Bangkok Tattoo (10 page)

“A whore? D’you know who?”

“No. She never stayed long enough for us to find out.”

“You didn’t get a picture?”

“No.”

“Why not?”

“We didn’t need to. He kept a picture of her in his apartment. If you had not insisted on coming into this café, you could have been looking at it right now.”

Oh Mustafa,
I want to say,
you haven’t changed at all.

“You searched his apartment regularly?”

“Not regularly.” The question has thrown him a little.

“Mustafa,” I say. He looks me in the eye. “If you want me to conduct a full investigation and produce a convincing report, you will have to tell me everything.”

Reluctantly: “One of our electronics experts from over the border gave us a device, some gadget that recorded the keystrokes of his computer. Naturally, we had to get into the apartment to fix it in place, then again to take it away.”

I can hardly control a smile and find some solace in the grin that is building on Mustafa’s face. He controls himself immediately, however.

I maintain an admiring smile while I speak: “The device recorded the first keystrokes he used whenever he went online, didn’t it? His access code, in other words. That’s why you only needed the device to be in place for a short time. You got into the CIA database?”

“Not at every level. After access, there are many different checks. We never got beyond the gossip.” To my raised eyebrows: “That’s what we called it, because that’s what it basically was. Just a lot of junk, the kind of crap they love to talk about.”

I had decided to wait until morning before trying Turner’s apartment, but absent getting laid, there is really nothing to do in this town, and anyway the setup has begun to intrigue me. I think of my spacious but seedy hotel room and decide to stick with Mustafa.

Mitch Turner’s local address turned out to be just around the corner from where we were sitting. It is a five-story apartment building, very close to the police station. When we enter, the concierge, who lives and works in a small room with a single bed, a television, and a view of the entrance, turns away from Mustafa with a stony look.

“A Buddhist. One of yours,” Mustafa explains.

“You intimidated him to get the key?”

“I didn’t do a thing.” A pause. “Didn’t need to.”

I’m breathless by the time we reach the top floor and sweating in the night heat. Mustafa seems unaffected by the climb. When we enter the apartment, what hits me immediately is the view over the police station, the perimeter of which is dense with young men and women and cacophonous with a thousand cheap stereo systems all blasting out a mixture of Thai and Malaysian pop.

I share a glance with Mustafa, who nods toward the master bedroom. I first see a small stack of books, then: there it is, in a place of honor next to the single bed: a silver-framed picture of Chanya.

She has to be in the States because she’s wearing a padded parka coat and looks just about as cold as a Thai can get in those northern climes. She looks happy enough, however, and that amazing smile of hers shines through. Even though you can see nothing of her figure under that parka, you just know that that is an exceptionally attractive woman staring into the camera lens. Come to think of it, there
is
something special about that picture. I think it was taken by a man in love.

What a terrific exercise in perception I’m experiencing, like something out of a Buddhist manual. I replay that moment in the bar when Chanya seduced a sullen, dumb, weightlifting, whoremongering moron and substitute a highly intelligent, educated, sensitive man who already knew her and obviously adored her.
I’m so damn lonely,
he told her.
You look beautiful tonight.
So why did she kill him? Why did she mutilate him? Why did she skin him? I check Mustafa’s eyes, but they have glazed over. No curiosity here about the
farang
’s love life. I wonder what Mustafa does with his mind in those moist moments that even fanatics experience. Do they all simply postpone, pending paradise?

“You know who she is?” I ask him.

He shrugs. What does it matter? She was just a whore from out of town, of no more consequence to him than a ball of fluff. She was not part of any war that interested him. I allow myself the luxury of dwelling on her face (that smile) for a few moments: no way Mustafa is going to read my heart, which I have to admit has sunk just a tad. I pull open the picture frame and take out the picture of Chanya, which I pocket.

Unable to follow up on the mystery of the picture, I examine that small stack of books on the bedside table.
Huckleberry Finn,
a black Bible, the biography of the FBI spy Robert Hanssen by Norman Mailer and Lawrence Schiller, a translation into English of Dante’s
Inferno,
a copy of the Koran in English,
The Encyclopedia of Arachnids, Advanced Spider Keeping,
and
Problems in Identification and Classification of Asian Arachnids.
I flick through the vivid color plates: scorpions luminescent under ultraviolet light. I raise my eyes to Mustafa.

“He collected them, I forgot to tell you. At first we thought he was genuinely insane. We used to watch him crouching in dark alleys with some kind of little net and a bottle.”

The rest of the books are in Japanese script, indecipherable to both of us. One includes pictures, though, lithographic prints of samurai dueling with their famous curved swords. As I flick through the book, I see it is some kind of manual. There are photographs of samurai swords and diagrams that seem to show how one is made.

“He was fluent in Japanese,” Mustafa explains. “We think that was his main qualification, what got him into the CIA. He had Japanese friends.”

Finally, Mustafa gives way to the disgust that has been building since we entered the flat. “How can children like this hope to lead the world? Look at the books, at his life. This was a thirty-year-old teenager, a consumer kid taking culture off a supermarket shelf: samurai stuff from Japan, a whore from Bangkok, a little Christianity here, a little Islam there, when he wasn’t hunting for spiders or smoking opium.” He looks about to spit.

“Smoking opium?”

He grunts, unwilling to say more.

I follow him around the rest of the flat while he throws glances of contempt into odd corners. We find the terrarium on a shelf against a back wall in the spare bedroom. Mustafa peers at it, then shakes his head. “Nobody fed them.” I peer into the rectangular space behind the glass: dried corpses of hairy tarantulas, a scorpion with babies on her back, other spiders dead in their webs as if in the aftermath of a cataclysm.

In a cupboard Mustafa finds a cheap telescope of the kind that can be bought in department stores. Our exchange of glances is a classic example of telepathy. If Mitch Turner needed a good telescope, he would have persuaded the CIA to supply a state-of-the-art model. So he used this one for what?

“Checking out the action around the police station,” Mustafa grunts.

There doesn’t seem to be anything else of immediate significance, nothing that would explain Mitch Turner’s violent death anyway. I observe that there is no laptop, but Mustafa says whenever Turner left the apartment for any length of time, he took a laptop with him, probably following standing orders to check it into a bank vault or safe-deposit box. Well, there doesn’t seem to be much more we can do tonight, so we leave the apartment and Mustafa locks the door.

Out on the street the night is in full swing. The whole town is alive with disco music and flashing neon signs from cheap hotels. A tall and very thickset Malay in his late thirties is ushering three girls into his hotel as we pass. Three? I shoot a glance at Mustafa, but he’s in whatever space he uses to block out unacceptable aspects of reality. I wonder if he saw them at all, those three very attractive girls who seemed to be enjoying themselves? I guess that within his superstition those women would be seen as pure evil, seductive emissaries of Satan. Well, looks like that Malay and those girls are going to be merrily rolling in it for the next few hours, after which all participants will retire satisfied and sleep the sleep of the just. I do not explain to Mustafa that in the Game women often prefer to share their labor—they may even see it as a kind of perk in that they demand extra for doing less. It’s more fun, too, if you have a friend or colleague to chat with in your own language while you’re working the john. For country girls there’s an echo from the rice harvest, when everyone has to pitch in, and there’s a lot of chatting and flirting and you tell jokes to pass the time, hardly noticing what your hands are doing. I think of the big dark Malay laid out like a rice paddy while the girls work him and discuss the dollar-baht exchange rate across his erection. I pity Mustafa, who so resolutely rejects the simple dance of life, the humor. At the same time I wonder how Mitch Turner, the confused American spy, took it all.

There don’t seem to be any cafés with spare tables and chairs, not with any privacy anyway, so we end up in the lobby of our hotel, which has been transformed into a kind of anteroom for a gigantic brothel. Girls are sitting on all the sofas, and as we watch, dark-skinned young men with pencil mustaches approach one or another. They are different from
farang
in that the deal is done so quickly, usually within five minutes. No romantic buildup, more an Asian-style business deal. The woman is happy enough with that, since it might mean she can fit in more than one customer tonight. Some of the couples start immediately for the lifts, but most wander out into the street in search of a disco, where the young gallant can demonstrate his expertise in karaoke and the lady will applaud with adulation in her eyes.

Mustafa doesn’t want to look at it, so we find an empty table in a corner. He still has some explaining to do, so I give him the silent treatment.

“You are wondering why we took such interest in one individual, when there are hundreds like him in Thailand?”

“Yes.”

“You must ask my father for a full explanation. According to him, the
farang
Mitch Turner was a fascinating product of the West. He said that just as intelligence agencies like to take terrorist bombs apart to see how they are made, so we should look into the soul of this strange fish, this human bomb, to see how it was made. After all, he didn’t invent himself—he was a creature of his culture.”

“His naÏveté, confusion, lack of center?”

“All those things, but what most interested my father was his spiritual agony. You must understand that although my father is very learned, he hardly ever meets
farang,
especially not American spies. My father is a great imam, which is to say a connoisseur of souls. Mitch Turner interested him a lot. Until he met Turner, I think he doubted that
farang
had souls. When he saw what a mess Turner was in, what he called the ‘great howl of agony’ at the center of this man, he felt he’d understood why the West is the way it is.” A ghost of a smile. “It was as if he’d cracked a code and now could read the Western mind.” Staring into my eyes: “He told me he would never have believed it was possible for a man to be so tormented and still live, still function.” Excited now, sharing a passion with me for the first time: “He also said that without a war, America would descend into total confusion and would have to turn itself into a police state to survive, because its people no longer have any internal structure. Americans can never be defeated by war. It is peace they find intolerable.”

“He reached these conclusions on the basis of one specimen?”

“Why not? True knowledge comes from Allah. It does not need scientific method, only a clue, a hint for the spirit to follow.”

As he speaks, I note that he is watching the action in a totally unseeing way, like a show in a language he does not understand. For me, though, it is impossible not to take a professional interest in what is going on all over the rest of the lobby: the young men approaching the girls, the big ironic smile on the faces of the women; the man’s complex mixture of shyness, courage, arrogance, urgency, and anticipation, the woman’s searching eyes, trying to guess what sort of lover this one will be while they negotiate; the mutual relief that is almost a kind of orgasm when they reach a deal; the abrupt change of body language when they put their arms around each other and make for the lifts or walk out into the night. I know that Mustafa, if he sees anything of interest at all, sees only sin, which will no doubt be eradicated sooner or later by Allah—along with a whole range of other activities that I consider merely human.

When I tell him I’m going to sleep, he stands up immediately, like one who has been released from a dirty job.

14

B
ack in my room I made the mistake of drinking a couple of Singha beers from the minibar. They knocked me out for a few hours, and now I’m awake with quite a thirst and a slight headache. (Drink Kloster or Heineken,
farang,
when you come for your vacation—they’re cleaner brews.) The worst of it is, I’m fully conscious, and when I use the remote to switch on the TV, I see from the information bar that it’s four-thirteen in the morning. As I lie on the bed I remember my dream, in which Chanya came to me. The quality of light, the expression on her face, the whole atmosphere of the dream, tell me it was a communication from her of some kind, though I cannot decipher its meaning. She and I occasionally discussed Buddhism. She was a keen meditator herself, and our backgrounds were so similar we often speculated that we had known each other in previous lifetimes, perhaps a great many. We were too shy to say it, but we both wondered if we were not soul mates of the kind that meet up lifetime after lifetime. Only when karma is very favorable do such soul mates succeed in having a full-blooded relationship; after all, that would be the next best thing to enlightenment itself. More often we look out for each other from a distance, like guardian angels. I feel I’m her guardian at the moment, but in the dream it seemed the other way around. Restless, I pull some clothes on and go down to the lobby.