Balance (41 page)

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Authors: Kurt Bartling

BOOK: Balance
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Coming
in high,
Rena
bait
s
the
brute
to take a shot at her face. 
He
complies.
A
t the last second
diving
under his outstretched arm,
she leads with an offensive of her own.
The punch,
a power
ful
compact right jab to the groin, caus
es
the big man to lurch, instinctively relaxing his abdominal muscles. 
R
aising upward,
she
immediately follows with a series of
strikes
; a left jab to
the
solar plexus, followed by anoth
er right to the xiphoid process;
the small bone at the crux of the rib cage above the diaphragm, knocking the wind from her opponent, causing him to
stumble
backward.  Still
moving up his large
frame
, she
lands a left
blade
-
hand into the soft of
his
throat, causing his head to
pitch
forwar
d, directly into the final blow;
an open hand
uppercut
to his face. 
F
ast and precise
, the heel of her palm
breaks
the nose
,
sending the bridge into his brain
,
killing him
almost
instantly
.

Without a thought
of the results of her attack
,
she moves onto the
third
man.  Visibly s
tunned by the sight of this tiny woman so effo
rtlessly dispatch his colleague
s
, the huge man remains
frozen
.

Rena knows a
direct frontal attack is not a prudent
option,
she’d already played that
hand,
and
the knee would be dangerous
,
considering she’d used that move as well.
 
Therefore, s
he does the most
unexpected, i
llogical thing she can think of

and the mo
st dangerous.
If she miscalculates, he’ll have her.
 
L
eap
ing
directly into the man,
her hands find
his broad shoulders,
at the same time
she plants
her
right
foot on his
left
knee
and launch
es
up
ward
.
Leading with her left
leg
, she
bring
s
her
right knee up
and across
as hard as she can

She feels the
impact
on
the jaw,
meeting
momentary resistance, before it gives way, shattering
the mandible
under the power
of the blow
.

The ‘roider falls
backward
as
she
tumbles
over him, out of control.

U
s
ing
her momentum,
Rena
roll
s
across the floor, regaining her
base like
a
cat thrown from a toppled perch
.  She pauses
for a second
to resurvey
.

T
he momentary
hesitation
is
all it t
akes.
T
he last ‘roide
r, still bleeding profusely
from his arm,
grab
s
her with his good hand and
throw
s
her like a
sack of flour
at
an
overturned table. 
Colliding
with the table
top
head first,
Rena
crumbl
es
like
a
ragdoll
to the floor
.

She
maintains consciousness just long enough to see the
‘roider
,
in a blind rage
,
advance on her. 
S
omething move
s rapidly
into her
frame of vision from the side
,
toward
the ‘roider
,
before all goes black.
  Her last thought …
Michael.

 

Rena opens her eyes slowly.
A throbbing headache,
her
vision
blur
red
and t
he room
too well lit, makes
holding her eyes open
difficult
.  Final
ly
relenti
ng, she closes them
.

H
er first
thought,
make sure all
her
body parts are still working.
Cautiously, with effort, she
mov
es her feet, arms and hands,
e
verything
feels
to be in working order. 
Laying
still and quiet,
Rena
reach
es
out with her se
nses.
S
he can fee
l sheets,
without blankets and
as f
ar as she can
tell
, s
he’s st
ill wearing her workout clothes
.  There are sounds of movement;
several feet walking on a bare
floor, she can hear machines; small machines,
humming, chirping, beeping, pulsating.  Her sense of sm
ell,
iodine and alcohol
, confirm what she suspected,
she’s
in the infirmary.
S
he drifts back to sleep, knowing she’s alive and
for the most part,
whole.

 

V
oices
,
whispering,
wake her from her deep troubled sleep,
too many
voices
to be
discreet
.
 
“Do you mind, some people are trying to get so
me rest here.  Not to mention I ha
ve the mother of all headaches.”
She
reprimands.

“Rena, you

r
e
awake.

Michael
’s
voice,
music to her ears.  Even now, laying in this bed, her fears immediately
fade.


Y
oung lady, what exactly are we going to do with you?”

The new voice, unexpected
, fear returns.  S
he opens her eye
s
with a start,
finding
Takad
a and Michael standing over her
, concern visible on both of their faces

“What?
” She
replies, concern
ed
repercussion
s
are in
order
for interrupting a tryout
.

“Well, I was referring to the fact that I’m going to have to give you your own dining facilities, Commander Still can’t keep losing sold
i
ers to you in the
dinner
hall.  It’s getting embarrassing.” Takada laughs.

“What happened?
” She
moans
.


S
ince I wasn’t there, you might want to ask someone who was.”  Michael states
, his tone
wounded
.

A third figure
,
a young girl
,
no more than
eighteen
, steps into view. 
S
lender, a little shorter then herself, cute growing into attracti
v
e with dark hair and dark eyes. 
Rena smiles warmly.
“Hi.
  I’m glad
you’re alright.
  I was worried.
” Pausing to think,

Wait, Michael you weren’t ther
e?”
Redirecting her gaze at him,
recalling
his comment
.

“No… I’m sorry, I left for
our
qu
arters.  I didn’t get word till you were here.”
He
confesses,
obvi
ously deeply upse
t
.

“Then
,
how am I still alive?
I saw … well
,
I don’t know what the hell I saw.”
She
realizes
.

“Maybe your
new friend can shed some light
.”
Takada interjects
.

The girl,
visibly
nervous
, looks at Takada and Michael
before turning a thankful smile at Rena.
 
“Well
,
those two big guys came to the table, took Ryan and Adam out right
away.  I thought Adam was dead
and Ryan was turning blue.
” She hesitates, worried she’d done something wrong, “
I just reacted, stickin’ the first guy in the arm. 
Then
the other three came at me.  I was scared,
really scared,
thought they were going to kill me

or worse.”  She pauses, collecting herself, tears filling her eyes
.

Rena
,
k
now
ing
the feeling all to
o
well, regards her with affection
, willing her strength,
hoping to allay the young girl

s fear.

After a moment, she continues,
“Then you ca
me outta
nowhere.
Y
ou hit that first
guy so fast, taking him out,
the other two forg
o
t me
all together
, sa
ying something like ‘the bitch is
alone’.  Well, I don’t know what
hell
they were thinking
,
because you killed that
second
guy like he was a speed bump on the way to a drag race
.  Alone or not …
yo
u’re
one wicked
piece of work.  I
think the third guy might have been thinking the same thing, because he looked really c
onfused.  I don’t think he even knew what was going on until
you
broke
his jaw. 
Then
the biggest one, he went all
frickin’
crazy-nuts.  Guy was bleeding all over the place, didn’t even ca
re.  He got hold of you
.
” The girl
takes a deep breath, collecting herself, her emotions rising, “
I thought he killed you for sure when he threw you against that table.  Geez, you look
ed
like a cat thrown a
t a
wall.  I knew you weren’t going to get up.  Knew he was going to kill you, all because you tried to help me.
” voice cracking, her sobs become more intense, “
I didn’t know what to do, but I knew I had to do something.
  You were going to die … because you helped me.

T
he girl
’s
distress becoming too much,
Rena turns to Takada.

“The young girl saved your life.
She did the right thing.  She dispatched
the assailant.”
Takada explains
.

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