Beneath a Silent Moon

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Authors: Tracy Grant

Tags: #Romance Suspense

BOOK: Beneath a Silent Moon
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Beneath a Silent Moon
By
Tracy Grant
Contents

Prologue
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-one
Chapter Twenty-two
Chapter Twenty-three
Chapter Twenty-four
Chapter Twenty-five
Chapter Twenty-six
Chapter Twenty-seven
Chapter Twenty-eight
Chapter Twenty-nine
Chapter Thirty
Chapter Thirty-one
Chapter Thirty-two
Chapter Thirty-three
Chapter Thirty-four
Chapter Thirty-five
Chapter Thirty-six
Chapter Thirty-seven
Chapter Thirty-eight
Chapter Thirty-nine
Chapter Forty
HISTORICAL NOTE

 

This is a work of fiction. Names, characters, places, and incidents are products of the author's imagination or are used fictitiously and are not to be construed as real. Any resemblance to actual events, locales, organizations, or persons, living or dead, is entirely coincidental.

HarperTorch

An Imprint of HarperCollins
Publishers

10 East 53rd Street

New York, New York 10022-5299

Copyright © 2003 by Tracy Grant

ISBN: 0-06-103210-7

First HarperTorch paperback printing: January 2004

First William Morrow hardcover printing: March 2003

HarperCollins®, HarperTorch™, and ™ are trademarks of HarperCollins Publishers Inc.

Printed in the United States of America

Visit HarperTorch on the World Wide Web at www.harpercollins.com

 

 

FOR JIM

one in five billion

 

The chariest maid is prodigal enough If she unmask her beauty to the moon.

SHAKESPEARE,
HAMLET

ACKNOWLEDGMENTS

Once again my deepest thanks to my editor, Lucia Macro, and my agent, Nancy Yost, for their insightful advice and boundless support during the writing of this book. Thank you to Michael Morrison, Carrie Feron, Lisa Gallagher, Richard Aquan, Leesa Belt, Donita Dooley, and Kelly Harms at Morrow/Avon, and to Marion Donaldson, Shona Walley, Sherise Hobbs, and Amy Philip at Headline for supporting my books at various steps along the way. Thank you to Pam LaBarbiera for her careful copyediting. And thank you to Honi Werner and Debra Lill for beautiful hardcover and paperback cover designs.

Thank you to Penny Williamson for countless plot brain-storming sessions; for stopping along a very windy stretch of the Perthshire coast because I absolutely had to have a picture "right here"; for exploring endless (and beautiful) Scottish castles and country houses, listening patiently to questions such as "What if part of Dunmykel looked like this?" "Could you hear the sea from here?" "How long would it take to get from the scullery to the nursery?", and not laughing too hard at my trepidation at climbing a thirteenth-century keep; for yet more discussions of plot and logistics over numerous (and delicious) Scottish dinners and drams of whisky; and for giving Dunmykel its name.

Thank you to Jim Saliba for fun and invaluable plot and character discussions; and for always remembering to ask me.

"How's it going?" and listening to my answer, no matter how overwhelmed he was with his own work.

Thank you to the 2001 participants in the Merola Opera Program for a wonderful
Cosi Fan Tutte
(of which I saw all four performances), and to the Oregon Shakespeare Festival for a fabulous
Hamlet
in the 2000 season. Both productions helped to inspire this book.

Prologue

 

The London Docks

June 1817

 

The night air was like a lover's touch. Cloaked in mystery, beckoning with promise, sweet at times but quickly cloying. And underneath, rotten to the core.

He had forgotten what a foul whore the London night was. The river stretched behind him, a smooth dark expanse, shimmering where it caught the fitful moonlight. But the breeze off the water was choked with the stench of sewage and offal and remnants from the knackers' yards. The air was heavy with soot from thousands of fireplace grates and coal-oil lamps. It clogged his throat and clung to his skin and no doubt was turning his cravat and shirt cuffs more grimy by the minute.

He turned on the quayside. The greasy water lapped softly against the boat that had brought him across the Channel and down the Thames. Nearer at hand, the man who had sailed the boat fixed him with a gaze that was the ocular equivalent of a pointed pistol. He fished a purse from the pocket of his greatcoat and pressed it into the boat owner's hand. "As agreed."

The boat owner tugged open the drawstring on the leather bag, tested one of the coins between his teeth, and began to count them with ponderous precision. Strange to pay three times more for twelve hours huddled in a tiny hold with barrels of brandy and tins of tea and crates of turbot than one would pay for a comfortable cabin on the mail packet.

The boat owner nodded, satisfied with his payment. The man who had paid him strode away from the river. He turned up the collar of his greatcoat and drew the folds of wool about him against the night chill. Pity his sojourn in London wouldn't allow for a visit to a tailor. One of the few things he missed on the Continent was a coat to equal those made on Bond Street.

A faded tavern sign with peeling gilt paint reminded him that he hadn't had a proper meal since before dawn. He peered through the smoke-blackened glass of the tavern windows. Greasy sausages. Potatoes soaked in lard. Meat pies filled with God knew what and those infernal mushy peas that had been a staple in the nursery. It was going to be the devil of a challenge to get a decent meal during his stay in London. But on the plus side, it was a long time since he'd had a pint of good dark stout.

The tavern door opened to admit three men on the shady side of forty, tradesmen of the middling sort judging by the quality of their coats and the modesty of their shirt points. They were engaged in a heated discussion that appeared to concern the effect of excise taxes and smuggling on the tea trade. The rhythm of English was harsh and unfamiliar to his ears. A strange way to feel about one's mother tongue.

Long-buried memories teased at the edges of his mind. The smell of ripe oranges on a birthday visit to Astley's Amphitheatre. The whack of a cricket bat. The syrupy sweetness of the treacle pudding he had actually once had the bad taste to like. The shapely calves and provocative mole of the Covent Garden opera dancer who had captured his attention at fifteen.

He shoved the memories aside and strode forward along the cobblestones. He had a job to do. The sooner it was done, the sooner he could leave this dank, smoky city that had long since ceased to mean anything to him.

He'd wait until he was closer to Covent Garden before he stopped to eat. There was always the chance of finding a passable coffeehouse run by a French Emigre. He walked on, keeping to the shadows, and set his mind to the task that awaited him. The task that had begun in a shadowy past playing cricket and eating pudding and never dreaming that this sceptred isle would ever cease to be his home. The task that had taken shape in the present, thanks to the end of a war, the vengeance of a restored monarchy, and the inconvenient way secrets had of bubbling to the surface.

He hadn't had such a challenge in some time. It went without saying that it was going to be difficult.

But then murder always was.

Chapter One

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