(i)

Horwood, Beverley (née Lancaster) (mother)
(i)
,
(ii)
,
(iii)
,
(iv)

BTV6 work of
(i)

Craig’s coming out and
(i)
,
(ii)

Craig’s relationship with
(i)
,
(ii)

Craig’s wedding and
(i)

Hey, Mr Producer!
and
(i)

husband’s alcoholism and
(i)
,
(ii)

husband’s violence and
(i)

loving nature of
(i)

low self-esteem of
(i)

Spend Spend Spend
and
(i)

Sunbeam Junior Chef of the Year and
(i)

Horwood, Craig Revel:

abusive sobriquets given to
(i)
,
(ii)

ad work of
(i)

aerobics teaching of
(i)

alter egos of
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
,
(ix)
,
(x)
,
(xi)

amateur theatre and
(i)

artistic skills of
(i)
,
(ii)
,
(iii)

assumed names of
(i)
,
(ii)
,
(iii)
,
(iv)

auditions of
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
,
(ix)
,
(x)
,
(xi)
,
(xii)

award in name of
(i)

award nominations for
(i)
,
(ii)
,
(iii)

ballet/dancing lessons of
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)

ballroom dancing and
(i)

Bartuccio’s attended by
(i)
,
(ii)

birth of
(i)
,
(ii)

body building of
(i)

body consciousness of
(i)
,
(ii)
,
(iii)
,
(iv)

‘Boogie For Your Bones’ routine created by
(i)
,
(ii)

boyfriends of
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
,
(ix)
,
(x)
,
(xi)
,
(xii)
,
(xiii)
,
(xiv)
,
(xv)
,
(xvi)
,
(xvii)
,
(xviii)
,
(xix)
,
(xx)

Boys’ Brigade joined by
(i)

British Soap Awards and
(i)

bruxism of
(i)

business empire of
(i)
,
(ii)

car accidents and
(i)

career turning points of
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)

catering work placements of
(i)
,
(ii)

Celebrity Masterchef
and
(i)
,
(ii)
,
(iii)
,
(iv)

charity work of
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)

chef training undertaken by
(i)

childhood holidays and
(i)
,
(ii)

choreography career of
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
,
(ix)
,
(x)
,
(xi)
,
(xii)
,
(xiii)
,
(xiv)
,
(xv)
,
(xvi)
,
(xvii)
,
(xviii)
,
(xix)
,
(xx)
,
(xxi)
,
(xxii)
,
(xxiii)
,
(xxiv)

Clary, Julian and
(i)
,
(ii)
,
(iii)

colouring competition won by
(i)
,
(ii)
,
(iii)

Comic Relief and
(i)
,
(ii)

coming out of
(i)
,
(ii)
,
(iii)

Commonwealth Games (2002) and
(i)
,
(ii)

concerts performed by
(i)
,
(ii)
,
(iii)

cosmetic surgery of
(i)
,
(ii)

drag-queen career of
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)
,
(ix)
,
(x)
,
(xi)

drug taking of
(i)
,
(ii)

early life of
(i)
,
(ii)

education of
(i)
,
(ii)
,
(iii)
,
(iv)

Elvis impersonators and
(i)

embarrassing situations of
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)

Equity and
(i)

extravagant nature of
(i)
,
(ii)
,
(iii)

father’s alcoholism and
(i)
,
(ii)
,
(iii)

father’s relationship with
(i)
,
(ii)

father’s violence and
(i)
,
(ii)
,
(iii)
,
(iv)

fear of heights of
(i)

financial debt and
(i)
,
(ii)
,
(iii)

first boyfriend of
(i)

first serious boyfriend of
(i)
,
(ii)
,
(iii)

‘flick the switch’ parties and
(i)

girlfriends of
(i)
,
(ii)

globetrotting of
(i)

Granville rail disaster and
(i)

hairdressing apprenticeship of
(i)
,
(ii)
,
(iii)

Hey, Mr Producer!
and
(i)
,
(ii)
,
(iii)
,
(iv)

house fire caused by
(i)

ill health/injuries of
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)

impersonations given by
(i)

Internet dating and
(i)

Jane divorces
(i)
,
(ii)
,
(iii)

Jane falls in love with
(i)

Jane’s lasting friendship with
(i)

Jane marries
(i)
,
(ii)
,
(iii)

leaves home at sixteen
(i)

life-changing experiences of
(i)
,
(ii)
,
(iii)
,
(iv)

Lloyd’s affair and
(i)
,
(ii)
,
(iii)

Lloyd ‘divorces’
(i)

Lloyd splits up with
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)

love triangle of
(i)

‘Love Your Bones’ campaign and
(i)

mad-cow disease and
(i)

Miss Alternate pageant and
(i)
,
(ii)
,
(iii)

modelling work of
(i)

‘Mr Nasty’ sobriquet of
(i)
,
(ii)
,
(iii)

‘Mr Orange’ sobriquet of
(i)

‘Mr X’ and
(i)
,
(ii)
,
(iii)
,
(iv)

music lessons of
(i)
,
(ii)
,
(iii)
,
(iv)

Palmer, Patsy and
(i)

parents’ divorce and
(i)

Paris life of
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)

people skills of
(i)

physical attacks on
(i)

press reviews/reports and
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)

production company set up by
(i)

professional dancing aspirations of
(i)
,
(ii)
,
(iii)
,
(iv)

Ravens, Jan and
(i)
,
(ii)

Really Naked Calendar 2009 and
(i)

religion and
(i)
,
(ii)

rent-boy life of
(i)
,
(ii)

risk-taking nature of
(i)
,
(ii)
,
(iii)

school bullying suffered by
(i)
,
(ii)

self-assertiveness gained by
(i)
,
(ii)

self-confidence of
(i)
,
(ii)
,
(iii)

sexual revolution experienced by
(i)

sexuality of
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)
,
(viii)

shoplifting of
(i)

sleepwalking of
(i)

smoking habits of
(i)

soap-opera career of
(i)

stage fright suffered by
(i)
,
(ii)
,
(iii)

Sunbeam Junior Chef of the Year and
(i)

Sydney Opera House performance by
(i)

tarot reading of
(i)

Teach Yourself Ballroom Dancing
written by
(i)

temporary jobs of
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)

TV traineeship of
(i)

twenty-first-birthday celebrations of
(i)

vampire phobia of
(i)

vertigo phobia of
(i)

weight problems of
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)

Wicked Queen part taken by
(i)

workplace bullying suffered by
(i)

Horwood, Diane (‘Di’) (sister)
(i)
,
(ii)
,
(iii)
,
(iv)
,
(v)
,
(vi)
,
(vii)

BOOK: All Balls and Glitter
13.66Mb size Format: txt, pdf, ePub
ads

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