Authors: Nicci French
Tags: #Fiction, #Thrillers, #Suspense, #Crime, #Mystery & Detective, #General
I cleared my big living room table but there still wasn’t enough space. After Cameron had got rid of Lynne, it took him three trips to bring in the files from his car. There were two bulging cases and two cardboard boxes. He unloaded the red, blue, and beige files onto the tabletop and, when there was no more room, onto the carpet as well. When he had finished, he was panting, his face pale and slimy with sweat. His skin had a tired gray deadness.
“Is that all?” I asked ironically as the final pile was dumped at my feet.
“No,” he said.
“I said I wanted everything.”
“You’d need a small van for everything,” he said. “These are the active files from the office, and the others that I’ve got direct access to. Anyway, I don’t know what good you think this will do you. You’ll find most of it incomprehensible.” He sat in the uncomfortable wicker chair in the corner. “You’ve got two hours with this. And if you mention to anybody that you’ve seen any of this at all, then that’s my job.”
“Hush,” I said, picking up files at random. “How are these arranged?”
“Don’t get them out of order,” he said. “Mostly the gray files are for statements. The blue files are our own reports and documents. The red files are forensic and crime scene. It’s not completely consistent. Anyway it’s all written on the outside.”
“Are there photographs?”
“There are pictures of the crime scenes in the albums on the floor by your feet.”
I looked down. It seemed strange that police would put pictures of murders into the same sort of album that people use for their holiday snaps. I felt cold suddenly. Was this a good idea?
“Maybe in a minute. I just wanted to see what they looked like.”
Cameron came forward and started rummaging on the table, muttering to himself.
“Here,” he said. “And here.”
As I reached for it he took my hand.
“Sorry,” he said.
I pulled away from him. I was in a hurry.
“Go away,” I said. “Go into the garden. I’ll call you when I’m ready.”
“Or what?” he said wearily. “Or you’ll ring my wife?”
“I can’t read with you here.”
He paused. “It doesn’t make nice reading, Nadia.”
“Leave me.”
Slowly and reluctantly, he left the room.
I had a moment’s hesitation in opening the first file, in even touching it, as if there were an electric current protecting it. I was going to open a door and go into a room and somehow things would always be different.
I
would be different.
I opened the file and there she was. A snapshot was pinned to a piece of paper. Zoe Haratounian. Born February 11, 1976. I looked closely at the picture. She must have been on holiday. She was half sitting on a low wall with an intensely blue sky behind her. The fierce sunlight was making her squint slightly (she was holding a pair of sunglasses in her hand) and she was also laughing, saying something to whoever was taking the photograph. She was wearing a green vest and floppy black shorts. She had blond hair that came down to her shoulders. Was she lovely looking? I think so, but it was difficult to tell. Certainly she looked nice. It was a happy picture, the sort that should have been pinned on a cork notice board in the kitchen next to the shopping list and the card of the local taxi firm.
Also in the file were some typed notes. This was what I’d been looking for. Boyfriend, friends, employer, references to other files, contact numbers, addresses. I had a notebook ready for this. I jotted down some names and numbers, looking round to check that Cameron couldn’t see me. I flicked through the files. There was another photograph, a black-and-white portrait that looked as if it had been taken for some kind of identification. Yes, she was lovely. I’d seen in the previous picture that she was slim but there was a slight roundness to her face. She looked very young. Although she had a basically serious expression, there was a glint of something in her eyes as if, the very moment that the picture had been taken, she was going to break out into a naughty smile. I wondered what her voice had sounded like. Her name sounded foreign but she had been born somewhere near Nottingham.
I closed the file and put it carefully to one side. Now for the second. Jennifer Charlotte Hintlesham, born 1961, looked completely different from Zoe. Admittedly, it was a more formal photograph, taken in a studio. I could imagine it standing on a dressing table in a silver frame. She was more striking-looking than Zoe. She wasn’t exactly beautiful, but she was a woman who would catch your attention. She had large dark eyes and prominent cheekbones that were made more prominent by her long, thin face. There was something old-fashioned about her: She was wearing a round-necked sweater with a necklace of small pearls. Her dark brown hair was brushed so that it shone. She reminded me of one of those minor British movie stars of the fifties who were a bit left behind when the sixties started.
I had felt that Zoe was much younger than me; Jennifer Hintlesham seemed a generation older. It wasn’t that she had an older-looking face than me. The only faces that look more haggard than mine, especially first thing in the morning, have been dug out of a peat bog after two thousand years of mummification. She just seemed grown-up. I felt I’d like to have met Zoe. I wasn’t sure I’d have been Jennifer’s type. I looked at the file again. Husband and three children, names and ages. Fuck. I wrote down details.
Something occurred to me. I looked in the pile of files where these two had come from. As I thought, there was a file with my name on it. I opened it and was looking at a picture of myself. Nadia Elizabeth Blake, b. 1971. I shivered. Maybe in a few weeks this file would be fatter and another would have been opened.
I looked at my watch. What on earth next? And what was the point of this, apart from curiosity? When I was eleven years old there was a five-meter board at our local swimming pool. I never dared jump from it until one day I just climbed the steps as if I happened to be climbing a ladder for no reason and stepped over the edge of the board without thinking and I’d done it. I did this now.
I reached down for the first album of pictures, bound in gaudy red plastic. It should have contained pictures of little girls blowing out candles and people kicking balls along the beach. I opened it and mechanically turned the pages one after another. Not that much to see, really. I turned back to the beginning to check. Yes, this was the scene of the murder of Zoe Haratounian. Her own flat. And then there she was. She was lying facedown on a carpet. She wasn’t naked or anything like that. She was wearing knickers and a T-shirt. And she didn’t look dead. She could have been asleep. There was a ribbon or tie or something pulled tight around her neck and there were photographs showing it from various angles. I just kept looking at the knickers and the shirt. It was the thought of her putting on those clothes that morning and not knowing that she’d never take them off. It’s the sort of stupid thought you can’t get out of your mind.
I put it down and picked up the second book. The crime scene at Jennifer Hintlesham’s house. I began to flick dutifully through it as I had the previous one, but then I stopped. This looked completely different. It was a single photograph, it was a single scene, but I saw it in fragments: staring open eyes, wire around the neck, clothes ripped or slashed off, legs splayed, and something like a metal bar pushed into her, I couldn’t see into what bit of her. I threw the book down and ran to the sink. I got there just in time, vomit spluttering out of my mouth. My stomach heaved and heaved, painfully emptying itself. I looked down and it was almost funny. The sink was full of dirty dishes. Even dirtier dishes.
I washed my face in warm and cold water and then embarked on the most disgusting washing-up of my life, and I’m speaking as someone who shared a house with a girl and two boys at college. The activity made me feel steadier. I was able to walk back to the table and close the photograph album without looking at it.
I didn’t have much time. I would have to be selective. I rummaged through the files quickly, checking their contents. I saw plans of Zoe’s flat and Jennifer’s house. I skimmed through witnesses’ statements. They were so long, rambling, and diffuse that it was almost impossible to extract any sense from them. Zoe’s boyfriend, Fred, talked about the increasing fear she had felt and his efforts to calm her. Her friend, Louise, seemed distraught. She had been the one who had actually been sitting outside the flat in her car while Zoe had been strangled. The witness statements for Jennifer’s murder filled ten bulky files. I could do little more than identify the interviewees, mainly people who worked for her. The Hintleshams seemed to have been major employers.
I paid a little more attention to the pathologist’s reports on the two dead women. Zoe’s was much simpler: ligature strangulation with the belt of her dressing gown. There were some minor contusions, but these were only related to the force required to hold her down while she was strangled. Vaginal and anal swabs showed no sign of sexual assault.
The report on Jennifer’s death was far longer. I did nothing more than note details: ligature strangulation, a thin deep furrow on the neck consistent with the use of wire; incised wounds and stabbed wounds; blood splashes, pools, smears, trails; tearing of the perineum; a copious amount of urine. She’d pissed herself.
There was a fat file dealing with the analysis of the letters. They included photocopies of the letters sent to Zoe and Jennifer, and I read them with a macabre guilty sense that I was reading stolen love letters. But they
were
love letters, with their promises and their vows. And there was a drawing as well of a mutilated Zoe. Strangely, of all the horrors I saw that day, it was that vile, crude drawing that made me cry. It was the one that made me dwell on the crazed ingenuity that one person was putting into destroying another. I skimmed through the analysis of the documents. There had been attempts to associate the letters with people Zoe knew: her boyfriend, Fred; an ex-boyfriend; a real estate agent; a potential buyer of her flat. However, incised marks on the drawing (confirmed, a note added, by injuries inflicted on Jennifer Hintlesham) showed conclusively that the murderer was left-handed. The above suspects were all right-handed.
There were files of crime-scene reports on dust and fabric and hair and much else. Many of them were so technical that I couldn’t work out whether anything significant had been found. It didn’t look like it. There was a single-page summary report at the front, which was copied to Links, Cameron, and other members of the murder inquiry. What was clearly stated was that no significant links had been found among the forensic traces recovered from the two murder scenes. The hair and fiber samples found on the clothes that the dead Zoe was wearing, and also found on the carpet, bedclothes, and other items of clothing, were only those of the recent inhabitants of the flat: namely her boyfriend, Fred, and Zoe herself. The hair and fiber analysis of the Jennifer Hintlesham crime scene was more complicated. There were numerous unidentified samples due to the sheer number of people who had been on the premises. There was, however, no forensic link between the two scenes, apart from Jenny’s locket found in Zoe’s flat, and Zoe’s photograph found in Jenny’s house. More awful news.
I also read through a bundle of internal memos, which outlined the various stages of the inquiry, including the result of an informal internal inquiry that was marked “Most Secret.” It was there I learned that Jennifer Hintlesham’s guard had been removed because her husband, Clive, was in the process of being charged with the murder of Zoe Haratounian. What a fuck-up.
Just as I was about to call Cameron back I started flicking through a routine-looking file. It consisted of rosters, minutes of meetings, holiday assignments. But then at the bottom a photocopied memo caught my eye. It was from Links to a Dr. Michael Griffen, with copies to Stadler, Grace Schilling, Lynne, and a dozen other names I didn’t recognize. It began by apparently responding to a complaint by Dr. Griffen that the two murder scenes, especially in the flat of Zoe Haratounian, had been compromised by faulty procedures by the first officers on the scene:
I will make every effort to ensure that the scene of any future scene will be swiftly and effectively sealed. I realize that in all probability, and in no small part because of the practical difficulties of personal protection, the solution of this case will lie in the hands of the forensic scientists and we will furnish you with all possible cooperation.
I shouted for Cameron and he was in the room in a few seconds. Had he been watching through the window? What did it matter?
“Look,” I said, handing him the note. “ ‘Any future scene.’ Not exactly a vote of confidence in your own abilities.”
He looked at it, then replaced it in the file.
“You asked to see the files,” he said. “Obviously we have to plan for every eventuality.”
“Maybe it looks different from where I’m standing,” I said. “That’s me: any future scene. Me.”
“So what did you think?”
“It was horrible,” I said. “And I’m glad I know.”
Cameron started gathering up the files, putting them in boxes, cramming them into the briefcases.
“We’re not very alike,” I said.
He paused.
“What?”
“I thought we’d all be the same type. I know it’s hard to tell from photos and a few particulars, but we seem completely different. Zoe was younger, sweeter than me, I bet. Also, she had a real job. And as for Jennifer, she looks like a member of the royal family. I don’t think she’d have had much time for
me
.”
“Maybe not,” said Stadler wistfully, and at that moment I felt a stab of jealousy. He’d seen her, talked to her. He knew what her voice sounded like. He had seen her funny little gestures, the sort that would never get written down on a form.
“You’re all small,” he said.
“What?”
“You’re all short and light,” he said. “And you live in north London.”
“So that’s where you’ve got to,” I said. “Nearly six weeks and two women dead and you know that this murderer doesn’t choose six-foot bodybuilders and he doesn’t choose women who live randomly all over the world.”