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Authors: Stephen King

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Yet what my eye came back to again and again was the stoop at the foot of the driveway. The other resemblances between the photographs and my dreams of Sara Laughs might only be coincidental (or the writer's often surprisingly practical imagination at work), but I could explain the sunflowers growing out through the boards of the stoop no more than I had been able to explain the cut on the back of my hand.

I turned one of the photos over. On the back, in a spidery script, Bill had written:
These fellows are way early . . . and trespassing!

I flipped back to the picture side. Three sunflowers, growing up through the boards of the stoop. Not two, not four, but three large sunflowers with faces like searchlights.

Just like the ones in my dream.

CHAPTER
6

O
n July 3rd of 1998, I threw two suitcases and my PowerBook in the trunk of my mid-sized Chevrolet, started to back down the driveway, then stopped and went into the house again. It felt empty and somehow forlorn, like a faithful lover who has been dropped and cannot understand why. The furniture wasn't covered and the power was still on (I understood that The Great Lake Experiment might turn out to be a swift and total failure), but 14 Benton Street felt deserted, all the same. Rooms too full of furniture to echo still did when I walked through them, and everywhere there seemed to be too much dusty light.

In my study, the VDT was hooded like an executioner against the dust. I knelt before it and opened one of the desk drawers. Inside were four reams of paper. I took one, started away with it under my arm, then had a second thought and turned back. I had put that provocative photo of Jo in her swimsuit in
the wide center drawer. Now I took it, tore the paper wrapping from the end of the ream of paper, and slid the photo halfway in, like a bookmark. If I
did
perchance begin to write again, and if the writing marched, I would meet Johanna right around page two hundred and fifty.

I left the house, locked the back door, got into my car, and drove away. I have never been back.

*   *   *

I'd been tempted to go down to the lake and check out the work—which turned out to be quite a bit more extensive than Bill Dean had originally expected—on several occasions. What kept me away was a feeling, never quite articulated by my conscious mind but still very powerful, that I wasn't supposed to do it that way; that when I next came to Sara, it should be to unpack and stay.

Bill hired out Kenny Auster to shingle the roof, and got Kenny's cousin, Timmy Larribee, to “scrape the old girl down,” a cleansing process akin to potscrubbing that is sometimes employed with log homes. Bill also had a plumber in to check out the pipes, and got my okay to replace some of the older plumbing and the well-pump.

Bill fussed about all these expenses over the telephone; I let him. When it comes to fifth- or sixth-generation Yankees and the expenditure of money, you might as well just stand back and let them get it out of their systems. Laying out the green just seems wrong to a Yankee, somehow, like petting in public. As for myself, I didn't mind the outgo a bit. I live frugally, for the most part, not out of any moral code but because my imagination, very lively in most other
respects, doesn't work very well on the subject of money. My idea of a spree is three days in Boston, a Red Sox game, a trip to Tower Records and Video, plus a visit to the Wordsworth bookstore in Cambridge. Living like that doesn't make much of a dent in the interest, let alone the principal; I had a good money manager down in Waterville, and on the day I locked the door of the Derry house and headed west to TR-90, I was worth slightly over five million dollars. Not much compared to Bill Gates, but big numbers for this area, and I could afford to be cheerful about the high cost of house repairs.

That was a strange late spring and early summer for me. What I did mostly was wait, close up my town affairs, talk to Bill Dean when he called with the latest round of problems, and try not to think. I did the
Publishers Weekly
interview, and when the interviewer asked me if I'd had any trouble getting back to work “in the wake of my bereavement,” I said no with an absolutely straight face. Why not? It was true. My troubles hadn't started until I'd finished
All the Way from the Top;
until then, I had been going on like gangbusters.

In mid-June, I met Frank Arlen for lunch at the Starlite Cafe. The Starlite is in Lewiston, which is the geographical midpoint between his town and mine. Over dessert (the Starlite's famous strawberry shortcake), Frank asked if I was seeing anyone. I looked at him with surprise.

“What are you gaping at?” he asked, his face registering one of the nine hundred unnamed emotions—this one of those somewhere between amusement and irritation. “I certainly wouldn't think of it as twotiming
Jo. She'll have been dead four years come August.”

“No,” I said. “I'm not seeing anybody.”

He looked at me silently. I looked back for a few seconds, then started fiddling my spoon through the whipped cream on top of my shortcake. The biscuits were still warm from the oven, and the cream was melting. It made me think of that silly old song about how someone left the cake out in the rain.


Have
you seen anybody, Mike?”

“I'm not sure that's any business of yours.”

“Oh for Christ's sake. On your vacation? Did you—”

I made myself look up from the melting whipped cream. “No,” I said. “I did not.”

He was silent for another moment or two. I thought he was getting ready to move on to another topic. That would have been fine with me. Instead, he came right out and asked me if I had been laid at all since Johanna died. He would have accepted a lie on that subject even if he didn't entirely believe it—men lie about sex all the time. But I told the truth . . . and with a certain perverse pleasure.

“No.”

“Not a single time?”

“Not a single time.”

“What about a massage parlor? You know, to at least get a—”

“No.”

He sat there tapping his spoon against the rim of the bowl with his dessert in it. He hadn't taken a single bite. He was looking at me as though I were some
new and oogy specimen of bug. I didn't like it much, but I suppose I understood it.

I had been close to what is these days called “a relationship” on two occasions, neither of them on Key Largo, where I had observed roughly two thousand pretty women walking around dressed in only a stitch and a promise. Once it had been a red-haired waitress, Kelli, at a restaurant out on the Extension where I often had lunch. After awhile we got talking, joking around, and then there started to be some of that eye-contact, you know the kind I'm talking about, looks that go on just a little too long. I started to notice her legs, and the way her uniform pulled against her hip when she turned, and she noticed me noticing.

And there was a woman at Nu You, the place where I used to work out. A tall woman who favored pink jog-bras and black bike shorts. Quite yummy. Also, I liked the stuff she brought to read while she pedalled one of the stationary bikes on those endless aerobic trips to nowhere—not
Mademoiselle
or
Cosmo,
but novels by people like John Irving and Ellen Gilchrist. I like people who read actual books, and not just because I once wrote them myself. Bookreaders are just as willing as anyone else to start out with the weather, but as a general rule they can actually go on from there.

The name of the blonde in the pink tops and black shorts was Adria Bundy. We started talking about books as we pedalled side by side ever deeper into nowhere, and there came a point where I was spotting her one or two mornings a week in the weight room. There's something oddly intimate about spotting.
The prone position of the lifter is part of it, I suppose (especially when the lifter is a woman), but not all or even most of it. Mostly it's the dependence factor. Although it hardly ever comes to that point, the lifter is trusting the spotter with his or her life. And, at some point in the winter of 1996, those looks started as she lay on the bench and I stood over her, looking into her upside-down face. The ones that go on just a little too long.

Kelli was around thirty, Adria perhaps a little younger. Kelli was divorced, Adria never married. In neither case would I have been robbing the cradle, and I think either would have been happy to go to bed with me on a provisional basis. Kind of a honey-bump test-drive. Yet what I did in Kelli's case was to find a different restaurant to eat my lunch at, and when the YMCA sent me a free exercise-tryout offer, I took them up on it and just never went back to Nu You. I remember walking past Adria Bundy one day on the street six months or so after I made the change, and although I said hi, I made sure not to see her puzzled, slightly hurt gaze.

In a purely physical way I wanted them both (in fact, I seem to remember a dream in which I
had
them both, in the same bed and at the same time), and yet I wanted neither. Part of it was my inability to write—my life was quite fucked up enough, thank you, without adding any additional complications. Part of it was the work involved in making sure that the woman who is returning your glances is interested in you and not your rather extravagant bank account.

Most of it, I think, was that there was just too
much Jo still in my head and heart. There was no room for anyone else, even after four years. It was sorrow like cholesterol, and if you think that's funny or weird, be grateful.

“What about friends?” Frank asked, at last beginning to eat his strawberry shortcake. “You've got friends you see, don't you?”

“Yes,” I said. “Plenty of friends.” Which was a lie, but I
did
have lots of crosswords to do, lots of books to read, and lots of movies to watch on my VCR at night; I could practically recite the FBI warning about unlawful copying by heart. When it came to real live people, the only ones I called when I got ready to leave Derry were my doctor and my dentist, and most of the mail I sent out that June consisted of change-of-address cards to magazines like
Harper's
and
National Geographic.

“Frank,” I said, “you sound like a Jewish mother.”

“Sometimes when I'm with you I
feel
like a Jewish mother,” he said. “One who believes in the curative powers of baked potatoes instead of matzo balls. You look better than you have in a long time, finally put on some weight, I think—”

“Too much.”

“Bullshit, you looked like Ichabod Crane when you came for Christmas. Also, you've got some sun on your face and arms.”

“I've been walking a lot.”

“So you look better . . . except for your eyes. Sometimes you get this look in your eyes, and I worry about you every time I see it. I think Jo would be glad
someone's
worrying.”

“What look is that?” I asked.

“Your basic thousand-yard stare. Want the truth? You look like someone who's caught on something and can't get loose.”

*   *   *

I left Derry at three-thirty, stopped in Rumford for supper, then drove slowly on through the rising hills of western Maine as the sun lowered. I had planned my times of departure and arrival carefully, if not quite consciously, and as I passed out of Motton and into the unincorporated township of TR-90, I became aware of the heavy way my heart was beating. There was sweat on my face and arms in spite of the car's air conditioning. Nothing on the radio sounded right, all the music like screaming, and I turned it off.

I was scared, and had good reason to be. Even setting aside the peculiar cross-pollination between the dreams and things in the real world (as I was able to do quite easily, dismissing the cut on my hand and the sunflowers growing through the boards of the back stoop as either coincidence or so much psychic fluff), I had reason to be scared. Because they hadn't been ordinary dreams, and my decision to go back to the lake after all this time hadn't been an ordinary decision. I didn't feel like a modern
fin-de-millénaire
man on a spiritual quest to face his fears (I'm okay, you're okay, let's all have an emotional circle-jerk while William Ackerman plays softly in the background); I felt more like some crazy Old Testament prophet going out into the desert to live on locusts and alkali water because God had summoned him in a dream.

I was in trouble, my life was a moderate-going-on-severe mess, and not being able to write was only part
of it. I wasn't raping kids or running around Times Square preaching conspiracy theories through a bullhorn, but I was in trouble just the same. I had lost my place in things and couldn't find it again. No surprise there; after all, life's not a book. What I was engaging in on that hot July evening was self-induced shock therapy, and give me at least this much credit—I knew it.

You come to Dark Score this way: I-95 from Derry to Newport; Route 2 from Newport to Bethel (with a stop in Rumford, which used to stink like hell's front porch until the paper-driven economy pretty much ground to a halt during Reagan's second term); Route 5 from Bethel to Waterford. Then you take Route 68, the old County Road, across Castle View, through Motton (where downtown consists of a converted barn which sells videos, beer, and second-hand rifles), and then past the sign which reads TR-90 and the one reading
GAME WARDEN IS BEST ASSISTANCE IN EMERGENCY, DIAL
1-800-555-
GAME OR
* 72
ON CELLULAR PHONE
. To this, in spray paint, someone has added
FUCK THE EAGLES
.

Five miles past that sign, you come to a narrow lane on the right, marked only by a square of tin with the faded number 42 on it. Above this, like umlauts, are a couple of .22 holes.

I turned into this lane just about when I had expected to—it was 7:16
P.M
., EDT, by the clock on the Chevrolet's dashboard.

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