Appassionata (3 page)
I’d like to thank Jack and Patricia Godsell for their beautiful Toadsmoor Lake which was a magical source of inspiration, and Dr Ueli Habegger who finally located the island on Lake Lucerne where the ghost horn player can sometimes be heard at dusk.
As well as Spain and Switzerland, my research took me in 1994 to Prague and on to Pardubice where British jockey, owner and trainer Charlie Mann exceeded all expectation by coming second in the Czech Grand National on It’s a Snip, and, later in 1995, came first. I must particularly thank Lord Patrick Beresford and Baroness Dory Friesen for masterminding this brilliant trip for Abercrombie and Kent, and thank Sir Derek Hodgson, Queeks Carleton-Paget and Liza Butler for being such beguiling travelling companions.
Many people wrote offering advice and anecdotes. Many numbers went down in my telephone book. Sadly I never followed them up, as in the end I had to get down and write the book.
If researching
Appassionata
was a joy, writing it was an absolute nightmare, because an orchestra consists of so many characters, and mine were continually getting out of control, particularly in their behaviour. In fact Paul Hughes, Ian Pillow and Linn Rothstein, who most heroically read through the manuscript for mistakes, said they had never come across an orchestra who behaved quite so badly as my Rutminster Symphony Orchestra. Nor in fact had I. The high jinks and bad behaviour in the book are totally invented and I would stress that
Appassionata
is a work of fiction. Any resemblance to any living person or organization is wholly unintentional and purely coincidental.
Appassionata
was a joy, writing it was an absolute nightmare, because an orchestra consists of so many characters, and mine were continually getting out of control, particularly in their behaviour. In fact Paul Hughes, Ian Pillow and Linn Rothstein, who most heroically read through the manuscript for mistakes, said they had never come across an orchestra who behaved quite so badly as my Rutminster Symphony Orchestra. Nor in fact had I. The high jinks and bad behaviour in the book are totally invented and I would stress that
Appassionata
is a work of fiction. Any resemblance to any living person or organization is wholly unintentional and purely coincidental.
I never got to Bogotá, where the first chapters are set, but Annie Senior and Peter Gibbs-Kennet gave me graphic descriptions and I was much indebted to both the
Lonely Planet Guide to Colombia
and
The Fruit Palace
, a stunning travel book by Charles Nicholl.
Lonely Planet Guide to Colombia
and
The Fruit Palace
, a stunning travel book by Charles Nicholl.
Nor would the book have probably been completed if Sharon Young of British Airways hadn’t tracked down a folder of early notes I’d left at Glasgow Airport.
I am truly sorry if I’ve left people out, but if I’d listed everyone who’d helped me, these acknowledgements would be longer than the book.
While writing
Appassionata
, I was gently followed to Prague and Switzerland and all over England by a BBC2 crew from Bookmark, headed by Basil Comely. Occasionally I found it difficult to get to grips with brass players’ love lives or seduction techniques in conductors’ dressing-rooms with a BBC crew breathing down my neck, but otherwise they couldn’t have been more tactful, kind and fun to work with.
Appassionata
, I was gently followed to Prague and Switzerland and all over England by a BBC2 crew from Bookmark, headed by Basil Comely. Occasionally I found it difficult to get to grips with brass players’ love lives or seduction techniques in conductors’ dressing-rooms with a BBC crew breathing down my neck, but otherwise they couldn’t have been more tactful, kind and fun to work with.
My publishers, Paul Scherer, Mark Barty-King, Patrick Janson-Smith of Transworld, as usual, have been impeccable, constantly encouraging and reassuringly rock solid at a time of book trade turbulence. I have also had wonderful editorial help from the glorious Diane Pearson and from Broo Doherty, who grew cross-eyed as she ploughed through 1403 pages of manuscript, crammed with musical references. She was, however, so charming and so enthusiastic about the book that I accepted (nearly) all the changes she suggested.
I am also eternally lucky in having the best, most delightfully insouciant agent in London, Desmond Elliott and his assistant Nathan Mayatt, who spent so much time photostatting and despatching.
For the first time, the huge manuscript was typed on computers. The real heroines of
Appassionata
are therefore my friends: Annette Xuereb-Brennan, Anna Gibbs-Kennet and Pippa Moores, who completed the job on new machines in an amazing five weeks. They worked long into the night, deciphering my deplorable handwriting, punctuating, correcting spelling and pointing out howlers. I cannot express sufficient gratitude to them nor to Ann Mills, my equally heroic cleaner, who somehow cleared up the mess while picking her way delicately through rising tower blocks of manuscript until the house looked rather like Hong Kong.
Appassionata
are therefore my friends: Annette Xuereb-Brennan, Anna Gibbs-Kennet and Pippa Moores, who completed the job on new machines in an amazing five weeks. They worked long into the night, deciphering my deplorable handwriting, punctuating, correcting spelling and pointing out howlers. I cannot express sufficient gratitude to them nor to Ann Mills, my equally heroic cleaner, who somehow cleared up the mess while picking her way delicately through rising tower blocks of manuscript until the house looked rather like Hong Kong.
Sadly, my dear friend and PA, Jane Watts, who supervised so much of the photostatting and collation of the book, and who had given me so much love and support over the past six years, left in November. With huge luck, her place was soon taken by Pippa Moores, who arrived to oversee the move into computers, and stayed to become my new assistant.
My family,
comme toujours
, were staunchness personified. Leo, Felix and Emily hardly saw me for eighteen months, but gave endless cheer and comfort. So did my dogs Barbara and Hero, and four cats, Agnes, Sewage, Rattle and Tilson-Thomas, who provided sweet, silent companionship and protection in the gazebo, even at the dead of night.
comme toujours
, were staunchness personified. Leo, Felix and Emily hardly saw me for eighteen months, but gave endless cheer and comfort. So did my dogs Barbara and Hero, and four cats, Agnes, Sewage, Rattle and Tilson-Thomas, who provided sweet, silent companionship and protection in the gazebo, even at the dead of night.
Dear gallant Barbara (Gertrude the mongrel in my last four books) seemed determined to cling on to life if only to see me safely into port. She died a few days after I finished writing, leaving the world unbearably the poorer.
Finally, I would like to thank musicians everywhere for the joy they bring, and to beg the public, the Government and the local authorities to give them the support and funding they so desperately need, because a twenty-first century without orchestras would be very bleak indeed.
THE CAST
| | |
| CANON AIRLIE | Non-executive director of the Rutminster Symphony Orchestra (RSO), a silly old fossil, constantly campaigning for better behaviour. |
| | |
| ALBERTO | The unsalubrious landlord of the Red Parrot Hotel, Bogotá. |
| | |
| AMBROSE | Principal guest conductor, RSO, known as the ‘fat controller’ – a bitchy old queen. |
| | |
| ANATOLE | A tempestuously talented Russian contestant in the Appleton Piano Competition. |
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| SISTER ANGELICA | A beautiful nun. |
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| ASTRID | Boris Levitsky’s stunning Scandinavian au pair. |
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| LADY BADDINGHAM | Much admired ex-wife of Tony Baddingham, the fiendish ex-chairman of Corinium Television. |
| | |
| BENNY BASANOVICH | A very tiresome Russian-French pianist who can only play fortissimo. |
| | |
| BARRY THE BASS | Principal Bass, RSO. |
| | |
| MRS BATESON | A music lover who befriends Marcus Campbell-Black. |
| | |
| JAMES BENSON | A very expensive private doctor. |
| | |
| BIANCA | An adorable Colombian orphan. |
| | |
| MRS BODKIN | Rupert Campbell-Black’s ancient housekeeper. |
| | |
| ROSALIE BRANDON | A bossyboots attached to the London office of Shepherd Denston, the music agents. |
| | |
| MILES BRIAN-KNOWLES | Detested deputy-managing director of the RSO, a snake in furry caterpillar’s clothing, who is after Mark Carling’s job. |
| | |
| DAVIE BUCKLE | A beaming bruiser and RSO timpanist. |
| | |
| EDDIE | Rupert’s father, an unreformed rake, |
| CAMPBELL-BLACK | just emerged from a fifth marriage and raring to go. |
| | |
| RUPERT | Ex-world show-jumping champion, now |
| CAMPBELL-BLACK | one of the world’s leading owner-trainers. Still Mecca for most women. |
| | |
| TAGGIE | Rupert’s wife – an angel and the apple |
| CAMPBELL-BLACK | of his once roving eye. |
| | |
| MARCUS | Rupert’s son by his first marriage. A |
| CAMPBELL-BLACK | pianist whose path to the top is only impeded by asthma and nerves, both chiefly induced by his father. |
| | |
| TABITHA | A ravishing tearaway. Rupert’s daughter, |
| CAMPBELL-BLACK | also by his first wife. |
| | |
| CANDY | A comely rank-and-file RSO viola player. |
| | |
| LINDY CARDEW | The mettlesome wife of Rutminster’s planning officer. |
| | |
| MARK CARLING | Beleaguered managing director of the RSO. |
| | |
| HAN CHAI | A very young Korean contestant in the Appleton Piano Competition. |
| | |
| TONY CHARLTON | The indefatigable and perennially cheerful stage manager of the RSO. Known as ‘Charlton Handsome’. |
| | |
| MISS CHATTERTON | Marcus Campbell-Black’s piano teacher, known as ‘Chatterbox’. |
| | |
| LADY CHISLEDON | A lusty old trout and member of the RSO board. |
| | |
| CHRISSIE | An obsequious Northern Television minion. |
| | |
| CLARE | Another very pretty RSO rank-and-file viola player, also the orchestra Sloane. |
| | |
| CLARISSA | Principal Cello, RSO. |
| | |
| CLIVE | Rannaldini’s sinister black-leather-clad henchman. |
| | |
| THE BISHOP OF | Another silly old fossil. |
| COTCHESTER | |
| | |
| CRYSTELLE | A bullying beautician from Parker and Parker’s department store. |
| | |
| OLD CYRIL | Fourth Horn, RSO. Heavy drinker. Onetime great player. |
| | |
| HOWARD DENSTON | Wideboy partner in Shepherd Denston, the toughest music agents in New York. |
| | |
| HOWIE DENSTON | Howard’s son, a mega-manipulator, who runs the London office. |
| | |
| NICHOLAS DIGBY | The harassed orchestra manager, or ‘fixer’ of the RSO, who has the unenviable task of getting the right number or players on and off the platform. Known as ‘Knickers’. |
| | |
| MRS DIGGORY | Heroic cleaner of the Celtic Mafia’s Bordello. |
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| DIZZY | Rupert Campbell-Black’s head groom. |
| | |
| DMITRI | A lyrical and lachrymose cellist, later Principal Cello of the RSO. |
| | |
| BLUE DONOVAN | Second Horn of the RSO – blue-eyed Irishman of great charm, who covers for Viking O’Neill, both on the platform and in life. Founder member of Viking’s gang, known as the ‘Celtic Mafia’. |
| | |
| DIXIE DOUGLAS | A Glaswegian hunk, whose light duties as an RSO trombone player leave him rather too much time to hell-raise and troublemake. Another member of the Celtic Mafia. |
| | |
| MRS EDWARDS | Helen Campbell-Black’s underworked cleaner. |
| | |
| ELDRED | A beleaguered Principal Clarinet. |
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| ERNESTO | A bribable Italian judge at the Appleton Piano Competition. |
| | |
| FRANCIS FAIRCHILD | Second Desk First Violin of the RSO nicknamed the ‘Good Loser? because he’s always mislaying his possessions. |
| | |
| LIONEL FIELDING | Leader of the RSO. A vainglorious narcissist. |
| | |
| HUGO DE GINÈSTRE | The charming, chivalrous, French-Canadian Co-leader of the RSO. |
| | |
| GISELA | Sir Rodney Macintosh’s cherishing housekeeper. |
| | |
| ROWENA GODBOLD | Charismatic bloude First Horn of the Cotchester Chamber Orchestra (CCO), the RSO’s deadly rivals. |
| | |
| PABLO GONZALES | An ancient Spanish pianist of great renown. |
| | |
| HELEN GORDON | Rupert’s first wife, now married |
| (formerly CAMPBELL-BLACK) | to his old chef d’équipe , Malise Gordon. A legendary beauty and devoted mother of Marcus and less so of Tabitha. |
| | |
| GILBERT GREENFORD | A caring beard from the Arts Council. Mark Carling’s cross. |
| | |
| GWYNNETH | A caftanned barrel from the Arts Council, Gilbert Greenford’s ‘partner’ and another of Mark Calling’s crosses. |
| | |
| RANDY HAMILTON | Third Trumpet from a brass-band and Army background. Another Celtic Mafia hell-raiser. |
| | |
| HERMIONE HAREFIELD | World-famous diva and Rannaldini’s mistress, who brings out the Crippen in all of us. |
| | |
| DIRTY HARRY | A bass player who never washes. |
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| LYSANDER HAWKLEY | Rupert Campbell-Black’s jockey, the man who made husbands jealous. |
| | |
| HARVEY THE HEAVY | George Hungerford’s chauffeur and minder. |
| | |
| OLD HENRY | Oldest member of the RSO, once auditioned successfully for Toscanini, now rank-and-file First Violin. |
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| ANTHEA HISLOP | A pianist, mostly employed for her sex appeal. |
| | |
| GEORGE HUNGERFORD | An extremely successful property developer. |
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| MOTHER MARIA | A radiant Reverend Mother. |
| IMMACULATA | |
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| FAT ISOBEL | A very large viola player. |
| | |
| JISON | A dodgy local car dealer. |
| | |
| BRUCE KENNEDY | American pianist and judge at the Appleton Piano Competition. |
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| KEVIN | A social worker. |
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| MARIA KUSAK | A violin soloist, also employed for her sex appeal. |
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| LORD LEATHERHEAD | Chairman of the RSO and crashing bore on the subject of bottled water. |
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| BORIS LEVITSKY | A glamorous Russian conductor/composer. A bear with a very sore heart as a result of his wife Rachel’s suicide. |
| | |
| LILI | A bribable German judge in the Appleton Piano Competition. |
| | |
| LINCOLN | Fifth Horn of the RSO. |
| | |
| HILARY LLOYD | Second Clarinet of the RSO. An utter bitch known as the ‘Swan of Purley’ because she’s very refined and having an affaire with the leader. Hell-bent on becoming First Clarinet. |
| | |
| SIR RODNEY MACINTOSH | Musical Director and Principal Conductor of the RSO. Absolute sweetie and sly old fox, who lets others do the worrying. |
| | |
| GEORGIE MAGUIRE | World-famous singer and song writer. |
| | |
| CARL MATTHESON | Homespun American contestant in the Appleton Piano Competition. |
| | |
| JUNO MEADOWS | Second Flute of the RSO. Tiny and tantalizingly pretty, known as the ‘Steel Elf’. |
| | |
| MARY MELVILLE | Principal Second Violin of the RSO. A doting mother known as ‘Mary-the-Mother-of-Justin’. |
| | |
| SISTER MERCEDES | A very butch nun. |
| | |
| QUINTON MITCHELL | Third Horn of the RSO who wants to be First Horn. |
| | |
| SALVADOR MOLINARI | A naughty Colombian playboy. |
| | |
| MILITANT MOLL | A fiercely feminist rank-and-file viola player of the RSO. |
| | |
| ALEXEI NEMEROVSKY | Principal dancer of the Cossak Russe Ballet Company, known as ‘The Treat from Moscow’. |
| | |
| NELLIE NICOLSON | Third Desk cellist of the RSO known as ‘Nellie the Nympho’. |
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| NINION | Second Oboe. Militant Moll’s exceedingly hen-pecked boyfriend. |
| | |
| NORIKO | An adorably pretty Japanese; rank-and-file First Violin of the RSO. |
| | |
| DECLAN O’HARA | Irish television presenter and megastar. Managing director of Venturer Television. |
| | |
| DEIRDRE O’NEILL | Irish judge at the Appleton Piano Competition, fond of a drop, known as ‘Deirdre of the Drowned Sorrows’. |
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| VICTOR (VIKING) O’NEILL | First Horn and hero of the orchestra because of his great glamour, glorious sound and rebellious attitude. The Godfather of the Celtic Mafia. |
| | |
| SIMON PAINSHAW | First Oboe of the RSO. A walking Grove’s Dictionary who spends his time brooding on his reeds. |
| | |
| PEGGY PARKER | Owner of Parker and Parker department store in Rutminster High Street. A bossy boots and overbearing member of the RSO board. |
| | |
| ROGER ‘SONNY’ PARKER | Her frightful son, a composer of even more frightful modern music. |
| | |
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