Bat-Wing (13 page)

The weather remained almost tropically hot, and the moon floated in a
cloudless sky. I looked down upon the closely matted leaves of the box
hedge, which rose to within a few feet of my window, and to the left I
could obtain a view of the close-hemmed courtyard before the doors of
Cray's Folly. On the right the yews began, obstructing my view of the
Tudor garden, but the night air was fragrant, and the outlook one of
peace.

After a time, then, as no sound came from the adjoining room, I turned
in, and despite all things was soon fast asleep.

Almost immediately, it seemed, I was awakened. In point of fact, nearly
four hours had elapsed. A hand grasped my shoulder, and I sprang up in
bed with a stifled cry, but:

"It's all right, Knox," came Harley's voice. "Don't make a noise."

"Harley!" I said. "Harley! what has happened?"

"Nothing, nothing. I am sorry to have to disturb your beauty sleep, but
in the absence of Innes I am compelled to use you as a dictaphone,
Knox. I like to record impressions while they are fresh, hence my
having awakened you."

"But what has happened?" I asked again, for my brain was not yet fully
alert.

"No, don't light up!" said Harley, grasping my wrist as I reached out
toward the table-lamp.

His figure showed as a black silhouette against the dim square of the
window.

"Why not?"

"Well, it's nearly two o'clock. The light might be observed."

"Two o'clock?" I exclaimed.

"Yes. I think we might smoke, though. Have you any cigarettes? I have
left my pipe behind."

I managed to find my case, and in the dim light of the match which I
presently struck I saw that Paul Harley's face was very fixed and grim.
He seated himself on the edge of my bed, and:

"I have been guilty of a breach of hospitality, Knox," he began. "Not
only have I secretly had my own car sent down here, but I have had
something else sent, as well. I brought it in under my coat this
evening."

"To what do you refer, Harley?"

"You remember the silken rope-ladder with bamboo rungs which I brought
from Hongkong on one occasion?"

"Yes—"

"Well, I have it in my bag now."

"But, my dear fellow, what possible use can it be to you at Cray's
Folly?"

"It has been of great use," he returned, shortly.

"It enabled me to descend from my window a couple of hours ago and to
return again quite recently without disturbing the household. Don't
reproach me, Knox. I know it is a breach of confidence, but so is the
behaviour of Colonel Menendez."

"You refer to his reticence on certain points?"

"I do. I have a reputation to lose, Knox, and if an ingenious piece of
Chinese workmanship can save it, it shall be saved."

"But, my dear Harley, why should you want to leave the house secretly
at night?"

Paul Harley's cigarette glowed in the dark, then:

"My original object," he replied, "was to endeavour to learn if any one
were really watching the place. For instance, I wanted to see if all
lights were out at the Guest House."

"And were they?" I asked, eagerly.

"They were. Secondly," he continued, "I wanted to convince myself that
there were no nocturnal prowlers from within or without."

"What do you mean by within or without?"

"Listen, Knox." He bent toward me in the dark, grasping my shoulder
firmly. "One window in Cray's Folly was lighted up."

"At what hour?"

"The light is there yet."

That he was about to make some strange revelation I divined. I detected
the fact, too, that he believed this revelation would be unpleasant to
me; and in this I found an explanation of his earlier behaviour. He had
seemed distraught and ill at ease when he had joined Madame de Stämer,
Miss Beverley, and myself in the drawing room. I could only suppose
that this and the abrupt parting with me outside my door had been due
to his holding a theory which he had proposed to put to the test before
confiding it to me. I remember that I spoke very slowly as I asked him
the question:

"Whose is the lighted window, Harley?"

"Has Colonel Menendez taken you into a little snuggery or smoke-room
which faces his bedroom in the southeast corner of the house?"

"No, but Miss Beverley has mentioned the room."

"Ah. Well, there is a light in that room, Knox."

"Possibly the Colonel has not retired?"

"According to Madame de Stämer he went to bed several hours ago, you
may remember."

"True," I murmured, fumbling for the significance of his words.

"The next point is this," he resumed. "You saw Madame retire to her own
room, which, as you know, is on the ground floor, and I have satisfied
myself that the door communicating with the servants' wing is locked."

"I see. But to what is all this leading, Harley?"

"To a very curious fact, and the fact is this: The Colonel is not
alone."

I sat bolt upright.

"What?" I cried.

"Not so loud," warned Harley.

"But, Harley—"

"My dear fellow, we must face facts. I repeat, the Colonel is not
alone."

"Why do you say so?"

"Twice I have seen a shadow on the blind of the smoke-room."

"His own shadow, probably."

Again Paul Harley's cigarette glowed in the darkness.

"I am prepared to swear," he replied, "that it was the shadow of a
woman."

"Harley—"

"Don't get excited, Knox. I am dealing with the strangest case of my
career, and I am jumping to no conclusions. But just let us look at the
circumstances judicially. The whole of the domestic staff we may
dismiss, with the one exception of Mrs. Fisher, who, so far as I can
make out, occupies the position of a sort of working housekeeper, and
whose rooms are in the corner of the west wing immediately facing the
kitchen garden. Possibly you have not met Mrs. Fisher, Knox, but I have
made it my business to interview the whole of the staff and I may say
that Mrs. Fisher is a short, stout old lady, a native of Kent, I
believe, whose outline in no way corresponds to that which I saw upon
the blind. Therefore, unless the door which communicates with the
servants' quarters was unlocked again to-night—to what are we reduced
in seeking to explain the presence of a woman in Colonel Menendez's
room? Madame de Stämer, unassisted, could not possibly have mounted the
stairs."

"Stop, Harley!" I said, sternly. "Stop."

He ceased speaking, and I watched the steady glow of his cigarette in
the darkness. It lighted up his bronzed face and showed me the steely
gleam of his eyes.

"You are counting too much on the locking of the door by Pedro," I
continued, speaking very deliberately. "He is a man I would trust no
farther than I could see him, and if there is anything dark underlying
this matter you depend that he is involved in it. But the most natural
explanation, and also the most simple, is this—Colonel Menendez has
been taken seriously ill, and someone is in his room in the capacity of
a nurse."

"Her behaviour was scarcely that of a nurse in a sick-room," murmured
Harley.

"For God's sake tell me the truth," I said. "Tell me all you saw."

"I am quite prepared to do so, Knox. On three occasions, then, I saw
the figure of a woman, who wore some kind of loose robe, quite clearly
silhouetted upon the linen blind. Her gestures strongly resembled those
of despair."

"Of despair?"

"Exactly. I gathered that she was addressing someone, presumably
Colonel Menendez, and I derived a strong impression that she was in a
condition of abject despair."

"Harley," I said, "on your word of honour did you recognize anything in
the movements, or in the outline of the figure, by which you could
identify the woman?"

"I did not," he replied, shortly. "It was a woman who wore some kind of
loose robe, possibly a kimono. Beyond that I could swear to nothing,
except that it was not Mrs. Fisher."

We fell silent for a while. What Paul Harley's thoughts may have been I
know not, but my own were strange and troubled. Presently I found my
voice again, and:

"I think, Harley," I said, "that I should report to you something which
Miss Beverley told me this evening."

"Yes?" said he, eagerly. "I am anxious to hear anything which may be of
the slightest assistance. You are no doubt wondering why I retired so
abruptly to-night. My reason was this: I could see that you were full
of some story which you had learned from Miss Beverley, and I was
anxious to perform my tour of inspection with a perfectly unprejudiced
mind."

"You mean that your suspicions rested upon an inmate of Cray's Folly?"

"Not upon any particular inmate, but I had early perceived a distinct
possibility that these manifestations of which the Colonel complained
might be due to the agency of someone inside the house. That this
person might be no more than an accomplice of the prime mover I also
recognized, of course. But what did you learn to-night, Knox?"

I repeated Val Beverley's story of the mysterious footsteps and of the
cries which had twice awakened her in the night.

"Hm," muttered Harley, when I had ceased speaking. "Assuming her
account to be true—"

"Why should you doubt it?" I interrupted, hotly.

"My dear Knox, it is my business to doubt everything until I have
indisputable evidence of its truth. I say, assuming her story to be
true, we find ourselves face to face with the fantastic theory that
some woman unknown is living secretly in Cray's Folly."

"Perhaps in one of the tower rooms," I suggested, eagerly. "Why,
Harley, that would account for the Colonel's marked unwillingness to
talk about this part of the house."

My sight was now becoming used to the dusk, and I saw Harley vigorously
shake his head.

"No, no," he replied; "I have seen all the tower rooms. I can swear
that no one inhabits them. Besides, is it feasible?"

"Then whose were the footsteps that Miss Beverley heard?"

"Obviously those of the woman who, at this present moment, so far as I
know, is in the smoking-room with Colonel Menendez."

I sighed wearily.

"This is a strange business, Harley. I begin to think that the mystery
is darker than I ever supposed."

We fell silent again. The weird cry of a night hawk came from somewhere
in the valley, but otherwise everything within and without the great
house seemed strangely still. This stillness presently imposed its
influence upon me, for when I spoke again, I spoke in a low voice.

"Harley," I said, "my imagination is playing me tricks. I thought I
heard the fluttering of wings at that moment."

"Fortunately, my imagination remains under control," he replied,
grimly; "therefore I am in a position to inform you that you did hear
the fluttering of wings. An owl has just flown into one of the trees
immediately outside the window."

"Oh," said I, and uttered a sigh of relief.

"It is extremely fortunate that my imagination is so carefully
trained," continued Harley; "otherwise, when the woman whose shadow I
saw upon the blind to-night raised her arms in a peculiar fashion, I
could not well have failed to attach undue importance to the shape of
the shadow thus created."

"What was the shape of the shadow, then?"

"Remarkably like that of a bat."

He spoke the words quietly, but in that still darkness, with dawn yet a
long way off, they possessed the power which belongs to certain chords
in music, and to certain lines in poetry. I was chilled unaccountably,
and I peopled the empty corridors of Cray's Folly with I know not what
uncanny creatures; nightmare fancies conjured up from memories of
haunted manors.

Such was my mood, then, when suddenly Paul Harley stood up. My eyes
were growing more and more used to the darkness, and from something
strained in his attitude I detected the fact that he was listening
intently.

He placed his cigarette on the table beside the bed and quietly crossed
the room. I knew from his silent tread that he wore shoes with rubber
soles. Very quietly he turned the handle and opened the door.

"What is it, Harley?" I whispered.

Dimly I saw him raise his hand. Inch by inch he opened the door. My
nerves in a state of tension, I sat there watching him, when without a
sound he slipped out of the room and was gone. Thereupon I arose and
followed as far as the doorway.

Harley was standing immediately outside in the corridor. Seeing me, he
stepped back, and: "Don't move, Knox," he said, speaking very close to
my ear. "There is someone downstairs in the hall. Wait for me here."

With that he moved stealthily off, and I stood there, my heart beating
with unusual rapidity, listening—listening for a challenge, a cry, a
scuffle—I knew not what to expect.

Cavernous and dimly lighted, the corridor stretched away to my left. On
the right it branched sharply in the direction of the gallery
overlooking the hall.

The seconds passed, but no sound rewarded my alert listening—until,
very faintly, but echoing in a muffled, church-like fashion around that
peculiar building, came a slight, almost sibilant sound, which I took
to be the gentle closing of a distant door.

Whilst I was still wondering if I had really heard this sound or merely
imagined it:

"Who goes there?" came sharply in Harley's voice.

I heard a faint click, and knew that he had shone the light of an
electric torch down into the hall.

I hesitated no longer, but ran along to join him. As I came to the head
of the main staircase, however, I saw him crossing the hall below. He
was making in the direction of the door which shut off the servants'
quarters. Here he paused, and I saw him trying the handle. Evidently
the door was locked, for he turned and swept the white ray all about
the place. He tried several other doors, but found them all to be
locked, for presently he came upstairs again, smiling grimly when he
saw me there awaiting him.