Bad Men (2003) (39 page)

“And that one’s going out to all the folks on the island who are battening down the hatches for a hard night ahead,” said the disc jockey’s voice. It sounded strangely familiar to Carl. It wasn’t Dickie Norcross, not by a long shot. Dickie had a kind of high-pitched voice, and tended to limit his voice-overs to birthday greetings and obituaries. This was a woman’s voice.

“Especially Carl Lubey over there in the deep, dark forest, who’s having trouble with his truck.
Ain’t ya, Carlie?”

The voice was distorted, as though the woman had just put her mouth right over the mike.

“This one’s for you, Carl,” said the voice, and then the first bars of “Freebird” commenced. “Freebird”: his brother’s favorite song.

“It’s all ‘Freebird,’ all night,” continued the DJ, and Carl knew the voice, recalled it from that night in the Old Port when his brother had leaned into little Jeanne Aiello as their voices rose in harmony over the sound of some piece of southern-rock shit playing on the jukebox.

Carl Lubey grabbed a crowbar and smashed the radio with one blow, sending the dead woman’s voice back into the void from which it had issued.

“Fuck!” said Dexter. The dummy was disappearing from sight. Even in his bright orange winter clothing he would soon be lost in the snow. Already he was little more than a blur among the falling snowflakes, but for some reason he was staying away from the woods. Instead, Dexter could see him silhouetted against the cliff edge some forty feet above the water, running with a strange, awkward gait, his elbows held rigid against his sides.

Dexter drew his bow from his back and notched one of the heavy Beman Camo Hunter arrows against the string. The head was triangular, with three blades extending out from the central point.

“What are you doing?”

Dexter felt Scarfe’s hand on his arm, distracting him from the coldness of the arrow against his cheek.

“Get your hand off me, man.”

“He’s handicapped. He’s no threat to us.”

“I said get your hand off me.”

“Do as he says.” It was Moloch.

Scarfe’s hand remained on the black man’s arm for a second or two longer, then fell away.

Dexter aimed, then released the arrow.

Richie could no longer hear the men behind him. Maybe he was safe. Maybe they were letting him go. He thought of his mother, and began to cry. His mother often told him that he wasn’t a little kid anymore, that he was a man, and that men didn’t cry, but he was frightened, and he wanted to be back at home, back in his bed. He wanted to be asleep. He wanted—

Richie felt a push at his back, as if a great hand had shoved him forward, and then a searing pain tore straight through the center of his being and erupted from his chest. He staggered, and looked down. His fingertips brushed the blades as his mind tried to register what he was seeing.

It was an arrow. In him. Through him. Hurt.

Richie did a little pirouette on the tips of his toes, then fell from the cliff into the waiting sea. The circuit was completed, and so it would begin as it had begun once before, many years ago, with the loss of a boy and the arrival of men upon the island. Sanctuary’s long wait was over. It was the beginning, and the end.

All over the island the power failed and the lights went out, and Sanctuary was plunged into darkness.

Carl Lubey knocked his beer from the rickety table by his easy chair and cursed the blackness. There was still a faint glow from the TV, which was always left on, but it was fading rapidly. The thick drapes were drawn on all the windows, as they always were, because Carl didn’t like the thought of anybody peering inside and seeing his business. He shuffled across the carpet, barking his shin painfully against the table and then catching his foot on a cable and almost sending himself sprawling on the floor, until his right hand found the switch on the wall and gave it a few futile flicks. Nothing. Not that he’d expected anything to happen, but Carl was kind of an optimist at heart and liked to think that sometimes the easiest solution was the best. To others, especially those who’d made the mistake of trusting Carl to fix their siding or pave their driveways, Carl was a lazy, corner-cutting creep. Carl preferred “optimist” himself. It had a nicer ring to it.

Carl had gone inside to pour himself a stiff drink, and then the lights had gone out. The incident with the radio had unnerved him, but the more he thought about it, the more he figured it was one of the island assholes jerking him around. He couldn’t figure out who it might be, or how they might have done it, but it was the only explanation he could come up with. Now, lost and disoriented in his own house, he vowed revenge on whoever it was.

In the kitchen he found a flashlight, but the batteries were dead. He rummaged in the drawers until he came across a pack of candles and a box of matches. He lit a candle and jammed it into the top of an empty beer bottle to keep the wax from dripping onto his hand.

Carl heard a fluttering sound against the window, then a shadow flew above him. It was a moth, excited by the light from the candle. Carl watched it until it came to rest briefly on the kitchen sink. It was a big bastard, its long body dotted with small yellow orbs. The moth had no right to be in Carl’s kitchen. Hell, it had no right to be alive at all, now that winter had come. He was so rattled that he failed to connect it with the moths he had glimpsed in the forest the week before, the moths that had briefly assumed the shape of a woman.

Instead, Carl crushed the insect with the base of the empty beer bottle.

The fuse box was in the basement, along with a bunch of spare fuses. Mind, it could be something as simple as the main switch tripping. After all, Carl had wired the place up himself and sometimes, like on the odd occasion when he decided to take a proper shower, the act of turning on the water would cause every light in the place to switch off, as well as the refrigerator.

Shit, thought Carl. He had the best part of half a cow in the freezer in his basement, and he didn’t want to take the chance of his winter feed turning to maggot food if the cold spell broke. He raised the candle and headed toward the basement. He had almost reached the door when he heard the noises coming from below. They were soft, hardly there at all, as though someone was moving very slowly and carefully through the accumulation of garbage and stolen goods that Carl kept stored down there. There was somebody in his basement, maybe the same somebody who had caused the switches to trip, plunging Carl into darkness so he’d be easier to subdue. Carl had no idea who that someone might be, but he wasn’t taking any chances.

He drew the Browning from his belt and opened the basement door.

Macy was about a ten-minute ride from Carl Lubey’s house when her engine failed. She stopped the Explorer and stepped out onto the road, the snowflakes gathering on her hair. All that was visible to her were the snow and the shapes of the trees around her. She got back into the vehicle and tried the radio, but there was no response. No static, no crackle, nothing. She turned the key in the ignition and received only a click in return, then banged her hands impotently against the wheel before resting her forehead against the plastic. She had three choices: she could stay here, which was hardly a choice at all; she could head back toward town and try to hook up with Dupree; or she could keep going toward Lubey’s house and check him out, just as Dupree had asked her to do, and then use his phone to call for help or get him to tow her back to town with his truck. She got out again, took a flashlight and an emergency pack from the trunk, and began walking in the direction of Lubey’s place.

Carl Lubey opened the basement door toward him, keeping away from the exposed opening. There was no other way into or out of the basement, and only two small windows in the walls, neither of which was large enough to admit anything bigger than a small child. In any case, both of those windows were firmly locked, to prevent rodents or forest mammals from making their home in Carl’s basement.

There was now silence below. He wondered if it might have been his imagination, or the occasional shifting of materials that occurs in such spaces, a consequence of drafts and rot. Carl took a breath and registered, for the first time, the stink in the room. It was a dense, damp smell, like stale seawater. Something else hung behind it, something more unpleasant, a kind of stagnancy, and Carl was reminded of the time he and Ron had found a dead seal on the beach, bloated and rotten. Carl hadn’t been able to eat for two days afterward because the stench of the dead seal seemed to cling to his skin and the insides of his nostrils.

It made no sense to Carl. It was snowing outside, and the days preceding had been fiercely cold. Nothing decayed in this cold. Even Carl’s beef might survive a couple of days if the weather held out. But the smell was there, he was sure of it. It trickled into the hallway now and began to adhere to his clothes, but it was definitely coming from the basement. Maybe the pipes had burst down there, soaking the stacked newspapers and cardboard boxes, even his brother’s old clothes, the ones Carl hadn’t had the heart to get rid of.

Carl stepped through the doorway. The candle illuminated the wooden stairs leading down into the basement and cast a faint glow into the sunken room itself. He heard the first step creak beneath his feet as he moved forward, the circle of light from the candle expanding as he advanced, catching the whitewashed walls, the shelves stacked with paints and tools, the boxes piled on top of one another, the more valuable items—a couple of portable TVs, some toasters and VCRs—off to one side, draped with a tarp.

There was movement there. Carl was sure of it.

“Hey, you down there! Come out, now. I can see you. No point in hiding.”

The figure retreated back into the shadows beneath the steps.

“Come on, now,” Carl repeated. He tried to catch a glimpse of the shape through the slats of the stairs. “I won’t hurt you, but you’re making me real nervous. Come out or I don’t know what I might do.”

Carl moved down two more steps, and the basement door slammed closed behind him. He turned, and felt his feet slide out from under him. For a moment, he teetered on the very edge of the step, then his balance failed him and he tumbled down the remaining stairs.

As he fell, his thought was: Hands. I felt hands on my legs.

Scarfe stared hard at Dexter but kept his mouth closed until the big man spoke to him.

“You got something to say?” asked Dexter.

“We could have taken him alive.”

“You think? I could barely see the fucking guy to take the shot. If I hadn’t taken it, we’d have lost him.”

“You didn’t have to kill him.”

Dexter looked to Moloch to intervene, but Moloch was already moving past them, following the road as it sloped down, the road at his right and the sound of the sea to his left.

“Listen,” said Dexter to Scarfe. “I got six more arrows. You keep fucking with me and one of them might just have your name on it.”

“You’re forgetting something.”

“What’s that?”

Scarfe was red with cold and righteous indignation. It made him forget how much Dexter frightened him. “I’m not a dummy running away from you,” he said. “You’ll find me a little harder to kill.”

Dexter sprang for Scarfe, but the smaller man was too fast for him. He slipped past Dexter, drawing his gun as he did so. Within seconds, Dexter was staring down the barrel of the Glock. The gun was shaking in Scarfe’s hand.

“You done fucked up now,” said Dexter.

“You’re the one with a gun aimed at him.”

“Then you better use it, pussy boy, or else I’m going to kill you.”

Scarfe heard movement behind him, and the sound of a hammer cocking.

“Let it go,” said Moloch. “Both of you, let it go.”

Scarfe lowered his gun. Dexter made a move for him, but Powell reached out and held him back by extending his forearm in front of his chest.

“I won’t forget that,” said Dexter.

Scarfe, his burst of adrenaline receding, backed away. Shepherd, who had stayed quiet throughout, followed Moloch to the edge of the forest.

“He should be here,” he said. “Lubey should be here.”

“It’s the weather,” said Moloch. “It’s just delayed him.”

He called to Scarfe, but Scarfe wasn’t looking at him. Instead, he was staring down at the sea below.

“Hey,” he said softly, yet there was something in his tone that made Moloch and the others approach him, even causing Dexter to forget his animosity in order to follow his gaze.

“Hey,” repeated Scarfe. “The guy, he’s still alive.”

Carl Lubey lay on his back among the newspapers and the fallen boxes, slowly coming to. His head ached. He didn’t know how long he had been out, but he guessed it had been no more than a minute or two. There was light coming from somewhere close by, and an acrid smell.

Burning.

He turned his head and saw the flames licking at the newspapers beneath the basement stairs. Carl tried to raise himself, but there was a weight across his chest and he couldn’t feel his legs. He reached out and encountered no obstacle, merely a coldness in the air that chilled his fingers despite the growing heat. The flames were licking against the back wall, devouring paper and clothing and old suitcases. Soon they would reach the shelves of paints and spirits.

Carl saw more flames flicker in the darkness to his left. He couldn’t figure out how the fire had spread over there, because it was as far away as you could get from the conflagration over by the far wall, yet he could clearly discern flares of light close to the floor. They were slowly moving toward him, but they weren’t increasing in size and he could feel no warmth. Instead, they seemed to hang in midair, like sparks carried on a breeze.

And suddenly Carl understood that what he was looking at was not fire but the reflection of fire, caught in shards of mirror that were now drawing closer and closer to him, the smell of dead fish and rotting seaweed growing stronger, filling his nostrils with the stench of decay. A woman’s ruined face emerged from the shadows and Carl opened his mouth as the flames reached the paint and turpentine on the shelves, and his final agony was lost in a great roar.