As You Like It (11 page)

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Authors: William Shakespeare

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[
Exit Jaques
]

Aside to Celia

ROSALIND
    I will speak to him like a
saucy lackey
274
,

and under that
habit
play the knave
275
with him.— Do you

hear, forester?

ORLANDO
    Very well. What would you?

ROSALIND
    I pray you, what is’t o’clock?

ORLANDO
    You should ask me what time o’day: there’s no clock

in the forest.

ROSALIND
    Then there is no true lover in the forest, else sighing

every minute and groaning every hour would
detect
282
the lazy

foot of time as well as a clock.

ORLANDO
    And why not the swift foot of time? Had not that

been as proper?

ROSALIND
    By no means, sir; time travels in
divers
286
paces with

divers persons. I’ll tell you who time ambles withal, who time

trots withal, who time gallops withal and who he stands still

withal.

ORLANDO
    I prithee, who doth he trot withal?

ROSALIND
    Marry, he trots
hard
291
with a young maid between

the
contract of her marriage
292
and the day it is solemnized. If

the interim be but a
se’nnight
293
, time’s pace is so hard that it

seems the length of seven year.

ORLANDO
    Who ambles time withal?

ROSALIND
    With a priest that lacks Latin and a rich man that

hath not the gout, for the one sleeps easily because he

cannot study, and the other lives merrily because he feels no

pain: the one lacking the burden of
lean
and
wasteful
299

learning, the other knowing no burden of heavy
tedious
300

penury. These time ambles withal.

ORLANDO
    Who doth he gallop withal?

ROSALIND
    With a thief to the gallows, for though he go as

softly
304
as foot can fall, he thinks himself too soon there.

ORLANDO
    Who stays it still withal?

ROSALIND
    With lawyers in the
vacation
306
, for they sleep between

term
307
and term, and then they perceive not how time moves.

ORLANDO
    Where dwell you, pretty youth?

ROSALIND
    With this shepherdess, my sister, here in the
skirts
309
of

the forest, like fringe upon a petticoat.

ORLANDO
    Are you native of this place?

ROSALIND
    As the
cony
that you see dwell where she is
kindled
312
.

ORLANDO
    Your accent is something finer than you could

purchase
in so
removed
314
a dwelling.

ROSALIND
    I have been told so of many: but indeed an old

religious
316
uncle of mine taught me to speak, who was in his

youth an
inland
man, one that knew
courtship
317
too well, for

there he fell in love. I have heard him read many lectures

against it, and I thank God I am not a woman, to be
touched
319

with so many giddy offences as he hath
generally
320
taxed their

whole sex withal.

ORLANDO
    Can you remember any of the principal evils that he

laid to the charge of women?

ROSALIND
    There were none principal. They were all like one

another as half-pence are, every one fault seeming

monstrous till
his
326
fellow fault came to match it.

ORLANDO
    I prithee recount some of them.

ROSALIND
    No, I will not cast away my
physic
328
but on those that

are sick. There is a man
haunts
329
the forest that abuses our

young plants with carving ‘Rosalind’ on their barks; hangs

odes upon hawthorns and elegies on brambles; all, forsooth,

deifying the name of Rosalind. If I could meet that
fancy-
332

monger
, I would give him some good counsel, for he seems to

have the
quotidian
334
of love upon him.

ORLANDO
    I am he that is so love-shaked. I pray you tell me

your remedy.

ROSALIND
    There is none of my uncle’s
marks
337
upon you: he

taught me how to know a man in love, in which
cage of
338

rushes
I am sure you are not prisoner.

ORLANDO
    What were his marks?

ROSALIND
    A lean cheek, which you have not: a
blue
341
eye and

sunken, which you have not: an
unquestionable
342
spirit, which

you have not: a beard neglected, which you have not — but

I pardon you for that, for simply
your having in beard is
344

a younger brother’s revenue
. Then your hose should be

ungartered
, your bonnet
unbanded
346
, your sleeve unbuttoned,

your shoe untied and everything about you demonstrating a

careless desolation: but you are no such man: you are rather

point-device
in your
accoutrements
,
as
349
loving yourself than

seeming the lover of any other.

ORLANDO
    Fair youth, I would I could make thee believe I love.

ROSALIND
    Me believe it? You may as soon make her that you

love believe it, which I warrant she is
apter
353
to do than to

confess she does: that is one of the points in the which

women
still
355
give the lie to their consciences. But, in good

sooth
356
, are you he that hangs the verses on the trees, wherein

Rosalind is so admired?

ORLANDO
    I swear to thee, youth, by the white hand of

Rosalind, I am that he, that unfortunate he.

ROSALIND
    But are you so much in love as your rhymes speak?

ORLANDO
    Neither rhyme nor reason can express how much.

ROSALIND
    Love is
merely
362
a madness, and, I tell you, deserves as

well a
dark house and a whip as madmen do
363
: and the reason

why they are not so punished and cured is that the lunacy is

so ordinary that the whippers are in love too. Yet I
profess
365

curing it by counsel.

ORLANDO
    Did you ever cure any so?

ROSALIND
    Yes, one, and in this manner. He was to imagine me

his love, his mistress, and I set him every day to woo me. At

which time would I, being but a
moonish
370
youth, grieve, be

effeminate, changeable, longing and liking, proud,
fantastical
371
,

apish
372
, shallow, inconstant, full of tears, full of smiles, for

every passion something and for no passion truly anything,

as boys and women are for the most part
cattle of this colour
374
:

would now like him, now loathe him: then
entertain
375
him,

then
forswear
him: now weep for him, then spit at him;
that
376

I
drave
my suitor from his mad humour of love to a
living
377

humour of madness, which was, to forswear the full stream

of the world, and to live in a nook
merely
379
monastic. And thus

I cured him, and this way will I take upon me to wash your

liver
as clean as a
sound
381
sheep’s heart, that there shall not be

one spot of love in’t.

ORLANDO
    I would not be cured, youth.

ROSALIND
    I would cure you, if you would but call me Rosalind

and come every day to my
cote
385
and woo me.

ORLANDO
    Now, by the faith of my love, I will. Tell me where it is.

ROSALIND
    Go with me to it and I’ll show it you, and
by
387
the way

you shall tell me where in the forest you live. Will you go?

ORLANDO
    With all my heart, good youth.

ROSALIND
    Nay, you must call me Rosalind.— Come, sister, will

you go?

Exeunt

Act 3 Scene 3

running scene 9 continues

Enter Clown
[
Touchstone
]
, Audrey and Jaques
[
behind
]

TOUCHSTONE
    Come
apace
1
, good Audrey. I will fetch up your

goats, Audrey. And
how
2
, Audrey, am I the man yet? Doth my

simple feature
3
content you?

AUDREY
    Your features? Lord
warrant
4
us! What features?

TOUCHSTONE
    I am here with thee and thy goats, as the most

capricious
poet, honest
Ovid, was among the Goths.
6

Aside

JAQUES
    O, knowledge
ill-inhabited
, worse than
Jove
7

in a thatched house
.

TOUCHSTONE
    When a man’s verses cannot be understood,

nor a man’s good wit
seconded
with the
forward
10
child,

understanding, it strikes a man more dead than a
great
11

reckoning in a little room
. Truly, I would the gods had made

thee poetical.

AUDREY
    I do not know what ‘poetical’ is. Is it
honest
14
in deed

and word? Is it a true thing?

TOUCHSTONE
    No, truly, for the truest poetry is the most

feigning
17
, and lovers are given to poetry, and what they swear

in poetry may be said as lovers, they do feign.

AUDREY
    Do you wish then that the gods had made me

poetical?

TOUCHSTONE
    I do truly, for thou swear’st to me thou art
honest
21
.

Now if thou wert a poet, I might have some hope thou didst

feign.

AUDREY
    Would you not have me honest?

TOUCHSTONE
    No, truly, unless thou wert
hard-favoured
25
, for

honesty coupled to beauty is to have honey a sauce to sugar.

Aside

JAQUES
    A
material
27
fool!

AUDREY
    Well, I am not fair, and therefore I pray the gods

make me honest.

TOUCHSTONE
    Truly, and to cast away honesty upon a
foul
slut
30

were to put good
meat
into an unclean
dish
31
.

AUDREY
    I am not a slut, though I thank the gods I am foul.

TOUCHSTONE
    Well, praised be the gods for thy foulness;

sluttishness may come hereafter. But be it as it may be, I will

marry thee, and to that end I have been with
Sir Oliver
35

Martext
, the vicar of the
next
36
village, who hath promised to

meet me in this place of the forest and to
couple
37
us.

Aside

JAQUES
    I would
fain
see this
meeting
38
.

AUDREY
    Well, the gods give us joy!

TOUCHSTONE
    Amen. A man may, if he were of a fearful heart,

stagger
41
in this attempt, for here we have no temple but the

wood, no
assembly
but
horn-beasts
. But
what though
42
?

Courage! As horns are odious, they are
necessary
43
. It is said,

‘many a man
knows no end of his goods
44
’. Right. Many a

man has good horns, and knows no end of them. Well, that

is the dowry of his wife: ’tis none of his own getting. Horns?

Even so. Poor men alone? No, no: the noblest
deer
47
hath them

as huge as the
rascal
48
. Is the single man therefore blessed?

No: as a
walled
49
town is more worthier than a village, so is

the forehead of a married man more honourable than the

bare brow of a bachelor. And by how much
defence
51
is better

than no skill, by so much is a horn more precious than
to
52

want
.

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