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Authors: Merrill Joan Gerber

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Anna in the Afterlife (6 page)

BOOK: Anna in the Afterlife
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From the very beginning Gert had wanted to steal Anna's babies. On the first day Anna had brought Janet home from the hospital in Brooklyn, her sister tried to take over, elbow her out of the way, block Anna's access to the crib (where Gert would sit for hours, staring at the baby's little curled fists, stroking the thin blonde fuzz on her delicate head). She complained about the way Anna bathed the baby although Anna had professional instructions for this, left in writing by the visiting nurse:
“Hold the point of towel under the chin, lift baby from bathinette, hold tight if baby is slippery, fold left side of towel to the right, then right side of towel to the left. Drop the point on baby's head but do not drop baby.”

Gert thought she knew better about everything. She criticized Anna for waking Janet from a peaceful sleep at six A.M. to give her orange juice, though the doctor advised that a rigorous schedule was important for discipline. Anna let the baby cry for the same reason, but Gert was always rushing to the crib, cooing and rocking and singing and baby talking in a way that made Anna nauseated.

Still, it was Anna's baby, not Gert's, and Abram was Anna's husband, not Gert's, and all Gert had was her smelly dog Bingo who was forever scraping her rear end along the carpet and making Anna sick. One day when Gert wasn't home, Anna had no choice but to call the pound and give away the dog. Male dogs were coming to the front yard and peeing all over the baby's carriage because they smelled Bingo, who seemed to be in heat every other day.

The timing wasn't kind, but Bingo had to be removed when Gert wasn't at home or she'd have kicked up a fuss to high heaven. The dog was just a dog. Gert simply couldn't understand that a baby was more important. When she came home and found Bingo gone, not only gone but dispatched to dog heaven, she told Anna she'd never forgive her. Then she pretended to have something like a nervous breakdown for a few weeks and lost weight and cried in her room.

Anna, in her new freedom as a dead woman and with time to spare, felt called upon to investigate the nervy suicide attempt that had to be Gert's ultimate ploy to seduce her children. Anna herself never played games about ending her life; she had said she wanted to die, said it up front in the nursing home every day. And when she tried to do it by wedging herself between the piano and the wall in the chapel, she certainly wasn't asking for attention. It was just her bad luck they got her out.

But Gert: if she could have, she would have done it on national television. On the day she picked, Janet had just cleared the dishes from Danny's breakfast (she was one of those women who still cooked for their men) and was packing him a lunch when the phone rang.

“Janet…” It was Gert. Janet took a deep breath. Exasperation was on her face; this wasn't a good time for her to talk, it was too early in the day, she had a hundred things to do in the morning. Did Gert care how often she interrupted the girls' lives? Sometimes she called Anna's daughters four times a day—a woman with all the time in the world. Her second husband, Harry, had died four years before, and now she lived in a fancy Beverly Hills retirement home.

“Janet,” she said. “I decided I don't want to live anymore.”

“I know how you feel. I know it's hard to be old, Aunt Gert,” Janet said kindly if a little impatiently. “But what can you do about it?”

“I already did it.”

“Did what?”

“I slit my wrists. Don't call anyone…”

“You slit your wrists?
When?”

“Two hours ago. The blood keeps clotting. I had to cut them again. Then I had to get up again and cut my vein in my elbow. I think it's working now. There's a lot of blood. I called to say good-bye. And to tell you I'm going to hide my ring somewhere so they don't steal it. My ring is for whichever of your children was nicest to me. You decide.”

“My God! I have to hang up now and call for help.”

“No, don't call anyone, this is what I want. But maybe you could get Carol on the line, you still have three-way calling?”

Just then Danny passed in the hall, wearing his underwear, shaving cream still dotting his face.

“Aunt Gert just slit her wrists,” Janet cried out to him. “She said I shouldn't call anyone.”

“You have to,” he said.

“First she wants to say good-bye to Carol.” Janet was already doing the three-way thing, and then Carol got on the phone, half asleep.

“Aunt Gert wants to talk to you, she's in the middle of killing herself and wants to say good-bye. She slit her wrists.”

“What?”

Gert's voice came over the wire, weak and helpless.

“Good-bye, children. Life is too much trouble. Don't be mad at me for this.”

“I'm hanging up. I'm calling the paramedics.” In Carol's voice was a certain toughness, even a lack of surprise. Carol's husband had run her in circles for years, threatening to kill himself if she didn't do this or that the way he liked. What nerve—for Gert to pull a trick like this when Carol had been through hell already with one suicide in the family.

Why would Gert do this? For attention, of course. Anna wanted to smack Gert hard, give her an Indian burn the way she used to when they were little. She wanted to say “Grow up, will you!”

In the meantime, Janet was still on the phone with Gert.

“Carol is calling the paramedics, Aunt Gert.”

“Well, I don't want them to steal my ring. Where should I hide it?”

“You know that cup with the pencils? You could drop it in there.”

“The Band-Aid box in the bathroom would be better.”

“You probably don't have the strength to get to the bathroom.”

“I think I could,” she said, her voice trailing off.

Janet just kept her talking until she heard a hard knocking at her aunt's door.

“One of the Mexican boys is here,” Gert said. “I hope it's too late for them to help me.”

“Put him on the phone,” Janet said. She heard her aunt say, “Come in, Julio.”

“Julio? Is my aunt really bleeding?”

“Blood everywhere,” he said. “God save us. Blood is all over.”

Anna's two daughters rushed to get dressed and drive to Beverly Hills, where Gert, who always made a big thing about living near Jews, now lived among dozens of them she hated and cursed daily.

The girls drove along the freeway in a state of shock. The smog was heavy already, sitting on the hills like a smoke ring, making it hard to breathe. Anna had always hated driving behind diesel trucks; she'd read that the fumes could give you cancer. As it turned out, she had had good luck with cancer, she never had any. She'd had plenty of other things to make up for it: her stroke, her broken hip, her lifelong nausea, her gastritis, her arthritis, her glaucoma, her high blood pressure, her—well, what difference did it make now? She was done with all that.

From the freeway her daughters could see the impressive edifice of the Burning Bush Cemetery where Anna's husband had been buried in 1965. The girls, whenever they were on this freeway, always called out a greeting to their father, who was buried on the slant of a hill coming down almost to the road. The place looked pretty good to Anna, the grass well kept, the neat rows of bronze plaques in lines almost as far as the eye could see. In a couple of days she would finally be lined up right there with all the dead, dug under, covered over, lying beside Abram. If he could see her, he wouldn't recognize her—a woman of ninety with wild white hair, a face as sunken as a fallen cake, limbs as shapeless as Jell-O. If he remembered even one thing about her it would doubtless be the gorgeous legs of her youth. And if she could see him, God forbid, she'd see a pile of bones in his favorite blue suit. She had to remind herself they were both somewhere else already, cozy in clouds, far from these holes in the ground that would soon house what was left of their mortal remains.

When the girls arrived in Beverly Hills, Carol said to Janet, “Do you believe we're really doing this? Coming to see our eightysix-year-old aunt who just slit her wrists? It's got to be a sick joke.”

The two woman at the desk in the retirement home looked at them with pity. “They already took your aunt away in the ambulance. We had no idea she was thinking such terrible thoughts. In fact, when the paramedics carried her out on the gurney, she was wearing a red lace nightgown. She looked a little pale, but not so bad.”

“We'd better go up to her apartment,” Janet said.

“The police were already up there. They told us they took away her suicide note.”

In the elevator Janet and Carol clasped one another's hands and squeezed hard. Anna was filled with a wild fury. She had never given her children this much trouble! Nothing she had ever done had equaled these shenanigans.

Blood was everywhere in the apartment. Soaking the bed, in a trail of drops across the rug and to the bathroom, on the sink, in the basin, on the bar of soap. A double-edged razor blade lay on the edge of the sink, red over the steely gray.

“She mined the mattress, the rug, the whole place! We'll have to pay them a fortune for this.”

“We should call the hospital and find out where she is, find out if we can see her,” Janet said, but when she reached for the phone, her hand stopped in midair. The phone was covered with blood.

“My God,” Carol said. “She did this because she was mad at us! Like Bard. He always felt no one was doing enough to make him happy. And it's clear no one was doing enough to make her happy.”

“Here's her ring,” Janet said, “right where I told her to hide it, in the cup with the pencils. That's the thing she was most worried about—that no one should steal it from her.”

“I'll tell you what that reminds me of,” Carol said. “The day Bard killed himself, you remember this? He left his insurance policy in the house, on the floor, just inside the front door—a little message to me that I wanted the money more than I wanted him.”

“You think Aunt Gert was telling us the same thing? We wanted her ring more than we wanted her?”

“Who knows
what
people are thinking when they try to end their lives, Janet. They're crazy, aren't they? They decided to kill themselves. Is that sane?”

“It could be, under some circumstances. Like Mom wanting to die.”

“Well, that's a different story. Wouldn't you want to get out of it if you were chained to your bed for so many years?”

Anna was gratified to know they saw her point. But she was a little put out, all the same, that her girls had kept the truth from her about Gert, had mentioned in passing that she might have been “a little depressed,” that she had taken a few too many sleeping pills. This blood bath was extravagant and gaudy—leave it to Gert to gussy up everything, to wear a red lace nightgown to do the deed. To call to say good-bye!

It turned out, and it served her right, that after Gert was sewed up in the ER, she was admitted to the psychiatric lock-up ward where they put all the nut cases. Janet and Carol found her in the ER at the hospital just before they wheeled her away; her arms were wrapped in gauze like a mummy. When she saw her nieces looking into the cubicle, she said “Don't worry about me anymore, I'm not worth it.” On the floor, just to the side of her bed, was her red lace nightgown in shreds. Gert saw them looking: “They cut it off me. It's a pity, my best nightgown. I had to have seventeen stitches. I don't know how I had the nerve to do it, a chicken like me. It took a lot of courage, don't you think? Like they say, old age isn't for sissies.”

The girls were speechless. Gert had plenty more to say. “Did you get my note? I left you a good-bye note.”

“We didn't see the note,” Janet said. “The police took it.”

Gert looked surprised and pleased. “Maybe they have to investigate that I wasn't murdered.”

“What did you say in the note?” Janet asked.

“I said to forgive me. That I was tired of living, that I was doing this so you'd have some use of my money.”

“You killed yourself for us?” Carol asked her. “So we could have your money?”

“Why should it be wasted on an old lady like me? You two have much more use for it. You could have some fun with it.”


This
is really a lot of fun, Aunt Gert,” Janet said. “Seeing you like this.”

The lock-up ward of the hospital was a little like a college dorm: two to a room, a snack machine in the lounge where a TV played all day, a ready supply of free tea and coffee, and one pay phone hanging in a hallway, which, unless you had proper change, you could not use. Nor could you receive any calls on it.

Gert who had never been away from home one day in her life, who had believed that “if a man is going to find me, he'll find me taking out the garbage,” now appeared to be having the lost excitement of her youth. A black man, another nutcase, took a fancy to her, and tried to waltz with her every time she sashayed down the hall. He sang “Take Me Out to the Ball Game” as he twirled her around the floor. He wore pointy brown shoes with white wing tips.

Twice a day the inmates had therapy sessions. Gert had a Jewish psychiatrist who liked to shove his face into hers and say, “Are you going to do what you did ever again?
Ever again?

“I wish it had worked the first time,” Gert told him.

He scowled.
Wrong answer
. His face was even more fierce.

“You're going to put your family through that again? Do you know what it did to them? I met your nieces, they're nice girls. One is a widow, she told me, of a suicide.”

“I did it for them,” Gert told him. “I thought they could use a little extra money.”

Wrong answer
. His face was even meaner.

“Okay, so it didn't work, and now I'll be a terrible trouble to them.”

“You don't think you've already been a terrible trouble to them? Your older niece said all you do is call her up ten times a day and tell her how many pains you have.”

BOOK: Anna in the Afterlife
2.61Mb size Format: txt, pdf, ePub
ads

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