Authors: Arthur C. Danto
Courbet, Gustave,
56
Crone, Rainer,
xii
Cuban missile crisis,
38
â39
cultural change (1950sâ1960s),
6
â7,
25
,
31
cultural revolution in art,
3
,
26
,
28
â29
Cutrone, Ronnie,
91
,
124
,
125
,
130
,
131
,
132
dance,
31
De Antonio, Emile,
15
â16,
18
,
22
,
33
,
35
,
37
,
131
Déjeuner sur l'herbe
(Manet),
6
de Kooning, Willem,
10
,
98
,
132
â133,
141
Democratic Party,
73
Dia Foundation,
133
Diaries
(Warhol),
73
Dickie, George,
69
â70
Diderot, Denis,
97
Dine, Jim,
4
di Salvo, Donna,
106
Do It Yourself (Flowers)
(Warhol),
39
,
40
,
71
,
81
,
106
,
113
Dollar Bills
(Warhol),
81
Dollar Sign(s)
(Warhol),
130
Domenichino (Domenico Zampieri),
143
Donald Duck,
xi
Dove soap,
143
Dracula,
128
Duchamp, Marcel,
29
,
32
,
44
,
54
,
55
â56,
62
,
82
â83,
110
â11
concept of the readymade,
51
â52,
55
,
66
Elegy for the Spanish Republic
(Motherwell),
141
Empire
film (Warhol),
77
,
78
â80,
85
,
86
,
124
,
136
Euthyphro
(Socrates),
69
â70
exhibitions of Warhol's work:
Andy Warhol: A Retrospective
,
9
Bonwit Teller windows,
17
â20,
21
,
21
â22,
23
,
24
,
26
,
31
â32,
39
,
40
,
106
,
143
,
146
â147
Ferus Gallery, Los Angeles,
34
,
37
,
40
Galerie Daniel Templon, Paris,
116
Institute of Contemporary Art, University of Pennsylvania,
5
Moderna Museet, Stockholm,
52
â53
Pasadena Art Museum retrospective,
53
,
122
,
126
proposed traveling retrospective,
106
Ronald Feldman Gallery,
127
â128,
131
sidney Janis Gallery, New York City,
xvi
,
38
Sonnabend Gallery, Paris,
xi
Stable Gallery first show,
x
,
38
,
39
,
41
,
44
,
45
,
47
Stable Gallery second show,
x
,
xiii
,
xvii
,
45
,
53
,
64
,
66
â67,
70
,
74
,
136
success of,
44
“Exploding Plastic Inevitable” multimedia event (Warhol),
8
,
110
Factory, The,
48
,
59
,
61
,
72
,
92
â93,
102
â103,
120
â121,
122
,
123
,
124
â125
businesslike operation of,
100
,
121
cardboard grocery boxes created at,
60
â61
Empire
film and,
79
end of,
100
mechanical/industrial production at,
49
â51,
58
â59,
60
,
61
,
62
,
73
,
93
,
114
movies and videos shot at,
82
â84,
122
permissive atmosphere of,
49
productive capabilities of,
82
,
89
silver painting of,
59
,
92
â94,
100
social scene at,
74
â75,
82
,
84
â85,
88
,
91
,
93
â96
television produced at,
90
transvestites at,
112
value scheme at,
99
Factory Diaries, The
(Warhol),
84
â85
Factory-Made: Warhol and the Sixties
(Watson),
101
fan magazines,
17
Fauvism,
6
Feldman, Morton,
30
fifteen minutes of fame concept,
87
â88
Fight
video (Warhol),
86
â87
films and videos,
78
â79
art,
26
films and videos by Warhol,
65
,
74
â75,
76
â77,
79
â80,
81
,
82
â87,
96
â97,
98
,
99
,
100
,
102
,
106
,
111
,
112
,
122
â123,
145
photomat shots,
115
sex portrayed in,
141
â142
Film Stills (Sherman),
78
Fischl, Eric,
107
Flanner, Janet,
39
Flavin, Dan,
133
Fluxus movement,
30
Ford, John,
104
Frankenstein
film (Warhol),
114
,
124
Freedom Riders,
7
French Revolution,
29
Fried, Michael,
45
Friedan, Betty,
103
Fry, Roger,
139
Galerie Daniel Templon, Paris,
116
,
117
Garland, Judy,
94
General Electric logo,
143
Giorno, John,
75
â76
Goddard, Paulette,
117
â118
Green, Sam,
5
Greenberg, Clement,
109
Green Car Crash
(Warhol),
113
Green Gallery,
xvi
guns,
130
â131
Guston, Philip,
30
Hackett, Pat,
73
Hacklin, Allan,
107
Haircut
film (Warhol),
99
Hamburger Bahnhof Museum for Contemporary Art,
20
Hammer and Sickle
paintings (Warhol),
116
â118,
123
â124,
131
Handel, George Frideric,
140
“Hand Painted Pop” proposed retrospective,
106
Hard-Edged Abstraction,
9
â10,
28
Heartney, Eleanor,
140
Herko, Freddie,
98
â99
Hitler, Adolf,
xii
Hofer, Evelyn,
147
Holy Spirit,
143
Holy Terror
(Colacello),
89
â90
homosexuality,
7
,
11
â12,
75
â76,
81
,
102
in New York City,
94
Hopper, Dennis,
84
Howdy Doody,
128
â129
Hughes, Fred,
100
,
103
,
121
,
124
â125,
130
I, a Man
film (Warhol),
102
I. Miller shoes,
12
Impressionism,
61
â62
Independent Film Award,
82
Indiana, Robert,
35
Institute of Contemporary Art (ICA), University of Pennsylvania,
5
,
6
Institutional Theory of Art (Dickie),
69
Internal Revenue Service,
73
Interview
magazine,
84
Iolas, Alexandre,
142
Italy,
30
,
117
,
124
,
142
â143,
144
Jagger, Mick,
84
Janovich, Tama,
91
â92
Jarry, Alfred,
6
Jefferson, Thomas,
129
Jesus Christ,
23
,
136
â139,
140
,
144
junk mail,
17
Kaprow, Allen,
68
Kennedy, Bobby,
104
King, Martin Luther, Jr.,
104
Kiss, The
(Lichtenstein),
xiii
,
22
,
28
Komar, Vitaly,
73
Koons, Jeff,
54
Krasner, Lee,
108
â109
Ladies and Gentlemen
(Warhol),
117
language game,
60
â61
Large Coca-Cola
(Warhol),
18
Last Sacrament of Saint Jerome, The
(Domenichino),
143
Last Supper, The
(Da Vinci),
142
â143
Last Supper(s), The
(Warhol),
37
,
134
,
142
â143,
144
,
145
,
147
lecture tour,
65
Léger, Fernand,
110
L.H.O.O.Q. (Duchamp),
29
Lichtenstein, Roy,
4
,
6
,
16
,
22
,
28
,
33
,
45
,
125
exhibition at Castelli Gallery,
28
paint quality,
13
subject matter of works,
14
â15
Linich, Billy (a.k.a. Billy Name),
59
,
60
,
67
,
82
,
93
,
95
,
99
,
100
,
105
social scene at the Silver Factory and,
94
â95
Lisanby, Charles,
36
“Little Boxes” song (Reynolds),
57
,
58
Lonesome Cowboys
film (Warhol),
80
â81,
100
,
104
,
122
Louis Napoleon,
5
â6
Love Boat, The
television show,
86
machisimo,
108
Mako, Chris,
112
Malanga, Gerard,
32
,
50
,
54
,
56
,
59
,
93
,
100
,
114
Empire
film and,
79
on reception of Warhol's film
Blow Job
,
77
at the Silver Factory,
60
social scene at the Factory and,
94