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Authors: Wallace Stegner

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BOOK: Angle of Repose
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She loved the way his eyes rested on her, she thought he had a strong, masculine,
unflighty
sort of face. He looked like a contented man. And she was a contented woman, or would be as soon as she could get Ollie out.
He was gone by seven-thirty. For an hour she lay in bed, letting the stove and the sun work on the cabin’s chill. Then she got up in her dressing gown and assaulted the disorder–made up the cots, washed the dishes, swept the floor. If she didn’t do that at once, her disposition remained disheveled all day. She opened the door and the two windows to let the morning sweep away the cooking odors. Only when the place was clean and fresh could she settle down contentedly to drawing, reading, sewing, or writing letters.
Here is part of one to Augusta and Thomas, then following the spring northward into the Alps.
Do you remember, by chance, a family named Sargent on Staten Island? General Timothy Sargent? Their son Frank, who is Oliver’s assistant here, believes that his family and yours are slightly acquainted. You can imagine the feast of talk we had, the first time we sat down before our fire.
Frank is a splendid boy. He extravagantly admires Oliver, “the best man to work for in Colorado,” and he is indispensable to me when Oliver’s business keeps him in the office or sends him off on some inspection trip. Frank chops my kindling, carries in my wood, comes (at six!) to build my fire, burns my rubbish, fetches my bundles from town, runs my errands, takes me riding. It is of course quite out of the question that I should go alone.
Such a gentlemanly boy Frank is, for these circumstances. Not that he isn’t capable of dealing with anything that arises–he is six feet three and as limber as a blacksnake. He is intensely excited about the West, loves the adventure of it, delights in the strange people and the queer situations. But he has been gently reared, and is not inclined to sink to the level of life in these mountains. Every month he sends a third of his salary to his widowed mother, and when I asked him what he did for entertainment in Leadville–fearing the answer–he said there was not much to tempt him. He and Pricey, with whom he shares a shack, are both readers. The other night we had quite an earnest talk. He is consciously keeping himself
pure
, both as to the awful women he might meet in this place, and as to liquor, which he has seen destroy several of his friends. Liquor is a terrible temptation to lonely men cut off from their wives, or fighting for success they cannot attain. It is exhilarating to see someone like Frank determined to stand above it. On the other hand, Oliver tells me, he is manly to a degree, and only a little while ago had to put down a bully who presumed to think Pricey, with his English accent, amusing. The bully suffered a broken jaw, and is not yet quite able to speak again. Can you imagine knowing, and liking, a man who engages in fist fights? Yet here at least they are something a man of honor cannot entirely avoid.
I sister him, and flirt with him (a little). It is amusing and harmless since I am nine years older. The devastating thing about him is that he has those darkly glowing brown eyes like yours. His devotion is so open that of course Oliver has observed it. He understands, just as he somehow understands about thee and me.
How
he understands, I don’t know. He is wise for his age, my nice husband. Actually he and Frank are much alike. They have the same eagerness for Western experience, and the same coolness, and the same worshipful way of looking at your frivolous friend. But Frank is less self-contained, and more addicted to talk. I have already drawn him into Miss Alcott’s novel.
Isn’t it queer, at my age and in this altitude, to discover what it means to have power over men! It gives one a twinge of understanding of the sort of woman one has never met, the sort who choose to
exercise
their power. I have three men around me, almost the only society I see, and all three would walk barefoot over coals for me. Do I not strike you as a sad adventuress? But how innocent and pleasant and harmless too, to have one man to cherish and one to sister and one to mother!
The one I mother is Ian Price, Oliver’s clerk, whom we call Pricey. Oliver says he is a duffer, but keeps him on because he is so helpless and lonesome. I cannot fathom why he ever came to Leadville, unless it was that he was miserably unhappy where he was before. He is as little like a Western fortune hunter as you can imagine. His flesh seems to have been put on his bones by the lumpy handful. He stammers, blushes, falls over his own feet, and when he is being teased, or when something amuses him, he has a way of coming out with a great, pained, long-drawn “hawwww!” But in his way he is good company, for he is an even greater reader than Frank, and when we are alone he sometimes talks about books in a way that quite obliterates his usual embarrassment. He loves to sit in our rocker, before our fire, and read–not taking part in the conversation but somehow taking comfort from it, with an air of great content. Seeing him thus, I can’t help thinking what his alternatives would be were we not here to give him a sort of home: the Clarendon’s loud lobby, or the shack he shares with Frank, where he might lie reading in his bunk by the light of a lantern hung on a nail. . . .
Try a sample Leadville evening.
The light was gentle, a mixture of firelight and the soft radiance of two Moderateur lamps bought at a frightening price at Daniel and Fisher’s. The cots were curtained off, the table was shoved against the wall, which was hung with the geological maps of the King Survey. Susan had put these up, not Oliver; and they were for decoration, not study. Frank was sitting on the floor with his chin on his knees and the firelight in his eyes. Between stove and wall Pricey sat reading, and the noise of his rocking creaked in the lulls of their talk like an overindustrious cricket.
“What are you reading that’s so absorbing, Pricey?” Susan said.
Pricey did not hear her. His tiny feet in their clumsy boots came down tippy-toe, pushed against the floor, and floated upward again. His nose was ten inches from the page. His hand moved, a page turned, his feet came down, pushed, floated upward. The floor squeaked. They watched him, smiling among themselves.
“I think it’s a total lack of vanity,” Oliver said. “Anybody else who hears his name will look up, it’ll jar him a little. Not Pricey, not when he’s reading. Look at him, like a kid on a rockinghorse.”
“I saw him riding that old Minnie mule along the road the other day with his nose in a book,” Frank said. “Mule could have stumbled and tossed him down a shaft, he’d have gone right on reading. Maybe he’d have wondered why it got dark all of a sudden.”
Oliver raised his voice slightly to say, “I may have to ask him not to come over here any more. He’ll rock every nail out of the floor.”
They projected their joking toward Pricey and he heard nothing.
Creak
creak,
creak
creak. The little boots tapped the planks, floated upward. Pricey turned another page. Out of her suppressed laughter Susan shook her head at the other two. Don’t laugh at him. Don’t make fun.
Oliver said, “There’s one thing the oblivious Pricey doesn’t know. That rocker
creeps
. Five minutes more and he’ll be in the fire.”
“I doubt if it’d get his attention,” Frank said.
With preposterous daintiness the boots came down, tapped the planks, rose, hung, descended.
CREAK
creak,
CREAK
creak. Wetting his thumb, Pricey turned another page.
“I swear,” Oliver said, and stood up. “This is serious.”
He stepped along the wall to the bookcase that stood behind Pricey’s chair. Pricey hunched his shoulders aside slightly to make passage room, and a small interrogative humming issued from his nose, but he did not look up. The rockers rose and fell. Standing close behind him, Oliver took in each hand a volume of the King Survey reports-great quartos that ran six pounds to the book, the concentrated learning of King, Prager, Emmons, the Hague brothers, a dozen others who had been Oliver’s guides and models.
For a moment Susan was afraid he was going to drop the books on Pricey’s unconscious head, and she made a restraining motion. But Oliver only stood a moment, adjusting to Pricey’s rhythm, and then stooped quickly and shoved a book under each rocker.
Pricey stopped with a jolt, his head snapped back, his jaw snapped shut. He looked up startled into their laughter. His face went pink, his pale eyes circled wildly looking for a focus. “S-s-s-sorry!” he said. “What?”–and then the long acceptant
“hawwwww!”
like a groan.
Yet only a day or two after that, this same Pricey showed Susan some of the incongruous possibilities of Leadville. He had been the one delegated to take her riding, and they were down on the Lake Fork of the Arkansas at a place where they must ford. It was a time of high
water
, the infant Arkansas was swift and curly. “Come on, Pricey!” Susan called, and quirted her horse into the water.
The creek broke against his knees, and then as he surged carefully ahead, feeling for footing, against his shoulder. His hoofs were delicate among the slippery bottom stones. Susan pulled her foot out of the stirrup of the sidesaddle and sat precariously, thrilled and dazzled by the cold rush going underneath. When the water shallowed, the horse lunged out, shedding great drops, and as she felt for the stirrup she turned to see how Pricey was making it. There he came, strangling the horn with both hands. From midstream he sent her a sweet, desperate smile.
She guided her horse through willows and alders and runted birches, leaned and weaved until the brush ended and she broke into the open. She was at the edge of a meadow miles long, not a tree in it except for the wiggling line that marked the course of the Lake Fork. Stirrup-high grass flowed and flawed in the wind, and its motion revealed and hid and revealed again streaks and splashes of flowers–rust of paintbrush, blue of pentsternon, yellow of buttercups, scarlet of gilia, blue-tinged white of columbines. All around, rimming the valley, bare peaks patched with snow looked down from above the scalloped curve of timberline.
All but holding her breath, she pushed into the field of grass. The pony’s legs disappeared, his shoulders forced a passage, grass heads and flowers snagged in her stirrup and saddle skirts. The movement around and beneath her was as dizzying as the fast current of the creek had been a moment before. The air was that high blue mountain kind that fizzes in the lungs. Rising in her stirrup to get her face and chest full of it, she gave, as it were, a standing ovation to the rim cut out against the blue. From a thousand places in the grass little gerns of unevaporated water winked back the sun.
She heard Pricey come up and stop just behind her. His horse blew. But she was filling her eyes, and did not turn. Then she heard Pricey say, in his fine cultivated Oxonian voice, strongly, without the trace of a stammer,
Oh, tenderly the haughty day
Fills his blue urn with fire.
Who but Pricey? Where but Leadville?
 
Mice have gnawed Grandmother’s Leadville letters and created some historical lacunae. The packet is thin, moreover. That much time in New Almaden and Santa Cruz produced a bale of correspondence. Leadville’s letters number only thirty.
The reminiscences don’t help much, and neither do the three novels that deal with the Leadville experience, sympathetically misunderstood from the fireside. Real people and real actions may be traced in them, but they operate within plots full of the scruples of attenuated virgins of a kind that Grandmother certainly never found in Leadville. Their heroes are young engineers like Oliver Ward reduced to pasteboard, their villains are claim jumpers and crooked managers. Once the heroine is the daughter of the villain, a device that Grandmother used again in a later story. The villain has to die repentant before the young lady can marry the upright engineer.
These fictions would have been pretty much the same, with only a repainting of the background scenery, if she had been writing about Tombstone or Deadwood. She really
was
protected, somewhat by her husband and just as much by her fastidiousness. The reality in these stories is only decorative.
But a Leadville as authentic as it is unexpected lies buried in the mouse-shredded letters. It is the Leadville that found its way to her fireside.
A camp that strikes it rich in the middle of a depression speaks as urgently to the well-trained as to the untrained. In Leadville, Harvard men mucked in prospect holes, graduates of MIT and Yale Sheffield Scientific School worked as paymasters and clerks and gunguards, every mine office was approached daily by some junior engineer with a diploma and a new mustache. The Clarendon Hotel heard the accents of Boston, New York, and London; Mosquito Pass was a major flyway for migrating mining experts and capitalists.
Leadville roared toward civilization like a runaway train. Amid talk of an opera house, three mine managers, including Oliver’s distant cousin W. S. Ward, were planning houses on Ditch Walk, and hoped to have wives in them before another summer. The principal boardinghouse at its Younger Sons Ball drew social lines as rigid in their way as Newport’s. The best saloons were gorgeous with walnut, crystal, and William Morris wallpapers. All this was just beginning to fall into place, like the bits of colored glass in a kaleidoscope, when Susan settled down to pig it in her cabin on the ditch.
One morning a knock came on the door, and Susan opened it to see a stout, bright-eyed, self-assured little lady standing there. Helen Hunt Jackson, sent to her like a valentine by their mutual friend Augusta. As a literary lady married to a mining engineer, and resident in the West, Mrs. Jackson could hardly have been more reassuring to Grandmother. If Helen Hunt of Amherst, Massachusetts, was not lost when she became Helen Hunt Jackson of Denver, then why should Susan Burling of Milton, New York, lose her identity now that she was Susan Burling Ward of Leadville? The two were intimates within fifteen minutes.
BOOK: Angle of Repose
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