“Why did he have to have you at all, Sir John?”
“He wanted an expert who wouldn’t miss that letter planted in the fireplace. And, of course, the notion of Dr Macrae’s sending an alarmed appeal to the police was a useful one. What he didn’t reckon on was my hearing Dr Macrae’s real voice on your dictaphone. I felt at once it didn’t square with the voice on the telephone. There was a moment when I thought of Colin Macrae as having conceivably sent that, but I at once realised that his stammer ruled him out as impersonating his uncle. Then when Cokayne rang up and I took the call, I had an obscure feeling that here the actual voice might be. But it was only when I’d got Cokayne to read the letter aloud that I was certain. It was my first important discovery. Cokayne was deeply, although still quite obscurely, implicated.
“And now, consider the sequence of events. Ivor arrived by launch and went up to his uncle’s study, where you saw him. The uncle and nephew were at cross-purposes – and what you heard, of course, was Dr Macrae denying that he had sent any summons. But before they got any further, Cokayne, lurking in the garden, gave his dramatic shout for help. Ivor dashed out, while Dr Macrae, being crippled, stayed put. Cokayne stunned Ivor, returned to the study, shot Dr Macrae, and planted the letter. Then he returned to Ivor, and hauled him down to the river. His plan was to take him away in his own craft and stage a suicide by drowning. But it had to be near a bridge.”
“A bridge?” Miss Hatt, although so acute, was at a loss here.
“Because of that blow on Ivor’s head. It must appear that he had thrown himself down from a height, and hit a pier or buttress. And now there was a first hitch: Joyce Hereward. Her presence in the haunch was the unexpected factor. So Cokayne hauled Ivor into shadow, tied him up, and waited. And the wait was his undoing. He became nervous and felt – as criminals so often do – that he must have a look at the scene of the crime and make sure that all was going according to plan there. So he hurried home and made that odd call about being uneasy. He certainly
was
uneasy. Then he waited a little longer, and came up to the house. The discovery that the girl was now there, and the launch therefore deserted, gave him fresh confidence. So he played his part very well.”
“He certainly did. But he must have been on tenterhooks to get away.”
“Quite so. And he must have made a shrewd guess that he’d be watched, and that the position was pretty desperate. But if he could just get Ivor where he still wanted him, he had a chance of pulling the thing off even now. There was still that damning letter. But he failed.”
Miss Hatt was silent for a moment. “We are to be faced with the horrors of a murder trial?”
“No.” Appleby shook his head seriously. “You haven’t heard the end. After hurling Ivor overboard, Cokayne lost his nerve completely. As a result, he smashed the launch to matchwood against the next bridge, and was drowned. The engineer – as Hamlet, once more, has it – was hoisted with his own petard.”
John Appleby first appears in
Death at the President’s Lodging
, by which time he has risen to the rank of Inspector in the police force. A cerebral detective, with ready wit, charm and good manners, he rose from humble origins to being educated at ‘St Anthony’s College’, Oxford, prior to joining the police as an ordinary constable.
Having decided to take early retirement just after World War II, he nonetheless continued his police career at a later stage and is subsequently appointed an Assistant Commissioner of the Metropolitan Police at Scotland Yard, where his crime solving talents are put to good use, despite the lofty administrative position. Final retirement from the police force (as Commissioner and Sir John Appleby) does not, however, diminish Appleby’s taste for solving crime and he continues to be active,
Appleby and the Ospreys
marking his final appearance in the late 1980’s.
In
Appleby’s End
he meets Judith Raven, whom he marries and who has an involvement in many subsequent cases, as does their son Bobby and other members of his family.
These titles can be read as a series, or randomly as standalone novels
1. | | Death at the President’s Lodging | | Also as: Seven Suspects | | 1936 |
2. | | Hamlet! Revenge | | | | 1937 |
3. | | Lament for a Maker | | | | 1938 |
4. | | Stop Press | | Also as: The Spider Strikes | | 1939 |
5. | | The Secret Vanguard | | | | 1940 |
6. | | Their Came Both Mist and Snow | | Also as: A Comedy of Terrors | | 1940 |
7. | | Appleby on Ararat | | | | 1941 |
8. | | The Daffodil Affair | | | | 1942 |
9. | | The Weight of the Evidence | | | | 1943 |
10. | | Appleby’s End | | | | 1945 |
11. | | A Night of Errors | | | | 1947 |
12. | | Operation Pax | | Also as: The Paper Thunderbolt | | 1951 |
13. | | A Private View | | Also as: One Man Show and Murder is an Art | | 1952 |
14. | | Appleby Talking | | Also as: Dead Man’s Shoes | | 1954 |
15. | | Appleby Talks Again | | | | 1956 |
16. | | Appleby Plays Chicken | | Also as: Death on a Quiet Day | | 1957 |
17. | | The Long Farewell | | | | 1958 |
18. | | Hare Sitting Up | | | | 1959 |
19. | | Silence Observed | | | | 1961 |
20. | | A Connoisseur’s Case | | Also as: The Crabtree Affair | | 1962 |
21. | | The Bloody Wood | | | | 1966 |
22. | | Appleby at Allington | | Also as: Death by Water | | 1968 |
23. | | A Family Affair | | Also as: Picture of Guilt | | 1969 |
24. | | Death at the Chase | | | | 1970 |
25. | | An Awkward Lie | | | | 1971 |
26. | | The Open House | | | | 1972 |
27. | | Appleby’s Answer | | | | 1973 |
28. | | Appleby’s Other Story | | | | 1974 |
29. | | The Appleby File | | | | 1975 |
30. | | The Gay Phoenix | | | | 1976 |
31. | | The Ampersand Papers | | | | 1978 |
32. | | Shieks and Adders | | | | 1982 |
33. | | Appleby and Honeybath | | | | 1983 |
34. | | Carson’s Conspiracy | | | | 1984 |
35. | | Appleby and the Ospreys | | | | 1986 |
These titles can be read as a series, or randomly as standalone novels
1. | The Mysterious Commission | | 1974 |
2. | Honeybath’s Haven | | 1977 |
3. | Lord Mullion’s Secret | | 1981 |
4. | Appleby and Honeybath | | 1983 |
Published by House of Stratus
The Ampersand Papers While Appleby is strolling along a Cornish beach, he narrowly escapes being struck by a body falling down a cliff. The body is that of Dr Sutch, an archivist, and he has fallen from the North Tower of Treskinnick Castle, home of Lord Ampersand. Two possible motivations present themselves to Appleby – the Ampersand gold, treasure from an Armada galleon; and the Ampersand papers, valuable family documents that have associations with Wordsworth and Shelley. |
| |
Appleby and Honeybath Every English mansion has a locked room, and Grinton Hall is no exception – the library has hidden doors and passages…and a corpse. But when the corpse goes missing, Sir John Appleby and Charles Honeybath have an even more perplexing case on their hands – just how did it disappear when the doors and windows were securely locked? A bevy of helpful houseguests offer endless assistance, but the two detectives suspect that they are concealing vital information. Could the treasures on the library shelves be so valuable that someone would murder for them? |
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Appleby and the Ospreys Clusters, a great country house, is troubled by bats, as Lord and Lady Osprey complain to their guests, who include first rate detective, Sir John Appleby. In the matter of bats, Appleby is indifferent, but he is soon faced with a real challenge – the murder of Lord Osprey, stabbed with an ornate dagger in the library. |