Angel Face (20 page)

The operation hadn't been without its discomforts. It had rained all day and the yard, no more than earth covered with a thin layer of gravel, was cold and muddy. Epstein had volunteered to crawl under the car and plant the devices by himself, but Carter had insisted, despite the conditions, on observing what he deemed to be a teaching moment.

Carter drops a pair of night vision goggles into the backpack, along with a coil of rope, a ball of netting, a pair of walkie-talkies, a set of lock picks, a box of shotgun shells and a box of hollow-point 7.62mm cartridges. There are other items he might need in the trunk, and more items in the other trunk. A bar of plastic explosive, Semtex, virtually beckons to him. Carter had used Semtex on a job in Houston, wiring a crude explosive device into the ignition of a 700 Series BMW owned by Samuel Reed, a pedophile who seduced the wrong man's son.

Carter settles the backpack on to his shoulders, picks up the gun case and walks to the door. He puts his ear to the metal surface and listens for a moment before making his escape. Five minutes later, he's back in the van and headed north to a Wal-Mart in Westchester County. Carter's not a Wal-Mart hater. Ordinarily, he enjoys the chain's industrial slant, the bare bones displays and the sheer magnitude of the stores. But tonight, as he walks the long aisles, his thoughts turn to Angel and a remark she made just before he left.

‘Face it, Carter, if it wasn't for you riding to the rescue, I'd be decomposing in a New Jersey swamp. No, I take that back. If you were the cold, calculating killer you think you are, you would have shot me along with Ricky Ditto. There are no codes of honor in the Hell World.'

But Carter's sick of the whole discussion. The Hell World thing was Lo Phet's idea, not his. Carter doesn't believe in any world he can't presently see and touch. He doesn't believe in rebirth, either. And as to his being cold and calculating, he and Epstein had enjoyed an intimate conversation just before the cop went back to his family. Epstein proposed that they become partners, just as Paulie had a few years before, this time in the business of ripping off drug dealers. He, Epstein, will provide the intelligence. Carter will supply the muscle. If they choose their targets wisely, and leave the narcotics behind, the risks will be minimal.

‘See, Carter, I'm pretty sure that you whacked at least six mob guys over the last few years. Meanwhile, no one's looking for you. OCCB and the FBI? They're into these line charts that run from some bullshit don to the capos, to the soldiers, to known associates. I have to admit the charts look nice and neat when you display 'em to a jury, but they're useless when someone acts outside the box. Like you.'

Carter buys five items at Wal-Mart: an X-Acto knife with a set of blades, a packet of coarse sandpaper, a box of strike-anywhere kitchen matches, a tube of glue and four shrink-wrapped ping-pong balls. He pays in cash, then heads back to Manhattan. His route takes him to the East River where he watches the moon play a game of peek-a-boo with a tattered layer of flat gray cloud, alternately casting a glow on the dark waters, then vanishing. Quite deliberately, as deliberately as he keeps the van within five miles of the speed limit, Carter pushes all consideration of Lo Phet's cosmic scheme from his mind. The truth is that Carter's always liked combat – death the ultimate risk, survival the ultimate reward – an unnamed world, however brief, without questions, without conflict, without longing.

A police cruiser's flashing lights dance in the van's rear-view and side mirrors. The cruiser's coming up fast, weaving from lane to lane, siren blaring. When Carter eases the van into the right lane, the cruiser speeds past, then suddenly cuts in front of him to exit at Forty-Ninth Street. Carter's forced to hit the brakes hard and he wonders, for just a moment, what emergency prompted the two cops in the cruiser to risk the lives of ordinary citizens going about their business. With no ready answer, his mind shifts to something even more unpleasant. Life and death are not the only possible outcomes, not here, not in his particular brand of combat. There's another outcome that will leave him caged for the rest of his life, a potential outcome he described to Angel Tamanaka, an outcome worse than death.

Carter asks himself what he'd do if surrounded by cops, a heavily armored SWAT Team perhaps, with no hope of escape. Surrender? Fight to the bitter end? Briefly, he imagines charging into the open, guns blazing, a boy soldier embracing his inevitable fate.

Angel shakes her head in wonder. Vincent Graham's given his love nest a makeover since she last visited. He's shifted his porn collection from the drawers of a triple-dresser to a cabinet that runs along the wall closest to the bed, a cabinet that must have been custom designed. He's also broken his collection into categories, from BDSM and BBW to Gang-bang and Swingers. Common to thousands of Internet porn sites, the list goes on and on, leaving Angel to wonder if Vincent believes they excite the women he brings here. In truth, she finds the display pathetic, as she finds Vincent Graham pathetic, as she finds most of her clients (
former
clients, she reminds herself) pathetic.

Angel glances at a giant TV screen lying flat against the ceiling just beyond the mirror above the bed. At the push of a button, she knows, the screen will descend, at the push of another button, the hi-def show will begin. Angel can't help but contrast Vincent's sex life to the one she and Carter share. Talk about losers.

But Angel's not here to critique Vincent Graham's sexual predilections. Angel wants to make sure the keys work and that Graham hasn't installed a security guard in the lobby, or a camera above the lobby door. He hasn't – probably because he doesn't want his trysts recorded – and the keys do work. That's enough for now.

Angel reaches into her purse, sliding her hand through layers of detritus, old letters, crumpled tissues, two wallets, a lipstick and a compact, three combs and a small brush, dozens of store receipts, a mini-umbrella and a pair of scratched, multi-tone sunglasses. At the very bottom, her fingers curl around a small automatic, the one no longer in the toe of a boot at the back of her closet.

Angel replaces the little automatic, sliding the pistol beneath a folded dish towel at the very bottom of the bag. She withdraws her hand, gives the bag a shake, then jabs her hand into the depths, burrowing past the mess, using the towel as a guide, until her fingers once again cradle the weapon and her thumb slides up to engage the safety. How long? Two seconds? Three? Not fast, not by Carter's standards. She'll just have to practice.

Back on the street, Angel decides to walk the mile back to the apartment she and Carter share. The air is cool and damp, but it's finally stopped raining. Angel's wearing jeans and a scoop-necked top, a cotton pullover, the jeans tight enough and the top low enough to attract the attention of three males in a jumped-up Toyota SUV. Angel's used to every kind of intrusion, from catcalls to polite good-evenings, but this gang's persistence digs beneath her skin. The Toyota's slowed down to match her pace, a bad sign.

‘Get in the car, baby. We'll give you what you really want. I promise.'

Their crew-cuts, pimples and sleeveless muscleman T-shirts, not to mention the Jersey license plate, mark them as terminal hicks. Their slurred voices mark them as drunk.

‘We'll use a lubricant,' the one in the back seat declares. ‘It won't hurt a bit.'

Angel slides her hand into her bag, slides it through and between the many objects between her fingers and . . . and her equalizer. That's what guns were called in the Old West, equalizers, because they made a little man the equal of a big man. Or a little woman, for that matter.

Angel doesn't acknowledge the comments. She continues on, placing one foot in front of the other, eyes forward, as though walking on empty streets in one of those post-apocalypse movies, the only human being left on Earth. But her thoughts move in another direction. Angel's thinking how easy it would be to pull the little automatic, to place it against each of their skulls, to pull the trigger. Bang, bang, bang. In fact, Angel's hoping they get out of the car.

TWENTY-FOUR

I
t's not a happy morning, not for Bobby Ditto. The Blade's telling him the warehouse, which just happens to be his home base, isn't secure. Somebody might have been inside and who knows where they went, and maybe his world's coming to a fucking end. Meanwhile, Elvino Espinoza's scheduled to arrive in a couple of hours to make final arrangements for the biggest deal of Bobby's young career. Espinoza's even more paranoid than Bobby. At the first hint of a problem, he'll vanish.

Bobby's thinking how it's not fair, how he's worked his butt off these last few years, never asking for a single special favor. He's thinking he deserves better than a run of bad luck that won't come to an end no matter what he does.

‘Tell me again how you came to this conclusion, Marco? I gotta hear this again. Enlighten me.'

The Blade shifts from one foot to the other, but he doesn't back off. Messenger is one of his jobs, good news or bad. ‘There's this puddle of water under one of the skylights, thank God it didn't spoil any carpet.'

‘So what? It rained all day yesterday.'

‘True enough, Bobby, only we been here for two years and the skylight never leaked before.'

Bobby shakes his head. ‘Tires don't go flat until they go flat. Your heart keeps beatin' until it stops.'

‘OK, I get the point. Maybe it's nothin'. Maybe I'm gettin' paranoid in my old age. But I still hadda check it out, which I did. I went up on the roof myself, boss. That skylight, it ain't locked down.'

‘Which means what?'

‘Which means somebody coulda got in.' The Blade takes a step back. ‘How 'bout,' he suggests, ‘you come up on the roof and take a look for yourself. This is not somethin' we could ignore.'

‘I haven't had coffee yet and you want me to climb up to the roof?' Bobby fixes his second-in-command with his most ferocious glare, but the Blade doesn't react. Now Bobby has to vent on the only game in town, the three kids in the outer basement.

‘You hear the news?' he asks Donny Thorn.

‘What news?'

‘We had somebody in here last night.'

Donny Thorn's a handsome kid. He's got those Irish good looks, the clear eye, the square jaw, the spray of freckles. Now his head swivels back and forth, as if he's seeing the basement for the first time, which irritates Bobby all the more. That's not Donny's intention and he says, ‘Nobody's been in here.'

‘I'm not talkin' about here, ya dumb fuck. I'm talkin' about upstairs.'

The words are on the tip of Donny's tongue:
But you told us to stay in the basement. You said for us to keep the door locked no matter what.
Somehow, he manages to hold them back.

‘They musta been real quiet, Bobby.' He looks to his companions, Al Zeffri and Nino Ferrulo. ‘You guys hear anything?' When both shake their heads, Donny spreads his hands apart, ‘But one thing I can say definitely. No one – and I mean nobody – came down those stairs.'

‘How do ya know that, Donny? Did you open the door like I told you under no fucking circumstances not to do?'

‘No, boss, we didn't.'

‘You sure?'

‘Absolutely one hundred percent. We didn't go nowhere.'

‘And you didn't invite a couple of broads in for a little party?'

Donny Thorn makes the Sign of the Cross on his breast. ‘Catholic honor, Bobby.'

Bobby Ditto finally turns away. He feels better now. Donny's not lying. The boys stayed in the basement and the money in the bunker was protected at all times. Bobby follows the Blade through the warehouse and out to the yard where he finds an extension ladder propped against the wall.

‘Ya know, Bobby, what you told Donny and them, about someone breaking in last night? That's not the way it happened. If it happened at all.'

‘How so?'

‘If somebody broke in, they woulda had to do it before it started raining. Otherwise they would've left footprints.'

‘So, you're talkin' Wednesday night?'

‘Or Tuesday or Monday.'

Bobby's eyes bulge in his head. Monday? Before he installed his security detail? There could be ten thousand bugs in the goddamned bunker. Somebody might be listening to every word.

‘Get the freak down here,' he tells the Blade.

‘If you're talkin' about Kupperman, I already called him.'

‘Good.' Bobby stops to allow a forklift carrying a roll of Berber carpet to pass. ‘So, this intruder, how'd he get on the roof? You think he brought a ladder with him? Like the one you're asking me to climb?' Bobby's eyes sweep the yard, moving over the trucks and the SUV, finally settling on the fence with its glistening razor wire. ‘And how'd he get over the fence? Did he fuckin' fly?'

The Blade feels like he's been saying the same thing all day, like he's back at Mary Immaculate, in the confessional booth with Father Binnelli. ‘I don't know, boss. Only this guy, Carter, if he was some kinda special forces freak like the Chink said? I think he woulda learned how to get past razor wire.'

There it is, Carter's name spoken aloud. Bobby's real good at hating, but he's never felt anything close to what he feels now. No one disrespects Bobby Benedetti. Everywhere he goes – a restaurant, a bar, a wedding, a funeral – men of honor shake his hand. Bobby runs his fingers over his face. He feels like somebody spit on him.

‘My day will come,' he tells the Blade. ‘Let's take a look on the roof.'

The ladder buckles under Bobby Ditto's weight, but doesn't break as he climbs to the roof and marches over to the nearest skylight. When it swings up on a pair of rusty hinges, he folds his hands across his chest.