Authors: Jenny Oldfield
âNothing but the best,' Ronnie told Meggie as he guided her through the couples dancing on the spectacular floor of the Paramount.
The dance hall was an escape from the drab, monochrome streets. The corsage of deep purple silk orchids which Ronnie had bought her matched the lilac satin of her ruched and fitted dress. Gilt wall mirrors reflected showers of coloured lights cast by many-sided silver globes hanging from the ceiling. Everywhere there was a bright, larger-than-life feel.
All this and the music. Violins soared through romantic waltzes, the brass section took over for swing sessions in seamless arrangements under the baton of a smart conductor in white dinner jacket, maroon cummerbund and matching suave dickie-bow tie.
Meggie was in seventh heaven. She was in love for the first and last time. No one but Ronnie would capture her heart. They could say what they liked; that romance soon wore out, that passionate words must be matched by a lifetime's steady deeds, but they couldn't spoil the way she felt and acted now. During the heavy beat of the drums and the roar of saxophones, she slid closer to him and almost swooned.
âWho taught you to tango?' He considered himself a good dancer, he knew the moves and led, but Meggie never put a foot wrong either. âIf you tell me you've been practising with Eddie Greenwood I might get jealous!'
Tiny lights swirled and swept across the walls and floor. He steered her clear of a jam of other couples with a neat side-step. âNo one taught me. And I ain't been practising,' she beamed.
âIt must come natural then.'
âRuns in the family.' She told him about her Aunt Hettie's days in the music hall.
âShe don't look like a dancer,' he confessed. âEven though I did take to her. Ain't she a bit stick-in-the-mud?'
âNo she ain't.' Meggie loved her aunts dearly; kind Hettie, stem Frances, her stylish Aunt Jess in Manchester.
âAnd your ma. I don't think she took to me though.' They danced through to the end of the number, clapped and waited to begin again.
Meggie pouted. âDon't say that. She takes her time getting used to the idea of us walking out together, that's all.'
âIs that what you call it?' He grinned.
âIt's what
she
calls it.' Meggie blushed as the band struck up a foxtrot and they took up position.
âWell, I got the feeling that she don't trust me.' Once more, earlier that evening, Sadie had greeted him with downcast eyes. The boys had run to the door at the sound of his knock, friendly as you like, and Walter had opened it with a genial smile, but Meggie's mother had kept quiet and carried on with her sewing work.
He'd been struck by her and Meggie's similarity, but it was an eerie sameness; Meggie vivacious where Sadie was subdued, laughing and excitable as opposed to sober and wary. Their faces had the same oval shape, dark brown eyes, wide, full lips. But whereas Meggie's eyes sparkled, he thought he read indifference, even dislike in her mother's.
âYou can't do right for doing wrong with Ma these days. No one can.' Last night Meggie had expected her mother to let her into the house with at least a smile, despite the late hour. After all, she'd been dead set against her staying out all night. But no; she'd greeted her in silence, listened doubtfully to her explanation that Gertie had gone cold on her, offered no sympathy.
âAin't you glad?' Meggie had cried, exasperated.
âI'd like to know what she's up to,' came the reply, brows knotted in disapproval. âWhat time does she call this to turn you out into the street?'
Ronnie and Meggie might both puzzle about why their mothers seemed to have set their faces against their romance, but neither felt prepared to kowtow. Ronnie had actually stood up to his mother that teatime, when she began to complain that she'd scarcely clapped eyes on him during the whole of his leave. She wished
he'd take back his word and not take Meggie dancing. It was the least he could do when he saw how hard it was for her to keep things running by herself. When he turned her down, she called him selfish.
âAnd you're a spoilsport, Ma. I don't know what's got into you.' She'd never objected to him having girlfriends in the past. âI thought you liked Meggie?'
Gertie had made a sour face. âShe wants too much of her own way, that one.'
He said that was the pot calling the kettle black. âAnyhow, Meggie goes out of her way to help around here. She don't know why you've gone off her. She's upset.'
âAah diddums!'
âBe like that!' He'd ground his fag-end into the floor and headed off, hands thrust deep into his pockets. If she didn't like it she knew where to stick it. What did she think, that he would stay tied to her apron strings all his life?
In this spirit of rebellion to match Meggie's own, they met up and danced the night away. Maybe the tiffs at home, maybe the war hanging over everyone made them the more intense, so that tonight seemed special, perhaps never to be repeated if Hitler had his way and wiped out the whole British Navy or smashed London to smithereens. They held each other close, like all the couples whirling under the spinning lights in their shiny dresses and dark uniforms.
When the band leader put down his baton at eleven o'clock on the dot, turned and said, âThat's your lot,' it seemed like the end of a dream.
Lights dimmed, coats went on, dark streets beckoned.
âRace you,' Ronnie offered, running ahead through a drizzle of wet snow that melted the moment it landed. Meggie shrieked as he dragged her along. âCome on, slow coach!'
Ignoring onlookers, not wanting to be beaten, she kicked off her shoes. As he stooped to pick them up, she ran ahead laughing; hair flying, dodging pillar boxes and fire hydrants until she came to the end of the street and Ronnie caught her in a breathless kiss.
âPut your shoes on, Cinders,' he said gently, dropping them to the pavement, âbefore you catch your death.'
She looked down ruefully at her ruined nylons. âI'd better not let Ma see these.'
âNever mind, I'll bring you some more.' Putting an arm round her shoulder, they walked on. âYou're round the twist, you know that?'
âIt was your idea. You said “race you”.' She turned her face up to the falling snow. âWhen will you bring me some more stockings, Ronnie?'
âNext time.'
âWhen will that be?'
âWhen they let me out.'
âYou'll come back?' Her voice floated upwards.
He stopped and drew her in. âI said I would. Anyhow, try and stop me.'
They kissed and walked slowly on. âI think I'll remember every single minute of tonight.'
âYou better had.' His own voice cracked, he clutched her hand, dreading the rum into Duke Street which came all too soon. This was the moment when they must part.
âYou take care of yourself, you hear.' She forced herself to think for a second of his life as a Navy man; the great iron destroyers, the cold, cruel sea.
âDon't you worry about me, just so long as you write.'
âEvery day. And when I'm not writing I'll be thinking of you.'
âMe too. Where will you sit and write your letters? So I can picture it.'
âIn the shelter at Gran's, or at home in bed.'
He nodded. âI'll think of that. No, on second thoughts . . .'
She smiled. âIt's only a narrow little bed, Ronnie. There ain't room for two.'
âWait, Meggie. Wait for me?'
She swore from the bottom of her heart. They came to Paradise Court.
He kissed her again and again, felt her cling to him. âGo in,' he whispered.
âYou come in with me. It looks like they're all in bed asleep.'
He shook his head sadly. âNext time. That's a promise.'
She sighed.
âGo in,' he begged. Her hair was dusted with snow. Flakes landed on her pale skin and melted.
One last kiss and he was gone.
Ronnie was halfway up Duke Street, heading for the railway arches when the siren started up. He passed another Royal Navy man, arguing in the street with a woman he took to be his wife. She wanted to head for shelter, the surly man preferred to ignore the warning.
âFalse alarm,' he said, swaying back and forth, probably drunk.
She made him listen for planes. A bomb went off on their side of the river and convinced him.
Ronnie too considered taking cover. He thought of the odds against a bomb with his name written on it falling, and decided to risk going on. Bombs dropped on houses, offices, factories, not on him. If a plane flew too close and low, that was when he would look for shelter. Like many young men used to the dangers of active service, he made the mistake of thinking that the Blitz was a homely, third division affair to be taken fairly lightly.
This time he was lucky; no wall of flame, no tumbling masonry, no crushed and burning bodies disillusioned him. As he crossed the river, he left behind the area of London chosen as the night's target; the Bankside docks and power station half a mile to the north of Meggie's house.
It was late for the alarm to sound; past midnight. Most people had reckoned it was safe to risk a night in their own beds for a change. Now they had to get up, struggle into clothes, make for the shelters bleary-eyed and grumbling. They did it automatically, children asleep in parents' arms, trudging through the wet snow.
âCome and shelter with us, Tommy!' Hettie tried to hustle him into the cellar at the Duke.
He'd hung on long after closing time, alone in the bar. No news from Edie, and no news was bad news in this case.
âNo ta, I'll head for Nelson Gardens.' He could see Annie taking candles down, ready for an all-night stay. âEdie comes to you in a raid, don't she?'
âAs a rule. But there's no telling what she'll do tonight.'
âI'll make myself scarce just in case.' He paid for and pocketed a half-bottle of whisky.
âListen, she knows what she's putting you through, so don't blame her too much.' Hettie saw that Tommy was in a black mood over Bill Morell's return. âKeep a cool head and make straight for the Gardens, you hear? Hear what she has to say tomorrow.'
He nodded without conviction. âIt's a bleeding mess, ain't it?' Edie evidently hadn't broken the news to Morell. He should have stayed put at the flat, not listened to Jimmie. Poor Edie shouldn't have had to face up to Bill alone. âIt's my own bleeding fault,' he said bitterly.
Bombs thudded down some way off, but the explosions only penetrated the blacked-out windows with a dull glare of yellow light.
âGo on!' Hettie was frightened that he would leave it too late. âOr I'll get George and Walter to drag you kicking and screaming in with us.'
He went, hardly caring, but wanting to leave the coast clear for Edie. Outside it was cold and wet, a miserable snow was falling. He headed for Nelson Gardens in an angry haze, just because it was somewhere to go.
Dolly and Dorothy were there ahead of him, he noticed, already filing through the narrow entrance. It looked like another bad night; the sky already glowed with fires in all directions. Tomorrow they would emerge with grim resignation; perhaps this time it would be their house, their windows blown out by a firestorm, their brother, kid sister or father killed.
Tommy lapsed into lethargy as he stood waiting his turn, not
caring now one way or the other, convinced that Edie had come face to face with her husband and changed her mind. He could see it for himself; the way her mind would work. There Bill Morell was, serving his country, relying on her being there for him. This was what kept many men going in the face of danger; the idea that they had someone waiting at home. No, she wasn't cruel or hard enough to do it. She would take pity on him, whatever he might have put her through in the past; his idle selfishness; his violence. A woman like Edie went to the altar and made her vows for life. For better, for worse.
A bomb fell two or three streets away. It whistled overhead. The crowd shoved from behind and Tommy was part of the bottleneck that was propelled through the entrance into the dank and dreary shelter.
He didn't bother to join the scramble for makeshift bunks. All he wanted was a corner where he could prop himself against the corrugated-iron sheeting and console himself with his bottle of whisky. He found one and pulled his jacket collar high around his neck, heard Dolly's voice nearby, organizing this and that. Someone stumbled against him, half-asleep. He shifted position and turned to face a different way.
The place was jam-packed with bodies stretched out under blankets and eiderdowns, legs crooked, arms flung wide of the covers. Kids, it seemed, slept as soon as their heads hit the ground. Some couples didn't mind that their love-making commanded an audience. Tommy grimaced, uncorked the bottle and drank.
His gaze rested finally on a man's broad back. He was in uniform, with a Navy greatcoat, seated at a table in the tiny canteen. Beyond him was Edie, who hadn't noticed Tommy come in, apparently. She sat white-faced opposite to Bill Morell, not in fact seeing anything of what went on around her. Her husband hunched over the table; like Tommy he'd seen fit to bring a bottle.
Tommy took in the scene. Edie had changed into a different outfit since he'd left her at the flat, and her hair was newly washed. Morell ignored her and at the same time claimed her; you could tell by something in his posture and her retreating into herself, not
daring to raise her eyes from the table. It made him want to jump up and grab the man by the throat.
But he didn't make a move. He stayed put amongst the sleeping bodies in the shadows, drinking steadily. Even when Morell slumped forward to sleep the night away in fits and starts and Edie sat it out wide awake, he kept to his corner unnoticed.
He was the last to leave on the all-clear next morning, for where would he go to avoid Edie, not to hear her voice pleading with him to try and understand, telling him that it was all over between them?