Bears Discover Fire and Other Stories (10 page)

“Does he know?” I asked, afterward, when we were lying in the dark. I like the darkness; it equalizes things.

“Know? Who?”

“DeCandyle. Who do you think?”

“What I do is none of his business,” she said. “And what he knows, is none of yours.” It was the end of our first and longest conversation. I slept for six hours and when I woke up she was gone.

* * *

“Turns out I have a friend at Berkeley too,” my ex said when she came by on Thursday to drop off some microwavables. Cops have friends everywhere; at least they think of them as friends.

“DeCandyle was in the medical school until he was kicked out for selling drugs. The other one was in comparative lit until she was kicked out in her junior year. All very hush-hush, but it seems she was using drugs to recruit students for experiments. I think there was even a death involved. I have another friend who’s checking the PD files.”

“Dum de-dum dum,” I said.

“I’m just giving you the facts, Ray. What you do with them, if anything, is up to you.” She was shuffling through my stacked canvases again. “I’m glad to see you’re doing mountains again. They were always your best sellers. And what have we here? Pornography?”

“Eye of the beholder,” I said.

“Bullshit. Don’t you think this is a little—gynecological—for
Natural Geographic
? I know they show tits and all, but—”

“It’s
National
,” I said. “And do me a favor—” I nodded toward her partner, who was standing just inside the door, foolishly thinking that if he stood perfectly still I wouldn’t know he was there. “As long as you and your boyfriend are playing Sergeant Friday, check out one more name for me.”

* * *

On Monday I was supposed to deliver the first batch of paintings in the series. DeCandyle sent a hired van to pick me up. I knew the driver. He was a local part-time preacher and abortion-clinic bomber. I was careful to keep the paintings covered as we loaded them in.

“I hear you’re working with the Hell Docs,” he said.

“I don’t know what you’re talking about; I’m just going in for a treatment,” I lied. “I am blind, you know.”

“Whatever you say,” he said. “I hear they’re sending a man and a woman to Hell. Sort of a new Adam and Eve.”

He laughed. I didn’t.

* * *

“Magnificent,” said DeCandyle, when he unwrapped the paintings in his office. “How can you do it? I could understand touch, sculpture; but painting? Colors?”

“I know what it looks like while I’m working on it,” I said. “After it’s dry, no. If you need a theory, my theory is that colors have smells; smells that are pitched too high for most people. So I’m like a dog that can hear a high-pitched whistle. That’s why I paint in oil and not acrylic.”

“So you don’t agree with the article in the
Sun
that it’s a psychic ability?”

“As a scientist, surely you don’t believe that crap.”

“As a scientist,” DeCandyle said, “I don’t know what I believe anymore. But let’s go to work.”

There was something different about the echoes in the launch lab. I was led directly to the gurney, and helped onto it. “Where’s the car?” I protested.

“We are dispensing with the car for the rest of this series,” DeCandyle said. I knew he was only partly talking to me when I heard the
click
of his recorder. “With this insertion we will begin using the C-T, or Cold Tissue, chamber developed while I was in Europe. It will allow us to penetrate deeper into LAD space.”
Click
.

“Deeper?” I was alarmed; I didn’t like lying down. “By staying dead longer?”

“Not necessarily longer,” DeCandyle said. “The C-T chamber will cool the home tissue more rapidly, allowing faster LAD penetration. We hope on this insertion to actually penetrate the threshold barrier.”
Click
.

By home tissue he meant the corpse. “I don’t like this,” I said. I sat up on the gurney. “It’s not in my contract.”

“Your contract calls for five LAD insertions,” DeCandyle said. “However, if you don’t want to go—”

Just then Sorel came into the room in her jumpsuit. I could hear the swishing of the nylon between her legs.

“I didn’t say I didn’t want to go,” I said. “I just want—” But I didn’t know what I wanted. I lay back down and she lay down beside me. I heard the snap of tubes being attached; guided by hers, my hand slid into the smelly, cold mash of the glove. Our fingers met and entwined. They were like teenagers, getting together in secret, each with its own little libido.

“Series forty-one, insertion three,” DeCandyle said.
Click
.

The gurney was rolling and we were pushed into a small chamber. I felt rather than heard a door close just behind my head: a softer
click
. I panicked, but Sorel clutched my hand and the smell of atropine and formaldehyde filled the air. I felt myself falling—no, rising, with Sorel, linked, hand in hand, toward the light. This time we went more slowly and I saw our bodies laid out, spinning, naked as the day we were born. We rose into the lattice of light and it parted around us like a song.

And it was gone.

All around was the gray darkness.

We were on the Other Side.

I felt nothing. It filled me. I was frozen.

Sorel’s presence now had a form; she who had been all light was all flesh. I find it impossible to describe even though I was to paint it several times. She had legs, but they were strangely segmented; breasts, but not the breasts my lips and fingers knew; her hands were blunt, her face was blank, and her hips and what I can only call her mind, were bone white. She moved away into the gray distance and I moved with her, still linked “hand” to “hand.”

I felt—I
knew
—I had always been dreaming and only this was real. The space around me was a blank and endless gray. “Life” had been a dream; this was all there was.

I drifted. I seemed to have a body again, although it was not in my control. For hours, centuries, eternities we drifted through a world as small as a coffin, yet never reached an end. At the still center of it all was a circle of stones. I followed Sorel down toward them. Somebody—or something—was inside.

Waiting.

She passed through the stones toward the Other, pulling me with her. I pushed back; then pulled away, filled with terror. For I had touched stone. Nothing here was real and yet—I had touched stone. Suddenly I knew I was awake because everything was dark, only I could no longer see.

Beside me was her body; its dead hand clutching mine. I had never before awakened—retrocuted—before Sorel. I reached up with my left hand, fearfully, tentatively until I felt the lid of my coffin just where I knew it would be. It was porcelain or steel, not stone. But cold as stone.

I tried to scream but there was no air. Before I could scream there was a shock, and I fell into another, a darker, darkness.

* * *

“What you felt was the roof of the C-T chamber,” DeCandyle was saying. “It enables you to remain in LAD space longer without damage to the home tissue. And with ultrasonic blood cooling, to cross directly to the Other Side.” It was the first time I had heard the term, yet I knew exactly what he meant.

Someone was clutching my right hand; it was Sorel. She was still dead. I was lying on the gurney; it rocked on its wheels as I struggled to sit up.

I shuddered as I remembered. “Before I touched the lid, while I was still dead, I touched stone.”

DeCandyle went on: “Apparently there are realms in LAD space whose accessibility depends on residual electrical fields in the home tissue.” I waited for the click, which never came, and realized he was talking only to me. “There is a magnetic polarity in the body that endures for several days after death. We want to find out what happens as the electrical field decays. The C-T chamber allows us to explore this without waiting on the actual mortification of the flesh.”

Mortification. “So there’s dead and then there’s deader.”

“Something like that. Let me drive you home.”

I was still holding Sorel’s hand. I pried my fingers loose.

* * *

I couldn’t sleep. The horror of the “Gray Realm” (as I was to call it in a painting) kept leaking back in. I felt like a man halfway up the Amazon, afraid to go on but afraid to turn back, because no matter what horrors lay ahead, he knows too well the horror that lies behind. The Devil’s Island of blindness.

I ached for Sorel. We blind are said to be connoisseurs of masturbation, perhaps because our imaginations are so practiced at summoning up images. Afterward, I turned on the lights and tried to paint. I always work in the light. Painting is a collaboration between the artist and his materials. I know paint loves light; I figure canvas at least likes it.

But it was no good. I couldn’t work. It wasn’t till after dawn, amid the harsh din of the awakening birds, that I realized what was bothering me.

I was jealous.

* * *

My ex came by a day early (I thought) to drop off some microwavables. “Where have you been?” she asked. “I was trying to call you all day.”

“I was at the university on Monday, as usual,” I said.

“I’m talking about Tuesday.”

“Yesterday?”

“Today is Thursday; you’ve lost a day. Anyway, we struck paydirt with your other name. Noroguchi was the real thing, a tenured professor at Berkeley, in the medical school, no less. That is, until he was murdered.”

I could hear her flipping through my canvases, waiting for me to respond. I could imagine her half-smile.

“Don’t you want to know who murdered him?”

“Let me guess,” I said. “Philip DeCandyle.”

“Ray, I always said you should have been a cop,” she said. “You take the fun out of everything. Manslaughter. Plea-bargained down from Murder Two. Served six years at San Rafael. The creepy one was an accessory but she never went to jail.”

“I thought you said they were both creepy.”

“She’s creepier. Did you know her tits are different sizes? Don’t answer that. Did you know you have a blank canvas here in the finished pile?”

“It belongs there,” I said. “It’s called ‘The Other Side.’ ”

* * *

On Monday, it was DeCandyle who picked me up in the Honda. “Where’s Sorel?” I asked. I had to know. Even if she was dead I wanted to be with her.

“She’s okay. She’s waiting for us at the lab.”

“I’m dying to see her,” I said. I didn’t expect DeCandyle to laugh and he didn’t.

He drove maddeningly slowly. I missed Sorel’s breathtaking speed. I asked him to tell me about Noroguchi.

“Dr. Noroguchi died during an insertion; that is, failed to retrocute. I was blamed. But I get the distinct feeling you’ve heard the whole story.”

“And he’s still there.”

“Where else?”

“But why him? Millions of people are dead but we don’t see them.”

“You’ve
seen
Edwin?” DeCandyle stopped and there was a scream of brakes as someone almost hit us from behind. He stepped on the gas. “We don’t know why,” he said. “Apparently the connection persists when it’s strong enough. He and Emma were partners on many insertions. Too many. Emma’s convinced that it’s possible to penetrate deep enough to find him.”

“To bring him back?”

“Of course not. He’s dead. Edwin always insisted on going deeper and deeper even though we didn’t have the C-T Chamber then. It’s Emma’s obsession now. If anything, she’s worse than him; than he was.”

“Were they —”

“Were they lovers?” It wasn’t what I was going to ask, but it was what I wanted to know.

“Toward the end, they were lovers,” he said. He laughed; a bitter little laugh. “I don’t think they knew I knew.”

* * *

When we got to the institute I heard rhythmic shouts and the unfamiliar crunch of gravel.

“We’ll have to enter through the back,” DeCandyle said. “We have demonstrators out front. A local preacher has been telling the natives that we are trying to duplicate the Resurrection in the laboratory.”

“They always get it backwards,” I said.

We entered through a side door, directly into the lab. I sat on the gurney waiting to hear the swish of Sorel’s nylon jumpsuit between her legs. Instead I heard the
suss
of rubber tires and the faint ringing of spokes.

“You’re in a wheelchair?”

“Temporarily,” she said.

“Thrombophlebitis,” said DeCandyle. “The blood clots when it pools in the veins for too long. But don’t you worry; the C-T chamber diffusion fluid now contains a blood thinner.”

We lay down together, side by side. My hand found the glove, which was between us. Was the solution getting old? There was a funny smell. Sorel’s hand found mine and our fingers met in their familiar lascivious fond embrace, except—

She was missing a finger. Two.

Stumps.

My hand froze, wanting to pull away; the handbasket started gurgling and we were rolled forward, then stopped.

“Ready?”

“Ready.” A part of me was scared; another part of me was amazed at how impatient a third part of me was to die. We were rolled forward again, feet first, into the cold, slightly acrid air of the chamber. A door closed behind my head. Before I had time to panic, Sorel’s fingers found mine and comforted them, opening them like petals, and there was the sting. My heart stopped, like a TV that has been turned off.

Or on. For there came a kaleidoscope of colors, through which I arose, faster and faster. There was no floating, no looking back, no basking in the lattice of light; for no sooner had I seen—no, glimpsed—the familiar splendors of LAD space than they were gone and we were in that other darkness.

The Other Side.

It stretched around us endless and yet enclosing. The “sky” was low like a coffin lid. Sorel and I moved stiffly, drifting, no longer spirit but all flesh. I was dead awake. I was conscious of her buttocks, the flesh on her arms which was fluted somehow like toadstool skin; the cold insect smell as we circled the stone pillars that pinned the low sky down.

We seemed to get no closer as we circled “The Pens” (as I was to call them in a painting): They spun slowly in the center of our immobility, like a system of stone stars. Again someone, some Other, waited inside. Under the lattice of light there was no sense of time’s passage, perhaps because the spirit (unlike the body) moved at time’s exact speed; but here, on the Other Side, time no longer buoyed us in its stream. There was no movement. Every forever was inside another forever, and the moments were no longer a stream but a pond: concentric circles that went nowhere.