Behind That Curtain (6 page)

Again they chatted by two and two. Miss Morrow leaned over to Chan.

“Imagine,” she said, “that picture of the great explorer, as a little boy, frightened of the dark. It's quite the most charming and human thing I ever heard.”

He nodded gravely, his eyes on Eileen Enderby. “The dark drives me almost insane with fear,” she had said. How dark it must have been that night in the hills outside Peshawar.

After he had served coffee in the living-room, Paradise appeared with a white, glittering screen which, under the Colonel's direction, he stood on a low table against a Flemish tapestry. Barry Kirk helped Beetham carry in from the hallway a heavy motion-picture projector and several boxes of films.

“Lucky we didn't overlook this,” the young man laughed. “A rather embarrassing thing for you if you had to go home without being invited to perform. Like the man who tried to slip away
from an evening party with a harp that he hadn't been asked to play.” The machine was finally ready, and the company took their places in comfortable chairs facing the screen.

“We shall want, of course, complete darkness,” Beetham said. “Mr. Kirk, if you will be so kind—”

“Surely.” Barry Kirk turned off the lights, and drew thick curtains over doors and windows. “Is it all right now?”

“The light in the hallway,” Beetham suggested.

Kirk also extinguished that. There was a moment of tense silence.

“Heavens—this is creepy,” spoke Eileen Enderby out of the blackness. There was a slight note of hysteria in her voice.

Beetham was placing a roll of film in the machine. “On the expedition I am about to describe,” he began, “we set out from Darjeeling. As you no doubt know, Darjeeling is a little hill station on the extreme northern frontier of India—”

Sir Frederic interrupted. “You have been in India a great deal, Colonel?”

“Frequently—between journeys—”

“Ah yes—pardon me for breaking in—”

“Not at all.” The film began to unwind. “These first pictures are of Darjeeling, where I engaged my men, rounded up supplies, and—” The Colonel was off on his interesting but rather lengthy story.

Time passed, and his voice droned on in the intense darkness. The air was thick with the smoke of cigarettes; now and then there was the stir of someone moving, walking about in the rear, occasionally a curtain parted at a window. But Colonel Beetham gave no heed. He was living again on the high plateau of Tibet; the old fervor to go on had returned; he trekked through snowy passes, leaving men and mules dead in the wasteland, fighting like a fanatic on toward his goal.

A weird feeling of oppression settled down over Charlie Chan, a feeling he attributed to the thick atmosphere of the room. He rose and dodged guiltily out into the roof-top garden. Barry Kirk was standing there, a dim figure in the mist, smoking a cigarette. For it was misty now, the fog bell was tolling its warning, and the roof was wrapped in clouds.

“Hello,” said Kirk in a low voice. “Want a bit of air, too, eh? I hope he's not boring my poor guests to death. Exploring's a big business now, and he's trying to persuade grandmother to put up a lot of money for a little picnic he's planning. An interesting man, isn't he?”

“Most interesting,” Chan admitted.

“But a hard one,” added Kirk. “He leaves the dead behind with never so much as a look over his shoulder. I suppose that's the scientific type of mind—what's a few dead men when you're wiping out one of those white spots on the map? However, it's not my style. That's my silly American sentimentality.”

“It is undubitably the style of Colonel Beetham,” Chan returned. “I read same in his eyes.”

He went back into the big living-room, and walked about in the rear. A slight sound in the hallway interested him, and he went out there. A man had just entered by the door that led to the floor below. Before he closed it the light outside fell on the blond hair of Carrick Enderby.

“Just having a cigarette on the stairs,” he explained in a hoarse whisper. “Didn't want to add any more smoke to the air in there. A bit thick, what?”

He stole back into the living-room, and Chan, following, found a chair. A clatter of dishes sounded from the distant pantry, competing with the noise of the unwinding film and the steady stream of Beetham's story. The tireless man was starting on a new reel.

“Voice is getting a bit weary,” the Colonel admitted. “I'll just run
this one off without comment. It requires none.” He fell back from the dim light by the machine, into the shadows.

In ten minutes the reel had unwound its length, and the indomitable Beetham was on hand. He was preparing to start on what he announced as the final reel, when the curtains over one of the French windows parted suddenly, and the white figure of a woman came into the room. She stood there like a wraith in the misty light at her back.

“Oh, stop it!” she cried. “Stop it and turn up the lights. Quickly! Quickly—please!” There was a real hysteria in Eileen Enderby's voice now.

Barry Kirk leaped to the light switch, and flooded the room. Mrs. Enderby stood, pale and swaying slightly, clutching at her throat. “What is it?” Kirk asked. “What's the trouble?”

“A man,” she panted. “I couldn't stand the dark—it was driving me mad—I stepped out into the garden. I was standing close to the railing when I saw a man leap from a lighted window on the floor below, out onto the fire-escape. He ran down it into the fog.”

“My offices are below,” Kirk said quietly. “We had better look into this. Sir Frederic—” His eyes turned from one to the other. “Why—where is Sir Frederic?” he asked.

Paradise had entered from the pantry. “I beg your pardon, sir,” he said. “Sir Frederic went down to the offices some ten minutes ago.”

“Down to the offices? Why?”

“The burglar alarm by your bed was buzzing, sir. The one connected up downstairs. Just as I discovered it, Sir Frederic entered your room. ‘I will investigate this, Paradise,' he said. ‘Don't disturb the others.'”

Kirk turned to Charlie Chan. “Sergeant, will you come with me, please?”

Silently Charlie followed him to the stairs, and together they went below. The offices were ablaze with light. The rear room,
into which the stairs led, was quite empty. They advanced into the middle room.

A window was open as far as it would go, and in the mist outside Chan noted the iron gratings of a fire-escape. This room too seemed empty. But beyond the desk Barry Kirk, in advance, gave a little cry and dropped to his knees.

Chan stepped around the desk. He was not surprised by what he saw, but he was genuinely sorry. Sir Frederic Bruce lay on the floor, shot cleanly through the heart. By his side lay a thin little volume, bound in bright yellow cloth.

Kirk stood up, dazed. “In my office,” he said slowly, as though that were important. “It's—it's horrible. Good God—look!”

He pointed to Sir Frederic. On the detective's feet were black silk stockings—and nothing else. He wore no shoes.

Paradise had followed. He stood for a moment staring at the dead man on the floor, and then turned to Barry Kirk.

“When Sir Frederic came downstairs,” he said, “he was wearing a pair of velvet slippers. Sort of heathen-looking slippers they were, sir.”

Barry Kirk stood looking about his office; he found it difficult to believe that into this commonplace, familiar room, tragedy had found its way. Yet there was that silent figure on the floor, a few moments before so full of life and energy.

“Poor Sir Frederic,” he said. “Only today he told me he was near the end of a long trail. Nearer than he dreamed, it appears.” He stopped. “A long trail, Sergeant,—only a few of us know how far back into the past this thing must reach.”

Chan nodded. He had been consulting a huge gold watch; now he snapped shut the case and restored it to his pocket. “Death is the reckoning of heaven,” he remarked. “On this occasion, a most complicated reckoning.”

“Well, what shall we do?” Kirk asked helplessly. “The police, I suppose. But good lord—this is a case beyond any policeman I ever met. Any uniformed man, I mean.” He paused, and a grim smile flashed across his face. “It looks very much to me, Mr. Chan, as though you would have to take charge and—”

A stubborn light leaped into the little black eyes. “Miss Morrow is above,” said Chan. “What a happy chance, since she is from the district attorney's office. If I may humbly suggest—”

“Oh, I never thought of that.” Kirk turned to his servant. “Paradise, ask Miss Morrow to come here. Make my excuses to my guests, and ask them to wait.”

“Very good, sir,” replied Paradise, and departed.

Kirk walked slowly about the room. The drawers of the big desk were open and their contents jumbled. “Somebody's been on a frantic search here,” he said. He paused before the safe; its door was slightly ajar.

“Safe stands open,” suggested Chan.

“Odd about that,” said Kirk. “This afternoon Sir Frederic asked me to take out anything of value and move it upstairs. I did so. He didn't explain.”

“Of course,” nodded Chan. “And at the dinner table he makes uncalled-for reference to fact that he has not locked safe. The matter struck me at the time. One thing becomes clear—Sir Frederic desired to set a trap. A safe unlocked to tempt marauders.” He nodded to the small volume that lay at the dead man's side. “We must disturb nothing. Do not touch, but kindly regard book and tell me where last reposing.”

Kirk leaned over. “That? Why, it's the year-book of the Cosmopolitan Club. It was usually in that revolving case on which the telephone stands. It can't mean anything.”

“Maybe not. Maybe”—Chan's little eyes narrowed—“a hint from beyond the unknown.”

“I wonder,” mused Kirk.

“Sir Frederic was guest of Cosmopolitan Club?”

“Yes—I gave him a two weeks' card. He wrote a lot of his letters there. But—but—I can't see—”

“He was clever man. Even in moment of passing, his dying hand would seek to leave behind essential clue.”

“Speaking of that,” said Kirk, “how about those velvet slippers? Where are they?”

Chan shrugged. “Slippers were essential clue in one case, long ago. What did they lead to? Positively nothing. If I am suiting my own taste, this time I look elsewhere.”

Miss Morrow entered the room. Her face was usually full of color—an authentic color that is the gift of the fog to San Francisco's daughters. Now it was deathly pale. Without speaking, she stepped beyond the desk and looked down. For a moment she swayed, and Barry Kirk leaped forward.

“No, no,” cried the girl.

“But I thought—” he began.

“You thought I was going to faint. Absurd. This is my work—it has come to me and I shall do it. You believe I can't—”

“Not at all,” protested Kirk.

“Oh, yes you do. Everybody will. I'll show them. You've called the police, of course.”

“Not yet,” Kirk answered.

She sat down resolutely at the desk, and took up the telephone. “Davenport 20,” she said. “The Hall of Justice?… Captain Flannery, please … Hello—Captain? Miss Morrow of the district attorney's office speaking. There has been a murder in Mr. Kirk's office on the top floor of the Kirk Building. You had better come yourself … Thank you … Yes—I'll attend to that.”

She got up, and, going round the desk, bent over Sir Frederic. She noted the book, and her eyes strayed wonderingly to the stocking feet. Inquiringly she turned to Chan.

“The slippers of Hilary Galt,” he nodded. “Souvenir of that unhappy case, they adorned his feet when he came down. Here is Paradise—he will explain to you.”

The butler had returned, and Miss Morrow faced him. “Tell us what you know, please,” she said.

“I was busy in the pantry,” Paradise said. “I thought I heard the buzz of the burglar alarm by Mr. Kirk's bed—the one connected
with the windows and safe in this room. I hastened to make sure, but Sir Frederic was just behind. It was almost as though he had been expecting it. I don't know how I got that impression—I'm odd that way—”

“Go on,” said the girl. “Sir Frederic followed you into Mr. Kirk's room?”

“Yes, Miss. ‘There's someone below, sir,' I said. ‘Someone who doesn't belong there.' Sir Frederic looked back into the pitch dark living-room. ‘I fancy so, Paradise,' he said. He was smiling. ‘I will attend to it. No need to disturb Mr. Kirk or his guests.' I followed him into his room. He tossed off his patent leather pumps. ‘The stairs are a bit soiled, I fear, sir,' I reminded him. He laughed. ‘Ah, yes,' he said. ‘But I have the very thing.' The velvet slippers were lying near his bed. He put them on. ‘I shall walk softly in these, Paradise,' he told me. At the head of the stairs, I stopped him. A sort of fear was in my heart—I am given to that—to having premonitions—”

“You stopped him,” Kirk cut in.

“I did, sir. Respectfully, of course. ‘Are you armed, Sir Frederic?' I made bold to inquire. He shook his head. ‘No need, Paradise,' he answered. ‘I fancy our visitor is of the weaker sex.' And then he went down, sir—to his death.”

They were silent for a moment, pondering the servant's story.

“We had better go,” said the girl, “and tell the others. Someone must stay here. If it's not asking too much, Mr. Chan—”

“I am torn with grief to disagree,” Chan answered. “Please pardon me. But for myself, I have keen eagerness to note how this news is taken in the room above.”

“Ah, yes. Naturally.”

“I shall be glad to stay, Miss,” Paradise said.

“Very well,” the girl answered. “Please let me know as soon as Captain Flannery arrives.” She led the way above, and Kirk and the little detective from Honolulu followed.